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The Beths - Expert In A Dying Field LP

REPRESS ON SILVER VINYL . COMES WITH 24”x24” POSTER + DOWNLOAD CARD + GATEFOLD JACKET.


On The Beths’ album Expert In A Dying Field, Elizabeth Stokes’ songwriting positions her somewhere between being a novelist and a documentarian. The songs collected here are autobiographical, but they’re also character sketches of relationships – platonic, familial, romantic – and more importantly, their aftermaths. The shapes and ghosts left in absences. The question that hangs in the air: what do you do with how intimately versed you’ve become in a person, once they’re gone from your life?

The third LP from the New Zealand quartet houses 12 jewels of tight, guitar-heavy songs that worm their way into your head, an incandescent collision of power-pop and skuzz. With Expert, The Beths wanted to make an album meant to be experienced live, for both the listeners and themselves. They wanted it to be fun -- to hear, to play -- in spite of the prickling anxiety throughout the lyrics, the fear of change and struggle to cope.

Most of Expert was recorded at guitarist Jonathan Pearce’s studio on Karangahape Road in Tāmaki Makaurau, Aotearoa (Auckland, New Zealand) -- and sometimes in the building's cavernous stairwell at 1am -- toward the end of 2021, until they were interrupted by a four-month national lockdown. They traded notes remotely for months, songwriting from afar and fleshing out the arrangements alone, the first time they’d written together in such a way. The following February, The Beths left the country for the first time in more than two years to tour across the US, and simultaneously finish mixing the album on the road. That latter half felt more collaborative, with everyone on-hand to trade notes in real time, until it all culminated in a chaotic three-day studio mad-dash in Los Angeles. There, Expert finally became the record they were hearing in their heads.

Expert is an extension of the same skuzzy palette the band has built across their catalog, pop hooks embedded in incisive indie rock. The album’s title track “Expert In A Dying Field” introduces the thesis for the record: “How does it feel to be an expert in a dying field? How do you know it’s over when you can’t let go?” Stokes asks. “Love is learned over time ‘til you’re an expert in a dying field.”

The rest is a capsule of The Beths’ most electrifying and exciting output, a sonic spectrum: “Your Side” is a forlorn and sincere love song, emotive; while “Silence is Golden,” with its propulsive drum line and stop-start staccato of a guitar line winding up and down, is one of the band’s sharpest and most driving. “When You Know You Know” skews a bit groovier, pure pop and a natural addition to the band’s live set. “Knees Deep” was written last minute, but yields one of the best guitar lines on Expert. There’s a certain chaos across the 12 tracks, the palpable joy of playing music with long-time friends colliding with the raw nerves of pain.

Stokes strings it all together through her singular songwriting lens, earnest and self-effacing, zeroing in on the granules of doubt and how they snowball. Did I do the wrong thing? Or did you? And are we still good people at the end of it? She isn’t interested in villains, but instead interested in just telling the story. That insecurity and thoughtfulness, translated into universality and understanding, has been the guiding light of The Beths’ output since 2016. In the face of pain, there’s no dwelling on internal anguish - instead, through The Beths’ music, our shortcomings are met with acceptance. And Expert In A Dying Field is the most tactile that tenderness has been.

Сделать предзаказ03.04.2026

он должен быть опубликован на 03.04.2026

21,43
Quinie - Forefowk, Mind Me LP

Quinie

Forefowk, Mind Me LP

12inchUTR171LPXB
Upset the Rhythm
03.04.2026out soon

The record is largely sung in Scots language, one of Scotland’s three official languages along with Gaelic and English. “Scots gives me a way of expressing myself which is connected directly with the landscapes I love. It brings the songs alive and it is a fascinating language. The name of the record is in Scots - Forefowk means the people who came before, or ancestors. When we say ‘mind me,’ we can mean a few things- remind, remember, watch over or care for me. The record explores how tradition needs to be constantly reconnected with, built upon, looked after, and shared.”
Quinie sings with a style inspired by Scottish Traveller singers. “I began singing unaccompanied Scots Song in 2015 after hearing Scots Traveller singer Sheila Stewart on the radio. Initially I felt like I shouldn't sing these songs because I'm not a Traveller, and I saw people around me doing that in a way that made me uncomfortable. But on the other hand this music made sense to me and I felt driven to learn. Over the years I have met Traveller friends who taught me that settled people sharing these songs could contribute to raising awareness. Scottish Travellers are marginalised and discriminated against in modern Scotland, despite being custodians of so many of our important traditions. So I started to perform them and tell this story. From there I built on my repertoire and started writing my own songs”.
To develop this record, Quinie travelled across Argyll with her horse. They went on a pilgrimage of sorts through the ancient landscapes of the West of Scotland to explore the interconnected relationships between people, ancestors, animals, and place. The album’s vinyl release is accompanied by a book and film, documenting this unusual research process.
Forefowk, Mind Me was recorded in August 2024 at The Big Shed in Highland Perthshire with support from Creative Scotland. Quinie is accompanied by an ensemble of musicians: Ailbhe Nic Oireachtaigh (viola), Oliver Pitt (duduk, bouzouki, percussion), Harry Górski-Brown (small pipes, violin), and Stevie Jones (double bass, recording, and mixing). Each of these artists brings their own distinctive voice, bridging contemporary experimental practice with worlds of traditional and early music.

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41,13
Quinie - Forefowk, Mind Me LP

The record is largely sung in Scots language, one of Scotland’s three official languages along with Gaelic and English. “Scots gives me a way of expressing myself which is connected directly with the landscapes I love. It brings the songs alive and it is a fascinating language. The name of the record is in Scots - Forefowk means the people who came before, or ancestors. When we say ‘mind me,’ we can mean a few things- remind, remember, watch over or care for me. The record explores how tradition needs to be constantly reconnected with, built upon, looked after, and shared.”
Quinie sings with a style inspired by Scottish Traveller singers. “I began singing unaccompanied Scots Song in 2015 after hearing Scots Traveller singer Sheila Stewart on the radio. Initially I felt like I shouldn't sing these songs because I'm not a Traveller, and I saw people around me doing that in a way that made me uncomfortable. But on the other hand this music made sense to me and I felt driven to learn. Over the years I have met Traveller friends who taught me that settled people sharing these songs could contribute to raising awareness. Scottish Travellers are marginalised and discriminated against in modern Scotland, despite being custodians of so many of our important traditions. So I started to perform them and tell this story. From there I built on my repertoire and started writing my own songs”.
To develop this record, Quinie travelled across Argyll with her horse. They went on a pilgrimage of sorts through the ancient landscapes of the West of Scotland to explore the interconnected relationships between people, ancestors, animals, and place. The album’s vinyl release is accompanied by a book and film, documenting this unusual research process.
Forefowk, Mind Me was recorded in August 2024 at The Big Shed in Highland Perthshire with support from Creative Scotland. Quinie is accompanied by an ensemble of musicians: Ailbhe Nic Oireachtaigh (viola), Oliver Pitt (duduk, bouzouki, percussion), Harry Górski-Brown (small pipes, violin), and Stevie Jones (double bass, recording, and mixing). Each of these artists brings their own distinctive voice, bridging contemporary experimental practice with worlds of traditional and early music.

Сделать предзаказ03.04.2026

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16,77
VARIOUS - BOSSA NOVA - VINTAGE SOUNDS
  • 1: Joao Gilberto - Chega De Saudade
  • 2: Stan Getz - Bim Bom
  • 3: Carlos Lyra - Ciúme
  • 4: Baden Powell - Improviso Em Bossa Nova
  • 5: Silvia Telles - Se É Tarde Me Perdoa
  • 6: Quincy Jones - Soul Bossa Nova
  • 7: Antônio Carlos Jobim - A Felicidade
  • 8: Charlie Byrd - Meditacao
  • 9: Ella Fitzgerald - Desafinado
  • 10: Joao Donato E Seu Trio - Muito A Vontade
  • 11: Maysa - O Barquinho
  • 12: Pery Ribeiro - Garota De Ipanema
  • 13: Orlandivo - Onde Anda O Meu Amor
  • 14: Grant Green - Brazil
  • 15: Laura Villa - Corcovado
  • 16: Luiz Bonfa - Luzes Do Rio

Mit der neuen Ausgabe der Vintage Sounds Vinyl Collection kehrt ein echter musikalischer Schatz zurück - diesmal ganz im Zeichen der Bossa Nova. Diese liebevoll kuratierte Zusammenstellung präsentiert 16 zeitlose Klassiker, die den unverwechselbaren Klang Brasiliens geprägt haben und bis heute weltweit für entspannten Groove und federleichte Eleganz stehen. Auf dem Album versammeln sich die wichtigsten Künstler einer Ära, die Musikgeschichte geschrieben hat: Joao Gilberto, Baden Powell, Silvia Telles, Quincy Jones und natürlich Antônio Carlos Jobim, dessen Kompositionen bis heute als Herzstück des Genres gelten. Freuen Sie sich auf unvergängliche Perlen wie "Chega De Saudade", "Garota De Ipanema", "Desafinado", "Corcovado", "A Felicidade", "Soul Bossa Nova", "O Barquinho" oder "Meditaçao" - alle sorgfältig ausgewählt und auf hochwertigem Vinyl neu erlebbar gemacht.

Сделать предзаказ27.03.2026

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13,40
PAULA KELLEY - BLINKING AS THE STARLIGHTS BURNS OUT
  • 1: Party Line
  • 1: 2Static
  • 1: 3You Are Stars
  • 1: 4Freight
  • 1: 5The Denial
  • 1: 6All I Wanna Do
  • 1: 7The Girl Who Never Was
  • 1: 8God Will Someone Tell Me
  • 1: 9Everybody's On To Me
  • 1: 0The Takedown
  • 1: The Night

On Blinking as the Starlight Burns Out Paula Kelley explores her reverence for the dark edges of pop music, crafting a deeply personal song cycle informed by her career as a musician, song-writer and arranger. Channelling some of her most treasured pop-noir classics by Judee Sill, Colin Blunstone and Big Star, the songs on her first album in almost 20 years are filled with heart-wrenching melodies and layer-upon-layer of lush, kinetic instrumentation.

Сделать предзаказ27.03.2026

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22,27
Ol' June & The Ashburns - What's Her Name / Can't Let Go (7")

Ol' June & The Ashburns deliver timeless soul with a modern edge. Their new single "What's her Name?" is a slow-burning groove in 6/8, built on lush instrumentation, warm analog textures, and heartfelt storytelling.Inspired by the golden era of Soul, the track captures the mystery of a fleeting moment — the glance of a woman who lingers in memory long after the nightfades.A soulful, cinematic journey for fans of vintage grooves and contemporary soul alike new single release "What's her Name?"

"Can't Let Go" by Ol' June & The Ashburns is a modern soul ballad with a timeless 70s feel. Driven by a steady groove and heartfelt vocals, the song tells the story of a man torn between leaving and holding on to a love that's both beautiful and destructive. Nostalgic yet raw, it's soul music that lingers long after the last note

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17,23
DON CABALLERO - AMERICAN DON -DELUXE EDITION- LP 3x12"
  • Fire Back About Your New Baby's Sex
  • The Peter Criss Jazz
  • Haven't Lived
  • Afro Pop
  • You Drink A Lot Of Coffee For A Teenager
  • Ones All Over The Place
  • I Never Liked You
  • Details On How To Get Iceman On Your License Plate
  • A Lot Of People Tell Me I Have A Fake British Accent
  • Lets Face It Pal, You Didn't Need That Eye Surgery
  • Fire Back About Your New Baby's Sex
  • Haven't Lived
  • Afro Pop
  • The Peter Criss Jazz
  • Ones All Over The Place
  • I Never Liked You
  • Details On How To Get Iceman On Your License Plate
  • Let's Face It Pal, You Didn't Need That Eye Surgery

Maui Blue & Orchid Vinyl. Nachdem wir American Don mit (Steve) Albini fertiggestellt hatten, waren wir kurz davor, dass die Spannungen zwischen uns so groß wurden, dass wir uns trennen mussten. Ich (Eric) war überzeugt, dass wir bei den Aufnahmen die wahre Essenz der Songs verloren hatten. Es war keine einstimmige Entscheidung, mit Steve aufzunehmen. Wir haben das Album komplett mit Gitarrenloops geschrieben, und Team Storm & Stress wollte im Studio mit Pro Tools weitermachen, was sowohl zu dem passte, was wir machten, als auch zu dem, was wir erreichen wollten. Steve hatte gerade den großartigen A-Raum bei Electrical fertiggestellt, und Damon bestand darauf, dass wir dort die Drums aufnehmen würden. Er gab in dieser Frage nicht nach. Sobald wir dort ankamen, wurde uns klar, dass alle Songs, die wir mit unseren Pedalen in mehreren Overdubs geschrieben hatten, nur Mono-Gitarrenaufnahmen zuließen. Wir haben das Problem gelöst, indem wir die Songs zu einem einzigen Loop gespielt und alle Gitarren später überlagert haben, sodass ein volles Stereofeld entstand, das zu den grandiosen Drum-Aufnahmen von Steve passte. Dieser Ansatz hat unsere Spielweise total verändert. Das hat zwar magische Momente der Improvisation ermöglicht (Peter Criss Intro), aber als das Album fertig war, klang es aufgebläht und die Darbietungen waren träge. Ich war mir immer sicherer, dass der Sound des Akai Headrush und die Tempi, die er für Damon vorgab, das Herzstück dieser Songs waren. Ian stimmte mir zu. In einem gewagten letzten Versuch hatte ich die Idee, Greg Norman (der für Steve arbeitete!) anzurufen und ihn zu fragen, ob wir nach unseren nächsten Shows heimlich in sein Studio in S. Chicago kommen und das Album LIVE neu aufnehmen könnten. Es war ein riesiger Schritt, der niemals hätte funktionieren können, aber wie durch ein Wunder waren alle einverstanden, und wir versuchten es. Greg hat uns persönlich und professionell in unserer heißesten Phase eingefangen. Die Tempi sind schneller, und niemand hält sich zurück. Diese echten Live-Bänder zeigen die Songs genau so, wie wir sie auf Tour gespielt haben, wo sie zwischen Juni 1999 und Juli 2000 entstanden sind. Jetzt, 25 Jahre später, wurden die Greg-Norman-Aufnahmen entstaubt und digitalisiert. Mit Hilfe moderner Restaurierungswerkzeuge und dem Fachwissen von Sir Bob Weston konnten wir diese Aufnahmen zum ersten Mal neu abmischen und mastern. - Eric Emm, Bassist

Сделать предзаказ27.03.2026

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54,58
Various - Schmitz's Katze & der Knitterschutz
  • Stahlwerk Ruhr + Blocco Schengen
  • Planlosneu - Derpolier
  • The Eschaton - Plague Pits
  • Autoscooter Abfahrt - Kühle Matroasen
  • She's Gone - Veinspine
  • Die Feuerwehr Kommt Nicht - Age O.p.f
  • Mondlandschaft - Bêtes Sauvages
  • Stromschlag - Der Fotograf
  • Keine Gnade - Pleasue Victim
  • Immergleich, Immer Stumm - Ruhr
  • El Baile De Las Goticas Feas - The Berlangas
  • Plastik Fantastik - Weltklang Feat. Akkumuller
  • I Wanna Shit - Nuke Kanata

Schmitz is a cool guy. He dreams of meeting the ruler of the universe. One day, his dream comes true: he meets the electro goddess Irma. The compilation is a kind of audiobook in 13 acts, danceable and cool, fast and loud, an homage to all space cats. The LP comes with a booklet introducing the bands and telling the story.

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28,99
Backyard Babies - Stockholm Syndrome LP
  • A1: Everybody Ready?!
  • A2: Earn The Crown
  • A3: A Song For The Outcast
  • A4: Minus Celsius
  • A5: Pigs For Swine
  • A6: One Sound
  • A7: Say When
  • A8: Year By Year
  • A9: Friends
  • A10: Be Myself And I
  • A11: You Tell Me You Love Me You Lie

Backyard Babies was formed in 1987 in Nässjö and can by rights be called Sweden’s most influential glam punk act. Between 1994 and 2019 they released eight studio albums of which Stockholm Syndrome is their fifth. Here we have another collection of bangers brought to you by the babies with reckless abandon. This time they invited a whole slew of guest musicians such as the Ramones, Danko Jones, The Cardigans, Turbonegro, and The Hellacopters, elevating the whole affair to another level with no signs of stopping. This is the first time the album is available again on vinyl since ten years and features the songs "Minus Celsius", "A Song for the Outcast", and "Everybody Ready?!". Stockholm Syndrome is available as a limited edition of 1000 individually numbered copies on crystal clear & black marbled vinyl and includes a 4-page booklet with lyrics.

Сделать предзаказ27.03.2026

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31,30
Girl Group - Think They’re Looking, Let’s Perform / Little Sticky Pictures
  • A1: Flink Pike
  • A2: Yay! Saturday
  • A3: Your Fantasy
  • A4: Man-Made Girl Bands
  • A5: Shut Your Mouth (Sometimes)
  • A6: Bff4Eae
  • B1: Rage Song
  • B2: She Goes
  • B3: Hate The Girls (Interlude)
  • B4: Tell Me I’m Pretty
  • B5: Superdrug

all new super sexy girl group vinyl is here xo
includes: 12 inch black vinyl, a sheet with stickers of us on so you can customise your own cover, inner sleeve with lyrics from Think They're Looking, Let's Perform and Little Sticky Pictures which you can read and study for at least 2 hours a day

Сделать предзаказ20.03.2026

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22,48
Komodor - Time & Space LP
  • A1: Hard To Deal
  • A2: Soul Tricker
  • A3: Ladies
  • A4: Once Upon A Time
  • A5: Burning Land
  • B6: Bliss & Joy
  • B7: Raise Your Hands
  • B8: Fall Guy
  • B9: Madness
  • B10: Ravish Holy Land
  • B11: Top Of The Bock
также имеющийся в продаже

Coloured Vinyl[28,15 €]


Born in Douarnenez, at the far edge of Brittany (France), Komodor has quickly established itself as one of the most vibrant names in the French rock landscape. Their high-energy rock, fueled by fuzz, sweat, and vocal harmonies woven in the spirit of MC5 and T. Rex, immediately drew attention: Rolling Stone, Rock & Folk, Libération and Rock Hard Germany all praised the fiery impact of their debut album Nasty Habits (which sold over 2,000 vinyl copies). Since then, the quintet has mostly lived on the road: a long European tour, followed by the larger-than-life saga of Komodrag & The Mounodor, carrying them to stages such as Hellfest, Les Vieilles Charrues, and the Francofolies de La Rochelle, among many others.

Their second album, Time & Space, reveals a band in full metamorphosis. Without abandoning the explosive force that defines them, Komodor widens its scope: volcanic riffs, more sinuous grooves, mist-laden harmonies, psychedelic flashes… The energy is still wild, but more inhabited, more liberated, almost ceremonial at times. The record opens with two telling bursts: Bliss & Joy, a libertarian charge with the feel of a manifesto, and Soul Tricker, a rock incantation where trance overtakes sheer electric assault. Two sides of the same coin, pulled taut between urgency and enchantment.

On stage, Komodor remains a true shockwave, forged across European festivals (Freak Valley, Motocultor, Fête du Bruit, and more) and now awaited at the legendary Desertfest London. Their music feels made for such spaces: a visceral, flesh-and-amp kind of rock, drawing from the seventies’ heritage to speak even more vividly to the present. A band moving forward at full volume, without nostalgia or calculation, carried by a simple conviction: as long as the amps are hot, rock can still burn.

In short: Komodor is the band of friends from Douarnenez bringing pencil-and-paper rock into the streaming age while preserving its analog soul (with the album mastered at the legendary Miraval Studios), the smell of warm tubes, the grain of vinyl. With this second album, they hit harder, truer, and more vividly than ever.
Time & Space stands as a “must-have French rock record”, a tangible piece worth cherishing in any collection.

Сделать предзаказ20.03.2026

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26,85
Komodor - Time & Space LP

Komodor

Time & Space LP

12inchKO001LPRB
Riptide Records
20.03.2026

Born in Douarnenez, at the far edge of Brittany (France), Komodor has quickly established itself as one of the most vibrant names in the French rock landscape. Their high-energy rock, fueled by fuzz, sweat, and vocal harmonies woven in the spirit of MC5 and T. Rex, immediately drew attention: Rolling Stone, Rock & Folk, Libération and Rock Hard Germany all praised the fiery impact of their debut album Nasty Habits (which sold over 2,000 vinyl copies). Since then, the quintet has mostly lived on the road: a long European tour, followed by the larger-than-life saga of Komodrag & The Mounodor, carrying them to stages such as Hellfest, Les Vieilles Charrues, and the Francofolies de La Rochelle, among many others.

Their second album, Time & Space, reveals a band in full metamorphosis. Without abandoning the explosive force that defines them, Komodor widens its scope: volcanic riffs, more sinuous grooves, mist-laden harmonies, psychedelic flashes… The energy is still wild, but more inhabited, more liberated, almost ceremonial at times. The record opens with two telling bursts: Bliss & Joy, a libertarian charge with the feel of a manifesto, and Soul Tricker, a rock incantation where trance overtakes sheer electric assault. Two sides of the same coin, pulled taut between urgency and enchantment.

On stage, Komodor remains a true shockwave, forged across European festivals (Freak Valley, Motocultor, Fête du Bruit, and more) and now awaited at the legendary Desertfest London. Their music feels made for such spaces: a visceral, flesh-and-amp kind of rock, drawing from the seventies’ heritage to speak even more vividly to the present. A band moving forward at full volume, without nostalgia or calculation, carried by a simple conviction: as long as the amps are hot, rock can still burn.

In short: Komodor is the band of friends from Douarnenez bringing pencil-and-paper rock into the streaming age while preserving its analog soul (with the album mastered at the legendary Miraval Studios), the smell of warm tubes, the grain of vinyl. With this second album, they hit harder, truer, and more vividly than ever.
Time & Space stands as a “must-have French rock record”, a tangible piece worth cherishing in any collection.

Сделать предзаказ20.03.2026

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28,15
SHY ONE - MALI

SHY ONE

MALI

12inchTB20
Touching Bass
18.03.2026

London-based sonic champion Shy One releases her long-awaited second album Mali on Errol and Alex Rita"s Touching Bass. So-called after her given name, Mali is a confident, future-facing ode to Black British electronic music and diasporic lineage. Informed by the full spectrum of London sound that she was raised on - with a vital cast of Black British collaborators including George Riley, Steve Spacek, James Massiah and Private Joy.

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23,11

Последний логин: 30 дн. назад
Various - Be Yourself Music 20 Years   3LP
  • A1: Ernesto Vs Bastian Feat. Susana Dark Side Of The Moon
  • A2: Wildstylez & Niels Geusebroek Year Of Summer
  • A3: Orlando Voorn In Da Jungle
  • A4: Lulleaux Feat Kid Princess Empty Love
  • B1: Bakermat Baiana
  • B2: Wippenberg Pong
  • B3: Headhunterz & Sub Zero Project Our Church
  • C1: Brennan Heart & Whildstylez Lose My Mind
  • C2: Lazy Jay Float My Boat
  • C3: Marco V False Light
  • D1: Tinlicker & Helsloot Feat Hero Baldwin Tell Me
  • D2: Marcel Woods Advanced
  • D3: Toneshifterz & Firelite Paradise
  • E1: Nic Chagall Feat Jonathan Mendelsohn This Moment
  • E2: Melsen Ain't Real
  • E3: Benjamin Bates The Manimal
  • F1: Rank 1 L E.d. There Be Light
  • F2: Brennan Heart & Jonathan Mendelsohn Imaginary
  • F3: Rudenko Everybody
  • F4: Sefa & D-Block & S-Te-Fan Infinity
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41,97

Последний логин: 32 дн. назад
The Notwist - News from Planet Zombie

With »News from Planet Zombie«, The Notwist return to view after years of exploration and experiment with an album rich in both melancholy and positivity, sketched across a suite of thrilling, fiercely committed pop songs. It’s an album reflecting a chaotic world, but responding with warmth and generosity, to achieve creative and spiritual consolidation. Recorded in their home base of Munich, it reconnects with the security of the local to explore the troubles of the global: a guiding impulse writ large across this album’s eleven songs. It’s also the first studio album since 1995’s »12« that the entire band recorded together in the studio in its expanded live formation.

A new album by The Notwist is always a curious endeavour; their musical language is as consistent and resilient as the contexts for creativity are unpredictable and ever shifting. For »News from Planet Zombie«, the core trio of Markus and Micha Acher and Cico Beck embraced the plural possibilities of writing together, bringing songs to the collective and then arranging, rehearsing and recording that material live, in the studio.

The result is an album that’s energised, fully in ›the now‹, with spectacular moments where you can hear the magic bubbling up in the dynamic between the Achers, Beck, and fellow members Theresa Loibl, Max Punktezahl, Karl Ivar Refseth, and Andi Haberl. If »Teeth« begins »News from Planet Zombie« quietly and reflectively, by »X-Ray« everyone’s supercharged, blasting out future anthems with the collective energy cranked up high. The chiming keys of »Propeller« skim the instrumental’s surface like stones across burbling water; »The Turning« clangs its way into one of the album’s most heartwarming melodies.

»News from Planet Zombie« was recorded over one week at Import Export, a non-profit space for arts and music. You can tell, too; there are some pleasingly rough edges here, as though The Notwist’s striving for hazy perfection means they’re also confident enough to let the songs breathe and mutate between our ears. That openness to chance also takes in guest turns from friends both local and international, reflective of a cosmopolitan Munich: Enid Valu joins in on vocals, while Haruka Yoshizawa guests on taishōgoto and harmonium, Tianping Christoph Xiao on clarinet, and Mathias Götz on trombone.

The Notwist aren’t best known for cover versions, but »News from Planet Zombie« features two: a gorgeous version of Neil Young’s »Red Sun« (from 2000’s »Silver & Gold«), which the group originally developed for a theatre play directed by Jette Steckel, and a take on Athens, Georgia folk-pop gang Lovers’ »How the Story Ends«. They slot into the album’s narrative perfectly, nestling in like old friends, revealing The Notwist as poetic interpreters. Played well, the cover version is both acknowledgement of fellow travellers and act of generosity, and The Notwist nail both aspects here.

And that narrative, the way the album plays out? »News from Planet Zombie« acknowledges the distress of our current geopolitical impasse, while reminding us there are collective ways forward. Fed through the figure of the zombie, Markus Acher explores our anxieties: »In the title and some lyrics I reference B- and horror-movies, which is a reference to the crazy world at the moment, which seems to be like a really bad and unrealistic B-movie.« But there’s a reminder here not to lose the thread entirely, that these things, too, will pass.

»The river here in Munich I often go to has been there forever and will be there long after us,« Acher reflects, pinpointing an important source of succour for him, »always the same but always changing. Very calming, but also always reminding me that like this river time only flows into one direction and you can’t go back. Every moment is very precious.«

Artwork by Marie Vermont

The Notwist:
Markus Acher: vocals, guitar
Micha Acher: bass, sousaphone, euphonium, trumpet
Cico Beck: electronics, keyboards, guitar, recorder, percussion
Theresa Loibl: bassclarinet, clarinet, piano, harmonium, organ
Max Punktezahl: guitar
Karl Ivar Refseth: marimbaphone, vibraphone, glockenspiel, congas, percussion
Andi Haberl: drums, dulcimer
+
Enid Valu: vocals on 1, 2, 3, 4, 5, 7, 9, 10, 11
Haruka Yoshizawa: taishōgoto on 6, harmonium on 9, 10, 11
Tianping Christoph Xiao: clarinet on 4, 10, 11
Mathias Götz: trombone on 4, 10, 11

Сделать предзаказ13.03.2026

он должен быть опубликован на 13.03.2026

23,49
VARIOUS - WHERE SOUTHERN SOUL BEGAN
  • A1: Cigarettes & Coffee Al 'Tnt' Braggs
  • A2: You're Gonna Miss Me Shirley Raymond
  • A3: Shout Bamalama Otis Redding
  • A4: I've Been Wrong For So Long Bobby Bland
  • A5: Backtracking Little Junior Parker
  • A6: That's Cuz I Love You Louis Jones
  • A7: You Don't Have To Cry Little Bob & The Lollipops
  • A8: Please Think It Over Roscoe Shelton
  • A9: If I Don't See You Again Ted Taylor
  • B1: Too Many Tears Roy Lee Johnson
  • B2: What Can I Do For You Elmore Morris
  • B3: You Don't Miss Your Water William Bell
  • B4: I Cried Joe Medwick
  • B5: Blessed Are These Tears Joe Tex
  • B6: Best Of Luck Baby Earl Gaines
  • B7: My Love Belongs To You Sam & Dave
  • B8: I Don't Hurt Anymore Fontella Bass
  • B9: Please, Please, Please James Brown

The Golden Age of southern soul lasted from about 1962 to 1975, when disco ripped the heart out of it. And although it may seem as though the blend of country, gospel and R & B that emerged from the great studios in Memphis and Muscle Shoals in that decade was entirely fresh and new, like any other genre classic, southern soul picked up musical cues and absorbed influences from a whole variety of sources: horn lines from Louisiana's swamp pop, lyrical themes from the blues, songs from country music, and of course so, so much from the black churches. Part of the 'History of Soul' series, this LP reveals the musical antecedents that gave southern soul its inspiration. The music here will tell you the real story - and it will knock your socks off too! Notes by John Ridley.

Сделать предзаказ13.03.2026

он должен быть опубликован на 13.03.2026

9,45
Rose Gray - Please Louder LP

Rose Gray

Please Louder LP

12inch8817847
Polydor UK
06.03.2026
  • 1: Damn
  • 2: Free
  • 3: Wet & Wild
  • 4: Just Two
  • 5: Tectonic
  • 6: Party People
  • 7: Angle Of Satisfaction
  • 8: Switch
  • 9: Hackney Wick
  • 10: First
  • 11: Everything Changes (But I Won’t)
  • 12: Louder, Please
также имеющийся в продаже

Ltd. Pink Vinyl[24,33 €]

Yellow coloured vinyl[24,79 €]


From its instructive title to its unapologetic sound, 'Louder, Please' is Rose Gray powerfully - but with quintessential, British politeness - backing herself (who she is, what she wants, and the artist she's always had the potential to become). It's a statement of intent reflected in the record's breadth of collaborators, which span legendary pop kingpins Justin Tranter (Lady Gaga, Chappel Roan) and Zhone (Troye Sivan) to underground electronic heroes like Seda Bodega, Uffie and Alex Metric. Throughout 'Louder, Please' pairs home truths with dance hedonism, summoning not just a transformative night out - the new faces and chosen family, ecstatic highs and crushing lows - but also telling Rose Gray's story: a life lived through club music, and always to its fullest.

Сделать предзаказ06.03.2026

он должен быть опубликован на 06.03.2026

28,53
DISCIPLE BC - THE HOMECOMING LP
  • 1: Bc March (The Return)
  • 2: The Dignity Of Labour
  • 3: Down Into Hell
  • 4: D.i.s.c.i.p.l.e.b.c
  • 5: The Hammer Comes Crashing Down
  • 6: The Troubled Troubadours Of Tomorrow
  • 7: Catch Me If You Can
  • 8: Whole In The Scene/The Nordic Light

ON LTD GREY SPLATTER VINYL W/ HAND SCREENED 12" PRINT Creepy Crawl kicks off the 2026 in a suitable way…unleashing the new LP by Disciple BC. Titled 'The Homecoming' this really is music for the world as it is today - Continuing the blood soaked saga, The Homecoming documents the bands return to the UK, with 9 tracks of the finest horror crust punk, each one telling tales of crime, punishment, revenge and retribution. Is this the end, or a new dawn? Featuring members of SORE THROAT, DOOM & AGNOSY and featuring the enigmatic and mysterious Rev Schneider on vocals and faith healing. Disciple B.C. has been described as “Jello Biafra fronting Motorhead” & like “Dave Vanian singing with Bathory playing Anti Cimex songs”. Coming at you wrapped in a deluxe gatefold sleeve, grey splatter vinyl and a hand screened 12” print done inhouse here at Creepy Crawl and limited to 300 copies. Join us. Support the underground.

Сделать предзаказ27.02.2026

он должен быть опубликован на 27.02.2026

26,68
Mal Devisa - Palimpsesa 2x12

Mal Devisa

Palimpsesa 2x12

2x12inchLPTSR275C
TOPSHELF RECORDS
27.02.2026
  • 1: You Are My Sunshine
  • 2: Next Stop
  • 3: Icarus-Breakthrough
  • 4: Vicious Nonbeliever (Feat. God's Wisdom)
  • 5: New Eardrums
  • 6: Dominatrix
  • 7: Old Intro
  • 8: Never See Me Do It
  • 9: Crowd Pleaser
  • 10: The Room Is Spinning/Rough
  • 11: Contracts
  • 12: Skyline Arms/Reach Out
  • 1: Fire
  • 2: You Are All That You Need
  • 3: To Be Unwilling
  • 4: I Could Tell
  • 5: The Skies
  • 6: Dangerous
  • 7: If You Are Waiting
  • 8: Shomberg Isn't The Place
  • 9: Slept On
  • 10: Rum
  • 11: O Ivory
  • 12: Sunrise
  • 15: Forest
  • 16: Raw As The Hands Of The Sun
  • 17: Forget That I
  • 13: My Potential
  • 14: You Go To My Head

Mal Devisa is the songwriting, liberation, and poetry project of multifarious artist Deja Carr. Starting in 2014 and breaking through with 2016's Kiid, Mal Devisa's work spans a selfmade spectrum of sound from gravitic, soulful rock to soliloquy to unabashed hip hop. Although known for her unmistakable, smoldering voice and loop-based, bass-forward compositions, Carr's talents also extend to reaches of spoken word and production, paralleled by aspirations to start both a youth foundation and Afrobeat orchestra. Such boundless inspiration is a central facet of Mal Devisa's work, whose sonically and narratively unrestrained passages teem with empathy and liberatory visions for a better world.

Сделать предзаказ27.02.2026

он должен быть опубликован на 27.02.2026

36,09
NUKE WATCH - PEPPER’S GHOST LP

Don’t believe your ears - Pepper’s Ghost is the latest offering from NYC project Nuke Watch.

Whatever you think it is - it is not. By the same token it really can be whatever you want - electronica, jazz, improv, noise, new age, ambient - it’s none and all of these. Like the primitive visual illusion it’s named for - Pepper’s Ghost is a projection of a thing, it’s not the thing.

The Nuke Watch method - like that of Aaron Anderson and Chris Hontos’ other primary project Beat Detectives - leans almost entirely on live improvisation, with some advanced studio alchemy in post. Where the Beat Detectives palette draws from club music tropes, Nuke Watch blends recognizable tones (hand drums, woodwinds, keys, fretless bass) with sounds of providence unknown, the line between organic and synthesized instrumentation unintelligibly smudged. What is real and what is projection? It’s hard to say. What do our ears tell us? This is where we arrive at Pepper’s Ghost.

Warped as the sounds may be, the playing belies a crew of deeply expressive, learned improvisers who have their craft honed. Their friendship and psychic connection enhances the ritualistic rhythms, mutant modular synthesis, nimble keyboard runs, absurdist sampling and unidentified skronk. They’re wonderfully complemented across several tracks on this set by Cole Pulice’s levitational, sublime saxophone.

As unhinged as this might all appear, once the mind and music meet on the same wavelength this is profoundly moving, energizing and uplifting Alive Music that recalibrates the sense of what music can be.

Nuke Watch is Aaron Anderson and Chris Hontos, with an array of friendly guests. They’ve released records as Nuke Watch on The Trilogy Tapes, Commend and Moon Glyph. As Beat Detectives they’ve released records on Not Not Fun, 100% Silk and their own studio imprint NYPD Records.

Pepper's Ghost was written and produced by Aaron Anderson and Chris Hontos. Additional instrumentation on these recordings by Cole Police, Leonard King, Eric Timothy Carlson, Chris Farstad and William Statler. It was mixed by Chris Hontos and mastered by Jack Callahan. Painting on the cover is “The Unity Of Being” (2020), by Ry Fyan. Design and layout by Aaron Anderson.

RIYL - Musical illusions, puzzles and magic tricks, downtempo, music of the spheres, good journey, Eddie Harris, Ketron, "world building", orange sunshine, suspension of disbelief.

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23,74

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