Die Boomtown Rats waren eine der erfolgreichsten Bands der 1970er Jahre in Großbritannien. Ihr erwachsener Ihre realistischen Geschichten beflügelten die Fantasie des Massenpublikums. Als Anführer der Rats
führte Bob Geldof seine Band aus Dubliner Post-Punkern mit den britischen Nummer-1-Hits ”Rat Trap”
und ”I Don’t Like Monday’s” direkt an die Spitze der britischen Charts . ”THE FIRST 50 YEARS: SONGS
OF BOOMTOWN GLORY” auf Vinyl feiert die Höhepunkte der geschichtsträchtigen Karriere der Gruppe.
In der Klappcover-Hülle mit brandneuem Artwork und Kommentar wurden alle Titel von der Band selbst
ausgewählt. Dies wurde zeitgleich mit ihrer 50. Jubiläumstour veröffentlicht und ist das Allerbeste von
den Boomtown Rats und eine Zusammenstellung ihrer Texte und Melodien aus eigener Hand.
Erhältlich ab dem 19. September!
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- 1: Runaway
- 2: Away From Me
- 3: To The Earth
- 4: Drink Away Our Love
- 5: Almost Caro
- 6: See Me
- 7: Wrong Kind
- 8: Pale Blue Me
- 9: Fuel For Discontent
- 10: Poor Cow
- 11: Two Rings Don't Make A Right
- A1: My Name Is Ringing
- A2: Baby Don't You Want To Go
- A3: Hey Baby
- A4: Going Home
- B1: Things I Tell You To Do
- B2: I Feel Good
- B3: Mean Woman Blues
- B4: We Are Cooking
- C1: Dazie Mae
- C2: What's The Matter Baby?
- C3: Baby Baby
- C4: Call It The Night
- D1: Bury My Body
- D2: Come Back Baby
- D3: Talk To Your Daughter
- D4: Bottle Of Wine
- E1: You Move Me
- E2: I Wanna Dance All Night
- E3: Baby Don't Do Me Wrong
- E4: Why Put Me Down?
- F1: Stand By
- F2: Roll And Tumble
- F3: Looking Back Over My Day
- 1: Here Come The Rubber Cops
- 2: Queen City Of The 4Th Dimension
- 3: Merrie England
- 4: Full Penetration
- 5: Ron Asheton
- 6: Feels With Me
- 7: Cincinnati Blooms
- 8: Kevin Ayers
- 9: Marshmallow
- 10: The Protection Of Happiness Generator
- Intro
- Dark Depths And Surface Tension
- Existence Is Not A Solo Sport
- It's A Shit Business, Glad I'm Out Of It
- Ain't No Such Thing As Civilised, It's Man So In Love With Greed
- Lore Of The Land
- Qvc Hands
- Momentary Masters Of A Fraction Of A Dot
- The Enclosed The Common Land And Built A Fucking Lawn
- A Birthright Sham, A Downright Shame
- Spare Me The Pleasant Trees
- Outro
Human Leather have always been a ferocious live act, unbelievably loud for a 2 piece. Their gigs are often an overwhelming wall of sludge, howls and amphetamine-addled drums, with spectators flying joyously around the pit. Previous recordings did full justice to the impact of the live show; however, the second helping is something else. On Here Comes the Mind, There Goes the Body the sludge is still present, rising, and lapping at your ankles, but there's a new clarity showing off exactly how f*cking good those riffs are. There are ear worm riffs for days, shout along vocals that roar, shriek and reform into a Greek chorus, drums that thump you repeatedly in the chest and then the whole thing vanishes in just under 30 minutes, leaving you bruised, deafened and with Some Questions about your life. Squint your ears a bit and you'll hear the influences of bands like Karp, Torche and Big Business but they're thrown into a much crustier stew. The lyrics span a variety of political issues, not limited to the landed gentry, global warming and consumerist harbingers of doom. Importantly the songs are also not afraid to discuss class issues (unlike many political bands who you suspect have a much sturdier security net). While this could easily feel preachy, every line is delivered with the knowing wink of the underdog and good humour (I am going to smile every time I think of "clod damn" or "QVC Hands" staring up at me from the lyric sheet), and the vibes are as they've always been in difficult times - "we know we're fucked, tonight we mosh, tomorrow we march". And what is the point of a revolution you can't dance to? Speaking of dancing, the final track features an honest-to-god dance beat, acid squelches and disembodied vocal samples, pointing to an alternative universe in which Human Leather are a heavy electroclash band. Here comes the record of the year, bring what is left of your eardrums. You didn't need that body anyway
- Montevideo Disney Samba
- Parque Rodo Cookies
- Noa Noa Blues
- Las Canteras Breakbeat Science
- Candombe Doble Gota
- La Sombra Del Limonero
- Parque Rodo Thugs
- The Sound Of Ramirez Shore
A unique sonic journey blending jazz, candombe, dub, hip-hop, and electronic music. Written, sequenced, and recorded by Ian Lampel (Uruguay), the album captures Montevideo's vibrant essence with innovative beats and deep roots. Embark on a sonic journey through the rich tapestry of Ian Lampel's multicultural heritage with his debut solo album, "The Parque Rodó Tapes." From the echoes of his grandparents' wartime exodus from Europe's tumultuous past to the rhythms of daily life in Parque Rodó, Lampel's artistic vision was shaped by a kaleidoscope of influences: Science fiction and fantasy books, graphic design annuals, comics, films, early computers and videogames as well as music; the haunting melodies of Russian and Polish classical composers hummed by his grandmother while cooking, the choir and hammond music of the synagogue, his early explorations in club music and dub or the syncopated drumming of candombe and carnaval echoing in the streets of Montevideo. The composer, producer and bass player, wrote, sequenced and recorded practically everything that is heard throughout the album. With meticulous attention to detail, he has crafted a sonic landscape that seamlessly blends elements of jazz and Uruguayan music with the innovative spirit of dub, hip-hop and electronica; from the infectious rhythms of candombe and the raw energy of murga, to breakbeats, moog's and samples. Drawing from a treasure trove of samples collected over two decades, "The Parque Rodó Tapes" weaves together a tapestry of sound that is both nostalgic and forward-thinking, from the haunting voice of Marosa Di Giorgio and the vibrant cacophony of a carnival field recording by Lauro Ayestaran, to the guest contributions from notable musicians including Lampel's wife, singer/songwriter Eco Lopez, multi-instrumentalist Luciana Giovinazzo on flute, and Ferna Nunez on repique drum. Each track is a testament to Lampel's eclectic vision. A debut album with a certain degree of melancholy that works as a soundtrack to the world in which the artist grew up, a world now gone, without cellphones or social networks, in which everything had to be proactively pursued "in the streets".
Dutch-born, Belgian-based artist Chantal Acda has been releasing her music and touring internationally since 2006. Her impressive and eclectic catalog includes numerous band projects, collaborations, and solo albums. The 2024 album Silently Held, recorded with The Atlantic Drifters, is nominated in 2025 for an Edison Award in the Netherlands. Her upcoming album, The Whale, will be released on September 19, 2025, followed by an extensive European tour. The album was produced by Chris Eckman (The Walkabouts) and recorded with her live band, which she has been performing with for over a decade. The songs were co-written with band members Eric Thielemans, Alan Gevaert, Gaëtan Vandewoude, and Niels Van Heertum.
The sound of The Whale is rougher and more rock-oriented than her previous projects, but her signature introspection and vulnerability remain at the core of the music. Singles “Heads” and “Make It Work” have received airplay in Belgium, the Netherlands, the UK, and Germany.
In the past, Chantal has recorded and performed with artists such as Bill Frisell, Nils Frahm, and members of Low, Múm, and Efterklang. Currently, she is also a member of the bands Distance, Light & Sky (with Chris Eckman of The Walkabouts and Eric Thielemans) and Isbells.
- 1: Eel Oil
- 2: Tighten Up (Kay-Dee Version)
- 3: Step It Up Feat. Alice Russell
- 4: Get In The Scene Feat. Ohmega Watts
- 5: I Don't Wanna Stop
- 6: King Of The Rodeo Feat. Megan Washington
- 7: Can't Help Myself Feat. Ty
- 8: On The Sly
- 9: You Ain't No Good
- 10: Keep Me In Mind
- 11: I Got Burned Feat. Tim Rogers
- 12: The Wilhelm Scream Feat. Megan Washington
- 13: Rats
- 14: Lit Up
- 15: Golden Ticket
- 16: Hard Up
- 17: Nothing I Wanna Know About
- 18: Ex-Files
- 19: Lucky Feat. Bobby Flynn
- 20: The Truth (Live At Hamer Hall)
"Impressed are thrilled to be presenting The Bamboos Best, a compilation in celebration of twenty five year anniversary of the formation of The Bamboos.
The definitive collection of one of Australia’s most celebrated, influential and enduring Soul & Funk acts - tracing the history of the band that laid the foundation for the now internationally recognised Australian Soul scene.
Twenty songs taken from across their extensive catalogue, including many that have been unavailable on vinyl since their original release, and one track appearing in the format for the very first time.
From their raw Deep Funk origins through their own genre defying musical path, The Bamboos have reinvigorated a classic sound whilst seamlessly incorporating contemporary influences to create something altogether brand new.
Managing to appeal to both Soul/Funk purists as well as casual music fans along the way, the band have always focused on what’s important: songwriting, groove and powerful vocals.
- A1: The Whole Of The Law
- A2: Another Girl, Another Planet
- A3: Breaking Down
- A4: City Of Fun
- A5: The Beast
- B1: Creature Of Doom
- B2: It S The Truth
- B3: Language Problem
- B4: No Peace For The Wicked
- B5: The Immortal Story
Two years after their formation, the English power pop band The Only Ones released their self-titled debut album in 1978.
The Only Ones played not-so-fast guitar rock that sounded deeply indebted to the New York Dolls and other mid-70s proto-punks.
Their debut album The Only Ones is regarded as a classic of the first wave of UK punk and features the brilliant hit
“Another Girl, Another Planet”, which is their most successful track and has since been covered by many other performers.
Since the Nineties, the album has appeared on several all-time greatest albums lists, including the book 1001 Albums
You Must Hear Before You Die in 2006. This edition of The Only Ones features remastered audio and is available on black vinyl.
Finnish visionary composer, multi-instrumentalist and singer Jimi Tenor joins forces with the bold "Critical Ass" flash mob project from Switzerland to deliver the soundtrack for a truly global happening. The "Critical Ass" crew handpicked Love Is the Language from Jimi's rich catalogue, as the language of love is the metaphysical sun, which gives us the energy to continue the cosmic project called humanity from generation to generation.
The Critical Ass Version begins as a fresh reimagining of the original Love Is the Language, enriched with cinematic horn arrangements and a playful spirit. As it unfolds, the track transforms into a dystopian soundscape, driven by thundering synths and an insistent, forward-pushing beat.
The Koti Koti Version delivers a funky house treatment with clear nods to the '90s, guaranteed to set the dance floor ablaze.
Last but not least, the Original Version stands as a timeless gem of beauty, with the potential to become a true anthem of love.
- 1: If I Had A Boat
- 2: Hear The Noise That Moves So Soft And Low
- 3: Sparrow And The Wolf
- 4: Breaking Hearts
- 5: We Don't Eat
- 6: This Old Dark Machine
- 7: Follow You Down To The Red Oak Tree
- 8: Down The Burning Ropes
- 9: From The Woods!!
- 10: And If My Heart Should Somehow Stop
- 11: Early In The Morning, I'll Come Calling
Impressed is partnering with Burning Rope Records & Faction Records to bring you an exclusive Australian pressing of James Vincent McMorrow's debut album - Early in the Morning, celebrating it’s 15th anniversary and his forthcoming tour.
Originally released in 2010, and recorded in isolation at a house on the Irish coast, James Vincent McMorrow produced every sound on the album himself, including piano, guitar, and drums - resulted in an album that captivated the world.
The album quickly garnered critical acclaim for its warmth and intimacy. Critics highlighted McMorrow's soft falsetto and the Americana/Folk influences present in the tracks. The opening song, If I Had a Boat, begins with a cappella harmonies before developing into a reflective ballad, illustrating the album’s understated style.
- A1: Episode One – Originally Broadcast 11Th February 1967
- A2: Episode Two - Originally Broadcast 18Th February 1967
- B1: Episode Three - Originally Broadcast 25Th February 1967
- B2: Episode Four - Originally Broadcast 4Th March 1967
“There are some corners of the universe which have bred the most terrible things…They must be fought.” Demon Records presents, for the first time on 2LP vinyl, the complete full-cast soundtrack of this ‘lost’ classic BBC TV adventure, with linking narration by Frazer Hines. The Second Doctor (Patrick Troughton) is thrown into his first rematch with the Cybermen in the year 2070. Humans have colonized the Moon, and the Cybermen have identified their base as a strategic vantage point from which to invade Earth!
Can the Doctor and his companions Polly (Anneke Wills), Ben (Michael Craze) and Jamie (Frazer Hines) stop them? First broadcast in 1967, this exciting adventure was written by Kit Pedler and directed by Morris Barry, with a guest cast including Patrick Barr, Andrew Maranne, Michael Wolf and John Rolfe. Whilst only two of the four episodes are known to survive on film, thankfully all four are available as sound recordings, complete with the BBC Radiophonic Workshop’s familiar Doctor Who theme music. With a superb cover illustration depicting the Cybermen on the Moon, these two translucent ‘Blue Moon’ discs are housed in beautifully designed inner sleeves with vintage TV guide-style listings for each episode.
- Tell Your Story Walkin
- Crack Killed Apple Jack
- Tell Your Story Walkin
- Crack Killed Apple Jack
- I Once Was There
- Wonderin
- Start Again
- Born To Mack
- The Lying Truth
- Without Love
- Amelia
- God I'm Going Down
- Much Ado About Buttin
- I Need You
- I Think You Need To Think
- Shake This Town
- Show Me Some Emotion
- A Journey Into The Middle Ages
A guitar player, writer, producer, and composer, Stevie Salas has recorded on over 70 different albums with artists as diverse as George Clinton, Justin Timberlake, Buddy Miles, T.I., Mick Jagger, and Rod Stewart. Having sold over two million solo albums around the world, Stevie has been cited as one of the top 50 guitarists of all time. Dreaming of a career in music, Stevie left the small town of Oceanside, California in 1985. Eight months later he was discovered by funk music legend George Clinton as the lead guitarist for Clinton's albums. Stevie received his first major label producer credit with Was (Not Was) when he co-produced the UK hit "Out Come the Freaks" from the album "What up Dog?" Rolling Stone Magazine listed "What up Dog?" as one of the top 100 records of the decade. With an extensive solo career, Stevie has now teamed up with Deko Entertainment to reissue some of these albums starting with the 30th Anniversary of "Back From The Living (Deluxe Edition)"
k MUCH ADO ABOUT BUTTIN' [SUCKERMANGRUBBY MOUTH MIX]
[q] TELL YOUR STORY WALKIN' [MUG MASHER REMIX]
[r] CRACK KILLED APPLE JACK [GRAVY BOOTY REMIX)
[k] MUCH ADO ABOUT BUTTIN' [SUCKERMANGRUBBY MOUTH MIX]
[q] TELL YOUR STORY WALKIN' [MUG MASHER REMIX]
[r] CRACK KILLED APPLE JACK [GRAVY BOOTY REMIX)




















