Maylee Todd is a multidisciplinary artist working in songwriting, production, performance art, dance, 3-D projection mapping and curation. ‘Maloo’ is her Stones Throw debut.
She has shared the stage with Janelle Monae, Lee Fields, Aloe Blacc, Little Dragon and more.
‘Maloo’ is a visionary record inspired by ideas from science fiction, futurism and psychology.
Maylee Todd’s debut album ‘Maloo’ is a concept record revolving around a fictional world where empathy, mental health and creativity are the core elements for survival.
The album's themes will be bolstered by additional video content created by Maylee herself, including a VR video, original music videos, animated videos, a graphic novel origin story for socials and
NFT platforms, and digital fashion designed and modelled by Maylee.
Maylee recently collaborated with Eric Andre on his audiovisual NFT piece and guested on Tim Heidecker’s Office Hours podcast.
Artwork designed by Maylee Todd.
Clear vinyl with sticker on jacket.
For fans of FKA Twigs, Tirzah, Kelsey Lu, Julia
Holter, Holly Herndon.
Buscar:the dragon
The progressive metal band Crimson Glory formed in Florida in 1982 and consisted of vocalist Midnight, guitarists Jeff Drenning and Ben Jackson, bassist Jeff Lords and drummer Dana Burnell. They played together for four years before recording their debut album Crimson Glory in 1986. Tight harmonies and soaring vocals are featured prominently on this release. The band wanted to be immediately identifiable from other metal bands, so they wore full-face metallic silver masks on-stage, for all photo shoots and public appearances. Following the release of the debut album, these were toned down to smaller half-face masks. Midnight was an astoundingly powerful vocalist, so in addition to their identifiable look, they were easily identifiable in sound.
- A1: One Summer Day
- A2: A Road To Somewhere
- A3: The Empty Restaurant
- A4: Nighttime Coming
- A5: The Dragon Boy
- A6: Sootballs
- A7: Procession Of The Spirits
- A8: Yubaba
- B1: Bathhouse Morning
- B2: Day Of The River
- B3: It's Hard Work
- B4: The Stink Spirit
- B5: Sen's Courage
- B6: The Bottomless Pit
- B7: Kaonashi (No Face) (No Face)
- C1: The Sixth Station
- C2: Yubaba's Panic
- C3: The House At Swamp Bottom
- C4: Reprise
- C5: The Return
- C6: Always With Me
2xLP gatefold jacket (recorded in Side A, B, C, and no music recorded in back side of Side D)
Soundtracks recorded in a hall by full orchestra of New Japan Philharmonic.
Including the main theme “Itsumo Nando Demo” (vocal: Yumi Kimura).
Paul Wise aka Placid is the driving force behind ‘We’re Going Deep’ – a thriving online community and record label that’s showing no signs of slowing down as we start the new year. Born out of a lifelong affair with the many shades of electronic rhythm and an obsession for collecting records that first started in 1988.
As a label owner, his mission couldn’t be clearer: releasing new music for heads - old and new. Fresh cuts aimed squarely at the dance floor, your front room or even just the headphones! Rather than staying too hung up on the past, he’s very much focused on serving up the best in new Acid, Electro, Techno, Deep House along with the odd slice of Downtempo goodness.
Sticking to the trusted format of 4 different producers, all serving up high grade electronic explorations, WGD 006 launches with another stellar line up. Headed up by the foreboding sounds of Versalife with “Omikron” on A1, spacious atmospherics and half-step beat usher in a gnarled bassline that simply won’t let go. As delicately placed melodic touches light up an otherwise pitch black soundscape and open up the spaces in between, it’s a superb reminder of the Dutchman’s majestic talent. Accompanied with an outing from Belgium’s rising talent Mariska Neerman, snappy percussion and machine pulses greet you from the off on A2 “Twin”, evolving into a fully emotive and uplifting ride. Leading with layered synths, Neerman demonstrates her sparkling knowhow for drenching you in heart warming pads and strings that harmoniously sing.
Written under his Analogue-1 alias, head to B1 for the legendary sounds of James Zeiter shimmering through on “Counterpoint”. A subtle and stripped back 4/4 trip into the lighter side of acid inspired grooves that shuffles out into the unknown: tweaking all the way as the intensity build. Powerful stuff at the right moment, do not underestimate the alchemy at work here. Last but not least, newcomer Morthen Kiang leaves us on a punchy 909 driven martian inspired work out, that fully summons the vibe of our Red Planet friends. A perfect ending note packed full of machine oscillations and cosmic waves.
- A1: The Blue Planet
- A2: Family Theme
- A3: Surfing Dolphins
- A4: Abyssal Plain
- A5: Mobula Rays
- A6: Race To Feed
- B1: Albatross Flight
- B2: Big Blue
- B3: Turtle Spa
- B4: Ducks & Currents
- B5: Humboldt Squid
- C1: A Foresta Awekens
- C2: Scavengers Of The Deep
- C3: Kobudai Transformation
- C4: Clownfish
- D1: Baby Turtle
- D2: Weedy Sea Dragon
- D3: Portuguese Man Of War
- D4: Walrus The Right Piece Of Ice
A sequel to the 2001 series Blue Planet, it took 4 years to complete this seven part new exploration of the underwater worlds, with 125 expeditions across 39 countries and 6000 hours of underwater filming. The series was broadcast on BBC One on 29 October 2017 with viewing figures exceeding 10m and its exposure of plastic pollution in our oceans has started a global conversation about reducing plastic waste.
With over 120 soundtracks to his credit which have grossed 24 billion dollars at the box office, Hans Zimmer has been honoured with many accolades: an Academy Award, two Golden Globes, three Grammys, an American Music Award, a Tony Award and The Henry Mancini Award for Lifetime Achievement. His Academy Award nomination for Interstellar marked his 10th Oscar nomination.
The composition is completed by Jacob Shea and David Fleming from Emmy and BAFTA nominated Bleeding Fingers Music. Bleeding Fingers has created original music for productions including the Fox’s The Simpsons, BBC’s Planet Earth II, National Geographic’s Princess Diana In Her Own Words, NBC’s hit Little Big Shots, Sony’s Snatch (TV), Amazon’s American Playboy, AMC’s The Making Of The Mob, Netflix original Roman Empire and History Channel’s Mountain Men.
High Roller Records, reissue 2022, ultra clear w/ grey & red splatter
An album including 10 tracks created by Joe Hisaishi with various artists, based on a poetic note of inspirations written
by Director Hayao Miyazaki during the process of film production
Vocal: U-MI, Sizzle Ohtaka, Tsunehiko Kamijo, Mosieur Kamayatsu, RIKKI
Bev Lee Harling returns with her first solo recording in almost a decade. She won the hearts and musical minds of DJs across the board with her 2012 debut LP, Barefoot In Your Kitchen, which BBC 6Music's Gilles Peterson made his Album of the Week. Now the gifted singer, violinist and composer returns with twelve beautiful pieces of music that tell a very personal story of the years since.
Having swapped the busy streets of North London for the calmer shores of Hastings in Sussex to bring up her young family, it's fair to say that Bev's priorities might have changed somewhat over the past few years, but the music was never far away. Her new environment, and musical family (including multi-talented partner and album co-producer Frank Moon) added plenty of fresh inspiration to her recordings, and we're very excited to share her new album, entitled Little Anchor, with you this Autumn.
The album is in some senses a travelogue, a 9 year journey of a creative womannavigating the landscape of parenting. Each song is a snapshot taken at a differentlocation in time, in a world where finding balance between creative freedom and motherhood is still a struggle, from the uplifting and euphoric Beautiful Life, to the heavy and harassed Only Got A Minute.
Between the unexpected joys of parenting, grappleswith mental health and feelings of inadequacy, and fighting for every second ofcreative time while slowly accepting a life very different to the one that existedbefore, this unedited family album emerged bursting with quirky childhoodmemories, dark musings and celebrations of musical passion and legacy.
Each song carries breakthrough personal moments in rebuilding strength as an artist, as a person, as a parent. Even down to a very emotional moment with Ray Davies of The Kinks, during a songwriting retreat, where album closer This Violin String, a deeply personal ode to her recently departed mum, was written…
"Everyone turned up writing on guitars and piano and I just had my battered old violin. I felt totally out of touch with my former confident musical self and had zero confidence in what I was doing after an intense period of car crash parenting. I wrote it, performed it on the same day and then sobbed my guts out in front of a bunch of total strangers (sorry Ray!). Something shifted for me in the act of being quite so vulnerable though and I found my mojo again in writing solo with my violin."
The personal nature of this record is self-evident, it bursts through every note and word in each song. We're very excited to be able to share such a special album,afresh foray into the always unpredictable, experimental and playful world of Bev Lee Harling.
- A1: Bless This Morning Year (2020 Remaster) 06 05
- A2: Halving The Compass (2020 Remaster) 05 29
- A3: Dragonfly Across An Ancient Sky (2020 Remaster) 05 44
- A4: Vargtimme (2020 Remaster) 03 59
- B1: Coast Off (2020 Remaster) 04 55
- B2: Paper Tiger (2020 Remaster) 04 36
- B3: First Dream Called Ocean (2020 Remaster) 03 54
- B4: The Toy Garden (2020 Remaster) 04 45
- B5: Emancipation (2020 Remaster) 02 35
Repress
Originally released in 2006, Eingya by Helios aka Keith Kenniff returns in a new 2021 edition vinyl re-release, remastered by Taylor Deupree.
Beginning the album on a high with the pastoral beauty of "Bless This Morning Year," Kenniff showcases of what he does best: heartbreaking guitar and piano melodies punctuated by crumbling beats and backed by the most atmospheric synthesizer sounds this side of Eno's Apollo. The appetizing "Halving the Compass" blends subtle field recording with the kind of piano melodies so beautiful they could be compared to Virginia Astley or Harold Budd. This is followed by the album's clear highlight, "Dragonfly Across an Ancient Sky." It's an unsurpassable folk guitar piece with a decomposing percussive background and the sort of melodies that would turn evil tyrants into weeping babies. An album that could appeal as easily to fans of Nick Drake as to fans of Boards of Canada or even early AIR, this truly has something for everyone.
Raised in rural Pennsylvania, Kenniff put out Helios's 2004 debut album, Unomia, while studying percussion at Boston's Berklee College of Music. Since then, he's released six more albums as Helios, in addition to collaborating with his wife Hollie Kenniff in the shoegaze-inspired pop duo Mint Julep and composing music for films and archival use.
"A protracted sunset of an album guaranteed to see you through the longest days of summer and into the twilight of the autumn." - The Wire
"A soundtrack of molasses-sweet, midsummer sunset melancholy and pastoral mellifluence." - Tinymixtapes
- A1: The Moonlight Duel
- A2: Determination: Father's Message
- A3: The Dragon Ninja
- A4: Mysterious Woman
- A5: Bravery: On The Clutches
- A6: Reminiscence
- A7: A Sudden Development
- A8: Like A Howling Gale
- A9: In Hiding: Pursuing The Nightmare
- A10: Eyecatch
- A11: The Cia
- A12: The Sanctuary Of Shadows
- A13: The Amazing Ryu
- A14: Crisis
- A15: Surprise Attack: The Wicked God's Secret Maneuvers
- B1: Malth The Crimson Terror
- B2: The Truth Concealed
- B3: Melancholy Destiny
- B4: Requiem
- B5: The Truth Concealed (Reprise)
- B6: The Menace Of Jaquio
- B7: Showdown: At The Portal Of Death (Battlefield) (Battlefield)
- B8: The Demon's Incantation
- B9: In A Pinch: The Ordeal Of Battle
- B10: At The End Of The Battle
- B11: Irene: Overture Of Dawn (Prelude)
- B12: Credits
- B13: Game Over
- B14: Cinema Display Sound Attack 1
- B15: Cinema Display Sound Attack 2
- B16: Sound Effects
- C1: Insert Coin
- C10: Las Vegas Stage Boss
- C11: Round Clear 3
- C2: Game Start
- C3: La Stage
- C4: La Stage/Grand Canyon Stage Boss
- C5: Round Clear 1
- C6: Ny Stage
- C7: Ny Stage/Transcontinental Railroad Stage Boss
- C8: Round Clear 2
- C9: Las Vegas Stage
- D1: Grand Canyon Stage (Japan) (Japan)
- D2: Grand Canyon Stage (Usa) (Usa)
- D3: Round Clear 4
- D4: Transcontinental Railroad Stage
- D5: Round Clear 5
- D6: Final Stage
- D7: Final Stage Boss
- D8: Time's Up
- D9: Game Over
- D10: Credits
- D11: High Score Screen
- D12: Round Clear 1 (Usa) (Usa)
- D13: Round Clear 2 (Usa) (Usa)
- D14: Round Clear 3 (Usa) (Usa)
- D15: Round Clear 4 (Usa) (Usa)
- D16: Round Clear 5 (Usa) (Usa)
- D17: Game Over (Usa) (Usa)
Ninja Gaiden, of the most iconic and beloved 2D action game series ever created, was first released in the arcades in 1988, while making its console debut on the Nintendo Entertainment System (NES) later in the same year. At the time of the console release, Ninja Gaiden was renowned not only for its deep storytelling beautifully visualized by TECMO’s unique “cinema scenes,” but also through its legendary chiptune soundtrack, whose unique rock-’n’-roll sound and drum beat instantly became a formative musical experience for players who were only just getting into video games.
Ninja Gaiden: The Definitive Soundtrack is divided into volumes. The first, Ninja Gaiden Vol. 1, features the music of both the NES title and the Arcade game, both titled Ninja Gaiden. These legendary soundtracks have been digitally restored under the supervision of Keiji Yamagishi, one of the original series composers. The booklet includes a comprehensive roundtable discussion among several members of the original development team, including the director, producers, artist and composers; an essay by game historian Ray Barnholt; and original archival artworks.
This is Freestyle free from any style.
There is no need for the disembodied voice telling you THIS IS HOUSE.
It is simply felt and known.
Every kick.
Every arpeggio.
Every bass note.
Experienced through the prism of now.
Ribs rattle from the heart center to the endless reaches of consciousness.
The racks are stacked high beyond the heavens as the Filter Queen speaks of love without words.
Bound to no earthly constructs, beholden to no laws.
This is the joyous sound of overground resistance.
First Word Records is very pleased to present a brand new full-length album from Sarah Williams White! Emanating from the "hilly fields of Lewisham" in South London, Sarah Williams White is a singer songwriter, multi-
instrumentalist and producer. Her sound is a unique blend of psych-soul, folktronica and experimental synth-pop.
Sarah released her acclaimed debut album 'Of The New World' on First Word in 2015, which was written, produced and performed by Sarah from her home studio, with the assistance of drummer, engineer & husband, Timmy Rickard. Her projects have seen support from the likes of Lauren Laverne, Tom Ravenscroft, Nemone & Chris Hawkins (BBC 6 Music), Jamie Cullum (BBC Radio 2), FIP Radio, Clash & The Guardian, to name a few, and she's toured the UK with Dan Le Sac vs Scroobius Pip and Golden Rules (Lex). There have been additional collaborations with label-mate Quiet Dawn (on the 2021 compilation / EP 'A Family Affair') and with her brother, Paul White - a revered producer in his own right, with credits including Danny Brown and Sudan Archives.
Following a hiatus, Sarah now brings us her sophomore album, 'Unfathomable'. A project that offers up escapism from the mundane, enticing us to connect with our natural planet in this prevalent time, via the eyes of a new mother.
In her words, Sarah states that the album is "about escape. It's about deflating the ego by looking up to the endlessness of outer space, connecting with the greatness of mother nature, and loving how unfathomable the universe and life itself is".
11-tracks in all, including the recent singles 'Nebula', 'Green' and 'Monsters', this opus sees Sarah's buttery lathing of vocals merged with cutting beats and atypical pop sensibilities across the project, again entirely self-produced from home, defining her as one of the UK's most irresistible DIY psych-soul talents.
With a voice reminiscent of Peggy Lee, tapestried harmony akin to Hiatus Kaiyote, beats fit for Little Dragon, and experimental production evocative of Kate Bush, Sarah Williams White's signature genre-defying sound invites us into a world uniquely hers.
'Unfathomable' is released on vinyl and digital in late January 2022.
The Unholy Return Of The Black Metal Gods: Dark, Merciless, Straight & Deadly Reunion album of the German Black Metal Gods Extreme Black Metal for fans of Marduk, Dark Funeral, Cradle Of Filth 8th studio album, the first one after 16 years Produced by Nils Lesser (Cypecore a.o.) Cover version of "Death Metal" by Possessed First single "Letters From The Devil" also available on 7inch Vinyl, limited to 666 copies ADS IN MUSIC MAGS: Rock Hard (D), Metal Hammer (D), Rock Hard (F), Sweden Rock (S), Scream (NO), Rock Hard (IT), Power (ES), Mystic Art (PL), Metal hammer (PL, Spark (CZ), Loud (PT), Aardschok (NL), Rock Tribune (B) CONFIRMED PRESS: Full servicing to national, regional, metal and lifestyle press outlets via …... publicity department "1. SINGLE - 19.11. Release first single & video „Letters From The Devil“ + Kick Off Album Pre Order " 2. SINGLE - 25.10.202107.01. Release second single & lyric video „Belial Is My Name“ 3. SINGLE - 04.02. Release third single & lyric video & focus track „Darkness In Flames“ FOCUS TRACK: Belial Is My Name
Um den Funk-Pionier James Brown zu feiern, hat sich UMe mit Sto Elliot für die Veröffentlichung von „Black & Loud: James Brown Reimagined by Stro Elliot“ zusammengetan. Stro Elliot, der als Produzent mit mehreren GRAMMY-Preisträgern zusammengearbeitet hat, verbrachte seine Kindheit damit, Jazz-, Funk- und Soul-Legenden zu spielen, zu studieren und zu hören, wobei er schon früh eine Beziehung zu der Musik von James Brown aufbaute.
Für „Black & Loud: James Brown Reimagined by Stro Elliot“ hatte Elliot die Möglichkeit, zehn klassische James-Brown-Hits auszuwählen und sie neu zu mischen, wobei er sich von verschiedenen Genres inspirieren ließ. Bei dem Song „She Made Me Popcorn” (Remix von „Mother Popcorn”) wird Browns Gesang im Hip-
Hop-Stil gesampelt, „Machine No Make Sex” (Remix von „Get Up (I Feel Like Being a) Sex Machine”) verwandelt das Original mit Afrobeat-Rhythmen und Bläsern.
Das Album ist ab dem 4. Februar als 1LP erhältlich.
- A1: Raiders Return To Busy, Busy Berk
- A2: Dinner Talk / Grimmel’s Introduction
- A3: Legend Has It / Cliffside Playtime
- A4: Toothless: Smitten
- A5: Worst Pep Talk Ever
- B1: Night Fury Killer
- B2: Exodus!
- B3: Third Date
- B4: New ‘New Tail’
- B5: Furies In Love
- C1: Killer Dragons
- C2: With Love Comes A Great Waterfall
- C3: The Hidden World
- C4: Armada Battle
- D1: As Long As He’s Safe
- D2: Once There Were Dragons
- D3: Together From Afar (Httyd: The Hidden World) By Jónsi
- D4: The Hidden World Suite - Bonus Track
How To Train Your Dragon 3: The Hidden World is the 2019 American computer-animated action fantasy film based on the eponymous book series by Cressida Cowell. It’s the third and final chapter of the trilogy. The story is written and directed by Dean DeBlois and stars the voices of Jay Baruchel, America Ferrera, Cate Blanchett, Craig Ferguson and F. Murray Abraham. The plot follows Hiccup who discovers Toothless isn’t the only Night Fury and how he must seek ‘The Hidden World’, a secret Dragon Utopia, before a hired tyrant named Grimmel finds it first.
The trilogy received acclaim from critics for its animation, voice acting and musical score. This third installment grossed over 525 million dollar worldwide, becoming the fifth highest grossing animated film of 2019. It was even nominated for Best Animated Feature at the 92nd Academy Awards.
The score was conducted by John Powell, who is best known for his work on Happy Feet (2006), Ferdinand and Solo: A Star Wars Story. He was nominated for an Academy Award for How to Train Your Dragon (2010). Powell has worked closely with Hans Zimmer and was a member of his music studio.
How To Train Your Dragon 3: The Hidden World features the track “Together from Afar” by Jónsi (Sigur Rós) and the bonus track “The Hidden World”. This 2LP is housed in a gatefold sleeve and is available as a limited edition of 500 individually numbered copies on solid blue (LP 1) and solid red (LP 2) coloured vinyl. The package contains a 4-page booklet and an exclusive postcard.
Having produced the Emskee – Wall To Wall 12” released early 2021, AE boss Mr Fantastic is back with another slab of essential Hip Hop made without pretence or adhering to modern trends – in others words, how it used to be. Featuring Teekay of Dragon Fli Empire, hailing from Calgary, Canada, ‘Breakdown’ is a stand-alone single with no plans as being part of any album release right now and comes with the Instrumental version on the flip. Pressed on black vinyl and supplied in full colour card sleeve, as is the standard high-quality packaging from AE Productions.
Although only being acquainted via the internet, Mr Fantastic and Teekay have mutual admiration for each other’s work which lead to this collaboration. This funky 45 features crisp drums and disco funk samples that have been chopped into that good old Hip Hop. The beat has a reasonably sparse stabbing feel with subtle wah-wah guitar between the stabs which bounces along not just at a perfect tempo for DJ’s but also sonically perfect for a big sound system, hence this track being picked for a single release and packs that punch that sounds best played loud. No moody introspective thing here, this is crowd rocking Hip Hop.
Teekay’s rhymes flow over the beat like it is 2nd nature to him because, well, it is 2nd nature to him, and is further evidence of why his group Dragon Fli Empire alongside DJ Cosm, have been able to maintain a steady string of superb releases going all the way back to 2002 and have toured Canada, USA and Europe. The chorus features Mr Fantastic’s turntable skills backing up Teekay’s vocal giving a nicely conceived and executed song structure with a little help from 2 of Soul and Funk’s legends.
The artwork for this one was hand painted by Bristol graffiti heavyweight Turroe who favoured a nod to comic book covers for the theme which was then scanned and arranged into the sleeve format with courtesy of AE artwork regular Nick Pointon of Fine Print.




















