quête:styx
- A1: The Sloths - Makin' Love
- A2: The Poor Souls - I'll Be Around
- A3: Trans Atlantic Train - You're Bringing Me Down
- A4: Living Children - Crystalize Your Mind
- A5: The Shillings - I'm Over You
- A6: The Dutch Masters - In My Way
- A7: Rear Exit - Excitation
- A8: The Others - I'm In Need
- A9: Butch Engle & The Styx - No Matter What You Say
- B1: The Mourning Reign - Satisfaction Guaranteed
- B2: Beaver & The Trappers - Happiness Is Havin
- B3: The Soul Owners - I'll Cry
- B4: The Mourning Reign - Our Fate
- B5: The Pullice - I'm A Lover Not A Fighter
- B6: The Chimney Sweeps - I'll Get My Way
- B7: The Second Helping - Let Me In
- B8: The Daisy Chain - Final Hour
Magic spells, time-traveling futurists, sword-bearing horse riders, mountain-residing sorcerers, possessed journeyman,
ominous warnings: Demons and Wizards lives up to its title as a collection of fantasy-based narratives rooted in dreamy,
gothic-minded arrangements. Universally recognized as the finest effort of Uriah Heep's four-decade-plus career, the 1972
LP also perseveres as a prog-rock landmark that influenced countless of bands ranging from Metallica to Styx. And now, it
sounds better than ever on this extremely cool green-vinyl gatefold pressing from Wax Cathedral.
The first album on which founding members Mick Box, Ken Hensley, and David Byron are joined by staple drummer Lee
Kerslake, Demons and Wizards captivates by way of taut songwriting and instrumental execution. Rather than function
as the primary attraction, make-believe lyrical themes augment a formidable assembly of folk-derived melodies, sharp
medleys, and powerful hooks. Acoustic guitars weave webs of finite textures through which crackling, church-like organ
passages and space-conscious bass lines maneuver. Songs come across with an ethereal, powerful feel.
Glowing with old-fashioned tube-amp warmth, concise and punchy fare like 'The Wizard,' 'Traveler In Time,' and the hit
'Easy Livin'' touch upon garage-rock basics. Epics such as 'Circle of Hands' and 'Paradise/The Spell'—a multi-part sonic
excursion whose choral grace and spiritual glide evoke distant lands, misty cloud forests, and peaceful eternities—cling to
a sensitivity underscored by deft piano touches. No wonder Uriah Heep spent the remainder of its lifespan trying to again
capture such a balance.
- A1: The Oath In Felghana ~ Omen = Styx =
- A2: Trading Town Of Redmont
- A3: Quiet Moments
- A4: Prelude To The Adventure
- A5: The Boy's Got Wings
- A6: Be Careful
- A7: Raven Beast
- B1: Illburns Ruins
- B2: A Searing Struggle
- B3: Snare Of Darkness
- B4: Lightning Of The Grim Reaper
- B5: Quickening Dream
- B6: Steeling The Will To Fight
- C1: Tearful Twilight
- C2: Valestein Castle
- C3: Sealed Time
- C4: Believe In My Heart
- C5: The Beat Of Destruction
- D1: Tower Of Destiny
- D2: The Strongest Ennemy
- D3: Farewell ~Dear My Brother~
- D4: Morning Of Departure
- D5: Wanderers From Ys
- D6: Key Of The Light
- E2: Omen =Styx= (Opening)
- E3: Trading Town Of Redmont (Town)
- E4: Quiet Moments (Private House/Inn)
- E5: Prelude To Adventure (Map Select)
- 6: The Boy's Got Wings (Stage Entrance)
- E7: Be Careful (Tigray Quarry)
- E8: Raven Beast (Medium Boss)
- E9: Illburns Ruins (Ruins - Above Ground)
- E10: A Searing Struggle (Ruins - Lava Area)
- E11: Snare Of Darkness (Tigray Quarry)
- E12: Steeling The Will To Fight (Eldern Mountain)
- E13: Lightning Of The Grim Reaper (Stage Boss)
- F1: Valestein Castle (Valestein Castle)
- F2: Key Of The Light (Valestein Castle - Place Of Worship)
- F3: Sealed Time (Valestein Castle - Clock Tower)
- F4: The Beat Of Destruction (Galvaran Island)
- F5: Tower Of Destiny (Galbalan Island - Top Floor)
- F6: Behold!! (Galvaran's Threat)
- F7: Morning Of Departure (Town - Ending)
- F8: Wanderers From Ys (Ending)
- D7: Dancing On The Road (Unused Music)
- E1: Dancing On The Road (User Disc Creation)
This is the Soundtrack of Ys: the Oath in Felghana, the gorgeous A-RPG by Nihon Falcom! Composed & arranged by the Falcom Sound Team jdk, Ys: The Oath in Felghana is the acclaimed remake of Ys III: Wanderers from Ys. which soundtrack is also included in this release!
We met Franck Vigroux for the first time years ago at Berlin's Berghain during a soundcheck. At that time he performed with Mika Vainio, with whom Vigroux often worked together.
The first track on »Ballades sur lac gelé« dates back to that time. It was created under the impression of this collaboration and friendship with Mika Vainio. This album is dedicated to him.
Vainio's oeuvre is also significant in connection with the history of raster, so it was only logical and our wish to release this album by Franck Vigroux.
With the beginning of the corona pandemic, Franck Vigroux took up this early material again, he continued to formulate it and completed the present album »Ballades sur lac gelé«. The title already defines the theme of the ballad, a "song/poem with very minimal structures" (quote Vigroux).
"Ballade" is also a play on words with the French word "balade", in this sense a ramble, a ramble over a frozen lake. The reduced, cool structures reflect this. But at the same time, under the surface, the (often distorted) sound carpets steadily increase to immense power. Like ice that grows and tectonic forces that have to erupt, glacier-like.
Vigroux is very skilled at creating music in this minimalist setting. The intertwining of very few musical elements creates a kind of soundtrack that is multi-layered and at the same time universally intelligible.
»Ballades sur lac gelé« will be released on June 26th, 2020 as a digital pre-release exclusively on our sites. The physical formats, i.e. CD and vinyl, can be pre-ordered. The official worldwide release date will be announced at a later point in time.
404 is a young collective based in Paris of 4 very different guys making music together. Last year they released a debut mini LP on Dusseldorf label Candomble and started performing live at Concrete and other prominent venues. This is their second release ever. Dark, improvised, smokey, claustrophobic techno of the highest psychedelic grade, bringing together elements of the « slow techno » sound, industrial textures and dub.
May not know Maedon, the artist formerly known as pulsewidthmod, but you will soon; she has been pulverizing select dance floors with live sets since her arrival in Brooklyn late summer of 2018. Shrouded in mystery, there is one thing known about her, she’s a wizard with the hardware driven by some fierce passion for the music.
After having toured across the country on her own, she released a 12″ EP with the highly-respected Detroit Underground. Now she is ready to bring her work to the next level with a hard-hitting EP that epitomizes her sound on Adam X’s legendary Sonic Groove label. The label, of course, is known for delivering some of the hardest and intricate records in EBM and industrial, having releases from Rebekah, Dasha Rush, and Orphx.
Against His Will opens with the uncompromising ‘Illusion’ and its all-out destructive energy. Industrious and unforgiving synths dominate this cut, while a riff shifts in and out of chaos. The unrelenting percussion almost calls out like demons, as if you’re making your way down the river Styx, but instead of a boat, you’re on a mechanical conveyor belt.
Tasked with the difficult job of following that opener is ‘Limited Hangout’ which ends up proving as powerful as the first. A bit more punchy, this track has more body to it, the percussion is enchanting, and through all the chaos you will be dancing and stomping.
Next up is ‘Special Report’ in an attempt to tame and focus the disarray. The track has less overall unpredictable texture, and more EBM flared body banging beats. Still an absolute powerhouse, it uses door-pounding percussion to drive it along with modulated synths and riffs generating a menacing presence.
‘Alchemy’ brings the proceedings to a close. The textured cut is a slow down to things. Well-thought-out and more EBM than industrial, it demonstrates Maedon’s dynamic range of skills. Rhythmic drum patterns sway the beat while swirling and electric modulations percolate and oscillate throughout. The dark stabs evoke an underground feel, and although the track evokes smokestacks and assembly lines, it is inherently primal.









