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Michael Garrick - Late Autumn Sunshine (2x12")
  • 1: Sons Of Art
  • 2: River Running
  • 3: Lime Blossom
  • 4: Galilee
  • 5: Robin's Rest
  • 6: Songs Of The Ainur
  • 7: Return Of An Angel
  • 8: Late Autumn Sunshine

The album is made up of two sessions recorded for BBC Radio 1 at Maida Vale Studios, from 1973 and 1978 that feature vocalist Norma Winstone, trumpeter Henry Lowther, saxophonists Art Themen, Tony Coe and Alan Wakeman, trombonist David Horler, bassists Dave Green and Jeff Clyne, and drummers Trevor Tomkins and John Marshall. The material, all composed by Garrick, includes some favourites from the classic LPs 'Troppo' and 'October Woman'. He wouldn't record the tracks "River Running" and "Galilee" until decades later, so this is the first time these '70s arrangements have been released. Whereas "Robin's Rest" and the title track are exclusive to this album - providing a fascinating insight into this uniquely talented artist.

Garrick was at the forefront of British jazz from the mid-1960s until his death in 2011 aged 78. He was a key member of The Don Rendell / Ian Carr Quintet, composing the jazz gems "Dusk Fire and "Black Marigolds" and released a series of seminal 1960s and 1970s LPs including 'Cold Mountain', 'The Heart is a Lotus' and 'Black Marigolds'. Remastered by Caspar Sutton-Jones @ Gearbox Records, 'Late Autumn Sunshine' is available as a 2LP set housed in a gatefold sleeve (a limited edition of 600 copies) and 'mini-LP' gatefold CD, with sleeve notes by Daniel Spicer (Jazzwise, The Wire). 'Late Autumn Sunshine' celebrates Michael Garrick's memory and should introduce him to many new fans.

pre-order now12.12.2025

expected to be published on 12.12.2025

31,89
Jamiroquai - High Times - Tour Edition LP 2x12"

2LP 140g col vinyl


»High Times – Singles 1992–2006« erschien 2006, erreichte Platz 1 der Charts und wurde mit Dreifach-Platin ausgezeichnet. Die Tour Edition 2025 erscheint als stahlfarbenes Doppel-Vinyl mit Kunstdruck, Booklet und einem von fünf zufällig beigelegten Sammler-Laminaten mit dem Buffalo-Man-Icon.

Das Album umfasst 20 Songs, darunter den Nummer-1-Hit »Deeper Underground«, sieben weitere Top-10-Titel wie »Virtual Insanity«, »Cosmic Girl« und »Canned Heat« sowie weitere bekannte Singles wie »Seven Days in Sunny June« und »Space Cowboy« viele davon feste Bestandteile der aktuellen Live-Shows.

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31,05

Last In: 5 months ago
Skinshape & The Horus All Stars - Skinshape X Horus LP
  • 1: Bettina
  • 2: Looky Looky (Ft. Winston Reedy)
  • 3: N’téro (Ft. Modou Touré)
  • 4: Interstellar
  • 5: Here On Earth
  • 6: Act Like You Know (Ft. Andy Platts)
  • 7: Theme For Horus
  • 8: Stormy Night
  • 9: The River Effra
  • 10: God Of The Sun

Will Dorey (aka Skinshape) and Ben Bell founded Horus Records in 2013, driven by a shared passion for vintage Jamaican music. Originally launched as a reissue label focusing on rare and hard-to-find reggae gems, Horus has since evolved into a space for original studio productions rooted in the rich traditions of 60s and 70s Jamaican reggae and dub.

Lifelong collaborators and friends, Will and Ben have been making music together for over two decades. Their deep connection to the genre has led to long-standing relationships with many of reggae’s most respected musicians, several of whom contribute to their latest studio album. This new release is a fully analogue reggae/dub studio album, showcasing the duo’s production craft and featuring guest vocalists Andy Platts, Modou Touré, and Winston Reedy. Blending classic influences with fresh interpretations, the album includes original compositions alongside inspired covers, such as a distinctive reggae reworking of the Interstellar theme tune.

Outside of the studio, Ben Bell is co-owner of Lion Vibes Record Shop, one of London's leading reggae specialists, while Skinshape continues to push sonic boundaries from the same studio, known for his unique cross-genre productions spanning funk, psych, soul, and more.

pre-order now12.12.2025

expected to be published on 12.12.2025

27,94
World Party - Bang! LP

World Party

Bang! LP

12inch8704657498
Seaview
12.12.2025
  • A1: Kingdom Come
  • A2: Is It Like Today?
  • A3: What Is Love All About?
  • A4: And God Said
  • A5: Give It All Away
  • B1: Sooner Or Later
  • B2: Hollywood
  • B3: Radio Days
  • B4: Rescue Me
  • B5: Sunshine
  • B6: All I Gave

White Vinyl Repress

World Party was a musical group, predominantly the solo project of its sole consistent member, the songwriter, producer and multi-instrumentalist Karl Wallinger. Wallinger started the band in 1986 in London after leaving the Waterboys.

Featuring the #2 most downloaded/ streamed hit Is It Like Today?, small limited runs of each World Party album (5 total) will be pressed on white vinyl, with the run marketed as “The White Albums”, cheekily referring to Karl’s re-recording of The Beatles and his fans eternal quest to hear them.

pre-order now12.12.2025

expected to be published on 12.12.2025

24,79
Original Soundtrack - Outlander: Blood Of My Blood LP
  • A1: Blood Of My Blood - For My Love That's Lost (Feat. Julie Fowlis)
  • A2: The Ellen And Brian Theme (Feat. Julie Fowlis)
  • A3: The Julia And Henry Theme
  • A4: Sun Rising On The Flagstone (Feat. Julie Fowlis)
  • A5: We Two Might Be One
  • A6: Leave A Mark
  • B1: Jacobite Meeting Adjourned
  • B2: The War Chieftain
  • B3: Raindrop Becoming An Ocean
  • B4: The Stone Of Destiny
  • B5: Needfire
  • B6: My Heart Has Changed
  • B7: A Destiny Of Our Own Making

Score composed by Emmy Award-winning composer Bear McCreary

The soundtrack to the first season of Outlander: Blood of my Blood, serving as a prequel to the long-running fantasy TV series Outlander

Limited edition on translucent red coloured vinyl

Emmy Award-winning composer Bear McCreary returns to the Outlander universe for another score, this time for the spin-off Blood of my Blood.

This next chapter in the time traveller’s saga premiered in August 2025 and serves as a prequel to the critically acclaimed Outlander series.

Outlander: Blood of my Blood is available as a limited edition on translucent red coloured vinyl and includes an insert.

pre-order now12.12.2025

expected to be published on 12.12.2025

34,87
Richie Havens - Alarm Clock LP
  • 1: Here Comes The Sun
  • 2: To Give All Your Love Away
  • 3: Younger Men Grow Older
  • 4: Girls Don't Run Away
  • 5: End Of The Seasons
  • 6: Nobody Knows
  • 7: Some Will Wait
  • 8: Patient Lady
  • 9: Missing Train
  • 10: Alarm Clock
  • 11: Military Madness

Recorded amidst the Vietnam War's turmoil and the tragic Kent State shootings of 1970, Alarm Clock was Havens' urgent wake- up call to a generation - a powerful warning against an overreaching government. This reissue includes two never- before- released tracks: ' Nobody Knows', recorded during the same sessions, and a deeply moving rendition of Graham Nash's 'Military Madness'. A testament to Havens' artistic integrity and commitment to social justice, Alarm Clock remains a timeless masterpiece. "Alarm Clock was just as the title suggested: a warning. It was also one of the few times I have used a song's title to name one of my albums.

Alarm Clock was being made in the context of the Vietnam War that was still raging. Four students protesting the war had been shot dead in May 1970 on the Kent State University campus in Ohio. Large crowds were gathering in many cities, pleading for the end to America's involvement, but the administration did not care about anything the public seemed to feel. The war would go on, regardless of public sentiment. We were seeing our government step way over bounds. Alarm Clock felt like a warning to awaken." - Richie Havens

pre-order now12.12.2025

expected to be published on 12.12.2025

38,24
MELANIE PAIN - HOW AND WHY
  • Bluer Than Blue
  • Magnolia
  • Dreamloop
  • How And Why
  • Colours In The Dark
  • Senden Daha Güzel
  • The Bare Truth Of Me
  • Cold Hands Feat. Brian Lopez
  • We Were Kids
  • Same

The iconic voice of Nouvelle Vague for 20 years, Mélanie Pain continues her unique solo career, blendingpop, folk, and intimate poetry.After three albums acclaimed for their delicacy, she returns with How and Why, a luminous and stripped-down fourth opus. Raw folk music centered on acoustic guitar, without artifice-and that unique voice: soft, deep, elegant. Recorded live with her long-time musicians, the album draws inspiration from Kings of Convenience, Iron & Wine, and Emilíana Torrini. Nine tracks in English, ranging from emotion to melancholy to rebirth, featuring a hypnotic duet with Brian Lopez (Calexico) and a sensual cover of Duman in Turkish. A sunny and peaceful album, the perfect showcase for Mélanie"s voice and words.

pre-order now12.12.2025

expected to be published on 12.12.2025

27,31
THE HEADLINES / SATOR - SPLIT EP

THE HEADLINES / SATOR

SPLIT EP

12inchSBLPSYB272
Sunny Bastards
12.12.2025
  • Fucked Up
  • Thanks For Nothing At All
  • I Only Want A Date
  • True Grit

Erstpressung ausverkauft, Nachpressung (schwarzes Vinyl und neue Farbe) wegen großer Nachfrage! Das schwedische Punkrock-Urgestein SATOR veröffentlicht mit den High (Rock'n) Rollern und Punkrockern THE HEADLINES eine Split EP: Eine längst fällige Herzens- und Freundschaftsangelegenheit! Schließlich war es Sator-Bandgründer Chips Kiesbye, der vor mehr als 15 Jahren das musikalische Potential und die wilde, ungestüme Power von The Headlines erkannte. Es folgten Supportshows und bis heute produziert und supportet Chips die Band im Studio. Die jeweils zwei exklusiven Songs der Bands auf der limitierten 10inch Vinyl spannen dabei den Bogen von Hard Rock, Sleaze, Glam bis straight forward Punkrock. The Headlines kehren mit "Fucked up" zu der klassischen Rock-Essence zurück, rotzig-frech verpackt in 2 Minuten mit allem was es braucht, um eine "fuckin great hymn" zu schreiben! "True Grit" - der zweite Song" orientiert sich mit melodischen Punkrock an den US-Westcoast Style: "Remember what you're fighting for!" The Headlines liebten es schon immer Gedanken über das Leben, die jeder kennt in griffige Rocksongs zu verpacken. SATOR präsentieren mit "Thanks (For nothing for all) einen vor langer Zeit geschriebenen wütenden Dampfhammer, der als Demo in den Bandarchiven irgendwie in Vergessenheit geriet. Während der Aufnahmen zu "Return of The Barbie-Q-Killers" stoplerte die Band über dieses Juwel und wurde neu aufgenommen. "Wir können uns nicht wirklich erinnern, worüber wir beim Schreiben wütend waren, aber es gibt immer etwas, das einen nervt. Wut ist nie aus der Mode." "I only want a date" wurde ebenfalls im Rahmen der Studio-Sessions für das letzte Sator-Album aufgenommen und ist ein Coversong der US-Band "The Embarrassment", die den gesuchten Song 1984 nur auf Tape veröffentlichten. Die 10inch EP erscheint streng limitiert in klassisch schwarzen oder blauen oder in limitierten zweifarbigen Swirl Vinyl und dürfte sich schnell als Sammlerstück etablieren. Swedish Alternative Rock at its best!

pre-order now12.12.2025

expected to be published on 12.12.2025

13,40
2Beshlag - Jamais 4 Sans 5
out of Stock

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24,16

Last In: 5 months ago
Fuzz - Fuzz's Fourth Dream 2X12
  • A1: This Time I’ve Got A Reason
  • A2: Fuzz’s Fourth Dream
  • A3: Sleigh Ride
  • A4: You Won’t See Me
  • A5: Rich Man, Poor Man
  • A6: What’s In My Head (Demo)
  • A7: Sunderberry Dream
  • A8 21: St Century Schizoid Man
  • A9: ’Til The End Of The Day
  • A10: I Just Want Your Everything
  • A11: Spit (Demo)
  • A12: Red Flag (Demo)
  • A13: Rat Race (Demo)
  • A14: Loose Sutures (Demo)
  • A15: Pipe (Demo)
  • A16: Time Collapse (Demo)
  • A17: The 7Th Terror (Demo)
  • A18: Jack The Maggot (Demo)
  • A19: The Preacher (Demo)
  • A20: Let It Live (Demo)
  • A21: Bringer Of Light (Demo)
  • A22: Say Hello (Demo)
pre-order now12.12.2025

expected to be published on 12.12.2025

41,13
Gilles Peterson & Stuart Baker - Freedom, Rhythm & Sound CHAPTER TWO: Revolutionary Jazz Cover Art

Freedom, Rhythm and Sound showcases the stunning graphic works of independently published jazz record cover designs in the 1960s, 70s, 80s and beyond, from radical jazz musicians such as Sun Ra, John Coltrane, Pharoah Sanders, The Art Ensemble of Chicago and others. This second Freedom, Rhythm and Sound book is a new ‘chapter’, featuring hundreds more unique, rare and beautiful jazz record cover designs.

This book documents the continued development in jazz as African-American artists set out on new journeys to enlightenment, heading out into Europe at the end of the 1960s. The artwork of these (often self-produced) record cover designs during this era reflected their radical agenda, spiritual awareness and singular search for musical and personal freedoms. From raw, DIY aesthetics to lyrical and poetic illustrations, sometimes containing futuristic worlds and ancient landscapes, the designs are always bold, strikingly graphic, and most importantly capture the spirit of the music, giving them a unique beauty. The book also includes sections on African-American poets and writers, Civil Rights and Black Power Movement leaders (Martin Luther King, Malcolm X) and early musical pioneers (Yusef Lateef, Max Roach, Art Blakey and others), all of which helped influence and shape the world of radical and spiritual jazz from the 1960s and onwards to its rebirth today. Since the 1980s, Gilles Peterson has been a pivotal figure in the club scene, renowned for his genre-defying approach to music with jazz at its core. As one of the UK’s most iconic DJs, he has spent over 40 years shaping music trends as a radio presenter, club DJ, producer, and festival curator.

He hosts a flagship show on BBC Radio 6 Music and, in 2016, launched Worldwide FM. He is founder of the Worldwide Festival in the South of France and We Out Here festival in the UK. He runs the label Brownswood Recordings, dedicated to discovering and promoting new talent and bringing fresh voices to the global stage. Stuart Baker founded Soul Jazz Records in 1992. For more than 30 years the record company has released over 500 records covering a genre-defying array of non-mainstream musical worlds – Jazz, Reggae, Punk, Latin, Brazilian, Disco, African, Gospel, Acid House and more.

In 2017, part of Stuart Baker’s jazz record collection (much of which appears in Freedom, Rhythm and Sound) was featured and displayed as part of the Soul of a Nation: Art in the Age of Black Power exhibition at Tate Modern in London, and subsequently at The Broad in Los Angeles (2019) and Brooklyn Museum (2019). Soul Jazz Books launched in 2007, a similarly diverse and critically acclaimed publishing house with graphic art, culture and photography titles that include ‘Voguing and The House Ballroom Scene of New York’, ‘Dancehall – The Rise of Jamaican Dancehall Culture’, ‘Yo! The Early Days of Hip-Hop’, ‘Freedom, Rhythm and Sound – Revolutionary Jazz Cover Art 1965-83’, ‘Punk 45 – The Singles Cover Art of Punk 1976-80’ and others. Reviews of the first Freedom, Rhythm and Sound: “A remarkable book” The New Yorker “If there can be such a thing as a revolutionary coffee table book, Freedom Rhythm & Sound is it―a chance to wallow in the Afrocentric visual language of the non-mainstream black jazz vinyl of this extraordinary fertile and creative period.” Eye “Like the uncompromising music they represent, all the covers broadcast a sense of bold, brazen ideology” Pitchfork “A definitive account of a complex passage of cultural upheaval.” The Independent “For decades, no one was sure how to refer to this extraordinary music.

Calling it ‘fire music’ does justice to its incandescent spirit, still burning from the pages of a book that preserves the memory of a special time.” The Guardian “These sleeves are the original independent legacy to America’s premier art form – Jazz. In terms of African-American cultural expression they are part of a long line of thought that was charged in the 1960s by John Coltrane, Martin Luther King, Ornette Coleman, Malcolm X and others” The Wire “A hefty compendium of radical jazz cover art” Mojo

out of Stock

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34,87

Last In: 57 days ago
Detraex Corp - Live at Pompeii

Detraex Corp

Live at Pompeii

12inchSGM010
Sagome
11.12.2025

“Detraex Corp arrives on Sagome to deliver a heady journey through experimental rhythm and dub-informed weight and release with their new album Live at Pompeii. The album, much like its Carlo Gabriele Tribbioli created artwork, represents a journey, a collection of sounds and emotions, sequenced to share with us, the listener, a variety of experience, and of memory, which are at once familiar and other.
"Live at Pompeii sets things off with the tone-setting Tykes of, where frazzled, shuffling drums meet sub bass weight and ketamine oud, sounding something like Wordsound’s Scarab leaving the 90s and entering the future. Tombaroli invites the head nods, clearly communicating the album’s intentions and inviting us to that party under that out-of-town bridge with its insistent percussion and pulsing weight.
"Other tracks, such as Bullet Holes, carry us further into a psychedelic alternative, with its lysergic fever-dream soundtrack to an unnamed mediterranean plaza, and No Minus’s sounding like a nascent, primitive distant cousin to Jeru’s Premier-produced Come Clean.
"Channel 83 firmly returns us to the club, weaving mystical soundsystem magic with its stunted horns and swirl of voice, driven forward with the most chest-rattling of stomps, before the album enters its finale, where the grimey judder of Expect Excerpt slides to a bleary-eyed half-speed, evoking the club which won’t let you leave.
"Mount Point eventually provides that release, an early morning sunrise of a track, with rich, slow trudge and post-club shimmer, before Landings Dub signals the end of the journey, a metallic elegy to what has preceded, and a contemplation of your upcoming repeat listen, and re-entry, to the world of Detraex Corp.”

Words by Daniel Magee
Music by Detraex Corp
Mastered by Giuseppe Ielasi
Artwork and Layout by Carlo Gabriele Tribbioli

out of Stock

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23,11

Last In: 3 months ago
Colin Curtis - Jazz Dance Fusion Volume 4 (2x12") Part 1

Colin Curtis is back! with another finely curated selection of the best Jazz Dance Fusion records he could find. Volume 4 reflects a combination of new music unreleased music and tracks that have never been on vinyl before or not attained the recognition they deserve. Packed with great Jazz Dance music from the UK and all around the world. The whole purpose of these compilations is to introduce you to fantastic talent and allow you to then go and explore all their works and keep this movement moving!

With brand new & exclusive releases, extremely rare tracks and many only available on Vinyl for the first time from Brazil, Cuba, Japan, Italy, USA, UK and beyond. Showcasing another insight into Colin Curtis's world of Jazz Dance Fusion and highlighting the sheer diversity & talent on offer from Vocal Jazz, Salsa, Latin Spoken Word to Sambas & Fusion, It’s all Here!

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23,32

Last In: 19 months ago
Clint Jackson III, Byard Lancaster - Mother Africa

At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.



In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of… Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.



A few months after recording “Us”, Lancaster recorded “Mother Africa” along with Clint Jackson III, a trumpeter, partner of Khan Jamal or Noah Howard on other recordings.

On march 8th, 1974, Lancaster and Jackson headed up a group composed of Jean-François Catoire (electric and double bass), Keno Speller (percussion) and Jonathan Dickinson (drums).


Together, they create an immediate impression. From the first seconds of “We The Blessed”, they develop a free jazz which rapidly abandons any virulence under the effect of blues and soul based interventions.

When Gilson’s composition “Mother Africa” begins, listeners are transported into the studio, listening to the musicians setting up: chatting and joking… Then comes the melody: a dozen or so notes of a repeated theme which is accelerated and deformed according to their whims… The jazz played by the association Byard Lancaster / Clint Jackson III is rare: creative AND recreational. “We the blessed”, is apt listening to this again today!

This CD edition contains a bonus track, the magnificent “Love Always” that was originally released on the fourth (and last) volume of the Jef Gilson Anthology series released in 1975.


Recorded on 8th March 1974, it is a beautiful 15-minute-long modal jazz piece. Four notes from the bass (the relentless Jean-François Catoire, who makes up the rhythm section alongside drummer Jonathan Dickinson and percussionist Keno Speller), and the group is up and running!

On piano, Gilson shows the subtle tact of a sideman, leaving the lions’ share of the place to the horns. This allows us to hear the trumpet of Clint Jackson III and the alto (which sometimes sounds almost flute-like) of Byard Lancaster each staking their claim in a long hallucinatory march which moves from moments of direct exaltation to profoundly sensitive collective playing.

pre-order now05.12.2025

expected to be published on 05.12.2025

26,47
Byard Lancaster, Steve Mc Call & Sylvin Marc - Us

At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.



In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of… Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib. “Us”, the first of the four records was recorded on November 24th, 1973 with Sylvin Marc on electric bass (a Fender… Lancaster?) and the evergreen Steve McCall on drums.


On the album, the trio works from the John Coltrane model; free jazz shook up by the timely contributions of the bassist, followed by a mesmerizing atmospheric music. Then, Lancaster delivers a sinuous solo path, which is a reminder of his unique tone. On the album’s companion single, the trio launches into great black music of a different genre which would lead the clairvoyant François Tusques to claim that Byard Lancaster is an “authentic representative of soul/free jazz”, to sum up this is Great Black Music!
crédits

pre-order now05.12.2025

expected to be published on 05.12.2025

26,01
Lack Of Afro - Press On LP
  • A1: Intro
  • A2: The Outsider
  • A3: Rusty
  • A4: Touch My Soul (Feat. Steve Marriot)
  • A5: For You
  • A6: Pure Filth
  • B1: Wait A Minute
  • B2: Live At The Club
  • B3: Mongrel Strut
  • B4: When The Sun Goes Down
  • B5: Roderigo
  • B6: Where It's At

180g Orange Vinyl LP

Lack Of Afro feiert das 15-jährige Jubiläum seines bahnbrechenden Debüts ""Press On"" mit einer neuen LP-Edition auf orangefarbigem 180g Vinyl im Gatefold samt 8-seitigem Booklet mit Linernotes von Radio-DJ Craig Charles (BBC 6Music) und Bassist Damon Minchella (Paul Weller, Richard Ashcroft, Ocean Colour Scene), einer Track-by-Track-Anleitung von Adam Gibbons selbst sowie unveröffentlichten Sessionfotos. Ein Album, das jede Tanzfläche zum Kochen bringt - mit den Cut-Up-Jazz-Drums von ""Rodrigo"", dem groove-geladen-mitreißenden ""The Outsider"" oder dem ultra-heavy Arctic Monkeys-Cover ""When The Sun Goes Down"". ""A musical brother...and I only f*ck with the best!"" - Madlib

pre-order now05.12.2025

expected to be published on 05.12.2025

31,05
Uada - REPRESS ON SILVER VINYL - BACK IN THE RACKS LP
  • 1: The Purging Fire
  • 2: Snakes & Vultures
  • 3: Cult Of A Dying Sun
  • 4: The Wanderer
  • 5: Blood Sand Ash
  • 6: Sphere (Imprisonment)
  • 7: Mirrors
  • 8: Blank

On their sophomore full- length, "Cult of a Dying Sun", Uada expand their scope and range of hypnotic craft. Balancing sharp riffs with spectral melodies in a manifold of haunting yet distinctive black metal dirges. A sharp spear in the heart of the brightest star. Epic, atmospheric, deadly

pre-order now05.12.2025

expected to be published on 05.12.2025

46,18
HAPPY MONDAYS - The Factory Singles LP 2x12"
  • A1: Delightful 3:38:00
  • A2: Freaky Dancin' 3:42:00 7" Edit
  • A3: Tart Tart 4:18:00
  • A4 24: Hour Party People 3:20:00 Radio Edit
  • A5: Wrote For Luck 3:41:00 7" Edit 18:39:00
  • B1: Lazyitis - One Armed Boxer (With Karl Denver) 3:53:00
  • B2: Hallelujah 3:46:00 Oakenfold 7" Edit
  • B3: Step On 4:20:00 7" Edit
  • B4: Kinky Afro 3:58:00 Radio Edit
  • B5: Loose Fit 3:46:00 Radio Edit 19:43:00
  • C1: Judge Fudge 3:58:00 7" Edit
  • C2: Stinkin' Thinkin' 4:18:00 Hague 7
  • C3: Sunshine & Love 3:23:00 7" Edit
  • C4: Angel 4:05:00 Edit 15:44:00
  • D1: Hallelujah (Club Mix) 6:29:00
  • D2: Step On (Twistin' My Melon Mix) 5:55:00
  • D3: W.f.l. (Think Abou The Future Mix) 7:05:00 19:29:00
also available

Yellow / Magenta Vinyl[32,73 €]


2025-2026 marks the 40th anniversary of the Happy Mondays, a milestone celebration of one of Britain's most iconic and era-defining bands.

To celebrate, London Records will launch a series of special anniversary releases, beginning with a fully remastered brand-new compilation: The Factory Singles. This definitive collection captures the band's ground-breaking output from 1985-1992, celebrating their pivotal role in shaping UK music culture. Classic remixes from Paul Oakenfold, Andrew Weatherall, Terry Farley and Jon Carter make up bonus tracks on the 2CD and 2LP.

The release will be available across multiple formats, appealing to collectors and fans alike.

Complementing the physical editions, a series of brand-new digital remixes will be unveiled from world-renowned artists Daniel Avery, Paul Oakenfold, Mella Dee, and Shadow Child and more, bridging the Mondays' legacy with today's electronic innovators, and a revisit from Paul Oakenfold.

This campaign marks the beginning of an extensive celebration of the Happy Mondays' 40-year legacy, bringing their iconic sound to both devoted fans and new generations

pre-order now05.12.2025

expected to be published on 05.12.2025

28,99
MARC AND THE MAMBAS - THREE BLACK NIGHTS OF LITTLE BLACK BITES LP 2x12"
  • My Former Self
  • Your Aura
  • The Animal In You
  • Black Heart
  • Narcissus
  • Gloomy Sunday
  • Vision
  • In My Room
  • The Bulls
  • Près Des Ramparts De Sévill
  • Catch A Fallen Star
  • Your Love Is A Lesion
  • Torment
  • Empty Eyes
  • Untitled
  • Angels
  • Caroline Says
  • First Time
  • Jacky

The complete recordings of the legendary Marc And The Mambas run of three live performances given at The Duke Of York's Theatre in London's West End in 1983. Restored from the original VHS tape recordings made by the late Peter 'Sleazy' Christopherson (Throbbing Gristle, Coil), these remain the only recordings that exist of Marc And The Mambas performing live. Originally released in 2012 on Marc Almond's (Soft Cell) own Strike Force Entertainment label as a CD/DVD set (long sold out), this edition, presented on vinyl for the first time, contains the 17 tracks from the SFE CD release, expanded to include the two bonus DVD-only tracks: 'Près Des Ramparts De Séville' and 'Jacky'. Completely remastered for vinyl by Martin Bowes (The Cage Studios). A combination of the chanson and torch songs which he still sings today, over piano, strings and woodwind-accompanied compositions. "It's quite a spectacle, especially when Almond hits his sweet spot of sinister lyrics, declared pompously over a droned string arrangement... Early signs of the full-on showtune and classical rearrangements that make up Almond's current albums are evident"(Record Collector). Presented on heavyweight double vinyl in a deluxe glossy gatefold sleeve featuring the extensive reminiscence by Marc Almond himself from the 2012 release. Also included is a reproduction of the 16-page programme printed for the three concerts in 1983. The stunning cover painting by Val Denham is exclusive to this release.

pre-order now05.12.2025

expected to be published on 05.12.2025

43,49
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