There are albums that tap into the very heartbeats of rhythm, melody and intricate sound design, pulsating with every musical note. This is the case of 'Séptimo Sentido', the new album by Buenos Aires-based producer Seph.
Sebastián Galante aka Seph is no stranger to these realms; with almost two decades of experience under his belt, he has established himself as one of the leading talents in the Argentina techno scene and as one of the most intriguing minds in alternative Latin American electronic music. His productions have found a home in cutting edge labels such as Insurgentes –a platform led by the DJ and producer from Medellín (Colombia) Verraco, and sister label of TraTraTrax, which has reduced gaps between the Latin electronic scene and the rest of the globe– or his own label Aula Magna Records. He has also fostered collaborations, among which stands out his project Oscean alongside Andrés Zacco, a project that was recently released on the legendary Berlin label Tresor.
In his new album 'Séptimo Sentido', Seph exhibits superlative production skills and masterfully showcases the widest palette of the braindance sound, that intersection where countless genres and sub-styles can coexist. Here we hear echoes from the mid-90s that revive undeniable references of early IDM; but with a renewed form, under a fiercely contemporary new skin.
At the core of this intriguing album, we find an artist whose devotion to experimentation takes his rhythmic and melodic obsessions through vibrant magical-techno-urban landscapes, where radiant colors and mutating forms collide in a bold and imaginative sonic journey.
'Séptimo Sentido' hails from the prism of perception, beyond the five senses and a step further than instinct, hunting for mysterious resonances with the cosmos; like a space portal inviting us to float a handspan above the ground.
quête:the dragon
For The Elektric Band’s sophomore outing, Chick Corea - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master - entered the studio with Dave Weckl on drums, John Patitucci on bass, and two new players who would solidify the band’s classic line up, guitarist Frank Gambale and saxophonist Eric Marienthal.
More heavily produced than its predecessor, Light Years contains several sequence-driven tracks, Corea’s attempt at reaching out to a wider audience with a brand of music that was tighter, funkier and eminently more communicative than he had recorded on 1986’s The Chick Corea Elektric Band.
The crisp, irrepressibly catchy title track is a prime example of Corea’s more commercial aspirations for the album, with Patitucci laying down a fat, funky groove with some hearty slap bass lines (a distinct flavor of the time), and Marienthal’s pungent alto sax strutting over the top. Not only did this groove-oriented track catch on with listeners, it also won a Grammy for Best R&B Instrumental Performance at the 31st Annual Grammy Awards.
Originally released on GRP Records in 1987, the album also contains the dreamy contemporary jazz offerings of “Second Sight” and “The Dragon,” the sequence-driven “Time Track”, “Flamingo,” featuring Carlos Rios on guitar and, the electrifying, techno tour de force, highly complex closer, “Kaleidoscope.
High Roller Records, picture disc, ltd 500, handnumbered, deluxe plastic bag, cardboard insert, mastering by Patrick W. Engel at TEMPLE OF DISHARMONY
High Roller Records, picture disc, ltd 500, handnumbered, deluxe plastic bag, cardboard insert, mastering by Patrick W. Engel at TEMPLE OF DISHARMONY
- A1: The Traveller
- A2: A Prenormal Day At Brighton
- A3: Masai Morning: Casting Of The Bones/The Hunt/A Ritual Of Kings
- A4: Windweaver
- A5: Dragonfly Day: Metamorphosis/Dance Of The Sun Spirit/Death
- B1: Petunia
- B2: Telephone Girl
- B3: Psychiatric Sergeant
- B4: Slow Ride
- B5: Sundial Song
- B6: Telephone Girl (First Version - Bonus Track)
After backing future Mike Oldfield producer Tom Newman and playing in psychedelic outfit July, percussionist/flutist Jon Field and guitarist Tony Duhig joined forces with bassist Glyn Havard to form experimental prog act Jade Warrior, their non-standard 1971 self-titled debut a work of excellence unjustly overlooked. Veering between acou-stic introspection, searing acid rock and world music interludes, with melody and percussion from Africa and India and nary a drumkit in sight, this pure musical gemstone of uncommon beauty is ripe for rediscovery, and this edition comes with a rare alternate of ‘Telephone Girl’ to boot. Mega!
“There are lots of outstanding Joe McPhee LPs. Nation Time being chief among them, but there’s also Pieces Of Light, Oleo and Topology. The Poughkeepsie, New York-based multi-instrumentalist, by now an international star of free music, has amassed a daunting discography, no doubt. If you want to peer deeply into the soul of Joe McPhee, however, there’s no way around it, you need to spend some quality time with Tenor. “Tenor is McPhee’s first solo record. He did not set out to make it. It was an afterthought, quite literally, born of a gathering of friends at the Swiss farmhouse of cellist Michael Overhage. A beautiful meal, some drinks, warm conversation, and ... why not, an impromptu recital. Hat Hut producer Werner X. Uehlinger was there and a year later issued it as McPhee’s third LP for the label (Hat Hut C in their famed letter series). “The existential blues ‘Knox’ sets the stage, indicating that this will not just be a toss-off postprandial singalong. ‘Good-Bye Tom B.’ carries on with aching melancholy, through burred notes and hushed harmonics. The relatively jaunty ‘Sweet Dragon’ is also emotionally loaded with Ayler-esque vibrato, slurs, wipes, and blasts of tone. The side-long title track comes without a theme, as a kind of pure investigation of the horn, its potential, its limits, its expressive capacity. There have been few solo sessions as comprehensive and devastating as this spontaneous after-dinner diversion in rural Switzerland in 1976. We’re very lucky someone pressed record.” —John Corbett (excerpt from the liner notes)
- A1: Platform 9 ¾
- A2: The Hogwarts Express
- A3: Welcome To Hogwarts
- A4: Wand Dance
- A5: Albus Severus Potter
- A6: The Blanket
- A7: Hut On The Rock
- A8: A Malfoy
- A9: Anything From The Trolley, Dars?
- A10: Ministry Of Magic
- A11: St Oswald S
- A12: Wizarding World
- A13: Shadows And Spirits
- B1: Privet Drive
- B2: Into Mcgonalgall S Office
- B3: The Forbidden Forrest
- B4: Edge Of The Forest
- B5: Dragons!
- B6: Dumbledore
- B7: Staircase Ballet
- B8: The Duel
- B9: Invisibility Cloak
- B10: Moaning Myrtle
- B11: Scorpius Alone
- C1: Dementors
- C2: Expecto Patronum
- C3: In Trouble (Again)
- C4: Slytherin Dormitory
- C5: The Owlery
- C6: A New Prophecy
- C7: The Augurey
- C8: Extraordinary General Meeting
- C9: Godric S Hollow
- D1: Paint And Memory
- D2: Something Written
- D3: The Final Battle
- D4: The Arrival
- D5: Lilly And James
- D6: Burning Bed
- D7: A Nice Day
- D8: A World Of Darkness
- D9: Another Hogwarts
Harry Potter And The Cursed Child is a play based on the latest magical Harry Potter story, written by Jack Thorne from an original story written by J.K. Rowling, Thorne and John Tiffany. It’s the eighth story in the Harry Potter series and the first official to be presented on stage. The critically acclaimed production is the most awarded new play in theatre history with a record-breaking eleven nominations and won another record-breaking nine awards, including Best New Play at the 2017 Laurence Olivier Awards. The music is written, composed, performed, and recorded by Grammy and Ivor Novello Award-winner Imogen Heap. It is presented as four contemporary musical suites, each showcasing one of the play’s theatrical acts. This unique new album format from Imogen Heap chronologically features the music heard in the stage production, further reworked to transport listeners on a sonic journey through the world of Harry Potter and the Cursed Child. Harry Potter And The Cursed Child is available as a limited edition of 1000 individually numbered copies on translucent yellow coloured vinyl. This 2LP is housed in a gatefold sleeve and includes an 8-page booklet.
“Black Magic Man is arguably the pivotal Joe McPhee release. It bridged the span between the regional and the international, bypassing the national altogether. “Recorded in the same sessions that produced Nation Time, Black Magic Man consists of music not chosen for that LP. Like its much-feted sister, technically it falls under the domain of CjR, Craig Johnson’s herculean effort in support of McPhee. An erstwhile painter, Johnson became a self-taught audio engineer, acquiring equipment expressly to document McPhee’s music. In December 1970, five years after Johnson and McPhee had met, they recorded two days of activity —a concert followed by an additional day of recordings—at Vassar College where McPhee was teaching in the Black Studies department. About half of the material was used to make Nation Time. While they had planned to issue a follow-up, the money wasn’t there, so the tapes sat dormant. “Fast-forward five years—Werner X. Uehlinger, a Swiss businessman who worked for Sandoz Pharmaceuticals, contacted Johnson while on a trip to the US, and over dinner with McPhee, they discussed putting out some of the unused tracks from the Nation Time sessions. With this casual encounter in 1975, Hat Hut Records was inaugurated. The new label’s maiden release was Black Magic Man, dubbed Hat Hut A, the first in what would become Hat Hut’s letter series. Along the way, the series would feature seven Joe McPhee records, including the first four in a row.” —John Corbett (excerpt from the liner notes)
Enjoy The Ride Records in conjunction with Paramount Pictures proudly presents Transformers: Age of Extinction: The EP, Music by Steve Jablonsky.
On June 30, 2014, Transformers: Age of Extinction: The EP was released, featuring four tracks as a teaser for the official score, which features variations of the four themes (including portions of "Battle Cry," performed by Imagine Dragons). When the full score from Transformers: Age of Extinction was released, it hit so many digital purchases and plays (not too surprising since the film was the highest-grossing film of 2014), that it legally had to be pulled down from streaming platforms. Thankfully, we are still able to enjoy the EP digitally, and now, on vinyl.
Transformers: Age of Extinction: The EP is available on vinyl for the first time. The jacket and full-color insert showcase stills from the film, and since this is an EP, the B-Side is screen-printed. There are 4 colorful variants, and the entire pressing is limited to 1,500 copies.
Das phantastische Debutalbum der schwedischen Hard'n'Heavy Legende erstmalig auf grün transparentem Vinyl inklusive bedrucktem Innersleeve mit Lyrics und Liner Notes!
Mit "Of The Son And The Father" legte die Band aus Borlänge im Jahr 2002 den Grundstein für ihre bis zum heutigen Tag anhaltende erfolgreiche Karriere mit weltweiten Charterfolgen.
Stücke wie der Titelsong oder das epische "Cloudbreaker" sind nach wie vor fester Bestandteil eines jeden Astral Doors Konzerts.
After releasing “Columbo No.5” last September, the band went into the infamous Tunbridge Wells Forum to record their debut album. Having never recorded a debut album before, perhaps the idea of nailing it in 5 days may have been optimistic but with the budget blown and the studio engineer committed to other work for the rest of the year the band were left scratching their heads.
They knew a local bee keeper was the mother of a producer who was raised on metal but recently had engineering credits with artists such as Stefflon Don, Stormzy and Skepta...
..... A call was made, and Jake Jones delivered!
Wytch Pycknyck are LOUD yet maintain a trashy garage feel. Off the blocks with Rawkuss, almost distort with the guitar cacophony hitting the redlight in parts, and ending with Frostbite a spoken word / rap intro metamorphosis into a space rock psychedelic wig out with bassist Ewan Fitzgerald’s passion for analogue synths coming to the fore.
Sometimes the guitars shred and sometimes the bass takes pole position. Two and half minute thrash-outs sit shoulder to shoulder with nine-minute psych monsters AND it all makes sense.
Bereits 2012 von den Balfour-Brüdern Ryan und David gegründet, konnten sich MAVERICK aus Belfast, Nordirland schnell in der Szene etablieren. Mit ihrem ersten Album „Quid Pro Quo“ tourten sie gemeinsam mit den schwedischen Hardrock-Stars THE POODLES durch Europa. Mit dem zweiten Album „Big Red“ war der Fünfer mit den schwedischen Superstars TREAT unterwegs. Sie spielten u.a. auch auf Festivals wie dem H.E.A.T FESTIVAL (Deutschland), ICE ROCK und ROCKNACHT TENNWIL (Schweiz), WILDFEST (Belgien) und ROCKINGHAM in Großbritannien, was ihnen dabei half ihre
schon solide Fangemeinde weiter massiv zu vergrößern! Das nächste MAVERICK Album „Cold Star Dancer“ wurde 2018 veröffentlicht. Es erhielt ebenfalls beste Kritiken von der internationalen Presse und die Band spielte ihre erste Headliner-Tour durch Europa. Zudem spielte man mehrere Shows mit den schwedischen Glam-Rockern CRASHDIET. Ein Highlight war das Schweizer ROCK THE RING Festival wo sie zusammen mit WHITESNAKE,
TESLA und DEF LEPPARD auftraten. Im Jahr 2021 veröffentlichten sie das wieder vielbeachtete und überdurchschnittlich rezensierte Album
„Ethereality“. Aufgrund der Pandemie und deren Folgen konnten sie dieses Album aber leider nicht wirklich auf die Bühne bringen. „SILVER TONGUE“ ist das 5. Album der Band und das erste Lebenszeichen vom neuen Album war die bereits 2023 erschienene Coverversion des STEELHEART respektive STEEL DRAGON Hits „We All Die Young“ aus dem Blockbuster „Rock Star“, welche als
onustrack auf der CD enthalten ist. MAVERICK sind zurück, stärker als je zuvor und beginnen mit „SILVER TONGUE“ eine neue erfolgreiche Ära!
- A1: Abnormal Load, Hjertman, Køpman - Shakar
- A2: Abnormal Load, Halv Drøm - Bucket
- B1: Abnormal Load,Halv Drøm - One Eye
- B2: Abnormal Load - 30303
- C1: Abnormal Load - Cloud Dragon
- C2: Abnormal Load - Trippin With The Rest
- C3: Abnormal Load - Neben Der Spur
- D1: Abnormal Load - Escape The Island
- D2: Abnormal Load - Anfang
On this album Berlin based Abnormal Load joins with Hjertman, KØPMAN, HALV DRØM, & Winding River for an analogue approach of old school techno with some drops of acid.
We founded Crawlout thanks to the guiding forces and inspirations of Thomas P. Heckmann, Future Sounds of London, Adam X and many more.
For our first release "Healer" we cut together an array of cult foaming tracks that keep us pushing forward towards the next dawn in celebration of life.
- A1: To Tomorrow
- A2: Believe In Yourself
- A3: Believe In Yourself (Strings Version)
- A4: A Powerful Enemy Appears
- A5: Difficult Battle
- A6: Crushing Defeat
- A7: Sign Of Victory
- A8: Great Comeback
- A9: Super Saiyan God
- A10: Reconciliation
- A11: Beerus' Planet
- A12: Beerus' Teatime
- A13: Beerus' Madness
- A14: Vegeta's Strength
- B1: Team Dragon's Theme
- B2: What's Taking Goku So Long!?
- B3: Under The Blue Sky
- B4: Higgledy-Piggledy Town
- B5: Scene Of A Party
- B6: A Romantic Night
- B7: Like Those Clouds
- B8: Scene Of A Southern Island
- B9: Fire Dance
- B10: Fate Of The Earth
- B13: I’m The Greatest In The World
- B14: Infinitely Expansive Grand Universe
- C1: Birth Of A God
- C2: Delightful Friends From Pluto
- C3: Incident
- C4: Probing Each Other
- C5: Cha-La Head-Cha-La (Days Of Battle)
- C6: Delightful Days
- C7: Gods Of Destruction Invitational Fighting Tournament
- C8: Champa's Theme
- C9: Chubby Waltz
- C10: Resurrected Frieza
- C11: Frieza's Plot
- C12: Premonition
- C13: Terror Of The Frieza Army
- D1: Fear That Can’t Be Erased
- D2: Into Battle
- D3: A Close Battle
- D4: Frieza's Chosen
- D5: Golden Frieza's Theme
- D6: Tough Opponent
- D7: Time To Fight Back
- D8: Waves Of Battle
- D9: Blue Saiyan
- D10: Regret
- D11: End Of A Desperate Battle
- B11: The Pilaf Gang's Scheme
- D12: Endless Training
- D13: Gods Of Destruction Invitational Fighting Tournament Begins!
- B12: The Pilaf Gang Flees
DRAGONBALL SUPER is a Japanese anime produced by Toei Animation Studios. Scripted by original Dragon Ball author Akira Toriyama, it follows his work and begins shortly after my defeat of Boo in Dragon Ball Z..
"Four years after Boo's death, peace has returned to Earth, and everyone is living in peace.
Goku has become a farmer, and Vegeta spends time with his family. However, the desire to train and grow stronger never leaves them.
Goku goes to train with Master Kaio, who tells him that a powerful enemy has awakened from a 39-year slumber: Beerus, God of Destruction. The latter is looking for a warrior who appeared to him in a dream, the Divine Super Saiyen, against whom he wishes to measure himself."
The anime has been broadcast since 2017 in France on Toonami in a censored version, then in an uncensored version 1 month later. There are 131 episodes and 2 features.
The anime doesn't resume until 2025.
Winston Hytwr is a co-release presented by K and Perennial. Born in Columbus, Ohio in March 1993, Winston Hightower is a prolific home recording artist with an expansive discography that crawls across space and genre. A staple in the Midwestern punk/DIY scene, his first work under the eponymous moniker was a self-released tape in January 2015. Since then, he has put out over 100 songs on tape, online and on video. The music defies easy categorization, and instead breezes through a landscape of synths that effortlessly blend pop, rock, rap and jazz. In doing so, Hightower continues to build a cohesive, ever-morphing experiment in pushing the boundaries of underground guitar music, all with his signature wit and charm. This body of work is almost entirely written and recorded alone in his room, causing many to refer to him as `the Black R Stevie Moore,' a fitting epithet as his influences likewise include modern "lo-fi" progenitors such as Guided by Voices and Vivian Girls. Hightower has released much of his own work and more on his tape label, the FAH-Q Catalog, which boasts over 12 releases He has also collaborated with numerous other Ohio legends such as members of Times New Viking, Slant 6, and Ron House. Both mysterious and effervescent, Winston shape shifts into roles that have also included pro skater (UNITY, Adidas) and touring hardcore guitarist/bassist (most recently with the groups Minority Threat and Twompsax). With such an extensive pedigree, and having toured ceaselessly since he was a teenager, it's shocking that Winston Hightower is largely unknown outside of the Midwest. K records is thus thrilled to be putting out his first ever record, "Winston Hytwr" KLP292/PRNL50 which will cull songs from his previous and impossible to find releases. Remixed by Capt. Tripps Ballsington and Remastered by Amy Dragon. This release continues the rich tradition of DIY bands crafting instant pop hits entirely on their own terms, which has long been the hallmark of the International Pop Underground. 1000 vinyl copies.
There's something spellbinding about Rhythm Rhyme Revolution’s seductive intensity and it’s all cleverly wrapped up in this rather sterling EP.
Summertime (nuacidfunk) slowly builds and changes tempo into a disco crescendo, in the style of Love Hangover, with Dan Lipman’s glorious jazz flute/sax weaving in and out of Gareth Tasker’s fantastic coral sitar riff that wouldn’t sound out of place on a Stylistics record.
The flipside - Sunshine Girl’s slinky Afro percussive groove builds pace as DJ Tabu merrily coos about making love in the sunshine and Barrie Sharpe’s vocal hooks chime in agreement:
bolstered by crisp guitar and Kenny Wellington’s jazzy mute trumpet darting around the sonic pool like a magnificent dragonfly. The arrangement has first class interplay and ensemble work too and the funky clavinet and bluesy electric piano really add to this slick
vibe.
Also on the flipside is the already established original version of Summertime from RRR LP #1 - which I can only compare to the Motown classics.
Sharpe is the master tease who builds a grand mood and positively revels in it. You will too,suffice to say, find this record is a real touch of class.
Emrys Baird (Blues & Soul)
Pressed on dark green BioVinyl housed in a gatefold cover.Cover and gatefold artwork by Scottish artist Paul Scott Canavan (Dungeons & Dragons, Magic: The Gathering). Includes 12" art card of original artwork. Uncover the secrets of the Scottish Highlands with this beautiful vinyl release of "A Highland Song", brought to you by Lost In Cult in collaboration with Black Screen Records and Inkle Studios. Moira McKinnon has never seen the sea. Tired of her life of seclusion, she runs away from home in search of adventure. A lighthouse can be seen in the distance, but to reach it she must overcome a beautiful yet perilous journey across the Scottish Highlands. This authentic Scottish score is comprised of a suite of hauntingly beautiful original tracks by Laurence Chapman (Heaven's Vault, Total War) complemented by iconic hits from Scottish folk industry legends TALISK and Fourth Moon that provide a rapturous, virtuosic sense of rhythm to Moira's great journey through a wilderness of paths, peaks, dangers and song. This record comes in luscious dark green eco-friendly BioVinyl and features beautiful artwork from Scottish artist Paul Scott Canavan, known for his work on Magic: The Gathering and Dungeons & Dragons. Paul has developed a beautiful piece of cover art showing Moira gazing out at the game's iconic lighthouse, as well as a breathtaking gatefold view of an authentic interpretation of Scottish scenery. Take in the view in your own time with a 12" art print to frame on your wall.
In 2024, Vredehammer, the mighty force from the deepest North returns. Vredehammer explore the depths of darkness and despair, painting a chilling sonic landscape that captures the essence of true black metal. Vredehammers upcoming album "God Slayer" is poised to deliver nothing short of blackening excellence, Vredehammer continues to push the boundaries of extreme metal, seamlessly blending elements of blackened death metal, thrash, and melodic death metal to create a sound that is both relentless and captivating. With one of Scandinavia's finest BM drummers, Nils 'Dominator' Fjellström, on drums, combined with the unparalleled musical songwriting and guitar skills of Per Valla, this album is not to be missed. Vredehammer about the album: "With the Godslayer album I wanted to take a step back regarding tempo, not focusing so much on fast songs. There is definitely some fast stuff in there, but my main objective was to create memorable songs and guitar riffs with a lot of punch and power to them. This time Vredehammer had the pleasure of having Nils "Dominator" Fjellström doing drums for the album. Having played with Nils on other occasions, I was excited to see how he would perform when the music didn't just consist of fast black metal stuff, which is known to be his specialty. He definitely rose to the occasion and contributed with some great ideas for the drums."
- A1: 2014: Imagine Dragons - Warriors
- A2: 2015: Nicki Taylor - Worlds Collide
- A3: 2016: Zedd - Ignite
- A4: 2017: Against The Current - Legends Never Die
- A5: 2018: Mako, The Glitch Mob And The Word Alive - Rise
- B1: 2019: Cailin Russo, Chrissy Costanza - Phoenix
- B2: 2020: Max, Jeremy Mckinnon, Henry – Take Over
- B3: 2021: Pvris - Burn It All Down
- B4: 2022: Lil Nas X – Star Walkin
- B5: 2023: Newjeans - Gods
: League of Legends Worlds is an esports championship like no other — not only prestigious, but gargantuan in scale and chock full of production grandeur. A culmination of each LoL season, Worlds is the place for the very best League of Legends players to come together and compete at the highest level, battling for the Summoner’s Cup, a multi-million dollar prize, and, of course,
eternal glory.
An eminent event like Worlds demands a legendary theme song to match. Each year, Riot Games taps talented superstar musicians to craft a new Worlds Anthem, performed live at the competition and released later with a music video to match. These themes, from incredible artists like Zedd, Lil Nas X, and now, for 2023, NewJeans, have never been collected together on a single vinyl release — until now.
iam8bit and Riot are proud to present League of Legends Worlds Anthems (Vol 1: 2014-2023). It’s a full decade of Worlds Anthems, collected together on two sides of a 1xLP for the very first time. We knew this illustrious release deserved a very special vinyl treatment. That’s why we pressed the record on a Worlds Blue Vinyl. Plus, it wouldn’t be an iam8bit release without fantastic cover
art to adorn your record shelf, so we tapped our pals at Envar Entertainment to craft amazing illustrations celebrating the past, present, and future of the League of Legends Worlds Championship.
Legends never die. Celebrate a decade of Worlds in style with this one-of-a-kind release.



















