Search:the first edition

Scissor Tail presents the first vinyl issue of Marc Barreca’s
1986 album The Sleeper Wakes, originally only released on
cassette by the Seattle electronic ambient label Intrepid.
Marc Barreca has been creating and performing electronic
music since the mid-1970s. His 1980 album, Twilight,
reissued on vinyl in 2016, was one of the earliest releases
on Palace Of Lights. Recent releases include Shadow
Aesthetics (2018) and three collaborations with K. Leimer.
Previous reissues include work on the acclaimed VOD box
set American Cassette Culture, the Cherry Red compilation
of seminal U.S. electronic music and the 1983 cassette
Music Works For Industry. His work is also included in the
collection of The British Library.”
The Sleeper Wakes has been out of print for many years
and Scissor Tail is very happy to remaster and reissue this
great work that was ahead of it’s time, employing analog
treatments of sampled sounds arranged in a very interesting
and intuitive way.

Surfdog Records and Brian Setzer have announced that for the first time, Setzer’s classic 2003 album Nitro Burnin’ Funny Daddy will be issued on vinyl. It will be released on limited edition 180 gram, red transparent vinyl on 25th June 2021.
Only Brian Setzer could cut an album with more lyrical honesty and musical diversity than anything he's ever done and then title it Nitro Burnin' Funny Daddy. Not that the name is misleading; Nitro is in fact packed with explosive performances. There's more than enough volatile picking and singing to mark this as a highlight of a catalog already crowded with great albums he's delivered as leader of the history-making Stray Cats and on his own too.

But there's more: street-corner doo-wop, heartbreak balladry, a foot-stomp hoedown, several lyrics that will shock and stun longtime fans, and always, somewhere in the mix, the blues. Every track is distinctive, none sounds like any of the others, yet all of them are pure Setzer. And it's all compressed into a tight trio format -- Setzer and his big band colleagues, standup slap-bass powerhouse Johnny Hatton and rhythm dynamo Bernie Dresel on snare and cymbals -- whose sound evokes Les Paul, Junior Parker, and even Earl Scruggs as much as Louis Prima or Eddie Cochran.
Originally released in 2003, Nitro Burnin’ Funny Daddy was Brian Setzer’s eleventh solo album and when it was released he said it was the most personal record he had ever done. The album followed his big-band release Boogie Woogie Christmas from the previous year and saw him back to his rockabilly best, taking in doo-wop (“To Be Loved”), bluegrass (“When The Bells Don’t Chime”), rootsy-rock (“Don’t Trust A Woman (In A Black Cadillac)”) and going on a cinematic Wild-West romp (“Wild Wind”).

Factory Benelux presents an expanded double vinyl edition of Sex and Death, the 11th studio album by lauded Factory Records ensemble The Durutti Column.

Originally released in 1994 on CD only, the album has now been re-mastered with 5 bonus tracks and appears on vinyl for the VERY FIRST TIME in a coloured vinyl edition limited to 1500 copies.

The vinyl edition is housed in a gatefold sleeve . Disc 1 is pressed in blue vinyl, and disc 2 in silver. A 2xCD edition is also available (FBN 201 CD).

The writing and recording of Sex and Death closed an uncertain period for Vini Reilly and the group following the collapse of Factory Records in 1992. Factory founder Tony Wilson remained in post as manager of the band, but Sex and Death would be their last album with producer Stephen Street, famed for his work with Morrissey, The Smiths and Blur.

Writer and master guitarist Vini Reilly remained philosophical. “People say the Durutti Column is this or that. I don’t care, so long as we make good music. There’s screaming feedback on some tracks, heavy metal guitar, Spanish picking. It’s not just this ethereal trip. Don’t listen to the form, never listen to the form. Listen to the content.”

Stand-out tracks include Anthony (dedicated to Wilson), The Rest of My Life, and Believe In Me. Guest musicians include viola player John Metcalfe, vocalist Ruth-Ann Boyle (later to form hitmakers Olive with Tim Kellett), programmer Martin Jackson (Magazine, Swing Out Sister) and bassist Peter Hook, then on furlough from New Order post-Republic.

All 5 bonus tracks are previously unreleased, having been retrieved from a long-lost DAT tape located in Tony Wilson’s personal archive. All tracks on the album have been newly re-mastered in 2020 by Peter Beckmann and Technology Works.

Perila (Aleksandra Zakharenko) left her native Russia six years ago, landing in Berlin. Finding her place almost immediately - first at Berlin Community Radio and through that amongst a group of like-minded creative individuals (including her current flatmates Special Guest DJ and exael) - she started a regular practice of working on an expressionistic "sonic diary" of field recordings and electronic sound research for her own pleasure. When the opportunity arose to create her own podcast series, WET (or Weird Erotic Tension) was born. Upon hearing her evocative and atmospheric music layered with friends Nat Marcus and Inger Wold Lund's erotic spoken word poetry, Sferic Records asked to release it, and Perila - a project name originally used for her BCR show - truly came to be. Aleksandra, who was raised in St. Petersburg, has been involved in music since childhood thanks to her melomaniac father. She's been both drummer and singer in local bands in Russia, and is also the co-founder of radio.syg.ma - one of the first online stations in Russian focusing on experimental sounds - but Perila is something else entirely. You could loosely describe it as ambient, but her soundworld is so specific and transportative, filled with detail and movement, it's more akin to hauntological musique concrète, touched by song. Her fascination with voice and language - she studied English literature at university - is still evident, although that's now her voice, her texts, her crooning you can hear on the Everything Is Already There cassette (Boomkat Editions, 2020), her processed breaths on the Meta Door L cassette (Paralaxe Editions, 2020). The Wire Magazine got it right when they said about Irer Dent that, "Sensuality is presented as a secret pass to a higher consciousness." For her debut album, How Much Time it is Between You and Me?, released via Smalltown Supersound on June 11th, Aleksandra takes inspiration from the concept of time, which she felt keenly during the pandemic. Recorded primarily in September 2020 in a rural village in France - her only travel during the first year of the pandemic period - surrounded by mountains but otherwise alone with no internet, her perception of time there differed immensely. She describes the trip as, "an immersive experience into self," viewed through a "silence prism" where everyday sounds usually ignored felt amplified. While her work has always dealt in intimacy - be it the private thrills of WET or the audible closeness of our surroundings - the organic response and consistent feedback she gets for Perila made Aleksandra recognize a longing, a need for it in today's world. Intent on creating work based in honesty and tenderness, Perila's practice also explores how we feel music and emotion throughout the body and how sound can help to release it. How does the sound enter a body and travel through it? Where does movement start? How do you reach and unblock emotional clusters with the help of sound and deep listening of the body responses? Aleksandra likes to describe her music and performances as trips - thick narratives drifting along sound to get closer to self. Let Perila guide you through this journey.

Released in 2000, this debut and only album from Lucy Pearl an R&B super-group put together by former Tony! Toni! Tone! member Raphael Saadiq, boasting Dawn Robinson from En Vogue and Hip Hop innovator Ali Shaheed Muhammed from A tribe called Quest as additional members, set the tone for neo-soul’s evolution in the new decade. With additional collaborators Snoop Dogg and Q tip also featuring on the album, it is no surprise that Lucy Pearl went on to sell over 1 million copies worldwide and is still revered today, 21 years later as one of the greatest R&B albums from the early 00’s.

Released for the first time on pearl white vinyl, this edition allows a new generation to discover this classic album from RnB’s golden age.

RECORD STORE DAY 2021 TITLE!!!
THE FANTASTIC ALBUM FEATURING CANNED HEAT'S 1968 SIGNATURE SONG “GOING
COUNTRY”
COLLECTORS EDITION - STRICTLY LIMITED TO 5,000 COPIES WORLWIDE!
FIRST AND ONE TIME ONLY PRESSING ON YELLOW AND PINK DOUBLE VINYL
NCLUDES: GATEFOLD JACKET, PRINTED INNER SLEEVES AND RECORD LABELS

The Monkees, one of the most recognizable names in the annals of pop music history, are an American rock and pop band originally active between 1966 and 1971, with reunion albums and tours in the decades that followed. The original line up was Micky Dolenz, Michael Nesmith, Peter Tork and Davy Jones. The group was conceived in 1965 by TV producers Bob Rafelson and Bert Schneider specifically for the sitcom series The Monkees, which aired from 1966 to 1968. The music was originally supervised by record producer Don Kirschner, backed by the songwriting duo of Tommy Boyce and Bobby Hart.

The Monkees self-titled debut and second albums were meant to be a soundtrack to the first season of the TV show, to cash in on the audience.Their first single, “Last Train To Clarksville” b/w “Take A Giant Step,” was released in August 1966, just weeks prior to the TV broadcast debut. In conjunction with the first broadcast of the TV show on September 12, 1966, NBC and Columbia had a major hit. The first long-playing album, The Monkees, was released a month later; it spent 13 weeks at #1 and stayed on the Billboard charts for 78 weeks.

The Monkees have sold more than 75 million records worldwide making them one of the biggest selling groups of all time with international hits, including “Last Train to Clarksville,” “Pleasant Valley Sunday,” “Daydream Believer,” and “I’m A Believer.” ROG is reissuing their iconic debut album as a deluxe 2LP set with bonus tracks (several of which are unreleased mixes) and are having lacquers cut from the analog tapes for the first time since 1966—creating THE DEFINITIVE version of this album since original release!















[n] c3. This Just Doesn’t Seem to Be My Day (TV Version) [Mono]

[p] c5. I Wanna Be Free (Fast Version) [Mono TV Mix]
[q] c6. You Just May Be The One [Mono TV Version]






[x] d6. (I Prithee) Do Not Ask For Love [2020 Remix]

Black Truffle is pleased to announce the first-ever vinyl reissue of Remko Scha’s Guitar Mural 1 featuring The Machines, originally published as a rare cassette edition by Taal Beeld Geluid in 1982. A computational linguist by profession, Scha played an important role in the development of sound, installation, and digital art in the Netherlands from the late 1970s onward, co-founding the performance and exhibition space Het Appolohuis in Eindhoven in 1980. Alongside Paul Panhuysen and Jan Van Riet, Scha was a founding member of the radical improvisation group The Maciunas Ensemble, though he is best known for his work with mechanised electric guitars, documented on the legendary 1982 LP Machine Guitars.

Guitar Mural 1 documents an installation of Scha’s mechanical guitar ensemble The Machines held at a Groningen gallery space in 1982. Five electric guitars hang from the wall, their strings sounded by rotating rubber strings and a sabre saw controlled by a mechanical apparatus, as well as four ropes criss-crossing the five instruments on the wall. Once the mechanism was set up, Scha’s only intervention was to vary the speed at which it operated. Where Machine Guitars presents short excerpts clearly distinguished by rhythmic and timbral variation, here we are confronted with four enormous side-long slabs of percussive string attack and the resulting clouds of harmonics. Variation is minimal across the duration of each side, making for a sculptural listening experience, as if we are patiently examining each facet of a static object. But significant variety exists between the four sides, each of which shows off a different facet of what The Machines were capable of. The first two excerpts feature open strings sounded at rapid tempos, dissolving the percussive attack into a continuous stream of sound reminiscent of Charlemagne Palestine’s ‘strumming’ technique. On the third side, the strings are partly muted and the tempo slightly lowered, resulting in layers of relentlessly chugging rhythm somewhere between an ensemble of hand drums and an early Velvet Underground bootleg. On the fourth side, havoc breaks loose in percussive waves of asynchronous repetition that bring Scha’s sound world close to that of another pioneer experiment in musical mechanisation, the Solar Music of Joe Jones.

Presented as a limited edition 2LP set in a deluxe gatefold sleeve accompanied by stunning visual documentation of the original installation, remastered audio and new liner notes from Alan Licht and Van Lagestein, Guitar Mural 1 is an exhilarating document occupying a unique space between kinetic sculpture, hardcore minimalism and rock & roll.

No sooner than the 5th repress of Cornershop’s England Is A Garden has run out of stock, we have a limited edition Silver Jubilee sealed double vinyl gatefold with liner notes and sleevenotes by Rolling Stone’s David Fricke.

Furthermore we have gone under the bonnet of the album to deliver a double platter instrumental version on ‘Lozenge Clear’ vinyl only in order to see and hear more clearly what has become a sports classic. This instrumental version has a new take on the album’s artwork by long term Cornershop sleeve designer Nick Edwards

Cornershop’s ‘England Is A Garden’ - “the latest in a series of albums that have mirrored the exceptional story of the band itself” Rough Trade Shop NY.

It strides in a sunshine glow, to deliver a full listening experience, bringing songs of experience, empire, protest and humour, steeped in the way only Tjinder Singh would come with.

The new album has, at last, sparked off significant interest in the back catalogue of Cornershop, with some titles including ‘Judy Sucks A Lemon’ and ‘Hold On It’s Easy’ now out of stock. A first time on vinyl issue of the ‘Cornershop & The Double-O Groove Of’ album by Cornershop Featuring Bubbley Kaur, featuring the John Peel favourite ‘Topknot’ and BBC 6Music perennial ‘Natch’, is planned for later this year.

Both the ‘England Is A Garden’ Silver Jubilee’ vinyl and the ‘England Is A Garden Instrumentals’ album are available from all good independent record shops.

Flying Horseman's staggering debut album from 2010. First ever repress, limited edition on gold coloured vinyl.

LP black vinyl with Download Code. Ltd. Edition of 500. "Free-spirited rapture" Gareth Thompson RNR Magazine Nov 2020. A statement of intent from The NJE. Spirit of Indo takes up the whole first side of their RSD 2021 mini-album - and it certainly doesn't outstay it's welcome. Improvised over a gently incessant yet soporific loop, bassist Mark Bedford and drummer Simon Charterton fall in and out of grooves while multi-instrumentalist Terry Edwards deftly moves between saxes, trumpet and melodica to invent topline melodies within that comfortable straitjacket. As the track progresses bigger instrumentation is suggested by the tunes - and so the track builds with more horns and percussion, the resulting climax making way for the comforting loop to bring us back down to the start. Side 2 opens with an instrumental version of Bowie's Five Years, even more pared down than Edwards' previous take on the tune for a John Peel session in the nineties. Bedders' acoustic and electric basses weave around each other while Simon's understated cymbal-work buoys up the fragile melodica melody. Tizita raises the tempo slightly and is inspired by Ethiopian jazz-legend Mulatu Astatke who Terry had the pleasure of working with a few years back. Title track Nought to 60 is driven by Teutonic beats on electronic Wave drum, a Motorik bassline and heavily effected saxes which thunder towards the buffers - after which you'll want to flip the album and start all over again.

In the space of five short years (and as many albums) at the end of the 20th century, Add N To X caused havoc with their unique retro-futurist electronic music. Add N To X’s musical intensity proved too much for the group who split up in 2002. Their album On The Wires of Our Nerves, complete with its classic cover image, recorded on Soul Jazz
Records’ then new offshoot label Satellite Records, launched them into the spotlight and included two NME Singles of the Week ‘Black Regent’ and ‘King Wasp’. Over twenty years since it was first released and long out of print the album 'On The Wires of Our Nerves’ stands up one of the most forward-looking electronic albums of then
and now. This classic album is released in a very limited one-off pressing silver coloured vinyl edition as a Record Store Day exclusive title.

Reissue for the 1984 mini LP by Stoke On Trent’s own Broken Bones, originally out on the Aggressive Rockproduktionen label and collecting their first two singles. This enhanced 2021 edition also features the full 1985 ‘Live 100 Cub’ LP added as bonus.

Reissue for the 1984 mini LP by Stoke On Trent’s own Broken Bones, originally out on the Aggressive Rockproduktionen label and collecting their first two singles. This enhanced 2021 edition also features the full 1985 ‘Live 100 Cub’ LP added as bonus.

Sator is a rock band originally from Borlänge, Sweden.
The band was founded in Borlänge as Sator Codex in 1981.
This is a reissue of the bands 2006 full-length album, "Basement Noise".
First time ever on vinyl!
Limited edition orange vinyl for RSD 2021!
Lead singer / guitarist Chips Kiesbye is also a successful producer and has worked with The
Hellacopters, Sahara Hotnights, Millencolin and several other rock bands.
Produced by Chips Kiesbye and Henryk Lipp and recorded and mixed at Music-A-Matic studios
in Gothenburg.

‘Sleek, impassioned and thoroughly modern’ - Prog Magazine
French atmospheric rockers Klone have built their name on making music that
is as deeply introspective as it is sonically powerful. Known for their trademark
dark guitar tones and epic brooding soundscapes, the band signed with Kscope
in 2019 before releasing their first album with the label, ‘Le Grand Voyage’, that
same year to critical praise.
Now, for the first time in the band’s career, Klone are releasing a live album.
Recorded between two different shows at Sjiwa in Baarlo, The Netherlands in
October 2016 and at Moloco in Audincourt, France in November 2019 respectively, Alive captures the true essence of Klone and includes stunning performances of the singles ‘Yonder’ and ‘Breach’.
Engineered by the band’s live sound engineer Chris Edrich and Mastered by
Pierrick Noel, the band describe the moment as “a way to pay tribute to our
audience and the people who support us.”
As we await live music to return on a large scale, this is a timely reminder of
what a superb live band Klone are. Featuring recordings which represent the
band’s most popular material whilst giving testimony to the shows recorded
during the period between 2015’s ‘Here Comes The Sun’ and 2020’s ‘Le Grand
Voyage’.
This LP edition of ‘Alive’ features a bonus track “The Last Experience” and is
available as a gatefold double black vinyl on 11th June 2021.

ANAAL NATHRAKH are without a doubt one of the most extreme metal acts the United Kingdom has to offer. For over 20 years, the band has already been doing their thing and has brought it to more than 10 albums. June 11, 2021 will see the release of "The Codex Necro" and "Total Fucking Necro", the band's first album and compilation of the first two demos as a reissue on CD and various LP editions. You want to know how the musical history of ANAAL NATHRAKH started? Here you go, it's served !!!

ANAAL NATHRAKH are without a doubt one of the most extreme metal acts the United Kingdom has to offer. For over 20 years, the band has already been doing their thing and has brought it to more than 10 albums. June 11, 2021 will see the release of "The Codex Necro" and "Total Fucking Necro", the band's first album and compilation of the first two demos as a reissue on CD and various LP editions. You want to know how the musical history of ANAAL NATHRAKH started? Here you go, it's served !!!

In the spirit of old school power metal, Germany’s up-and-comers HAMMER KING have gathered to set fire on their new album Hammer King (out June 11 via Napalm Records)! Ever since HAMMER KING burst onto the scene in 2015, they have proven themselves as an unstoppable force. Hand-picked by thy majesty, the Hammer King himself, the band consists of former ROSS THE BOSS vocalist Titan Fox V and former SALTATIO MORTIS drummer Dolph A. Macallan, alongside Gladius Thundersword on bass and Kleveland's most timeless lead guitarist: Gino Wilde. HAMMER KING keeps it heavy with speedy riffs, energic grooves and fist-pumping choruses, devoting their existence to the one and only myth of the godly Hammer King! The new self-titled album starts off with blasting drums and brisk guitars on “Awaken the Thunder”, with frontman and guitarist Titan Fox V showing off his incredible vocal range, whereas tracks like “Atlantis” prove HAMMER KING’s ability to write catchy and memorable choruses. Hammer King tells the lore of the Hammer King himself, a wrathful and mighty war god, who is praised in tracks like anthemic “Baptized by the Hammer”, energetic and double-bass driven “In the Name of the Hammer” and the hard-hitting “Hammerschlag” featuring the legendary Gerre from TANKARD, Isaac from EPICA and the almighty The Crusader (WARKINGS). Hammer King will be available as a deluxe box edition including, as well as on gatefold vinyl amongst others. Kneel before the king of kings, the HAMMER KING! 1. SINGLE - EN "Kicking off with a tight, punishing drum groove and heavy guitars, “Hammerschlag” gets your blood pumping right from the first second! A catchy power metal singalong hook and guest vocals by Gerre from TANKARD and Isaac from EPICA and the almighty Crusader (WARKINGS), topped off with dizzying guitar solos – HAMMER KING knows how to get your head banging! " 2. SINGLE - EN "On “Atlantis”, power metallers HAMMER KING reveals its melodic side as singer and guitarist Titan Fox V shows off his incredible vocal range. Dynamic songwriting meets multi-faceted, virtuoso guitar solos! " 3. SINGLE - EN “Awaken The Thunder” by HAMMER KING is a heavy, fist-pumping power metal anthem! The double-bass groove will catch the listener off guard, leading seamlessly into the passionately performed verses by Titan Fox V. HAMMER KING at its best!

Rubyworks are pleased to present a vinyl release of 'Marcata', the much-loved 2011 debut album by Dublin rock-trio The Minutes. To celebrate the 10th anniversary of its release. 'Marcata' will be released on a limited edition fluorescent pink vinyl pressing. 'Black Keys' from the album is currently soundtracking a Jameson Whiskey TV advert. 8/10 - The Goes The Fear An underground classic debut from one of Ireland’s loudest - live4ever One of the Top 30 album releases of 2011 - Hot Press. It is as fine a rock record as you'd expect from Ireland, or any other country for that matter - entertainment.ie Artrocker - The greatest rock 'n' roll band in Dublin. **** A cacophonous, confident and crushing slab of authenticity, steeped in the anarchic history of rock 'n' roll – Hot Press “A thundering combination of old school rock 'n roll with modern guitar music. The Minutes have taken their time in getting here and it was worth every second” 8/10 - State.ie **** “You want to bang your head until it and your neck ache” - Irish Daily Mail **** “Loud, energetic and worth the wait” - News Of The World ***1/2 “A melodic and irresistible strut that makes for compelling listening” - Heineken Music *** “This debut booms, bangs and pulsates from the first note. Boiling over with a sense of urgency” - The Sunday Times *** “Fans of straight up, 'classic' rock will find lots to enjoy here” - The Irish Independent “Marcata certainly cements their status as one of the most exciting sounding bands on the scene at the moment” – Goldenplec “Full of raucous thrills and high-voltage riffage” – The Guardian “Authentically gritty, pulse-quickening rock 'n' roll in the grand style” 7/10 – AU magazine “The Minutes’ debut is a classic rock n’ roll album” – We Are Noise “Heavy riffs, urgent vocals, and pounding beats, the way rock'n'roll should be” – The Herald

Los Angeles independent label Minky Records is issuing
two crucial, hitherto unheard slices of music recorded in the
’80s by the late L.A. punk rock legend Jeffrey Lee Pierce
and his band The Gun Club.
On June 12, the company will release an exclusive single
version of the Pierce original “Bad Indian” and a cover
of Jody Reynolds’ “Fire of Love.” This Minky 45 will be
accompanied by an even more impressive vault discovery:
Soulsuckers On Parade, a full-length 1984 Pierce solo
recording drawn from an abortive session for the cowpunk
compilation album Don’t Shoot, first released by Zippo
Records in the U.K. The vocalist is supported by an allstar
unit comprising guitarist Dave Alvin, drummer Bill
Bateman, and the late pianist Gene Taylor, then of the hot
L.A. roots combo The Blasters, and bassist Jack Waterson
of Green On Red; Chris D. (Chris Desjardins, who also
produced the date) and The Gun Club’s Kid Congo Powers
guest on background vocals.
Featuring covers of songs originated by Willie Nelson,
Big Joe Turner, and Creedence Clearwater Revival, a wacky,
profane blues Pierce improvisation called “New Way of
Walkin’’, and a rampaging, demented seventeen-minute
original, “Walkin’ Down the Street (Doin’ My Thing)”,
the album will be issued as a limited edition Kelly-green
vinyl LP on Record Store Day (June 12), and an unlimited
expanded CD package (with studio chatter and improvised
vocals and jams) on the same day.

In 2018 one of metal’s most defining and revolutionary vocalists, WARREL DANE, celebrated his highly anticipated inaugural solo effort, “Praises To The War Machine”, which saw him further honing his craft to perfection. Dane, who first shattered the boundaries of conventionality with the legendary Sanctuary and Nevermore, proved that he is one of metal’s most diverse frontmen with this solo effort as he unleashes a barrage of introspective and personal lyrics that are heartfelt and extremely powerful. All of this emotion backed with his soaring angelic and dynamic vocals provides all of the necessary elements for a savagely captivating, melodic assault that quickly hooks you in. Before beginning this new venture Dane went out and surrounded himself with some of the best musicians that he could find. This search ultimately resulted in landing the renowned Peter Wichers (ex-Soilwork) on guitars and bass, Dirk Verbeuren (Soilwork) on drums and Matt Wicklund (ex-Himsa) on guitars. The effort was also recorded and mixed by Wichers (coproducer Soilwork) and features guest musicians Jeff Loomis (Nevermore) and James Murphy (Obituary, Testament, etc.). Additionally this 2021 extended version reissues contains four live tracks from the album on side C featuring singer/songwriter Jonny Smokes which also will be available on all digital platforms. “Praises To The War Machine” is an absolute must for all Nevermore fans. Prepare yourself for the sheer beauty and elegance that awaits.

Premieres from Data Transmission and Bolting Bits. Early support from Hospital, Huey Morgan, Rupture, Fanu, Rob Luis, Anthony Kasper (Fokuz), Red Rack'em, Bandcamp Weekly, etc.

150 copies pressed on 180 gram vinyl. Picture shows the HF021VFELT edition which comes with 'Nuthin' But a Jungle Thang' die-cut felt sleeve insert (in assorted colours), with Heard and Felt embroidered fabric tag. HF021V edition is the same 180g vinyl without the felt sleeve insert.

With music from Jonny Faith's recent Night Lights EP appearing in Grand Theft Auto and best of 2020 lists including Gilles Peterson's, you might think Jonny would continue to mine his take on hip hop and broken beat. Well, all in good time. He's been ready to enter the jungle for 20 years, and he's not waiting any longer.

Now based in Melbourne, Jonny first got involved in music in Edinburgh as a DJ and turntablist in the 90s, getting hooked on jungle, drum & bass, hip hop and the hybrids of these championed by the Mo'Wax label. Formative experiences included hearing DJ Hype spinning in Newcastle, seeing the Roni Size/Reprazent live show with two drummers and hanging out at cult Edinburgh club night Manga, where residents G-Mac and DJ Kid hosted the likes of Marky, Grooverider and J Majik.

Jonny was keen to start making his own sounds, signing up for an electronic music production course. But it wasn't quite what he was after.

'The course turned out to be more house-oriented,' Jonny recalls. 'Sampling wasn't on the curriculum, and the students weren't allowed to touch the Akai S900, the sampler used in lots of the early jungle classics.'

When Jonny did start releasing his own productions a few years later, he was starting to explore the experimental beat scene around the time Flying Lotus and Hudson Mohawke (another Scottish turntablist) were starting to make their mark.

Jonny continued to widen his sonic palette, adding elements of dub, jazz, funk, electronica and broken beat, and picking up fans like Radio Nova Paris, KCRW, Vice and Clash Magazine along the way. But he's never been more than one degree of separation from his jungle/D&B roots. He continued to buy and play the music, did the odd D&B remix and snuck sonic elements and techniques into his tracks at various tempos. Over the years his releases have shared labels with the likes of Peshay, Om Unit, Drumagick, Reso, Kid Drama and Danny Scrilla.

Now, more than 20 years after those early experiences in Edinburgh, Jonny unveils his first jungle/D&B EP, On Lock. And it sounds like he's been making this music the whole time. In a way, he has.

The single 'Open My Eyes' bursts out the gate, chopping not only the breaks and the soul for a tune that sounds like Amerie's '1 Thing', or some Just Blaze chipmunk soul, reimagined for the 174 BPM crew. Jonny started this one as a hip hop beat for a live routine on his MPC, but it only really came together when he reframed the groove around a D&B rhythm. Next up, Jonny tries a similar trick on his own boom bap tune 'Stay in Your Lane' from the 'Night Lights' EP. His new Step Off Mix totally recontextualises US MC Lady K's slinky soulful rap and hooks with a tough and funky junglist groove. One for fans of the old Roni Size/Bahamadia collab. 'Create' then spaces things out just a touch, with atmospheric but propulsive drumfunk. Vinyl bonus track 'Nuthin' But a Jungle Thang' layers cascading amen breaks, timestretched vocals and a massive double bass-line over the wah guitars and synth whistling of a G-funk era classic.

With early support for Jonny Faith's take on jungle/D&B coming from Hospital Records, Rupture (Rinse FM) and Fanu (Metalheadz), Jonny is ready to be welcomed (back) into the scene.


b A2: Stay in Your Lane (Jonny Faith Step Off Mix) feat. Lady K

Sir Rod Stewart was on his way to becoming one of the most successful recording artists in history in 1974 when he moved to America and signed with Warner Bros. Records (now Warner Records). Over his next 27 years with the label, Stewart released some of the most commercially successful and critically acclaimed records of his extraordinary career. This 5LP boxed set features Stewart's first four Warner albums on vinyl, plus a bonus LP of rare and unreleased studio outtakes from those albums: Atlantic Crossing (1975), A Night on the Town (1976), Footloose & Fancy Free (1977), and Blondes Have More Fun (1978).

After being out of print for decades, the studio albums look and sound better than ever as they return to vinyl, complete with replica sleeves and newly remastered sound. The albums and the bonus LP are all organised in an iridescent box with Stewart foil-stamped on the cover, his blonde shag haircut glistening in gold, and his leopard-print suit shimmering in silver.

After brilliant stints with the Jeff Beck Group and the Faces and several outstanding solo albums, Stewart moved to Los Angeles in 1974. ROD STEWART: 1975-1978 reflects the burst of creativity that followed, starting in 1975 with his label debut, Atlantic Crossing. The album was produced by the legendary Tom Dowd, who produced Stewart's next three albums. After Atlantic Crossing was certified gold, A Night On the Town went double-platinum, and Foot Loose & Fancy Free went triple-platinum, as did its follow-up Blondes Have More Fun, which became Stewart's first #1 album. That era introduced many of the singer's best-known tracks: "Sailing," "I Don't Want to Talk About It," "I Was Only Joking," "The First Cut Is the Deepest," "You're in My Heart (The Final Acclaim)," "Da Ya Think I'm Sexy?" and "Hot Legs."

The bonus LP, titled Encores 1975-1978, is a collection of 10 outtakes selected from the recording sessions for all four albums. The first side highlights five songs from the recent deluxe editions released for Atlantic Crossing and A Night on the Town. Songs include an alternate version of the B-side "Rosie" and a cover of the Bee Gees' "To Love Somebody" recorded with the influential Stax Records house band, Booker T. & The MG's. The flip side features five previously unreleased session outtakes from Foot Loose & Fancy Free and Blondes Have More Fun. Highlights include a cover of the Motown classic, "You Really Got A Hold On Me," and the unreleased tracks "Silver Tongue" and "Don't Hang Up".

Shura announces a deluxe version of her acclaimed 2019 album
‘forevher’, released via Secretly Canadian.
‘forevher: Deluxe Edition’ is released on cassette and features the
eleven original album tracks with nine extras. These include acoustic
versions of five album tracks recorded and produced with Sam Evian
and featuring Hannah Cohen on backing vocals, previous Bandcamp
single ‘magazine launch (demo)’, last year’s collaborative single
‘elevator girl’ featuring Ivy Sole and two unreleased tracks including
‘obsession’.
On ‘obsession’, Shura explains: “‘obsession’ was one of the songs I
wrote whilst I was writing ‘forevher’. I always wanted it to be a duet
between two women but it never came to fruition during the recording
process. Then, when I toured ‘forevher’ in Europe, Rosie Lowe came
with us and we’d always spoken about wanting to collaborate on
something together and I suddenly remembered this song, which I loved
but had somehow never finished. I sent the track across to Ro and when
she sent back her rough take I was like ‘YES. this is it.’”
With ‘forevher’, Shura’s immediately identifiable way with love, touch and
how we talk about it reached even greater creative heights. Having
moved from West London to New York following her adored 2016 debut,
,Nothing’s Real,, it’s all mirrored in a lyrical journey from rejection and
loss to desire, long-distance love and the prospect of how we make
something real actually work.
In 2020, Shura emerged as one of contemporary pop’s accidental
trailblazers. A frank, funny voice in the LGBTQ+ community whose
contribution to the paradigm-shift in the cultural landscape cannot be
underestimated.
Written primarily about Shura’s relationship with her girlfriend and their
long-distance conception, ‘forevher’ traces everything from the initial pull
of desire to that first real life meeting (‘the stage’), before recognising
when the connection develops into something scarily meaningful. It’s a
classic NYC-to-London love story but one told through the totally modern
filter of dating apps, unanswered texts, Skype chats and MUNA gigs.
And whilst how to live - and love - as a queer woman has always been
integral to Shura, it’s remarkable to hear these stories twisted through
such a gorgeous amalgam of influences: Joni Mitchell and Minnie
Riperton, Bon Iver and Frank Ocean, Prince and Ariel Pink. Through
these inspirations, Shura’s own modern, outlier perspective found a
newer, more daring approach to sound and song.

Outside Ludlow / Desert Disco is the first major solo release from Australian performer-composer Sam Dunscombe, now based in Berlin after residing for the past decade in San Diego and Tokyo. A virtuoso clarinettist who has performed in composed and improvised settings with artists such as Klaus Lang and Taku Sugimoto, their practice also embraces computer music, lo-fi electronics and field recordings, in addition to their long-term commitment to archiving, studying and performing the work of Romanian spectralist composer Horatiu Radulescu.
The two side-long pieces presented on this LP began from a chance encounter in a specific geographic location (documented in the photographs that grace the record’s sleeve). Exploring California’s Mojave desert with a friend, Dunscombe made the unlikely discovery of a tangle of quarter-inch tape snared on a cactus. The digitised version of this tape, variously edited and processed, as well as Dunscombe’s own transcription and embellished performance of some of its material on Hammond organ, makes up one of the main ingredients of the LP’s first side. The other is a field recording of the area outside the ghost town of Ludlow, where the tape was found, where haunted silence is punctuated by freight trains and clusters of explosions from gold mines and the local marine corps. Far from any kind of documentary approach, the resulting composition reaches back to the smeared atmospherics and overdriven tape crunch of Hands To, Small Cruel Party or Joe Colley, before the Hammond organ rises up to cast a spectral shimmer reminiscent of 1960s tape music classics like Arne Nordheim’s ‘Warszawa’.

On ‘Desert Disco’ (its title perhaps a clue to the content of the mysterious tape), Dunscombe zeroes in on a single fragment of the tape, accompanying it with analogue synthesis to craft an immersive work based on a single chord. Throughout the course of this work, the monolithic opening sonority gradually splits apart, revealing an infinity of rhythmically phasing lines that swarm like a cloud of insects and patter like falling rain, placing Dunscombe’s piece in a lineage of patient electronic exploration that includes landmarks like Costin Miereanu’s Derives and the contemporary work of Jim O’Rourke.

Limited edition vinyl with images by Sam Dunscombe and design by Lasse Marhaug. Mastered by Joe Talia at Good Mixture, Berlin.

LP edition of the sold out CD/Pamphlet from 2016. The score by Schmid, reading by Landry, and edited/produced by McCann. Includes a big poster of The St. Francis List.

Emily Martin and Derek Baron on St. Francis (Feb. 2021):

What does it mean to pray? To address someone, to plead for something, to welcome humiliation and failure: Please, let me forget about the China Chalet parties, please let there be no countries and no war, please let me love you. Is prayer iteration, or just repetition: My god, my god, my god, my god… To know spleen you just have to be down to be humiliated. But do we know for sure that we are miserable? How do we know?

This is how it has to go. We listened to this for the first time together in May 2017, while driving from Chicago to New York along the I-80 in Pennsylvania, stopping at the rest area that I later mistook for the famous picture of American “culture.” We stayed at a hotel and may have ordered a pizza. Content first, then, content again. Went inside and drank wine in relative silence, burping. Recognizing the sacredness in the plot of Friends. A choral melisma representative of holy Joy.

The dreams of moving through a convoluted space of passages, staircases, open courtyards, rooms just glimpsed past a door. It doesn’t seem possible that you can get from one place to the next but according to the logic of the dream you do. I think this has to do with how each little unit of ‘content’ happens at a different distance from your ear. The holiness of the periphery. That you can catch a shard of history if you only find the right distance to stand from the painting.

But prayer is also like the magic language we were talking about — faith that words do something more than just mean — they have the capacity to effect change in the world, and not just in the like, “words change ppl’s minds” kind of way, but in that the words themselves actually have agency. Form: sing-along.

In 2013, Anouk was the Netherlands’ representative in the Eurovision Song Contest. The day before competing in the first semi-final, she released Sad Singalong Songs, her eighth album. The album marked a change in sound for Anouk, containing more introspective, symphonic oriented rock ballads. Lead single “Birds” was the song she performed at Eurovision, ultimately placing
9th in the final; the best result for the Netherlands since 1999. The album showcases Anouk’s versatility as an artist. The album reached the number 1 position in the Dutch album charts and already went platinum on its release day. The album also charted in Belgium and Germany.

Now Sad Singalong Songs is released on coloured vinyl for the first time. It is a limited edition of 1000 individually numbered copies on clear vinyl. It is housed in a sleeve containing a printed innersleeve with song lyrics.

Jazz Behind the Dikes Vol 3 is the third and final installment in the Jazz Behind The Dikes series, which highlights some of the greatest Dutch jazzmen under ideal conditions: in their own combo’s and playing the music of their own choice in complete freedom. The result is a collection of straightforward modern jazz by renowned Dutch jazz musicians such as Ron Madna Trio, Tony Vos Quartet and Frans Elsen Quartet.

This third volume of the series is available as a limited edition of 500 individually numbered copies on blue vinyl.

Electroacoustic music composed in 1991 by Michèle Bokanowski for Patrick Bokanowski short film "La Plage" (4parts)

Limited edition of 300 copies. Unconventional 4 different cover artwork (75 copies each) on embossed cardboard (2 colours version : Lavanda and Tabacco), one credit sheet inside. All on high quality recycled paper.

Invisibilia - the new Canti Magnetici serie curated by Andrea Penso - is proud to introduce for the first time on vinyl a composition of Michèle Bokanowski, one of the most poetic composers in the avantgarde european music scene.

Remained unpublished until today, this composition is made as soundtrack for the short film "La Plage" (1992) created by the experimental filmmaker Patrick Bokanowski (husband of Michèle Bokanowski).

"La Plage" is probably the less "concrete" composition made by Michèle Bokanowski. It is pure liquid abstraction in sounds. It is one of those rare compositions really out of time and space. As expressed by Pip Chodorov, editor of 4 DVDs that contain all the films directed by Patrick Bokanowski, we can feel the works created by Michèle Bokanowski and Patrick Bokanowski are a sort of "spiritual search for the overrunning of perception, and thereby oneself. Searches into abstraction in the real, mysterious blanks that recover the daily".

Science Cult presents the Kinetic Series: A limited edition of Picture Discs with kinetic artwork crafted by Chris Dowding. First up are Odd Oswald and Stephan Barnem with their “Horror Haus” EP, an homage to 1980’s Horror movies accompanied by a funky electro remix from Jensen Interceptor. Unique moving artwork is present on both sides, including markers for track start and end points.

The first ever release of Ed Banger records, this is ED001
To celebrate its 18th anniversary, we're happy to announce a limited edition re-press of this 12''.
I'm not going to repeat the story of how I ended up launching a record label while Napster was scaring the whole music industry…
Now I realize Radar Rider sounds like the perfect soundtrack of a disaster movie, in which record stores are closing, distributors are disappearing, a world without music, without life!
We didn't want this! Of course we'll release music from French producers, newcomers and put all our hearts into this new adventure. By accident Ed Banger records was born, 18 years ago. Mr Flash stopped by the office to play me some his beats. He was the French El-P to me, an MPC 3000 genius! I was blow away immediately, his music was talking to me.
I wanted this sound to be the beginning of something I will create with my friends.

A welcome departure from their first effort, the record has gained greater reconection in recent years when contemporary audiencies could fully aprreciate the strenght and harsher direction the duo decided to take for their follow-up album.
More rhythmically-oriented tunes whilst revisiting some old-favorites like Daguerrotipo or La Edad del Bronce (both off their first album, but albeit in new mixes).

The Wah Wah edition has been mastered from the original tapes by Eugenio Muñoz, reproduces the original sleeve artwork and and features an insert with photos and info. It is a strictly limited edition of 500 copies only.

After the moderate success of the debut album "Live in Montreux", Agorà published their first and only studio work in 1976. The possibilities offered by the recording studio seemed more congenial to their proposal, which turns out to be a deeply matured LP, technically flawless and with songs that still belong to the best Italian jazz-rock, with a more intense jazz component at the expense of the progressive one.
Unfortunately, both “Agora 2” and the single “Cavalcata Solare” taken from this work were almost completely ignored, in a period in which the vast universe that revolves around the Italian progressive was slowly decaying.
The Atlantic label, also due to a very poor familiarity with the Italian bands and scene, didn’t renew Agorà’s contract and the group disbanded after a final appearance at the Parco Lambro Festival in 1976, with their various members that dispersing in many other jazz bands, in some cases up to the present day.
“Agorà 2” still sounds wonderfully today, and deserves a respectable place within a serious Italian progressive rock discography. The album is here reissued on LP for the first time ever, in a faithful reproduction of the original edition of ‘76.

"Milano Odia: La polizia non può sparare", a 1974 movie directed by Umberto Lenzi, is the quintessence of the Italian police films. Not only, it's even more violent and extreme than usual, with one of the best interpretations ever by the Cuban actor Tomas Milian.

The soundtrack for the film is commissioned to Ennio Morricone, who at the time was already a full-time score composer, and had already worked in the same field. The Maestro wrote the entire OST starting from a single, obsessive theme, arranged in many different ways for each different scene or atmosphere.

The whole soundtrack had never been released until 2007, and this is the first whole edition on vinyl ever. It comes in a gatefold package, with a 30x30cm inlay poster.

Red Vinyl

Cinema Paradiso Recordings is proud to announce the release of the soundtrack to the motion picture 'The Parallax View', on vinyl for the first time ever, this coming April 30th 2021. Based on the book by Loren Singer, ‘The Parallax View’ is directed and produced by Alan J Pakula as the second instalment of his Political Paranoia trilogy - alongside Klute (1971) and All the President's Men (1976). With cinematography by Gordon Willis (The Godfather trilogy, Annie Hall) and starring Warren Beatty, this political thriller from 1974 is perhaps even more relevant today than it was back then.

The legendary score by composer Michael Small is regarded as a benchmark in the sound of paranoia thrillers that dominated cinema in the 1970s, with revered film critic Pauline Kael hailing the film as an essential for all fans of the genre. Now, 47 years later, the soundtrack will finally be available to own on vinyl.

The CPR edition of ‘The Parallax View’ soundtrack includes for the first time the infamous brainwashing scene, an influence on countless films and TV shows over the years. Notably, most recently with the Watchmen series and shows Mr Robot and Homecoming even using the music from the film. Whilst researching to gain approval for this usage we discovered from Jon Boorstin, (Assistant to Pakula on The Parallax View), that the unaccredited disembodied voice from the ‘Parallax Test’ scene belonged to director Pakula himself.

The single LP, deluxe gatefold limited edition in coloured vinyl comes with liner notes that include two essays by Scott Bettencourt and Alexander Kaplan (of Film Score Monthly), which provide a fascinating insight into the making of the film and an analysis of the score.

“The Parallax View embodies a particularly paranoid moment for America, when assassination wounds were still fresh and the President’s bungling burglars were running him out of the White House. Michael Small’s music beautifully captures our hope, our dread, and our nostalgia for truer values. In the Parallax Test sequence, he brilliantly seduces the assassin in all of us. Watching this today, wrapped in Michael's music, what was once wild fantasy feels at least as credible as the pronouncements of our Kool-Aid drinking Congressmen. “
- Jon Boorstin

• With help from fellow Go-Go Charlotte Caffey, producer Michael Lloyd and guest musicians Duran
Duran’s Andy Taylor, Susanna Hoffs and Jane Wiedlin, “Belinda” was Belinda Carlisle’s first solo album,
originally issued in 1986, now reissued on vinyl for the first time.
• Featuring the hit singles “Mad About You” and “I Feel The Magic”, this 2 LP anniversary edition also
features five bonus tracks on side three, including three mixes of Belinda’s version of “Band Of Gold”
recorded with Freda Payne.
• Side four features five live tracks taken from the “Belinda” video release. Also included are the lyrics
and a sleevenote based on an interview with Belinda.











k c1. Band Of Gold featuring Freda Payne single mix

[m] c3. Mad About You [extended version]
[n] c4. Band Of Gold [featuring Freda Payne] [extended mix]
[o] c5. Band Of Gold [featuring Freda Payne] [dub mix]











[k] c1. Band Of Gold [featuring Freda Payne] [single mix]

[m] c3. Mad About You [extended version]
[n] c4. Band Of Gold [featuring Freda Payne] [extended mix]
[o] c5. Band Of Gold [featuring Freda Payne] [dub mix]

One of the essential ‘global’ albums of 2019 gets its first pressing on ‘kimono blue’ vinyl.

Ahead of the release of their second album and their collaboration with cult Japanese kimono label Nakai Shoten, Minyo Crusaders come with a limited edition of their classic debut album.

Since their 2020 collaborative EP with Frente Cumbiero amassed almost 1m listens on Spotify plus over 1m views for the lead video on both Facebook and Twitter, the band’s popularity has soared.

Buried amongst the gems on the second Claremont Editions compilation was ‘Oui Non’, a collaborative cut that marked the first label appearance of Jpye (real name Jean-Philippe Altier), a French multi-instrumentalist, DJ and producer best known for his work as part of Twonk alongside Leonidas and percussionist/vocalist/guitarist Renato Tonini.

Here Jpye and Tonini join forces once more for their first single on Claremont 56 – a sensual and seductive slab of slow-motion, sun-soaked synth-pop that features more than a few subtle nods to classic Italian Balearic disco cuts such as Radio Band’s ‘Radio Rap’ and Tullio de Piscopo’s ‘Stop Bajon (Primavera)’.
Built around squelchy synth bass and a shuffling drum machine rhythm, ‘Cosa Ti Va’ is marked out by glistening, jazz-fired guitar solos, vibrant synthesizer squiggles, rich electric piano chords and echoing, dubbed-out electronics. It’s a pin-sharp but effortlessly laidback number that’s as tactile and loved-up as it as lazy and horizontal.
‘Cosa Ti Va’ is presented in two complimentary versions. On the A-side of the vinyl version you’ll find the full vocal, which boasts Tonini rapping in his native tongue in the manner of Italo-disco’s most eccentric and atmospheric vocalists. With his deep, rich tone and fluid flow, it’s hard not to fall in love with Tonini’s previously unheard rapping. Rounding off the single is the pair’s vocal-free instrumental take, in which Jpye’s stunning guitar motifs and tactile, soft-touch production can be savoured in full.

The idea for the album came in summer 2020. At first I only played around on my piano for myself. More and more ideas came up and I started to take recordings. After producing electronic music for more than 20 years and publishing it under different names, the corona pandemic slowed life down. No more gigs, clubs closed, festivals
canceled. For me the chance to try new things and find a new way to make music.

Without the club context, I was free in my mind. Making music right out of myself was a liberating feeling. I could do what had been dormant in me for a long time. There were attempts now and then, but in the end I couldn't get rid of the feeling of always
doing techno. Nice too, but not everything for me.
Many inspirations of my music come from artists such as Nils Frahm, Ólafur Arnalds, Yann Tiersen, Martin Kohlstedt, Poppy Ackroyd and many others, as well as nature, forest and city noises. And often from the instruments themselves.

I switched my setup in the studio from the electronic to a minimalist instrument setup, just piano, double bass and a Moog synthesizer. I also like the background noise that comes from an instrument, like the hammers and dampers on the piano, the fingerboard and bow noises of the double bass. So I tried a lot of recording
techniques and microphones until I found the sound I was looking for.

After a few recordings, a number of pieces came together that went well together. I decided to finish it as an album. Some of them are one-takes with the associated imperfections, others are recorded and arranged layer by layer in the studio. I also used field recordings. A warm summer rain was the starting point for "Rain".
The album will be released in May 2021 as a limited vinyl edition and digitally on my newly founded label "Feldeffekt".