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Pain threaded with joy is the sound of survival. On The Hard Truth, Wynonna isn"t letting go of either one, carrying everything she"s endured and reinventing herself as an artist. This ten-track tribute to deep sorrow and dogged persistence strips away layer after layer of the lush production that defined Wynonna"s previous recordings, delivering in its place her most personal and powerful work yet. ANTI- is proud to continue its tradition of embracing American legends and giving them a platform to reach new heights. The Hard Truth has a major contributor in the form of producer Cactus Moser, Wynonna"s partner in music and life. Wynonna and Moser shared songwriting duties on The Hard Truth, and the resulting tracks were recorded to capture and compliment the raw power he"d witnessed decades ago. What they"ve created together is an unvarnished elegy to the dead and the missing, an album that pays tribute to choosing love in the face of suffering. Through instrumentation and arrangements unlike any record in Wynonna"s four-decade career, The Hard Truth rolls in like a night train hitting listeners on the blind side.

BIT30-2 THE CROWDPLEASERS "I Want You To Know 30th Anniversary E.P." The first B.I.T Productions 12" was released on single sided white label on 11th December 1995 and became a rather big track across the country with its big synths, catchy vocal hook and a massive break in the middle that lead to a dirty, well-known synth melody that created a huge hands in the air moment, as well as the "Make some f**king noise" vocal. Now 30 years later, we have the “I Want You To Know 30th Anniversary E.P.” that features new remixes by The Crowdpleasers and Pianohead, as well as including the Original 1995 Mix. Also included is the NEW TRACK “I Know” which features the Original Mix with uplifting Piano and catchy vocals and the Stu Chapman Remix with dirty synths, banging breakbeat and a top piano riff. To finish off this 6 Track E.P., the previously unreleased Original Mix from 2000 of “Celestial”, a pumping house track with atmospheric melody.

Created in collaboration with Florida-based production duo The Still Brothers, the album pairs Rollo's songwriting with beautiful analogue production and rich, organic arrangements. The project was further elevated by producer and mixer Mike Hill, before Grammy Award-winning mastering engineer Dan Millice put the finishing touches on the record.

Recorded over the course of several visits to The Still Brothers' studio in Florida, The Jelly Man was shaped by both its surroundings and the creative partnership at its heart.

Together, Rollo and The Still Brothers crafted a beautifully warm, analogue-sounding record, deeply inspired by Florida's natural beauty and the laid-back atmosphere. Recorded with an 8-channel Tascam tape machine, the album radiates warmth, vibrancy and character, while a host of carefully chosen collaborators bring their own distinctive voices to each track.

Rollo Doherty is a multi-instrumentalist, songwriter, producer and composer, as well as an accomplished filmmaker, illustrator and animator. His previous EP earned him support slots on Skinshape's UK tour and Palace's European tour, alongside airplay and support from BBC Radio, KEXP and NPR.

The Jelly Man marks an exciting new chapter for Rollo Doherty—an album that captures a sense of place, collaboration and timeless craftsmanship.

Created in collaboration with Florida-based production duo The Still Brothers, the album pairs Rollo's songwriting with beautiful analogue production and rich, organic arrangements. The project was further elevated by producer and mixer Mike Hill, before Grammy Award-winning mastering engineer Dan Millice put the finishing touches on the record.

Recorded over the course of several visits to The Still Brothers' studio in Florida, The Jelly Man was shaped by both its surroundings and the creative partnership at its heart.

Together, Rollo and The Still Brothers crafted a beautifully warm, analogue-sounding record, deeply inspired by Florida's natural beauty and the laid-back atmosphere. Recorded with an 8-channel Tascam tape machine, the album radiates warmth, vibrancy and character, while a host of carefully chosen collaborators bring their own distinctive voices to each track.

Rollo Doherty is a multi-instrumentalist, songwriter, producer and composer, as well as an accomplished filmmaker, illustrator and animator. His previous EP earned him support slots on Skinshape's UK tour and Palace's European tour, alongside airplay and support from BBC Radio, KEXP and NPR.

The Jelly Man marks an exciting new chapter for Rollo Doherty—an album that captures a sense of place, collaboration and timeless craftsmanship.

Spring 2026 saw The Proclaimers recording their new album, You May Offend. It is brothers Craig and Charlie Reid’s first album since 2022’s hugely acclaimed Denture’s Out (“Proves you don't need to be a young pretender to land hit after palpable hit,” – MOJO magazine). Their 13th studio album’s 12 tracks – punchy and punky, rousing and carousing, tender and tough – were recorded at Monmouth’s legendary Rockfield Studios with producer Dave Eringa, their crack live band – Steven Christie, Garry John Kane, Zac Ware and Clive Jenner – and frequent guest guitarist, Manic Street Preachers’ James Dean Bradfield. The result is an album, as ever, concise as well as incisive, and about looking forward. Pushing on and digging into the issues and feelings that matter to them here, now and tomorrow, not yesterday, as with the title track, and first single, a lament for the state of free speech, with Charlie approving of the fact that the title can be taken two ways: “As in: ‘Look, careful what you do, you may offend someone.’ Or: ‘OK children, you may now offend.’ Is it an instruction or an invitation? Or a warning?” A powerful accompanying video for the You May Offend single is being created by Emmy & BAFTA award winners, director Douglas Mackinnon in partnership with Peter Anderson Animation. “My favourite band of all time. They write the most spectacular songs, big hearted, uncynical passionate songs.'” - David Tennant “There is a whole other world of music behind that song that I’ve just been discovering, and they’re a wonderful, wonderful band. Now we live in the age of coolness that doesn’t mean anything, it's just quality and soul. The Proclaimers make more sense than ever.” – Chris Martin after Coldplay performed Sunshine on Leith at BBC’s The Piano Room

Often hailed as 'one of the defining glam rock albums', Mott the Hoople's All the Young Dudes was an influential record upon its release in 1972, and continues to impress listeners to this day.

Produced by David Bowie, the album contains a balanced selection of well-written songs by Ian Hunter and his bandmates. With Bowie on board to add his distinctive style to the songs, the band is on a roll, making this an essential record for '70s rock fans all over the globe.

All the Young Dudes is a limited edition of 1500 individually numbered copies on yellow vinyl.

The single is the latest collaboration from the pioneering electronic artist and follows “Intertwine,” which featured TT, aka Theresa Wayman of Warpaint. Other collaborations on A Body Of Voices include “Turns,” featuring the ethereal vocals of Nicole Miglis (Hundred Waters), and “True Love, Don’t Be Afraid” featuring Stephen McBean (Black Mountain & Pink Mountaintops), “Fight or Flight” ft. Aisha Badru, “Falling” ft. Maiah Manser and multi-instrumentalist Aaron Shaw, “Floating” ft. multi-instrumentalist and composer Spencer Zahn, and the unreleased track, “Take Me” ft. Raphaelle Standell-Preston (Braids, Blue Hawaii). A Body of Voices delivers the most collective and melodically driven project of his acclaimed quarter-century. Having spent decades mastering his natural instincts for space, tempo, and timing, LaValle set a deliberate goal to break beyond his usual parameters by inviting an expansive community of vocalists and marquee indie players into his realm. The resulting record pushes his sonic map entirely, seamlessly blending his signature, textural synthesis with a vibrant tapestry of voices spanning dream-pop, alternative, and R&B. Nearly thirty years into the project, A Body of Voices proves that while The Album Leaf remains unmistakably his, it is a pioneering musical universe he is never afraid to redefine.

This songwriting-focused approach on A Body of Voices marks a natural evolution for an artist who has been steadily making his mark as a soft-spoken innovator since 1999. Now based in Los Angeles, LaValle started out in the San Diego music scene, creating vivid, rhythmic, soaring instrumentals centered around the Rhodes piano. Over more than two decades of acclaimed releases on seminal labels like Sub Pop, City Slang, and others, he has become a definitive touchstone for meditative electro-organic music. While earlier milestones like 2023’s Future Falling and 2024's Blast EP found him increasingly renewed by outside perspectives, A Body of Voices brings that collaborative spirit to its full, unbridled potential.

Living Weapon returns with Death In The Family, a full-length that confronts mortality, meaninglessness, and the aftermath of existence. The release broken down over 23 minutes toward an unresolved end — life examined at its start and its finish, with the universe indifferent to either. Recorded, produced, and engineered by Jeremy Martin over fall 2025 into spring 2026 — the band's first time tracking a full album internally. Mixing handled by Taylor Young of The Pit Recording Studio and Mastering by Nick Townsend. The album is introduced with "The Leaving Process” laying out the album's core idea: life as connection, not permanence — matter created and destroyed, briefly aware of itself in between.

EverEve - "Seasons", "Stormbirds" & "Regret"The first three masterpieces of Germany's EverEve, (Their name is taken from a poem out of "Lord of the Rings") "Seasons" (1997), "Stormbirds" (1998), and "Regret" (1999), are deeply emotional works of art, forged in darkness, melancholy, and poetic introspection, standing today as some of the most compelling statements ever produced within the Gothic Metal movement.In the late 1990s, while countless bands attempted to define the boundaries of Gothic Metal, EverEve effortlessly rose above convention Their music was never confined by genre limitations. It drew equally from Doom Metal's oppressive weight, Gothic Rock's romantic desolation, and the emotional grandeur of Dark Wave, creating a soundscape that was uniquely their own. "Seasons " marked the beginning of this remarkable journey. A debut album rich in atmosphere and emotional depth, it introduced a band already possessing a mature artistic identity. Its songs unfold like chapters from a forgotten gothic novel, where every melody is wrapped in shadows and every lyric resonates with profound emotional sincerity.

EverEve - "Seasons", "Stormbirds" & "Regret"The first three masterpieces of Germany's EverEve, (Their name is taken from a poem out of "Lord of the Rings") "Seasons" (1997), "Stormbirds" (1998), and "Regret" (1999), are deeply emotional works of art, forged in darkness, melancholy, and poetic introspection, standing today as some of the most compelling statements ever produced within the Gothic Metal movement.In the late 1990s, while countless bands attempted to define the boundaries of Gothic Metal, EverEve effortlessly rose above convention Their music was never confined by genre limitations. It drew equally from Doom Metal's oppressive weight, Gothic Rock's romantic desolation, and the emotional grandeur of Dark Wave, creating a soundscape that was uniquely their own. "Seasons " marked the beginning of this remarkable journey. A debut album rich in atmosphere and emotional depth, it introduced a band already possessing a mature artistic identity. Its songs unfold like chapters from a forgotten gothic novel, where every melody is wrapped in shadows and every lyric resonates with profound emotional sincerity.

The first three masterpieces of Germany's EverEve, (Their name is taken from a poem out of "Lord of the Rings") "Seasons" (1997), "Stormbirds" (1998), and "Regret" (1999), are deeply emotional works of art, forged in darkness, melancholy, and poetic introspection, standing today as some of the most compelling statements ever produced within the Gothic Metal movement.In the late 1990s, while countless bands attempted to define the boundaries of Gothic Metal, EverEve effortlessly rose above convention Their music was never confined by genre limitations. It drew equally from Doom Metal's oppressive weight, Gothic Rock's romantic desolation, and the emotional grandeur of Dark Wave, creating a soundscape that was uniquely their own. "Seasons " marked the beginning of this remarkable journey. A debut album rich in atmosphere and emotional depth, it introduced a band already possessing a mature artistic identity. Its songs unfold like chapters from a forgotten gothic novel, where every melody is wrapped in shadows and every lyric resonates with profound emotional sincerity.

The first three masterpieces of Germany's EverEve, (Their name is taken from a poem out of "Lord of the Rings") "Seasons" (1997), "Stormbirds" (1998), and "Regret" (1999), are deeply emotional works of art, forged in darkness, melancholy, and poetic introspection, standing today as some of the most compelling statements ever produced within the Gothic Metal movement.In the late 1990s, while countless bands attempted to define the boundaries of Gothic Metal, EverEve effortlessly rose above convention Their music was never confined by genre limitations. It drew equally from Doom Metal's oppressive weight, Gothic Rock's romantic desolation, and the emotional grandeur of Dark Wave, creating a soundscape that was uniquely their own. "Seasons " marked the beginning of this remarkable journey. A debut album rich in atmosphere and emotional depth, it introduced a band already possessing a mature artistic identity. Its songs unfold like chapters from a forgotten gothic novel, where every melody is wrapped in shadows and every lyric resonates with profound emotional sincerity.

LA native The Koreatown Oddity returns for his fourth album on Stones Throw. Purdy is the proving ground for an avant-garde rapper tackling being a father and partner with the boundless confidence of a child’s imagination.
Purdy sees Koreatown soundtrack a knight’s first battle, document the cultivation of a beautiful lawn and contemplate if anyone really means it when they say "have a great weekend" – all while realising that he's now part of something bigger.
Purdy paints the complete portrait of the man Dominique Purdy and artist The Koreatown Oddity together: musician, father, and peddler of the absurd.

Initially released in 2016, The Divine Feminine marked one of the most stark turning points in a career punctuated by creative reinvention. After doubling down on his rap prowess on 2015's GO:OD AM, Mac Miller stunned fans with an audacious pivot to create a concept album that explored his views on the power of love and the sacred energy of women. Hailed by Pitchfork as being "easily his most intoxicating release yet," the embrace of his singing voice and genre-agnostic approach of the songwriting foreshadowed the evolution that would further materialize on his 2018 album Swimming. The 10th anniversary edition of The Divine Feminine features three previously-unreleased songs from the album's recording sessions and will be available on 3LP with printed inner sleeves in a single-pocket jacket upon its release on October 2nd.

Ready to take our streets back? Kill the Colossi sind wohl eine der spannendsten neuen Bands aus England und haben mit ihrer (zuerst nur) selbstveröffentlichten Debut-CD "Braces for Impact" vor zwei Jahren sofort für weltweite Beachtung in der Szene gesorgt (mittlerweile auf Vinyl von Sunny Bastards erhältlich)! Kein Wunder die aggressive Mischung aus "in your face"-OI!-Shoutern und markanten Streetpunk-Melodien umrahmt von fetten Gitarrensound und wohlplatzierten Singalongs knallen alles weg. Vergleiche mit Kalibern wie "Lion's Law" machten schnell die Runde. Das Ox-Magazin schrieb zurecht: "KILL THE COLOSSI sind neben THE CHISEL die gegenwärtig wohl beste englische Oi!-Punk-Combo." Und selbst die Metalszene wurde auf die Band aufmerksam (Rock Hard 9/10) und bescherte der Band eine Einladung zum Kuhzi-Festival. Jetzt erscheint der Nachfolger "Roses & Riot Shields" und setzt den Weg von Kill the Colossi eindrucksvoll fort: Mitreißend-kraftvoller UK-Streetpunk/ Oi! mit ausgeklügeltem Songwriting und dem "gewissen Etwas", den man schwer in Worte fassen, dafür umso mehr im Herzen spüren kann! 10 neue Songs bei denen man übliche Klischees und abgenudelte Stereotypen vergebens sucht. Stattdessen sozialkritische Lyrics (Empire of the Dirt, Scarcity), wütende Bestandsaufnahmen über das verzerrte Spiegelbild der Gesellschaft (Working the weak), bis hin zu all dem neumodischem Scheiss, der manipuliert und beeinflusst (Under the Influencer; Legal High). Mit "Boots don't fit" schließlich gibt's eine unter die Haut gehende Hymne, die fernab der üblichen oft banalen Bekenntnisse gegen Rassismus viel tiefer in die Wunde sticht und deutlicher nicht sein kann! Jede Gesellschaft kriegt halt was sie verdient_"Kill the Colossi" dürfte mit diesem Album der Sprung in die nächste Liga sicher sein!

Ready to take our streets back? Kill the Colossi sind wohl eine der spannendsten neuen Bands aus England und haben mit ihrer (zuerst nur) selbstveröffentlichten Debut-CD "Braces for Impact" vor zwei Jahren sofort für weltweite Beachtung in der Szene gesorgt (mittlerweile auf Vinyl von Sunny Bastards erhältlich)! Kein Wunder die aggressive Mischung aus "in your face"-OI!-Shoutern und markanten Streetpunk-Melodien umrahmt von fetten Gitarrensound und wohlplatzierten Singalongs knallen alles weg. Vergleiche mit Kalibern wie "Lion's Law" machten schnell die Runde. Das Ox-Magazin schrieb zurecht: "KILL THE COLOSSI sind neben THE CHISEL die gegenwärtig wohl beste englische Oi!-Punk-Combo." Und selbst die Metalszene wurde auf die Band aufmerksam (Rock Hard 9/10) und bescherte der Band eine Einladung zum Kuhzi-Festival. Jetzt erscheint der Nachfolger "Roses & Riot Shields" und setzt den Weg von Kill the Colossi eindrucksvoll fort: Mitreißend-kraftvoller UK-Streetpunk/ Oi! mit ausgeklügeltem Songwriting und dem "gewissen Etwas", den man schwer in Worte fassen, dafür umso mehr im Herzen spüren kann! 10 neue Songs bei denen man übliche Klischees und abgenudelte Stereotypen vergebens sucht. Stattdessen sozialkritische Lyrics (Empire of the Dirt, Scarcity), wütende Bestandsaufnahmen über das verzerrte Spiegelbild der Gesellschaft (Working the weak), bis hin zu all dem neumodischem Scheiss, der manipuliert und beeinflusst (Under the Influencer; Legal High). Mit "Boots don't fit" schließlich gibt's eine unter die Haut gehende Hymne, die fernab der üblichen oft banalen Bekenntnisse gegen Rassismus viel tiefer in die Wunde sticht und deutlicher nicht sein kann! Jede Gesellschaft kriegt halt was sie verdient_"Kill the Colossi" dürfte mit diesem Album der Sprung in die nächste Liga sicher sein!

For more than thirty years, Hayden has built a body of work from moments in life that can easily pass unnoticed. His talent is to build grandeur around small events, not just within songs but as an accumulation across his whole career. Taken together, his ten studio albums amount to an ongoing conversation about family, memory, love, loss, absurdity, and the strange beauty hidden inside ordinary days. The realization that today’s routine may someday become the part of your life you miss most. Despite its title, Hayden's new album "The Recent Past" isn’t nostalgic so much as observant. It reflects on the strange feeling of longing for a time that wasn’t all that long ago, but it’s also about trying to stay rooted in the present while everything around us speeds up. It is a rich addition to Hayden’s continuing search for unsung moments. There’s heartache on this album, some frank declarations, a lot of comfort and danceable surprises. After years of mixing his own records, Hayden gave the final mixes to Grammy-winning engineer Tom Schick, whose work with Jeff Tweedy, Wilco, Mavis Staples and Willie Nelson had long been an inspiration. Adding subtle colours on the album are drummer Adam Hindle, pedal steel player Matt Kelly, fiddler Miranda Mulholland and upright bassist Ben Whiteley. "The Recent Past" is the perfect record to play when things are coming at you, when you want to take a breath, reflect, escape. Whatever memories or struggles play out you can hum to heartbreak, have lunch with your kid, know that trouble is out there for everyone but somehow this is still a beautiful day.

Now repressed on limited edition Venus Pink vinyl – 300 copies for the world Give your retinas a workout A supergroup of sorts - Fat White Family’s Lias Saoudi, Trashmouth Records’ Luke and Liam May, and Quinn Whalley of Paranoid London and Warmduscher - Decius have travelled the earth liberating people from banality since the release of Vol. I. They’ve revealed to all those they’ve encountered just what was missing in their lives: pump without borders, pump without reason - absolute pump. Decius live sets at Berghain’s 19th birthday celebrations, Block 9’s NYC Downlow at Glastonbury and Opium Club in Vilnius have set pulses racing, and they count the likes of Dixon, 2manydjs, Honey Dijon, Mochakk, Or:La, Iggy Pop and Depeche Mode as fans. Now they offer up Decius Vol. II (Splendour & Obedience). It throbs with an almost impossible sense of potential, and expands on the lexicon of molten desire. The sound has moved into new territories, with tastes of house, disco and techno, all with an underlying base note of acid on tracks such as the slippery night cruise intensity of ‘Birth of A Smirk’, where Colonel Abrams gets his nipples tortured. ‘Queen of 14th St’ is all watersports and Cybotron force from Detroit via Deptford. ‘Walking In The Heat’ struts like a sunburnt and horny Kraftwerk, while ‘Ghent’ is purest uncut ’88 acid. Vol. II is the art of seduction in damp rooms painted black. Keep hydrated from whatever source is available. Be your own pleasure centre. Vol. II is veritable selection box of booty bumps and illegal highs made at night for the night and beyond. This is music that takes pride in its walk of shame.

Their music was never confined by genre limitations. It drew equally from Doom Metal's oppressive weight, Gothic Rock's romantic desolation, and the emotional grandeur of Dark Wave, creating a soundscape that was uniquely their own. "Seasons " marked the beginning of this remarkable journey. A debut album rich in atmosphere and emotional depth, it introduced a band already possessing a mature artistic identity. Its songs unfold like chapters from a forgotten gothic novel, where every melody is wrapped in shadows and every lyric resonates with profound emotional sincerity. EverEve expanded their vision with "Stormbirds", an album that many regard as one of the defining moments of European Gothic Metal. Majestic, dramatic, and emotionally overwhelming, it elevated the band's songwriting to extraordinary heights. The interplay between crushing guitars, haunting keyboards, and deeply evocative vocal arrangements created a listening experience that remains as captivating today as it was upon its release.

Their music was never confined by genre limitations. It drew equally from Doom Metal's oppressive weight, Gothic Rock's romantic desolation, and the emotional grandeur of Dark Wave, creating a soundscape that was uniquely their own. "Seasons " marked the beginning of this remarkable journey. A debut album rich in atmosphere and emotional depth, it introduced a band already possessing a mature artistic identity. Its songs unfold like chapters from a forgotten gothic novel, where every melody is wrapped in shadows and every lyric resonates with profound emotional sincerity. EverEve expanded their vision with "Stormbirds", an album that many regard as one of the defining moments of European Gothic Metal. Majestic, dramatic, and emotionally overwhelming, it elevated the band's songwriting to extraordinary heights. The interplay between crushing guitars, haunting keyboards, and deeply evocative vocal arrangements created a listening experience that remains as captivating today as it was upon its release.

After holding down a residency at Berlin’s Club der Visionaere for over a decade with their Perfumed Freedom events, dynamic duo Foehn & Jerome look to launch an exciting new record label under the same name. The Berlin based Austrian’s have teamed up for the inaugural release, wandering between tripped out minimalistic vibes with tinges of house textures spread across the record. This is “The Frisbee Of No Return”.

Join Foehn & Jerome as they evolve the Perfumed Freedom journey with their unrivalled chemistry, giving themselves and dedicated artists a platform to express themselves in the years to come.

Confessions of a Lonely Heart follows the journey of a heart searching for connection. Across nine tracks, including “Miss Me More,” “Someday” and “Psycho,” Eric Nam shares deeply personal confessions of heartbreak, yearning, obsession and self-discovery. While the stories are his own, the emotions behind them are universal: the desire to love, be loved and feel understood. “Loneliness can make us feel as though we’re the only person experiencing it, when in reality, it’s one of the most universal parts of being human,” Eric shares. “This album gave me a place to be honest about emotions that can be difficult to admit and confess things we often keep to ourselves. My hope is that people can hear pieces of their own stories in these songs and feel understood by them. When we’re willing to share what’s in our hearts, we remind one another that none of us is truly alone, and together, we can all be a little less lonely.”

Ltd Edition! Pat Todd & the Rankoutsiders — hervorgegangen aus der Asche der legendären Lazy Cowgirls und angeführt von einem Frontmann, dessen Name seit Jahrzehnten für das raue Herz der amerikanischen Underground-Musik steht — melden sich mit ihrem neunten Album „I’ll Dream Alone“ zurück. Zwölf Songs voller lauter Gitarren, schnörkelloser Storytelling-Tradition und der bekannten Mischung aus knurrendem 70er-Jahre-Punk, Country, Blues und klassischem Rock, die die Band seit den Lazy-Cowgirls-Tagen zum Maßstab für Authentizität in der amerikanischen Rock’n’Roll-Szene gemacht hat. Aufgenommen und produziert von Gavin Ross in den Steady Studios, Burbank, CA — demselben Studio wie die letzten beiden Alben. Pat Todd hat die Songs so geschrieben oder mitgeschrieben, wie es bei den Rankoutsiders Tradition ist — manche jahrelang live erprobt, bevor sie endlich aufgenommen wurden („Ambition Street“), andere direkt im Studio entstanden, mit Texten, die erst zum Schluss dazukamen („We’re Outta Time“, „The World It Don’t Need You“ und der Titeltrack „I’ll Dream Alone“ selbst). Das Album reicht von der an Velvet Undergrounds „Loaded“ erinnernden Ballade „Mediocre Heart“ über den treibenden Soul-Beat von „Beyond the County Line“ bis zum Update eines 60er-AM-Radio-Rockers in „The Last Of Me“. Gitarrist Nick Alexander übernimmt bei „It Ain’t All My Fault“ – nach wahren Begebenheiten – ausnahmsweise den Leadgesang, unterstützt von Stephen Vigh, Kevin Keller und Pat Todd. Den Auftakt macht die erste Single „Desire Has Left Town“, gefolgt von „We’re Outta Time“ als zweiter Single und „Blood & Gunpowder“ am Release-Tag. Die Band unterstützt die Veröffentlichung mit einer Europa-Tournee vom 9. Oktober bis 8. November 2026 und bringt „I’ll Dream Alone“ direkt ab Release quer über den Kontinent auf die Bühne.

When The Rain Stops is the forthcoming indie pop LP from LA duo CD Ghost and marks the band’s most mature work to date. Balancing two sonic palettes — in-your-face dance beats and glossy synths alongside warm, dreamy guitars and laid-back acoustic drums — the album explores themes of fate, love, and disaster while grasping for something to hold onto as everything falls apart. Ethereal and cinematic yet vulnerable and grounded, When The Rain Stops finds CD Ghost with their head in the clouds but feet still firmly planted on the ground. For Fans of Toro Y Moi / Washed Out / Neon Indian / Beach House Nation Of Language

Valley of the Sun's sixth studio LP, "The Blacklight Sessions", is a deep dive into the sonic roots of the band who continues to defy genre norms. With tracks ranging from blues jam to psychedelic desert trip to driving stoner riffage, the band continues to demonstrate that their music knows no bounds, nor should it.

Hot Pink Vinyl. Valley of the Sun's sixth studio LP, "The Blacklight Sessions", is a deep dive into the sonic roots of the band who continues to defy genre norms. With tracks ranging from blues jam to psychedelic desert trip to driving stoner riffage, the band continues to demonstrate that their music knows no bounds, nor should it.

Blossoms return with their 6th studio album, ‘Songs From The Wedding Cake’. Featuring singles 'Meet Me In Love' and 'Joke About Divorce', the Wedding Cake, nickname for Stockport’s Town Hall where band member Tom Ogden got married, spans 10 tracks and follows up the 2024 number 1 album 'Gary'. The album, produced by Shawn Lee, was recorded entirely to tape & is due for release 2nd October 2026.

Plush ‘60s Pop-Psych Soundtrack With DVD Of Feature Film! In 1967, the Cyrkle recorded The Minx, an intriguing soundtrack laden with three-part harmonies and breezy arrangements. This legitimate, white vinyl reissue (created from the master reels, with full participation of the band members) includes bonus tracks and extensive notes, and also features a DVD with the original, outrageous film!

Die norwegische Punkband Aktiv Dödshjelp aus Oslo hat sich in den vergangenen Jahren in Ihrer Heimat
durch ihre explosiven Liveshows und nicht zuletzt durch ihre supermelodiösen Songs mit witzigen und
ironischen Texten einen hervorragenden Ruf erspielt. In den 17 Jahren seit ihrer Gründung im Jahre 2007
ist die Band pausenlos im Inland und Ausland getourt und präsentiert nun ihr zweites Album! Aktiv
Dödshjelp haben ihren Sound seit ihrem letzten Album ”Send Dudes” (das in 2025 für den norwegischen
Grammy als bestes Rockalbum nominiert war) perfektioniert und liefern auf dem neuen Album ”The Nasty
Piece” den perfekten Mix aus Punk und Rock. Wer auf norwegische Bands wie Turbonegro, The Good
The Bad and The Zugly und Kvelertak steht, wird Aktiv Dödshjelp lieben!
Für die neue Platte holte sich die Band diesmal Produzent Bendik Markovic Toming-Weston (brenn, TØFL,
Fred again.…) ins Boot, der laut der Band ”eine echte Pop-Hure” ist.
Natürlich haben es nur die stärksten Songs auf The Nasty Piece geschafft. Das Album enthält außerdem
die bereits veröffentlichten Singles „Jakter en Løve“, „Kjøttkverna“ und „Hun som sitter fast“ und mit
”Lazer Tag” den besten Turbonegro-Song, den Turbonegro nie geschrieben haben.

Greg Freeman was barely done making his breakthrough album, Burnover, which was released to wide critical praise and landed in The New York Times Best Albums of 2025 list and received the coveted 'Best New Album' distinction from Pitchfork, when he started writing his new record All Set The Bone On All Set The Bone, he embraces friction instead of refusing it, using scant rehearsal times and urgent, self- appointed deadlines, which was finished quickly, in a real Hollywood studio with one of rock's best modern architects, John Congleton.

Greg Freeman was barely done making his breakthrough album, Burnover, which was released to wide critical praise and landed in The New York Times Best Albums of 2025 list and received the coveted 'Best New Album' distinction from Pitchfork, when he started writing his new record All Set The Bone On All Set The Bone, he embraces friction instead of refusing it, using scant rehearsal times and urgent, self- appointed deadlines, which was finished quickly, in a real Hollywood studio with one of rock's best modern architects, John Congleton.

Producer duo Crossroads is back with another track featuring the talented young singer Cler. This time, they’re taking on a huge classic originally by Grover Washington Jr. and Bill Withers. 'Just The Two Of Us'—a soul classic that’s been loved across three generations—gets a fresh update here, perfectly matching today’s modern soul sound. And once again, Cler delivers goosebumps with her vocals, bringing a seamless mix of simplicity and passion to an timeless hit.

Laura Nyro was an astonishing talent. She was born into a musical family in The Bronx, NY in 1947; her father, Louis Nigro (pronounced Nigh-gro), was a jazz trumpeter, and music was her coping mechanism during a difficult childhood. By the time she was 8 she had taught herself to play piano and was composing her own songs, and during high school she would sing with a group of Puerto Rican friends, harmonising on street corners and in subway stations.

Die stärksten PERKELE-Songs auf einem Album gebündelt? Mit „Best from the past“ wird dieser Wunsch Wirklichkeit, das Album versammelt 20 PERKELE-Hymnen aus allen Phasen auf einem Tonträger (Vinyl kommt sogar als Doppel-Album). Von Sänger Ron höchstpersönlich zusammengestellt und im beiliegenden Booklet mit Liner-Notes versehen. Die Story hinter dem Text. Alle Klassiker sind an Bord: Von „Cowards“, „Hang’em high“, „Yellow & blue“, „Heartfull of pride“ bis „Göteborg“, „Längtan“, „Moments“, „A way out“ etc. Erscheint nun in 2026 erneut auf Vinyl. Und weil doppelt besser hält: Als Doppel-Vinyl.

Limitiert: 500er Auflage in transparent rotem Vinyl.

Es handelt sich um einen Vermerk, den der Dark-Ambient-/Industrial-Titan Lustmord beinahe in die Liner Notes seiner neuen Zusammenarbeit mit der Schlagzeuglegende Dave Lombardo aufgenommen hätte. Bei ihrer ersten Zusammenarbeit loten sie die Tiefen des ursprünglichen Industrial und Dark Ambient aus und schaffen dabei etwas, das über die reine Musik hinausgeht. Dave Lombardo bedarf keiner Vorstellung. Sein Ruf als innovativer Schlagzeuger und musikalischer Vorreiter ist unübertroffen. Ob es nun seine jahrzehntelange Tätigkeit bei den Thrash-Metal-Giganten Slayer, seine vier Alben umfassende Zusammenarbeit mit den einflussreichen Experimentalisten Fantômas oder seine Arbeit mit dem renommierten Komponisten und Saxophonisten John Zorn war - Lombardos Leidenschaft für den Klang und seine spirituelle Verbindung dazu überschreiten alle Grenzen Lustmord ist der walisische Musiker, der weithin als Begründer der Dark-Ambient-Musik gilt. Er war zunächst in den frühen 80er Jahren als Mitglied von SPK mit der Industrial-Szene verbunden, bevor er seinen charakteristischen Sound mit Veröffentlichungen wie ,Paradise Disowned" aus dem Jahr 1986 etablierte. Über sein Solowerk hinaus hat Lustmord eine umfangreiche Karriere als Kooperationspartner und Film- sowie Spielekomponist aufgebaut, wobei er mit Bands wie den Melvins, Tool, Nurse With Wound und Wes Borland zusammengearbeitet hat; zudem hat er zu über vierzig Kinofilmen beigetragen, darunter ,First Reformed", ,The Crow" und ,Underworld".

Das ursprünglich 2016 veröffentlichte Album „The Divine Feminine“ markierte einen der einschneidendsten Wendepunkte in einer Karriere, die von kreativer Neuerfindung geprägt war. Nachdem Mac Miller auf seinem 2015 erschienenen Album „GO:OD AM“ seine Rap-Fähigkeiten noch einmal unter Beweis gestellt hatte, überraschte er seine Fans mit einem kühnen Kurswechsel und schuf ein Konzeptalbum, das seine Ansichten über die Kraft der Liebe und die heilige Energie der Frauen thematisierte. Von Pitchfork als „mit Abstand sein bisher mitreißendstes Album“ gepriesen, deuteten der Einsatz seiner Gesangsstimme und der genreübergreifende Ansatz beim Songwriting bereits die Entwicklung an, die sich auf seinem 2018 erschienenen Album „Swimming“ weiter konkretisieren sollte. Die 10-Jahre-Jubiläumsausgabe von „The Divine Feminine“ enthält drei bisher unveröffentlichte Songs aus den Aufnahmesessions des Albums und wird ab dem 2. Oktober als 3LP mit bedruckten Innenhüllen in einer Single-Pocket-Hülle erhältlich sein.

Shapes of the Roots is a two piece project by D_Roots. Part 1 has 4 serious, energetic, sharp, melancholic electro tunes. Rock solid dance floor material from this super talented Italian producer!!!

„The Age Of Everything“ ist Johnny Marrs fünftes Studioalbum. Geschrieben in London, live auf Tour an
der Ostküste Nordamerikas weiterentwickelt und in Manchester aufgenommen, fängt das Album die Energie
und die Spannungen der Stadt ein. Es ist scharf, schnell und dynamisch – voller Ideen und Möglichkeiten.
„Dies ist das Album, das am stärksten befreiend gewirkt hat. Der Titel kam mir schon früh in den
Sinn und entwickelte sich zu einer Idee, der ich mich nicht entziehen konnte. Er schien genau das Gefühl
auf den Punkt zu bringen, das meiner Meinung nach viele Menschen haben. Er umfasst alles, ist aber nicht
zwangsläufig eine negative Aussage. Die Technologie löst in unserer Kultur ein Gefühl der Überforderung
aus, doch betrachtet man die Dinge aus einem anderen Blickwinkel, eröffnet sich auch ein Gefühl von
Möglichkeiten.“ – Johnny Marr