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WEEDPECKER - V

WEEDPECKER

V

12inchHPSLP376
HEAVY PSYCH SOUNDS
27.02.2026

I started writing the songs for V at the beginning of 2023, and the demos were finished by the end of that year. While creating this material, I kept returning to one thought: everything we take for granted - everything that feels stable and permanent - is, in reality, incredibly fragile. Nothing lasts forever, and the sense of things slipping away can hit much sooner than we expect. I tried to translate those feelings into sound. At that time, a lot of difficult things were happening in my life, things I didn't know how to cope with. Music became a form of therapy - a way to process emotions I couldn't express in any other way. In early 2024, we began working through the songs together as a full band. After finalizing the arrangements, we spent the rest of the year recording them. The process stretched over many months, split into several sessions across different studios. I didn't want to rush anything. I wanted, as always, to refine every detail the best we possibly could. Soon you'll be able to hear the result for yourselves. For me, this album is something deeply personal. It's an act of opening up to anyone who chooses to listen - a glimpse into things I can't fully describe with words, into what I felt and who I became during that period. I'm incredibly happy that together with my friends from the band, we've created another record. What comes next_ time will tell.

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debe ser publicado en 27.02.2026

23,32
WEEDPECKER - V

WEEDPECKER

V

12inchHPSLTD376
HEAVY PSYCH SOUNDS
27.02.2026

Magenta Vinyl, limited to 450 copies. I started writing the songs for V at the beginning of 2023, and the demos were finished by the end of that year. While creating this material, I kept returning to one thought: everything we take for granted - everything that feels stable and permanent - is, in reality, incredibly fragile. Nothing lasts forever, and the sense of things slipping away can hit much sooner than we expect. I tried to translate those feelings into sound. At that time, a lot of difficult things were happening in my life, things I didn't know how to cope with. Music became a form of therapy - a way to process emotions I couldn't express in any other way. In early 2024, we began working through the songs together as a full band. After finalizing the arrangements, we spent the rest of the year recording them. The process stretched over many months, split into several sessions across different studios. I didn't want to rush anything. I wanted, as always, to refine every detail the best we possibly could. Soon you'll be able to hear the result for yourselves. For me, this album is something deeply personal. It's an act of opening up to anyone who chooses to listen - a glimpse into things I can't fully describe with words, into what I felt and who I became during that period. I'm incredibly happy that together with my friends from the band, we've created another record. What comes next_ time will tell.

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debe ser publicado en 27.02.2026

24,58
The 1975 - I like it when you sleep, for you are so beautiful yet so unaware of it (2x12")
  • A1: The 1975
  • A2: Love Me
  • A3: Ugh!
  • A4: A Change Of Heart
  • A5: She's American
  • A6: If I Believe You
  • A7: Please Be Naked
  • A8: Lostmyhead
  • A9: The Ballad Of Me And My Brain
  • B1: Somebody Else
  • B2: Loving Someone
  • B3: I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It
  • B4: The Sound
  • B5: This Must Be My Dream
  • B6: Paris
  • B7: Nana
  • B8: She Lays Down

The 1975 veröffentlichten am 26. Februar 2016 ihr zweites Studioalbum „I Like It When You Sleep, for You
Are So Beautiful yet So Unaware of It”. Es führte sowohl die britischen (BPI Platinum) als auch die USamerikanischen (RIAA Gold) Albumcharts an und brachte sieben Singles hervor: „Love Me”, „Ugh!”, „A
Change of Heart”, „She’s American”, „Somebody Else”, „Loving Someone” und „The Sound”. Pitchfork,
Rolling Stone und The Guardian führten es als eines der besten Alben des Jahres 2016 auf. Die BoxsetVersion wurde bei den Grammy Awards 2017 für die Kategorie „Best Boxed or Special Limited-Edition
Package” nominiert.
2026 ist das 10-jährige Jubiläum dieses viel beachteten Albums. Um dies zu feiern, wird das Album
auf farbigem Vinyl (Farbe noch zu bestätigen) in einer 6-seitigen Dreifach-Gatefold-Verpackung mit alternativem Artwork und 17 12”x12”-Kunstkarten veröffentlicht, wobei jedes Kartenbild einen Song mit dem
Text auf der Rückseite darstellt.

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debe ser publicado en 27.02.2026

44,50
THE CRYSTAL TEARDROP - ...IS FORMING

The buzz about the Crystal Teardrop that has been growing for the past two years looks set to reach fever pitch with the release of their debut album _IS FORMING. Featuring a dozen memorable compositions by the bands Alexandra Rose and Leon Jones, the album more than lives up to the promise of their 2024 single releases and their ecstatic live performances on stages across the UK and Europe. The band formed in Stoke-on-Trent in early 2023, "inspired," explains Alexandra Rose, "by a mutual passion for the sights, sounds and creative experimentation of the late 1960s." In addition to Alexandra on lead vocals on guitar, the band comprises Leon Jones (guitar, sitar), Stuart Gray (keyboards, Mellotron), Ed Quigley (bass, vocals), and Huw Woodward (drums, percussion). Intuitively blending elements of garage rock, folk-rock, power pop and psychedelia, the band have created an appealing concoction infused with their own perspectives and personalities. To best capture their sound, they recorded at an all-analogue facility, Tilehouse studio in North London, working closely with White Stripes producer Liam Watson of Toe Rag Studios fame.

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35,50
Cranes - Particles and Waves LP
  • 1: Vanishing Point
  • 2: K56
  • 3: Every Town
  • 4: Here Comes The Snow
  • 5: Particles & Waves
  • 6: Avenue A
  • 7: Astronauts
  • 8: Far From The City
  • 9: Streams
  • 10: Light Song

Cranes is a dream pop/shoegaze band formed by siblings Alison and Jim Shaw who rose to stardom following a world tour with the Cure in 1992. After the influential Dedicated label folded in 1998 they went on a two-year hiatus after which they se up their own label Dadaphonic. Here, they released three studio albums between 2001 and 2008, of which this record is their penultimate. This record, as any other on their label, strikes the perfect balance between their typical 90s alt rock underpinnings and modern electronica. Downtempo beats and swirling effects combined with jangly guitars and Alison Shaw's mysterious vocal presence make for a deep and subdued album, in the best way possible. Fans of the band have been requesting a vinyl release for quite a while now and to them we say: ask and you shall receive. Particles & Waves is available on vinyl for the first time as a limited edition of 1000 individually numbered copies on Crystal Clear, Blue & White Marbled vinyl.

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debe ser publicado en 27.02.2026

32,98
STANDELLS - Dirty Water LP
  • A1: Medication
  • A2: Little Sally Tease
  • A3: There Is A Storm Comin
  • A4 19: Th Nervous Breakdown
  • A5: Dirty Water
  • A6: Pride And Devotion
  • A7: Sometimes Good Guys Don't Wear White
  • A8: Hey Joe, Where You Gonna Go?
  • A9: Why Did You Hurt Me?
  • B1: Rari
  • B2: Why Pick On Me
  • B3: Paint It Black
  • B4: My Little Red Book
  • B5: Sunshine Superman
  • B6: Elanor Rigby
  • B7: Try It
  • B8: Barracuda
  • B9: Riot On Sunset Strip

The debut studio album by the American rock band The Standells, Dirty Water was released by the Tower label in June of 1966. Taped in the midst of touring in a two-day session on April 4–5, 1966 at Audio Recording in Seattle, Washington, the LP takes its title from the homonymous song, which, along with its B-side "Rari," had been recorded on March 5, 1965, at Western Recorders in Hollywood, California and issued as a single. Dirty Water became the band's best-selling LP, peaking at #52 on the Billboard charts, and #39 in the Cashbox listings. The "Dirty Water" single peaked at #11 in Billboard and #8 in Cashbox. Along with Why Pick on Me, this is considered the group's strongest album.

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24,33
EXEK - PROVE THE MOUNTAINS MOVE

EXEK

PROVE THE MOUNTAINS MOVE

12inchDFALP2731
DFA Records
27.02.2026out soon
 
2

Seit etwas mehr als einem Jahrzehnt hat sich EXEK ganz leise zu einer der faszinierendsten Bands der Welt entwickelt, die sich von Album zu Album verändert und weiterentwickelt und sich nach und nach geöffnet hat, ohne jemals diese seltsame, unergründliche und insgesamt essentielle Eigenschaft zu verlieren, die sie so großartig gemacht hat - so EXEK-mäßig. Nun bringt die Post-Punk-Band aus Melbourne - Sänger und Chefarchitekt Albert Wolski, Gitarrist Jai Morris-Smith, Schlagzeuger Chris Stephenson, Synthesizer-Spezialist Andrew Brocchi, Trompeterin und Sängerin Valya YL Hooi und Bassist Ben Hepworth - ihr siebtes Album und erstes für DFA raus: ,Prove The Mountains Move". Es ist, wie Wolski sagt, ,ein bisschen epischer" als alles, was er bisher aufgenommen hat, ein üppiges und unverhohlen melodisches Set surrealistischer Popmusik, das sich in Widersprüchen suhlt. ,Dieses Album ist in seiner Machart experimentell", sagt Wolski, ,aber es klingt nicht unbedingt experimentell." Dafür gibt es einen guten Grund. Die Arbeit begann an einem kalten Nachmittag im Juni 2023, als Wolski und Stephenson sich in den Pelican Refill Studios in Melbourne trafen, um die Drums aufzunehmen - das erste, was sie immer machen. Danach ging Wolski alleine nach Hause und fing an, die aufgenommenen Beats und Breaks durchzugehen, wobei er sich von den Drum-Sounds zu Melodien und Basslines leiten ließ, Loops und Layers erstellte und so die Grundlage für ,Prove The Mountains Move" schuf. ,Ich fühle mich wohl dabei, alleine wie ein verrückter Wissenschaftler herumzutüfteln", sagt er. ,Ich habe es auch genossen, ohne klare Absicht auf Aufnahme zu drücken. Meistens führte mich das in eine interessante Richtung, die mein Bewusstsein wahrscheinlich nicht gesucht hätte." Und doch gelangte Wolski irgendwie zu seinem direktesten Werk seit Beginn des Projekts, neu inspiriert von der Klarheit und Prägnanz des Mainstream-Pop, der starken und unbestreitbaren Anziehungskraft einer einfachen Gesangsmelodie. Nachdem die berühmt-berüchtigten strengen COVID-Lockdowns in Melbourne beendet waren, wollte er einfach draußen bleiben. ,Die Arbeit an neuer Musik trat gegenüber dem Feiern mit Freunden in den Hintergrund", sagt er. ,Und diese Partys waren voller großer Hits als Soundtrack - Sachen, die ich selbst nicht wirklich hörte, Sachen, denen ich seit meiner Jugend nicht mehr begegnet war. Aber in den frühen Morgenstunden des Sonntags klingt ,Alive" von Pearl Jam, als würde man mit Gott sprechen. Genauso wie ,All I Wanna Do" von Sheryl Crow und ,Feel" von Robbie Williams. Krautrock und Dub waren immer noch in meiner DNA, aber die Musik, die ich zu machen begann, war vielleicht etwas unbeschwerter und vielleicht auch etwas emotionaler." Das heißt nicht, dass man hier Spuren von Eddie Vedder in Wolskis Gesang erwarten sollte, aber die Einsätze fühlen sich auf ihre eigene Weise ähnlich an - so klingt es, wenn EXEK wirklich alles geben. Nimm zum Beispiel die schwebenden Synthesizer des Openers ,Sidestepping" oder die gewaltigen Gitarren von ,Arriverderci Back Pain", die pyrotechnischen Klavierklänge von ,Don't Answer (When They Call)" oder die Bowie-artige Melancholie von ,You Have Been Blessed". Die Arrangements wirken offener, der Sound fokussierter. Es fällt nicht schwer, Wolski zu glauben, wenn er sagt, dass er viel Zeit damit verbracht hat, seine Mixe von ,Prove The Mountains Move" mit einigen der wichtigsten Alben, die je aufgenommen wurden, darunter ,Abbey Road", zu vergleichen. Aber alles ist relativ. Und textlich bleibt Wolski weiterhin verschlüsselt. ,Jeder Song ist eine Vignette in einem abstrakten Milieu, sei es ein experimentelles Chiropraktik-Geschäft am Flughafen oder spärlich bekleidete Kreaturen aus Staub in einem Food Court. Egal wie verrückt das auch sein mag, es gibt Themen und Motive auf dem gesamten Album, sowohl textlich als auch musikalisch, die sich in verschiedenen Songs widerspiegeln und aufeinander Bezug nehmen." Diese Dissonanz zwischen direkt und indirekt, glatt und strukturiert, schattig und glühend, verrückt und ausdruckslos ist die treibende Kraft im Herzen dieser Songs, seiner bisher besten.

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23,49
IRON AND WINE - HEN'S TEETH

IRON AND WINE

HEN'S TEETH

12inchSP1707LP
Sub Pop
27.02.2026
  • 1: Roses
  • 2: Paper And Stone
  • 3: Robin's Egg (Feat. I'm With Her)
  • 4: Singing Saw
  • 5: In Your Ocean
  • 6: Defiance, Ohio
  • 7: Wait Up (Feat. I'm With Her)
  • 8: Grace Notes
  • 9: Dates And Dead People
  • 10: Half Measures

Die Indie-Folk-Ikone Sam Beam, auch bekannt als Iron And Wine, bringt ein neues Studioalbum raus, das voll mit wunderschöner, natürlicher Americana ist, darunter zwei Kollaborationen mit dem weiblichen Folk-Trio I'm With Her. „Ich wollte schon immer diesen Titel verwenden", sagt Sam Beam über „Hen's Teeth“, sein achtes Album in voller Länge und sein sechstes für Sub Pop Records. „Ich liebe ihn einfach. Für mich steht er für das Unmögliche. Hühnerzähne gibt's nicht. Und genau so fühlt sich dieses Album an: wie ein Geschenk, das es eigentlich nicht geben dürfte, aber doch da ist. Eine unmögliche Sache, aber sie ist real."



„Hen's Teeth“ und sein vorheriges Album „Light Verse“ sind so was wie Geschwister. Sie wurden während derselben Sessions nach einer einjährigen Pause mit derselben Band im Waystation Studio in Laurel Canyon aufgenommen. „Wenn ich gerade richtig in Schreiblaune bin und die Band mich dort abholt, wo ich gerade stehe, treiben sie mich zu etwas, das ich mir nicht hätte vorstellen können. Ich bin an einem Punkt in meinem Leben, an dem Spontaneität für mich viel wichtiger ist. Ich muss nicht mehr so viel beweisen wie früher. Ich bin viel freier und liebe es mehr denn je, Musik zu machen. Es gibt keine richtigen oder falschen Antworten. Man betet einfach um Glück und gibt sein Bestes." In diesem Fall wurden die Gebete erhört und das Glück schlug voll zu. Die Musiker fanden so schnell zueinander und inspirierten sich gegenseitig so sehr, dass sie Songs oft in nur wenigen Takes aufnahmen, manchmal zwei oder drei pro Tag. Die beiden Alben können daher als zweieiige Zwillinge betrachtet werden: Sie teilen sich die DNA und ergänzen sich, haben aber unterschiedliche Identitäten und zeichnen sich ebenso durch ihre Unterschiede wie durch ihre Gemeinsamkeiten aus. Die Welt von „Hen's Teeth“ ist erdiger, dunkler, robuster und greifbarer als die von „Light Verse“. Die Songs haben Titel wie “Roses", “Robin's Egg", “Dates and Dead People" und “Singing Saw". “Run into the one you love forever / Laugh into each other's empty mouth", singt Beam in “Roses", dem ersten Titel des Albums. Es ist einer von mehreren Songs, in denen Liebende so tief miteinander verbunden sind, dass sie physisch verschmelzen. “Paper and Stone" erinnert daran: “But for the time we fell in two / You'd be me and I'd be you / One crust of bread could fit in our mouths / You'd breathe in and I'd let it out." Und in “In Your Ocean" finden wir Beam betend: “Praying for dry ground / Though I only want to drown / When I find myself swimming in your ocean".

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21,64
PARKWALKER - THE EXTRA MILE
  • Open Sea
  • Bill Gates
  • Open Heart
  • Strong Suit
  • Harbours
  • Pourlavie
  • Summer Solistice
  • Swarm Of Birds
  • Truly

rot/schwarzes Marble Vinyl. Offensichtlich parkverliebt_ eine musikgewordene Parksituation: Du schlenderst langsam durch das zerbrechliche Idyll inmitten der Stadt, die Luft ist kalt und klar, die Arme hinter dem Rücken verschränkt. Hochgewachsene Bäume spannen den Raum auf, gedämpfter Stadtlärm mischt sich mit dem Rascheln der Blätter, mehr oder weniger verwirrte Tiere sehen aufmerksam in Deine Richtung. Du setzt Dich auf eine Parkbank, hältst inne und fängst an Dich darüber zu freuen, wie schön das alles eigentlich ist. ParkWalkers emopop/slowcore sound ist bestimmt durch zwei cleane Gitarren (Hannes & Nicola), eindringliche Basslinien (Arnaud), entspannte Drums (Armin) und der warmen Stimme von Nicola. Melodien, die hängen bleiben, in meist klassischer Songstruktur. Die lieben 90er oder Nullerjahre lassen grüßen, vielleicht fällt einem American Football, Snow Patrol ein oder fühlt sich an Death Cab for Cutie und Weakerthans erinnert. ParkWalker haben sich 2018 gefunden, und leben verteilt in Berlin, Stuttgart und Karlsruhe. Klar in der DIY-Szene verwurzelt haben sie viele Stunden auf Bühnen im In-und Ausland mit verschiedenen Formationen verbracht, u.a. Tidal Sleep. Nach ihrem Debüt "Distant Phenomena" im Jahr 2021 ist für Herbst 2025 das zweite Album "The Extra Mile" bei This Charming Records geplant. Das Album wurde in den RAMA Studios aufgenommen und von Christian Bethge (z.B. Messer) produziert und gemastert

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25,17
Warren Zevon - Excitable Boy LP 2x12"
  • A1: Johnny Strikes Up The Band
  • A2: Roland The Headless Thompson Gunner
  • A3: Excitable Boy
  • B1: Werewolves Of London
  • B2: Accidentally Like A Martyr
  • C1: Nighttime In The Switching Yard
  • C2: Veracruz
  • D1: Tenderness On The Block
  • D2: Lawyers, Guns And Money

A Consummate Fusion of Wit, Humor, Satire, Honesty, and Chaos: Warren Zevon’s Excitable Boy Captures Dark Elements of American Culture with Uncanny Insight

• Sourced from the Original Analog Tapes for Definitive Sound: Mobile Fidelity’s Numbered-Edition 180g 45RPM 2LP Set and Hybrid SACD Play with Explosive Dynamics and Airy Openness

• Jackson Browne-Produced Album Includes “Werewolves of London,” “Lawyers, Guns, and Money,” and “Roland the Headless Thompson Gunner”

Excitable Boy established Warren Zevon as rock’s gonzo figurehead — or, as Jackson Browne aptly called him, “the first and foremost proponent of song noir.” A supreme collision of over-caffeinated energy, acerbic wit, dark humor, irreverent reporting, bittersweet romance, swept-under-the-rug truth, and illicit desire sent up with booze, pills, and therapist confessions, the breakthrough album zeroes in on frightening aspects of American culture with an incisiveness that’s even sharper today than upon the effort’s release in 1978. Its hard-boiled narratives owe to a tradition established by Raymond Chandler, continued by Hunter S. Thompson, and carried into the 21st century by Breaking Bad and Better Call Saul creator Vince Gilligan. And the music has never sounded so excitable. Sourced from the original analog master tapes, Mobile Fidelity’s numbered-edition 180g 45RPM 2LP set and hybrid SACD elevate the best-selling album of Zevon’s career to audiophile status.

Co-produced by Browne and Waddy Wachtel — and featuring contributions by members of Fleetwood Mac plus Linda Rondstadt, J.D. Souther, and Browne — the platinum-certified record now plays with a verve and explosivity that match its subject matter. Listeners will experience wide separation between the instruments; full-range dynamics; sterling transparency that draws a through- line to the original sessions at the Sound Factory; and a presence that enhances the body and tenor of Zevon’s vocals. Like the hairy creatures in “Werewolves of London” and the ghosts wandering the corridors of Excitable Boy, Zevon’s legacy still runs amok via the grooves of his finest studio work. Draw blood, indeed.

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82,56

Ültimo hace: 85 Días
Brandy Dalton - Fallen Angel LP

Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. Brandy was known for many years in the LA underground for his performances with his boyfriend, Robert Woods, who was the resident DJ at Club Fuck. Eventually, they recruited John Munt to form the band Drance, becoming infamous for their high-energy performances and songs that tackled taboo topics like sadomasochism. While Drance explored the aggressive sounds of industrial and EBM, Dalton continued to produce a wide range of electronica, from abstract sonic textures to techno bangers. The Fallen Angel album collects 16 sweaty, sticky cuts composed for the pornographic series Fallen Angel, a trio of leather-focused films released by Titan Studios. The sounds here span from the fractured cyberpunk-rave of “Swelled” to the tabla-laced trance of “FA2,” taking listeners on a journey through hedonistic recesses chock full of crunchy digital drum machines and wailing FM synths.

This album was originally released on CD in 1999 by Titan Studios, capitalizing on the success of the film franchise. It will be reissued on LP as well as CD, featuring 6 bonus tracks. Artwork for the album, designed by Eloise Shir-Juen Leigh, features stills from the Fallen Angel film. Also included is an insert with liner notes and photographs. This album is dedicated to Brandy, who passed away from AIDS-related illness in 2006, after battling with the disease for 17 years. Brandy’s passing was preceded by his best friend and Drance co-founder Robert’s death in 1995. Documenting a sonic shift in the 90s bathhouse music, Fallen Angel provides a hardcore BDSM ride, building upon the analogue archival soundtracks that Dark Entries has previously released.

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19,75

Ültimo hace: 51 Días
Cassia - everyone, outside

Cassia

everyone, outside

12inchCASSIA07VINYLLIMITED
love sundays
20.02.2026

Macclesfield 3-piece Cassia make their extremely welcome return with the announcement of their most ambitious release yet in new studio album everyone, outside - out April 11th.

The album marks a bold new chapter, and recently served up a tropical-tinged first offering in ‘heat’ - with today serving a superb Round Two with the stomping, insatiable, hook-laden new single ‘friends’.

everyone, outside takes Cassia’s sound to new heights. Written fresh off the back of two years of relentless touring, the band channelled every ounce of their renowned live energy into the album, returning to a studio they built themselves in Macclesfield, after creating their previous album in Berlin. The journey provided an added twist, recording the majority of tracks live on TikTok, giving fans a unique, inclusive experience to be part of the process.

The album’s title is a metaphor for embracing your truest self and reflection of a band who are at their happiest outside. It’s a message that speaks to the idea of reconnecting with nature and Britain’s finest summers. As frontman Rob explains, “That title, ‘everyone, outside’ started as a song about how weird it is that we stay inside all the time when being out in nature always makes us feel better. Over time, it came to mean more than that - like a metaphor for being your truest, most natural self, unburdened, like when no one’s watching.”

Drawing influences from a host of genres and cultures, everyone, outside reveals Cassia’s venn diagram of global sounds and intimate storytelling. A trip to Mexico during the writing process injected the record with a new energy, while their time spent in their new space back home gave the band a freedom to try new instruments, new sounds, acquire new tools to hone their production skills - and to simply have fun and explore. “The time we spent in Berlin taught us so much, but coming back home to Macclesfield allowed us to really focus on making something that felt like it came from us. No distractions, just pure creativity,” says drummer Jacob Leff.

Cassia’s rise has been impressive. From their early days busking the streets of Cornwall to playing major festivals, touring the world and receiving critical acclaim from BBC Radio 1, Radio X, The Independent, Rolling Stone UK, Clash & many more, the band has carved out a unique niche. Their sound, influenced by the African music Rob’s father introduced him to, combined with the indie heritage of nearby Manchester, combines the positivity of bands like Foals and Vampire Weekend, with the jazz-tinged afrobeats of Fela Kuti and Ebo Taylor.

After signing to Distiller Records in 2018, the band gave up their full-time jobs and ventured to Bath to record their debut album, Replica. Tracks such as ‘Right There’, ‘Drifting’ & ‘100 Times Over’ have amassed millions of streams, seeing the band sell out multiple headline Tours both in the UK and Europe. Playing to a homecoming capacity crowd at Manchester’s O2 Ritz, as well as sold out headline shows at London’s KOKO & The Garage, the band have accrued a huge, loyal following and their live shows earned them a nomination for Best Live Act at the AIM Awards alongside Idles and DMA’s, as well as making them the winners of Reeperbahn’s Anchor Award in 2022.

Cassia will tour the UK in May 2025, playing songs from the new album and some of their biggest tracks - headlining Leeds, Bristol, a newly added night in Southampton, a special Manchester homecoming, Glasgow, Birmingham, & a huge show at London’s HERE @ Outernet - dates below & Tickets Here. The band will also take things Stateside this year for their first ever run of headline shows in the US & Mexico.

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debe ser publicado en 20.02.2026

30,46
Disclosure - Energy (5th Anniversary Edition) LP
  • 1: Watch Your Step (Ft. Kelis)
  • 2: Lavender (Ft. Channel Tres)
  • 3: My High (Ft. Slowthai)
  • 4: Who Knew? (Ft. Mick Jenkins)
  • 5: Douha (Mali Mali) (Ft. Fatoumata Diawara)
  • 6: Fractal
  • 7: Ce N'est Pas (Ft. Blick Bassy)
  • 8: Energy
  • 9: Thinking 'Bout You
  • 10: Birthday (Ft. Kehlani & Syd)
  • 11: Reverie (Ft. Common)

The British electronic and sibling duo, Disclosure celebrate 5 years since the release of their third studio album ENERGY.



For this album Disclosure shifted towards a more rhythmic and percussion focused sound, taking influence from UK house, garage, hip hop and world music.



It showcases a diverse range of vocal collaborations including Kelis, Channel Tres, Mick Jenkins, Fatoumata Diawara, Blick Bassy, Kehlani, Syd, and Common.



ENERGY was nominated for Best Dance/Electronic Album at the 63rd Annual Grammy Awards and the single "My High" was nominated for the Grammy Award for Best Dance Recording at the 2021 Grammy Awards. It is BPI certified Silver in the UK.



This 5th anniversary 1LP will now be available for the first time on limited edition Zoetrope, housed in a single die cut sleeve. Designed by Drew Tetz, each side of the zoetrope is inspired by the original album artwork, using the water and the clouds imagery to create lifelike movement with these earth elements.

Reservar20.02.2026

debe ser publicado en 20.02.2026

32,56
THROWING MUSES - MOONLIGHT CONCESSIONS LP

‘Moonlight Concessions’ goes back to basics, a return for Throwing Muses to their esoteric off-kilter best courtesy of Kristin’s pin-sharp sketches and their suitably abrasive musical arrangements. The album follows their acclaimed ‘Sun Racket’ from 2020, a heady set filled with tough and tender tales spiked with surreal imagery. Produced by Kristin Hersh at Steve Rizzo's Stable Sound Studio in Portsmouth, Rhode Island, ‘Moonlight Concessions’ is a collection of snippets from everyday life writ large - think Raymond Carver Short Cuts, overheard conversations, recounted happenings and telling one-liners, all sewed together to illustrate the times as they slowly mature, fully peppered with original Muses’ vim and vigour. ‘Drugstore Drastic’ is a kerbside soliloquy caught en route to a more alluring rendezvous. Built on a brisk acoustic strum with a guitar sub-melody underpinning proceedings, it’s an unfolding tale of social awareness from a blurred sub-conscious. ‘Summer Of Love’ began as a bet with a guy for a dollar that revolved around the idea that the seasons don’t change us. The album opener, it’s a haunting baroque overture, bowed and brooding. ‘Libretto’s strings offset the acoustic ambience, the hot and cold of longing at the very heart of it, a thematic driver filed with warmth in a safe haven lubricated by tequila. Written in the differing South Coast environs of The Gulf Of Mexico and Southern California, ‘Moonlight Concessions’ pulls from the star clusters that light both, generating optimism and hope in varying degrees. Hersh explains, “In New Orleans the stars look greenish-blue, as it’s below sea level and swamp-lit. But on Moonlight Beach, they glow icy white. All these songs were written in these two glowy places, which helped our sonic technique find itself.”

Reservar20.02.2026

debe ser publicado en 20.02.2026

23,49
Candiria - 300 Percent Density
  • 1: Channeling Elements
  • 2: 300 Percent Density
  • 3: Signs Of Discontent
  • 4: Advancing Positions
  • 5: Without Water
  • 6: The Obvious Destination
  • 7: Mass
  • 8: Contents Under Pressure
  • 9: Opposing Meter
  • 10: Constant Velocity Is As Natural As Being At Rest
  • 11: Words From The Lexicon
También disponible

Violet Vinyl[24,33 €]


Candiria’s classic album 300 Percent Density reissued on vinyl in February Hailing from Brooklyn, New York, Candiria is one of the precursors of the mathcore genre. Formed in 1992 by vocalist Carley Coma, guitarists Chris Puma and Eric Matthews, and drummer/bassist/keyboardist/trumpeter Kenneth Schalk, the band was part of the second wave of New York hardcore, but subsequently expanded its performance to also play jazz, hip hop and progressive rock. 300 Percent Density is Candiria’s fourth studio album, originally released by Century Media in 2001. Critically praised for its experimental mix of metal, jazz, hip-hop, and hardcore, the album’s intricate arrangements and adventurous sound have made it a classic, stated by fans and critics as the band’s best work to date. The 25-year-old album is available on wax again in February 2026 via Svart Records. “Candiria have always been—and remain—a favorite among the group’s peers, because musicians already possess the vocabulary to understand the intricacy of the band’s arrangements and the tireless care and craft that went into perfecting them. Like the Dillinger Escape Plan and Converge, Candiria pressed hard to break through the monoculture of metal’s awkward transitional years and pave the way for similarly experimental bands.” -Decibel Magazine

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debe ser publicado en 20.02.2026

23,49
Candiria - 300 Percent Density

Candiria

300 Percent Density

12inchSRE701LPB1
Svart Records
20.02.2026
  • 1: Channeling Elements
  • 2: 300 Percent Density
  • 3: Signs Of Discontent
  • 4: Advancing Positions
  • 5: Without Water
  • 6: The Obvious Destination
  • 7: Mass
  • 8: Contents Under Pressure
  • 9: Opposing Meter
  • 10: Constant Velocity Is As Natural As Being At Rest
  • 11: Words From The Lexicon
También disponible

Black Vinyl[23,49 €]


Candiria’s classic album 300 Percent Density reissued on vinyl in February Hailing from Brooklyn, New York, Candiria is one of the precursors of the mathcore genre. Formed in 1992 by vocalist Carley Coma, guitarists Chris Puma and Eric Matthews, and drummer/bassist/keyboardist/trumpeter Kenneth Schalk, the band was part of the second wave of New York hardcore, but subsequently expanded its performance to also play jazz, hip hop and progressive rock. 300 Percent Density is Candiria’s fourth studio album, originally released by Century Media in 2001. Critically praised for its experimental mix of metal, jazz, hip-hop, and hardcore, the album’s intricate arrangements and adventurous sound have made it a classic, stated by fans and critics as the band’s best work to date. The 25-year-old album is available on wax again in February 2026 via Svart Records. “Candiria have always been—and remain—a favorite among the group’s peers, because musicians already possess the vocabulary to understand the intricacy of the band’s arrangements and the tireless care and craft that went into perfecting them. Like the Dillinger Escape Plan and Converge, Candiria pressed hard to break through the monoculture of metal’s awkward transitional years and pave the way for similarly experimental bands.” -Decibel Magazine

Reservar20.02.2026

debe ser publicado en 20.02.2026

24,33
Disclosure - Caracal (10th Anniversary Edition) (2x12")
  • 1: Nocturnal (Ft. The Weeknd)
  • 2: Omen (Ft. Sam Smith)
  • 3: Holding On (Ft. Gregory Porter)
  • 4: Hourglass (Ft. Lion Babe)
  • 5: Willing & Able (Ft. Kwabs)
  • 6: Magnets (Ft. Lorde)
  • 7: Jaded
  • 8: Good Intentions (Ft. Miguel)
  • 9: Superego (Ft. Nao)
  • 10: Echoes
  • 11: Masterpiece (Ft. Jordan Rakei)
  • 12: Molecules
  • 13: Moving Mountains (Ft. Brendan Reilly)
  • 14: Afterthought

Celebrating the 10th Anniversary of Disclosure's sophomore studio album, Caracal.    

This record features an eclectic lineup of vocal collaborations including The Weeknd, Sam Smith, Gregory Porter, Lorde, Jordan Rakei and many more. With a total of five singles, the acclaimed second single, 'Omen' featuring Sam Smith was the highest charting of the singles, peaking at No.13 in the UK charts, and has accumulated almost 1 billion global streams since release. The Lorde featured track 'Magnets' follows closely behind with just under 710 million streams since release. Caracal has sold over 135,000 physical copies worldwide since release and was Grammy nominated for The Best Dance/Electronic Album back in 2016.

The limited edition will be available for the first time on a 2LP Zoetrope, housed in a gatefold die cut sleeve. Each side of the vinyl is inspired by the original album artwork and campaign poster from the time, using the caracal cat and the featured vocalists illustrations to create animated movement across the discs as they spin.

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debe ser publicado en 20.02.2026

41,98
Jason Graves - Order:1886 OST

Jason Graves

Order:1886 OST

12inchMOVATM030R
Music On Vinyl
20.02.2026
También disponible

SMOKE COLOURED VINYL[38,03 €]


The Order: 1886 is an epic game score for the 2015 third-person action-adventure Playstation video game The Order: 1886, created by the gaming studio Ready At Dawn. The game takes place in a painstakingly recreated Victorian-Era London, but features new advances in technology brought about by an accelerated Industrial Revolution and the centuries-old conflict between Human and Half-breeds.

The music was created by BAFTA Award-winning composer Jason Graves, who received the BAFTA Award for Best Original Score for his work for the 2008 video game Dead Space. Graves is renowned worldwide for his cinematic and immerse music. His musical background as a classically trained composer, jazz drummer, guitarist, and world percussionist, allows him to compose for a wide variety of genres.

The Order: 1886 is available as a limited edition of 500 individually numbered copies on smoke coloured vinyl, housed in a gatefold sleeve and includes a 4-page booklet with liner notes.

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34,03
PROPAGANDHI - TODAY'S EMPIRES, TOMORROW'S ASHES

Vor 25 Jahren: Today's Empires, Tomorrow's Ashes ist das einflussreiche dritte Studioalbum der kanadischen Punkband Propagandhi, das 2001 auf ihrem Label G7 Welcoming Committee Records (und außerhalb Kanadas bei Fat Wreck Chords) veröffentlicht wurde. Es zeichnet sich durch schnellen, politisch aufgeladenen, metallischen Punk mit kraftvollen Texten und Riffs aus und wurde 2021 zum 20-jährigen Jubiläum überarbeitet (Remaster, neuer Mix). Seit 2021 als CD erhältlich, jetzt wieder auf schwarzem und farbigem Vinyl. Eine der besten politischen Punkbands seit den 90ern! 14 Tracks (plus 4 Bonustracks auf CD) mit nachhallenden Donner auf einem umwerfenden Album! Wissen ist Macht. Seid bereit.

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debe ser publicado en 20.02.2026

24,33
The Gathering - Beautiful Distortion

Yellow Vinyl

Mit ihrem neuen Meisterwerk "Beautiful Distortion" melden sich THE GATHERING am 29.04.2022 eindrucksvoll zurück!

Satte 10 Jahre haben sich THE GATHERING, die mit Alben wie "Mandylion", "How To Measure A Planet?" oder "Souvenirs" zu internationalen Ikonen atmosphärischer Rockmusik wurden, für ihr neustes Werk Zeit gelassen, denn nach über 16 Jahren im Hamsterrad von Tourneen, die sich mit Albumaufnahmen abwechselten, um dann die nächste Tournee zu bestreiten, und dem Weggang ihres langjährigen Bassisten Marjolein Kooijman in 2013, brauchten die Musiker einfach mal eine Pause, um ihre Batterien wieder aufzuladen und sich um ihre Familien zu kümmern.

Ihr 25jähriges Bandbestehen 2014 haben THE GATHERING dennoch mit allen aktuellen und ehemaligen Bandmitgliedern im Doornroosje Club in Nijmegen groß gefeiert, um sich danach wieder in ihre selbst auferlegte musikalische Klausur zu begeben.

2018 dann war die Band wieder startklar. In Hugo Prinsen Geerligs, der bereits von 1989 bis 2003 die vier Saiten bei THE GATHERING bediente, fand man einen neuen Bassisten und die Gruppe begann, neue Songs zu schreiben und Konzerte zu spielen, bis 2020 die Pandemie zuschlug und alles um weitere zwei Jahre verzögerte.

Das 11.Studioalbum von THE GATHERING knüpft stilistisch an den Vorgänger "Disclosure" von 2012 an. Acht Titel, im für die Band typischen, satten Electro-Rock-Sound - auch als Trip Rock bekannt - , getoppt von wunderbaren Gesangsmelodien und der warmen Stimme von Sängerin Silje Wergeland machen "Beautiful Distortion" zum wahrscheinlich dynamischsten und melodischsten THE GATHERING-Album in ihrer über 30jährigen Bandgeschichte.

Produziert und gemixt wurde "Beautiful Distortion" von Attie Bauw (u.a. Judas Priest, Scorpions), der bereits bei den THE GATHERING-Alben "Home" und "How To Measure A Planet?" an den Reglern saß. Für das Mastering zeichnet Maor Appelbaum (u.a. Faith No More) verantwortlich.
Die Musik wurde von der Band im Arnold Muhren Studio in Volendam (NL) eingespielt, alle Gesangsparts wurden im Bergen Lydstudio in Norwegen aufgenommen.
"Beautiful Distortion" wurde in Dolby Atmos gemischt und kann auf allen Plattformen, die Dolby Atmos Mixe anbieten, gestreamt werden.

Sämtliche Bandmitglieder waren von Anfang an am kreativen Prozess und den Aufnahmen beteiligt, sowohl einzeln, online, als auch persönlich und gemeinsam, wann immer es möglich war. Es war zwar eine Herausforderung, während der Pandemie und den damit verbundenen Maßnahmen ein Album über zwei Länder hinweg zu schreiben und aufzunehmen, doch THE GATHERING haben auch dies mit Bravour gemeistert.

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23,74
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