Carl Finlow has produced an astonishing catalogue of music over a career spanning three decades, with his discography including hundreds of releases and remixes under a variety of monikers. 'Desequence' is the latest edition to Finlow's expansive productions and a masterclass in electronic music.
'Desequence' kicks off the record with a heavy dose of integalactic funk with interstellar beats rockin' over squelchy bass lines and razor sharp glitches. While 'Downstream' delivers a warped groove wrapped up in Finlow's intricate programming.
'Guttural' is an overwhelming assault of rapid fire elements, forming complex off kilter breaks littered with robotic licks and served over deep, low end bass. 'Wavefront' closes yet another impeccable addition to Finlow's highly accomplished works, with an off planet adventure through extraterrestrial soundscapes.
Suche:the adventure
- A1: The Tale Of Clan Sakai
- A2: Lightning In The Storm
- A3: Sacred Medicine
- A4: The Battle For Iki Island
- A5: Eternal Blue Sky
- B1: Ankhsar Khatun, The Eagle
- B2: The Eagle's Curse
- B3: The Legacy Of Kazumasa Sakai
- B4: May Your Death Benefit All Beings
- B5: Forged In Blood
- B6: The Forbidden Ritual
- B7: Sukhbataar's Revenge
- B8: Oni Of The Void
• Ghost of Tsushima: Music from Iki Island and Legends builds on the groundbreaking soundtrack to Ghost of Tsushima, the third-person adventure game by Sucker Punch Productions and published by Sony Interactive Entertainment. Featuring music by Chad Cannon and Bill Hemstapat, it includes selections from Ghost of Tsushima’s popular Iki Island and Legends expansions.
• The 2020 award-winning open-world video game, Ghost of Tsushima, follows the samurai Jin Sakai, who must protect Tsushima Island from invasion, defeat the ruthless Mongol invaders and protect what’s left of his home and people. As he embarks on an epic adventure for the freedom of Tsushima, he is forced to set aside samurai traditions and become a new kind of warrior.
• This vinyl release from composers Chad Cannon and Bill Hemstapat features 45 minutes of all new music written for the Ghost of Tsushima Director’s Cut. It contains 15 tracks, of which 10 are from Iki Island and 5 are from Legends.
• This release includes a black LP housed in a beautiful gatefold jacket with a folded insert.
• Chad Cannon has worked with several of the world’s best-loved film composers as arranger and orchestrator. As chief arranger for Studio Ghibli composer Joe Hisaishi since 2017, Chad has created large symphonic suites for Kiki’s Delivery Service, Castle in the Sky, and Spirited Away. His score to the Academy Award- winning Netflix documentary American Factory has been called “stirring” (NY Times) and “graceful” (Washington Post) and was nominated for a Cinema Eye Honors Award for Outstanding Original Score. The film is the first release by Barack and Michelle Obama’s Higher Ground Productions.
• Originally from Thailand, Bill Piyatut Hemstapat is a composer and record producer based in LA whose works have been featured in Video Games, TV and cinemas all over the world. Bill’s passion for video games music has led him to working at Sony PlayStation’s music department. Along with his most recent work re-imagining Shunsuke Kida’s iconic music of Demon’s Souls for the PS5 remake, he also contributed additional music and arrangements for Ghost of Tsushima as well as music editing for God of War, Days Gone and Hideo Kojima’s critically acclaimed Death Stranding.
• Sony Music Masterworks and Milan Records announce the vinyl release of “My Hero Academia: World Heroes' Mission” with music by composer and arranger YUKI HAYASHI. The film adaptions are based on the original Comic Series “My Hero Academia”, which sold over 50 million copies worldwide.
• Based on Kōhei Horikoshi’s most successful manga series, ‘My Hero Academia: World Heroes’ Mission’ is an action-adventure film directed by Kenji Nagasaki. When a sinister organization threatens to wipe out all superhuman powers, the fate of the world is on the line. But before they can succeed in putting their evil plans into action, the Pro-heroes around the world assemble to come up with a counter plan to stop the worst from happening.
• The soundtrack of the critically acclaimed, hugely popular film adaptation is now being released as a stunning double coloured vinyl with a double gatefold.
• My Hero Academia: World Heroes’ Mission is the third movie, following the success of My Hero Academia: Two Heroes and My Hero Academia: Heroes Rising (75M streams to date), and marking a major shift in the series' story - putting Deku in a precarious position of being painted as a villain.
• Besides the movie adaptations, the comic was adapted into an anime series. The 5th season of the series is currently on air. You can watch it on Funimation and Crunchyroll in the UK and you can find “My Hero Academia Season 1” on Netflix.
About the composer Yuki Hayashi:
• Yuki Hayashi was born in Kyoto, Japan in 1980. Being an active member in a men's rhythmic gymnastics team in his early years spawned his interest in BGM while selecting songs to complement performances. This led him to begin teaching himself music composition while at university, despite not having a background in music itself. After graduating, Yuki acquired the basics of track making under house techno DJ and sound-maker Hideo Kobayashi and started producing his first range of music accompaniments for dance sports. His experience as a rhythmic gymnast has enabled Yuki to intuitively incorporate an eclectic range of music and produce a unique sound, empowering scenes from TV drama, animation and film.
- 1: Paradise (Stay Forever)
- 2: Go!Go!Style
- 3: Lady Blue
- 4: Midori Eyes
- 5: Breeze With U
- 6: The Lemegeton Bop
- 7: Knife & Crystal
- 8: Ego 24-7
- 9: Last Dance Xx
- 10: Sunset Song
- 11: To The Heart
- 12: 17.00
- 13: House Of Bliss
- 14: Headlights On The Shore
- 15: 8Th Street Rose
- 16: Leaving
- 17: End Of The World
- 18: Welcome
- 19: The Plateau
- 20: The Sarcophagus
- 21: Temple Of Tears
- 22: Idle Lands
- 23: Transit (Empyrean)
- 24: Transit (Predition)
Dritte Auflage, blutrotes Vinyl. In Zusammenarbeit mit dem britischen Entwickler-Studio Kaizen Game Works veröffentlicht das Kölner Soundtrack-Label Black Screen Records im Frühjahr 2021 Barry "Epoch" Toppings funkigen "City-Pop meets Vaporwave"-Soundtrack zu dem von der internationalen Gaming-Presse gefeierten Open World Adventure Game Paradise Killer auf Vinyl. Barrys Toppings Soundtrack erscheint auf limitiertem 180g blutrotem Vinyl und kommt in einem von 80er Animes & City Pop-Alben inspirierten Artwork der deutschen Designerin Mizucat. Zudem enthält das Vinyl ein gefaltetes A2 Poster und einen Download Code. Die Sounds des Paradieses. Die Musik eines kosmischen Traums. Tracks einer anderen Realität. Das Tempo eines Verbrechens, dass alle Verbrechen beendet. Der Beat von lange verlorenen außerirdischen Göttern. Die Playlist des "Investigation Freaks". Lass dich von der Musik ins Paradies führen. Fühle die glühend heiße Sonne auf deiner Haut. Rieche unerträglich heißen Beton. Genieße den süßen Geschmack von Verbrechen, begangen, auf einer tropischen Insel in einer alternativen Realität. Erinnerst du dich daran, wie wir am Strand getanzt haben? Neben den paradiesischen Straßen? Du hast mir dieses Mix-Tape auf dem Dach deines Apartments gemacht. Wir haben den Mond angestarrt. Du sagtest, du würdest den Mond töten. Ich glaubte dir nicht. Wie falsch ich doch lag.
- A4: Eclipse A (Beginnings)
- A5: Eclipse B (First Movement)
- B1: Eclipse C (Hustle Bustle)
- B2: Eclipse D (Funky Side Of Town)
- B3: Eclipse E (Midnight)
- B4: Eclipse F (First Movement Continued)
- B5: Eclipse G (Home)
- A1: Think Positive (Feat Steve Garcia, Edward Garcia & John Ortega - Live)
- A2: Jennifer (Feat Steve Garcia, Edward Garcia, Vincent Anderson & John Ortega - Live)
- A3: Try It All Again (Feat Vincent Anderson, John Ortega, Edward Garcia & Steve Garcia - Live)
First ever repress of the sought after psychedelic tinged funk rock private press album 'Eclipse of the City' from 1980 New York. Originally recorded between 1975 and 1977 in Manhattan's garment district. Eclipse of the City lay dormant on a reel to reel player whilst frontman Carlos Fire Aguasvivas muddled through life working as a data entry clerk away from his fellow band members. It wasn't till he rediscovered the tapes that a sudden life affirming moment drove him to get the music pressed. Putting pen to paper Carlos created the artwork as a homage to his love of comic art and brought the band to life on the reverse with his spindly characters engrossed in the jam. Only 300 copies were pressed at the time leading to eye-watering prices for a copy. with a recent digital re-release from Indian Summer's Anthology Records, Sticky Buttons stepped up to repress the record with a limited run of 500, lovingly manufactured in the UK in all its vinyl glory.
Arriving in the Bronx from the civil unrest of Santo Domingo in the early 60's Aguasvivas was surrounded by the raucous sounds of rock, jazz and prog. Absorbing the humdrum atmosphere of life in New York, Eclipse of the City came from the minds of close friends Carlos Aguasvivas, Steve Garcia and Eddy Garcia. Meeting at Monroe High School the three of them quickly formed a strong bond over their shared interest in music. It wasn't long after that they began rehearsing in a basement under a neighbourhood cleaners and in the attic of Steve and Eddy's family home piecing together their extended sessions of tripped out cinematic psychedelia.
Recording got off to a rocky start as a car accident left the three band members in A&E after taking an early morning cab ride through Manhattan to watch the sunrise on their way into the studio (a theatrical artistic statement of intent conceived by Steve Garcia) - as Eddy mentioned "Eclipse was forged from a lot of pain". Their recording sessions were postponed but a few weeks later they were back and with the added energy of John Ortega on Bass and Vincent Anderson on electric piano and organ - with just a few microphones and a reel to reel recorder, Eclipse of the City was laid down as the stark bold homage to New York's downtown.
Influences ranged from the cinematic behemoth Jaws to the UK prog rock bands of Genesis, Yes and Emerson Lake & Palmer but only could Eclipse of the City take its unique form in the attics and basements of New York with the full band adding their Puerto Rican and Dominican slanted New York energy. Side one includes 3 fully formed tracks breaking out into eerie moments of calm before diving into well timed jolts of reprise as each element weaves over the top of one another whilst side two presents a 30 minute narrative work following the night adventures of a young group of friends exploring the vibrant nightlife of downtown New York. A rumbling half hour of wobbling guitar, tight drumming and synth organ licks jutting out from the glistening lights of the night before the sun rises down Manhattan's East-West axis as the lilt changes and the organ lulls the friends back home. A truly idiosyncratic take on the heady world of New York in the 70's and one that still resonates with our urban landscapes and love for the nights they bring today.
a 01: Think Positive (Live) feat. Steve Garcia, Edward Garcia & John Ortega
b 02: Jennifer (Live) feat. Steve Garcia, Edward Garcia, Vincent Anderson & John Ortega
c 03: Try It All Again (Live) [feat. Vincent Anderson, John Ortega, Edward Garcia & Steve Garcia]
[d] 04: Eclipse A (Beginnings) [Live] [feat. Vincent Anderson, John Ortega, Edward Garcia & Steve Garcia]
[e] 05: Eclipse B (First Movement) [Live] [feat. John Ortega, Steve Garcia & Edward Garcia]
[f] 06: Eclipse C (Hustle Bustle) [Live] [feat. Vincent Anderson, John Ortega, Steve Garcia & Edward Garcia]
[g] 07: Eclipse D (Funky Side of Town) [Live] [feat. Vincent Anderson, John Ortega, Steve Garcia & Edward Garcia]
[h] 08: Eclipse E (Midnight) [Live] [feat. John Ortega, Steve Garcia & Edward Garcia]
[i] 09: Eclipse F (First Movement Continued) [Live] [feat. Vincent Anderson, John Ortega, Steve Garcia & Edward Garcia]
[j] 10: Eclipse G (Home) [Live] [feat. Vincent Anderson, John Ortega, Steve Garcia & Edward Garcia]
Black Vinyl[46,43 €]
The multiple award winning action-adventure game God Of War was first released in 2005, but became such an instant hit, that Santa Monica Studio created seven more versions of the game. The most recent one, released in 2018 for the PlayStation 4, focusses on main character Kratos' journey in the Greek world together with his son Atreus, following a path of vengeance as a result of being tricked into killing his family by Olympian gods.
God of War received universal acclaim for its story, design, graphics, combat system, characters and music. It was awarded 'Game of the Year' by numerous media outlets and award shows. God Of War (2018) performed well commercially, selling over five million copies within a month of its release. It became one of the best-selling PlayStation 4 games.
The official soundtrack won a BAFTA Award and is composed by Bear McCreary. It is set up around themes he created around primary characters in the game. Inspired by Viking folk music, McCreary used exotic instrumentation and languages from various Northern European folk traditions. It resulted in a score featuring deep choirs, pounding drums, shrieking brass and features Faroese singer-songwriter Eivør (Pálsdóttir). The American composer Bear McCreary is best known for his work on TV shows like Battlestar Galactica, Outlander, The Walking Dead and won an Emmy Award for the main title of Da Vinci's Demons.
Produced by Heidecker, Drew Erickson, Eric D. Johnson and Mac DeMarco, High School sees Heidecker emerging as an increasingly playful and poignant story teller, infusing childhood tales with new gravity. In conjunction, he announces Tim Heidecker Live! Featuring Tim Heidecker and The Very Good Band, his first two-act tour of comedy and music. Since 2016, Tim Heidecker has chronicled the annals of adulthood on a series of supreme singer-songwriter albums. The crushing devastation of divorce and the existential malaise of middle-age, the minutiae of home ownership and the ritual of family vacation, child rearing and global warming: Heidecker has handled it all with humor and heart. But, there’s one pivotal lodestar of human development he has yet to mine that’s right, High School. First single “Buddy” is a composite of a few woebegone friends, which finds Heidecker reminiscing on the familiar tragedy of the adolescent stoner, manifesting the destiny of undiagnosed depression and parents who didn’t care much. The song itself is a jangly delight, but it’s hard not to mourn for “Buddy,” then re-count whatever blessings you may have. After initial and fruitful sessions with Jonathan Rado, Heidecker started recording tunes with DeMarco and Erickson, who had also worked on 2020’s collaboration with Weyes Blood, Fear of Death. At DeMarco’s studio, they added drum machines and synths and sidewinding solos to Heidecker’s big strummed chords. Johnson (Bonny Light Horseman, Fruit Bats) helped Heidecker finesse the tunes even more, making the music as rich as the feelings. Kurt Vile contributed to one song, as well. Through all those sessions, it slowly became clear: Heidecker was writing not only about the adventures and misadventures of life as a Pennsylvania teen in the early ’90s, but also how it felt to lose a juvenile sense of mystery and possibility as an adult. He was writing about high school and, really, the way it helped shape everything else. Back at Pennsylvania’s Allentown Central Catholic High School, Heidecker dreamed of making it with one of his many rock bands — Time and Other Things, Shaggy’s Beltbuckle, and (incredibly) The Pulsating Libidos. Two years shy of his graduating class’ 30th anniversary, Heidecker admits he had little of substance to say when he was 17, like all but the rarest of precocious minds. In college, though, he found the friends with whom he built his comedy career, largely apart from music and without much thought for his time back at Central Catholic. He was focused on his future. It is fitting, then, that as Heidecker has become such a delightful singer-songwriter and collaborator, he returns to the first scene of his time as a musician. Maybe he’s right — he didn’t have anything to say or sing about life back then. But across the earnest and amusing High School, he finds plenty to say about those weird and wonderful and ordinary times.
A collection of brilliant modern electronica scores inspired by the Bedfordshire countryside by Jodey Kendrick. Some of the historical landmarks in this historic UK midlands county, several dating back from before the 9th century, are the sceneries for this collection of eerie soundscapes punctuated by clangy metallic beats and brutal bass. Alienating old landscapes clashing with rapidly changing modern technologies is the playground for Jodey Kendrick's musical adventures.
Petter Eldh's explosive ensemble Koma Saxo continues their adventures with a new album "Koma West", out on We Jazz Records, 18 March 2022. The album sees Koma Saxo expand on their previous sound with the addition of vocalist Sofia Jernberg and a strong cast of featured artists, including cellist Lucy Railton, violinist Maria Reich, pianist Kit Downes and accordionist Kiki Eldh (Petter's mom!). The hard-hitting key quintet remains, including Eldh on bass and assorted instruments, Christian Lillinger on drums, plus saxophonists Otis Sandsjö (of Y-OTIS), Jonas Kullhammar and Mikko Innanen bringing the SAXO to the KOMA operation.
At 14 tracks, "Koma West" is a full menu of monumental compositional ideas that could spawn entire albums. True to his chop & go production style, Eldh relies on continuous movement while presenting another all killer no filler program taking Koma Saxo on a sonic outing not quite like anything that had previously appeared under the band's name. That being said, there's very much the Petter Eldh touch here, one which might be hard to pinpoint and verbalise, but nevertheless a recognisable style of composing, producing and arranging.
Thematically, the album is rooted in the West Coast of Sweden, where Eldh grew up – he's from a tiny town called Lysekil. There's a thread of Swedish folk song tradition that has been part of the Koma Saxo DNA from the get-go and you can hear that here as well, especially on cuts such as "Närhet", beautifully sung by Sofia Jernberg.
Petter Eldh says:
"In a way, it's a concept album and a celebration of the Swedish West Coast. The first single is called 'Koma Kaprifol', and kaprifol is the landscape flower of Bohuslän on the West coast, where I grew up. I'm not too wild about attaching strong narratives to my music but there's no way around it this time. The oysters, a common snack around the coast, are a strong conceptual presence here. Anyway, they seem to pop up here and there quite often already thus far in the Koma Saxo narrative, even though it's not always so obvious. Koma Vocals! Koma Strings! I love the presence of Sofia Jernberg here and I love writing string arrangements, too, although I never thought I would do it for Koma, but of course, Koma should have some strings, why not?. Koma Saxo should and can become anything."
Paperback: 272 pages
• 70 hilarious, bizarre and harrowing stories from pro DJs across the globe.
• An anonymous cast featuring mystery superstars, underground legends and breakthrough talents from the superclubs of Ibiza to the London gay scene to the basement clubs of Berlin.
• An access all areas pass to what life’s really like behind the decks that you’ll not find on social media or in magazines: what goes on tour, goes in this book!
The Secret DJ’s first two books lifted the lid on what really happens behind the decks in the sometimes hilarious, sometimes harrowing world of the superstar DJ. Now they’ve reached out to dozens of DJs from around the world - and from every scene and genre - for their own true stories of the DJ life
Tales From the Booth raises the BPM, rounding up an all-star cast of Secret DJs to tell their anonymous stories of what it’s really like to rock dancefloors for a living. From strange encounters on tour, to side-splitting debauchery and afterparty excess, to the seamy and even dangerous side of the industry, this is your access-all-areas backstage pass. You’ll never look at a DJ quite the same again.
"I never read books about electronic music, why would I? But I guess The Secret DJ is more an anarchist handbook for shattered dreamers than a manual on how to make it big on the scene. Can’t wait for his new adventures."
Ivan Smagghe
"We all have war stories, us jobbing night-lifers. From having sets ended by soldiers with automatic weapons in Juarez to coming-round in Glasgow city centre suddenly best pals with a gangster who’s most affectionate nickname was ‘Wolf’. I’ve bagged a couple over the years. And yours are undoubtedly more vivid, funnier or more ludicrous than mine. The Secret DJ’s are better still."
Ewan Pearson
LTD edition 300 copies pressed.
Comes in a stunning Picture sleeve
imagine a band that is Sharon Jones meets James Brown while putting a modern twist on 70s soul and funk music.
Whether self composed original tracks or classic covers, Bella Brown & the Jealous Lovers capture an era boldly envisioned!
So settle in and get to know us. Check out our music, join our mailing list to stay current on Bella's adventures and get discounts on merchandise, peruse our Social Media sites to gage Bella's current level of "influencer" status, find us on your favorite Streaming Service, and maybe throw some spare change in the Tip Jar to keep new music coming!
All this and more below! Enjoy!
Fronted by the wonderful Carol Hatchett- She is known as one of Bette Midler's backup Singer/Dancers, the infamous "Harlettes" and has appeared in Bette's Emmy Award-winning "Diva Las Vegas" HBO Special, "The Showgirl Must Go On" HBO Special and numerous music tours worldwide . Carol is also the backing singer for Nick Waterhouse and tours with them regularly.
The “Tumult Hands” duet is made by Jacek Sienkiewicz and Jerzy Przezdziecki - the producers
whose composition has - to a large extent- defined the Polish techno music. Sienkiewicz - as
early as Recognition - started his adventure with music in the late 1990s. Subsequent records,
already under his own name, were released, among others, at Cocoon Records, Trapez, Klang
Elektronik and WMFRec. Przezdziecki started publishing a little later. Over the last two
decades, he has been presenting various types of electronic music, among others, as Praecox,
Epi Centrum and Jurek Przezdziecki.
“Tumult Hands” has two EPs on its account – “Tumult Hands EP” (2014) and “Tropic
Factory” (2016). Both were published by Recognition. So a full record was a matter of time.
The album titled: “TH” (Recognition, 2022) has been prepared for many years. The repertoire
was created mainly out of improvisation. As artists themselves say, “it is the result of
discovering and accepting a chance event.” For both producers, close contact with
instruments was important during their composition; the type of interaction between the maker
and an electronic device. Individual works have been maturing for a long time. Paradoxically -
the lapse of time did not cause them to be ageing but vice versa - allowed them to mature and
gain natural weight.
“TH” brings very diverse music. In part, it is the repayment of the debt that Sienkiewicz and
Przezdziecki incurred towards the most creative techno period, that is, the 90s of the 20th
century. The lovers of experimental dance music from before the quarter of the century will
easily capture in the duet’s themes the art of Cristian Vogel, producers known from the tin
series of Chain Reaction record company or early recordings of Richie Hawtin (Plastikman,
F.U.S.E.). This is a very similar, non-standard approach to sound structure and an original
approach to rhythmic structures. Minimalist melodies, accompanying e.g. the opening of the
“enter TH” or “pow” set, contribute to the composition an element of some sublimity and
metaphysical anxiety. Obviously, it is still the dance music but the duet - to some extent by
abandoning the club functionality (understood in the techno convention) - has given its music
a definitely sophisticated, artistic elegance.
Publishing cooperation between such important makers, as well as high quality of recordings,
leads us to see “TH” as something more than just another techno record. It is an event and an
electronic adventure that all lovers looking for dance music will appreciate.
- A1: Gloria Lucas - One Sweet Song
- A2: Lyn Collins - Think (About It)
- A3: Minnie Riperton - Adventures In Paradise
- A4: Ruby Delicious - Rock Steady
- A5: Brenda George - What You See Is What You're Gonna Get
- A6: Jackie Dee - Love You Wholeheartedly
- A7: Gwen Mccrae - All This Love That I'm Givin
- B1: Marva Whitney - What Do I Have To Do To Prove My Love To You
- B2: Ruth Davis - I Need Money
- B3: Millie Jackson - Do What Makes The World Go Round
- B4: Gladys Knight & The Pips - Thank You (Falettin Me Be Mice Elf Agin)
- B5: Spanky Wilson & The Quantic Soul Orchestra - Don't Joke With A Hungry Man
- B6: Ann Peepbles - Slipped, Tripped & Fell In Love
- C1: Betty Wright - Clean Up Woman
- C2: Little Rose Little - Family Tree
- C3: The Quantic Sould Orchestra - Hold It Up
- C4: Jackson Sisters - I Believe In Miracles
- C5: Rose Royce - Car Wash
- C6: Taana Gardner - Heartbeat
- D1: Melba Moore - Mind Up Tonight
- D2: Sisters Love - Gimme Your Love
- D3: Diana Ross - Upside Down
- D4: Donna Summer - Hot Stuff (Single Edit)
- D5: Carrie Lucas - Dance With You
- 1: The Moomins (Occarina Theme)
- 2: Raft Journey The Cave
- 3: Climbing The Lonely Mountain
- 4: The Moomin Hornpipe (Part One)
- 5: Woodland Band (Parade)
- 6: The Observatory (Unabridged)
- 7: Locusts
- 8: The Moomin Hornpipe (Part Two)
- 9: Indigenous Woodland Band
- 10: The Tornado
- 11: The Moomins End Titles (Occarina Theme)
From deep in the heart of Moomin Valley, frozen in time for many
midwinters passed, comes a genuine treasure chest of never
heard Moomin melodies and instrumental comet songs composed
for the continued animated adventures of our Fuzzy-Felt freak folk
friends who disappeared from UK TV pastures in the mid-1980s.
From the top of the Hobgoblin’s Hat and the bottom of Snufkin’s
satchel, original Moomins composer Graeme Miller (‘The Carrier
Frequency’) kindly shares this patchwork selection of spellbinding
sound poems and percussive peons made using the very same
selection of ocarinas, kalimbas, miniature squeak boxes, Waspy
synths, cornflake box shakers and a seemingly endless array of
talent and lo-fi home studio trickery.
Regarded as one of the most enigmatic, beguiling and haunting
imported children’s programmes to ever grace UK TV screens,
‘The Moomins’ was one of the first-ever commissions by Anne
Wood (‘The Teletubbies’) who ingeniously replaced the original
Polish/Austrian/Finnish soundtrack with homemade music
experiments by unknown post-punk theatre students Graeme
Miller and Steve Shill (aka The Commies From Mars) who, after
the screening of two unforgettable series in 1983 and 1985, were
left in eager anticipation of rescoring further Moomin adventures
with new melodies, arrangements and sound designs, which then
lingered in the ether waiting until the Groke awoke and
Snorkmaiden sang once more.
With future felt adventures screened exclusively in Poland and
Germany for many years (often as feature films) these unheard
recordings are the only genuine musical sequel to the bizarre UK
version of ‘The Moomins’ and stand as important inclusions in
Graeme Miller’s own portfolio of theatrical theme music and sound
installations as part of The Impact Theatre Cooperative, including
collaborations with artists and writers such as Russell Hoban.
Witnessed in fragmented form during a short run of incredible rare
live screenings at The Barbican Theatre and various film festivals,
this record marks the first time this music has been heard in its
original full-length form, free from sound effects, dialogue and
whimpers of euphoric joy and nostalgia from those who have
continued to crave the company of our Moomintrolls and their
mysterious music over the last five decades.
- 1: Born For This Bullshit (Feat. Sad3)
- 2: My Adventure (Feat. Sally Seltmann)
- 3: Parents Get High (Feat. Washington)
- 4: Crooked Tree (Feat. Zooey Deschanel, Eric D. Johnson)
- 5: Like This Or Like That
- 6: Arsehole (Feat. Georgia Maq)
- 7: The Good Stuff
- 8: Sex & Drugs & Rock N Roll
- 9: Slow Down (Feat. Shamir)
- 10: Cowards
Indie-pop singer-songwriter, composer and producer Australia’s Ben Lee releases his 14th solo studio album “I’m Fun!”. The new album features guests Zooey Deschanel, Christian Lee Hutson, Money Mark, Megan Washington, Georgia Maq, Eric D Johnson.
On the album, Ben Lee says “This album, this moment in my career, is all about balancing some hard-earned wisdom from a 30-year long career with the vigor and energy of youth. That’s why it was as important to me to collab with artists like Jon Brion and Money Mark who I’ve both known for over 2 decades, as much as people like Shamir and Georgia Maq who are young and lit up with creative adrenaline. I like being a generational bridge between freaky artists. They are my tribe!”
Even before the launch of his solo career, Ben attracted attention in his teens as a member of the Sydney band Noise Addict. Following the band’s demise in the mid-90s, he began issuing a string of acclaimed solo albums while taking part in several side projects, including The Bens (Ben Folds, Ben Kweller, Ben Lee).
In his 30-year music career, Ben Lee has been gloriously prolific and unpredictable. The 4x ARIA award winning artist boasts an enviable catalogue including ‘Grandpa Would’ 1995, ‘Something To Remember Me By’ [1997], ‘Breathing Tornados’[1998], 2x ARIA Platinum album ‘Awake In New Sleep’[2005], ‘Ripe’ [2007], ‘The Rebirth of Venus’[2009], ‘Deeper Into Dream’ [2011] which have collectively spawned a multitude of chart hits, including “Cigarettes Will Kill You”, “Gamble Everything For Love”, “We're All in This Together” and “Catch My Disease”
Surrounded by music from an early age, Vladimir Cosma pursued his education at the Paris National Conservatoire of Music in 1963. 5 years later Yves Robert entrusted him with his first composition of film soundtracks. Today Vladimir Cosma is at the origin of over 300 film soundtracks, the majority of which have become classics such as "La Boum", "The Adventures of Rabbi Jacob" or "Diva". Cosma's works saw him receive 2 Césars awards (French Grammy's) for best soundtrack amongst others. Find all his greatest songs he composed for original soundtracks on this nice 2LP vinyl.
The movements of KUNZITE’s Mike Stroud and Agustin White have seen them orbiting around each other, occasionally crossing paths yet consistently admiring each other’s work. The pair traversed the globe separately with their different projects and personal adventures -- Mike touring with his band Ratatat and Agustin on a spiritual journey exploring yoga, meditation and psychedelics -- while looking to one day do something together. The formation of KUNZITE saw them finally able to merge their minds and mission, with a sound that blends psychedelia with electronic, beat-heavy production and live instrumentation. Most of the recording process for their new album, VISUALS, started while at Agustin’s stripped back studio in Hawaii, and finished at Mike’s barn studio in upstate New York, with instrumentation including acoustic, electric and lap steel guitars, organ, synthesizers and the charango.
"It takes time and lace, to make a French Mademoiselles" the adventure of this chic and sexy duo begins with these words!
THE FRENCH MADEMOISELLES, an artistic collectif run by two females singing :Miss K.T (for Katia, french native) & Miss L (for Lexie, American native). It is an interactive musical journey and quest that allows all women to understand how French women have created this spontaneous elegance and balance of life that allows them to maintain their professional and private lives simultaneously. Pop and Groovy 12 titles album... Bubble gum pop made in Paris ! Always with this cynical 60's vintage French movie atmosphere with a taste of Jacqueline Taïeb « 7 :AM » which cult singer brings their name… Recorded in Paris and mixed in London... This first album has been produced by renowned sound engineer of Elvis Costello, Shirley Bassey or The Pretenders. Already seduced 200.000
fans on internet with their digital singles and sexy and funny videos… Enjoy some "fresh air" from France with The French Mademoiselles.
The Howling is a collaborative project started by writer Ken Hollings and sound artist Howlround devoted exclusively to their shared love of text, audiotape and trash aesthetics. An intense collision of spoken word and analogue tape effects, the Howling's first performance took place at the Iklectik in September 2019 as part of a special programme to celebrate The Tapeworm's 10th anniversary.
Despite the pandemic, they have managed to continue working and conferring together since then, sharing sound files, texts and mixes online, which has resulted in All Hail Mega Force, their first full-length release for The Tapeworm. The two extended tracks contained on this audiocassette reflect their shared interest in Fluxus and how informal rules and permutations can be set up to work themselves out through loops and repetitions. A straight line connects Terry Riley's tape experiments in Paris from the early 60s with their experimental recordings in the Wimpy Bar on Streatham High Road, one of their favourite meeting places. 'The idea of instant, disposable one-off creations appealed to us a lot at the time,' The Howling explain, 'particularly as both pieces were conceived and developed during different phases of Covid lockdown in the UK.'
The title and source material are derived from the kid's adventure movie MegaForce, starring Barry Bostwik and Michael Beck. Designed to sell a range of Mattel hi-tech action toys, MegaForce tanked at the box office but lives on in the collective consciousness of those who share with The Howling a special love for Trash and Trash Aesthetics.
The two tracks also share similarities in approach and realization.
'All Hail Mega Force' was created by reading combinations of the words 'All Hail Mega Force' into a voice memo recorder, transferring it to tape, cutting the whole thing as a single long loop and then stretching it across three reel-to-reel machines simultaneously, using two pencils and a pint glass full of loose change to try and maintain sufficient playback tension. Over time the loop started to degrade, which accounts for the increasingly slurry and unpredictable playback, plus frequent ruptures caused by the tape becoming jammed and having to be tugged through the machine workings by hand. Twenty-four minutes later and the result was a completed new work and a slight backache.
The text for 'Are You Man Enough For Mega Force?' was recorded live in the Wimpy Bar on Streatham High Road, 28 November 2021. It was cut to tape and looped on 3 December 2021 at Warrior Studios, Loughborough Junction. Dragged by motor and then by hand across two tape machines with copious amounts of closed input feedback provided by a third rushing in to fill the gaps. One take with no effects or overdubs, but one tiny edit in the middle when something fell over.




















