quête:the sun

Strikt limitierte 12inch Vinyl LP der legendären Kultband THE DOORS. Mitgeschnitten und Live übertragen von lokalen Radiosendern. Diese
Collectors-Edition enthält u.a. die Hits I'm Horny I'm Stoned, I´m A King Bee und Love Me Two Times. Nur 400 Exemplare, weltweit ! Gepresst in
transparentem Vinyl.

The new record from San Francisco based band Monophonics entitled "In Your Brain" sits on the fuzzy psych side of soul and funk. Paying homage to innovators such as Sly Stone, Norman Whitfield and Funkedelic's George Clinton, the 6 piece outfit displays their ability to put a moody stamp on each composition. Touching on everything from cinematic soul, heavy funk, 60's rock and spaghetti western laced with yellow sunshine acid, the album is sure to leave you tuned in and turned on!

Diese strikt limitierte Schallplatte beinhaltet Live Broadcasts aus den 80er und 90er Jahren des englischen Superstars und The Beatles Musikers Paul
McCartney. Inklusive allen Alltime-Klassikern sowie raren Songs. Limitierte Auflage, Originalaufnahmen, gelbes Vinyl.

Peoples Potential Unlimited's most anticipated release to date. Originally recorded in Detroit, 1982 by the late Danan Potts a.k.a. Superlife. At that time Danan was hanging around the Recording Institute of Detroit where Juan Atkins was training in production. Danan was interested in Atkin's style of dance music and quickly recorded "Go Bananas".

Bananas was released locally on Southern Sun Records in hyper limited quantity, it is today one of the most sought after underground detroit techno recordings of all time. DOUBLE VINYL featuring the original (1982) versions and new versions by Max D, Legowelt, Peanut Butter Wolf, Steve Summers. Color Jacket.

The long awaited, latest and, quiet frankly, greatest EP from Al Storm & Diakronik smashing the lighter side of hardcore with massive vocals and ginormous pianos! These are floor fillers of epic proportions!

This project unites artists from two labels, Chinese based bie Records
and Latin America based Shika Shika, separated by very contrasting
cultures and thousands of kilometers but united by shared values and a
shared musical vision
Driven by values of creativity, borderless music and fairness for artists, both
labels showcase artists that unite electronica with ambient and folk music,
purposefully existing outside of the globalized, copy- paste of the mainstream
music industry.
A mix of intrigue and mutual respect led to the birth of this compilation, with the
two labels teaming up to match together a group of their artists to remix each
other. The result is a widely imaginative, fresh and diverse selection of tracks
featuring some of the prominent producers such as DaYe, Lim Giong; Hualun, Sun
Dawei and Rainsoft from bie records and DJ Raff, Terror:Cactus, Numa Gama,
Barrio Lindo and El Buho from Shika Shika.
The compilation is a testament to music's power to transcend language and
cultural background as artists from hugely different contexts unite to explore and
build on each other's creative visions.

Die zweifache Grammy-Gewinnerin und mehrfach mit Platin ausgezeichnete Ariana Grande veröffentlicht ihr siebtes Studio-Album ”eternal sunshine”, welches das erste musikalische Werk der Künstlerin seit drei Jahren markiert. Ihre letzten fünf Studio-Alben platzierte die talentierte Künstlerin in den Top 10 der deutsche Charts. Die vorab veröffentlichte Leadsingle ”yes, and?” debütierte auf Platz 1 der Spotify Global Charts und verzeichnete damit ihr bisher größtes Spotify-Streaming-Debüt. Das Musikvideo zu ”yes, and?” erreichte Platz 1 der YouTube Music Trend-Charts

Causa Sui's three volumes of Summer Sessions are back in print! This time on the band's own label, on individual LPs for the first time since they were first released in 2008 and 2009. Re-packaged in El Paraiso's signature style. Originally the Summer Sessions were intended as a side project for the band - a chance to explore their love for other genres such as American free jazz, krautrock, 1970s soundtracks, as well as the psychedelia and detuned stoner-rock that characterized Causa Sui's first two albums. But these three albums came to define the band, and have become modern classics of psychedelia and progressive rock since their initial release ten years ago. In a scene often characterized by loyalty to a specific period, there's something refreshing about Causa Sui's eclectic approach. With several guest appearances by Coltrane-devotee Johan Riedenlow on sax and electronics wiz Rasmus Rasmussen, Causa Sui venture far beyond stoner-rock platitudes. Take the grandiose opening statement for example - the 24 minute "Visions of Summer" taking up the entire A-side: here new and old sounds dissolve in a mindbending excursion that recalls Future Days-era Can, breezy tropicalia or Herbie Hancocks Mwandishi group, as much as it sparks associations to Kyuss or Hendrix. Other tracks, such as the frenetic Rip Tide (vol. 2), heads into straight up free jazz territory with Riedenlow going absolutely bonkers on the sax. But this set also allows plenty of room for atmospheric pieces such as the sun-drenched "Venice by the Sea" (vol. 3) or the Morricone-esque "Cinecitta" (vol. 2).

Following the success of the 'Tokyo Glow' compilation, Wewantsounds once again teams up with Japanese Tokyo-based DJ Notoya to dig the rich Electric Bird catalogue and come with a versatile selection of sunny Jazz-Funk gems recorded between 1978 and 1987 for the label. A tasty selection featuring Yasuaki Shimizu, Toshiyuki Honda and Mikio Masuda, together with a few American musicians such as Ronnie Foster and Bobby Lyle. Most tracks make their vinyl debut outside of Japan and the album has been designed by Optigram/Manuel Sepulveda and is annotated by DJ Notoya. Audio newly remastered in Tokyo by King Records....

The return of Gaussian Curve - Gigi Masin, Jonny Nash and Marco Sterk’s much-loved trio are back for the first time since their 2016 sophomore album 'The Distance', presenting two new tracks entitled 'Winter Sun' and 'Fever Dream'.

Both tracks originate from recording sessions that took place in Amsterdam in 2016 for 'The Distance'. Despite not finding a place on the final album and being left as unfinished sketches for six years, the tracks represent an important part of the Gaussian Curve story which the band felt compelled to complete. Coinciding with the decision to perform a handful of live shows in 2022, they finally revisited the sketches, mixing and arranging them with the goal of giving them the full release that they deserve.

The trio’s trademark sound hits from first moments of 'Winter Sun'; a lush slow builder with all the classic GC ingredients; Nash’s airy and spacious guitar lines interplay with Masin’s warm rhodes, underpinned by Sterk’s subtle use of electronics and the minimal rhythm of a CR-78 drum machine.

On 'Fever Dream', the trio subtly expand their palette; a gently building 303 bass line and 808 rhythm form the foundations of the piece, with Masin’s vocals adding to a slow-burning intensity. Arguably a fuller sound hinting at new areas of exploration for the trio, but unmistakably Gaussian Curve.

Re-release of this timeless electronic anthem. A track that defies any classification. The perfect mix between Belgian techno, trance and EBM. “Sundown” was released as single in 1991 and instantly became a techno classic in Germany and all over the globe selling over 200,000 copies.

‘The Sunshine And The 909’ is without any doubt the most famous mix and a master piece remixed by Kenneth Baker, one of the pioneers of techno & house music movement in Denmark and founder of labels like Coma Records and Flex Records.

“…when I played Sundown for the first time at the Techno-Club in Dorian Gray, more than 25 people came to the DJ box and asked what it was…” (Talla 2XLC)

Serving up eleven tracks of rhythmic garage-psych goodness, ‘Boots N Cats’ is the third full-length from Melbourne outfit Beans and the first of two albums set for release in 2024. The long-awaited follow-up to 2018’s ‘Babble’ and 2020’s ‘All Together Now’, it’s a record that finds Beans frontman (and The Murlocs drummer) Matt Blach putting percussion at centre-stage. “I’ve always wanted to make a drum-based album, dedicated around the beat first and then everything else follows”, Blach says, explaining his desire to explore “different production approaches, like hip-hop and crunched drums, and show an admiration and appreciation for the likes of The Meters, Wu-Tang and James Brown” as much as the acid-soaked 60s/70s rock you’d expect. What emerges from the beat-first approach on ‘Boots N Cats’ charts mutant garage-rock boogies ('Groove', 'Silhouette') and festival tent psychedelia ('Haunted', 'Dreaming Daisy'), by way of blissed-out funk instrumentals ('One To Four', 'Siamese Blundstone'). The line is constantly skirted between a loose, carefree vibe and interesting, meticulous musicianship – never falling into the trap of taking itself too seriously. It’s a sunny kaleidoscope of chugging guitars, driving basslines, soaring organs and warm, echo-soaked vocals – driven always by the tightly-wound rhythms and grooves that Blach has been in pursuit of since he was a kid: “The title of the album comes from me learning drums from my dad. He had a background of German heritage and during lessons would jokingly say ‘nein, boot’n’cats’n’ like a simple 1,2,3,4

John’s debut album was recorded at Tony Pyke’s home studio in Dryburgh Road, Putney in glorious mono and then mastered at Pye Studios, Marble Arch, London for the princely sum of £158. Recording and mastering was completed by 9 August and London Conversation was released when John was just nineteen in October 1967. Theo Johnson took the role of producer under the supervision of Chris Blackwell and the cover photograph of John perched amongst chimney pots was taken on the roof of Blackwell’s apartment. Talking to Music Week magazine in 2007 John recalled that he recorded the whole album in one afternoon in a two-track studio on Putney High Street.

The album is in the folk tradition and contains some excellent lyrics and jazzy instrumentation including the sitar and flute in Rolling Home. As a result it won praise and the instrumentation distinguished John from his contemporaries in the folk scene. Back To Stay is a beautiful love song with a sad and dreamy melody, a sign of things to come.

John took up guitar whilst at school and although he was only nineteen he was already acknowledged locally as an accomplished guitarist. He was influenced by two people in particular, amongst others, that he knew. “Les Brown, who is completely unknown and has never recorded…he plays a kind of American Doc Watson guitar very very well. Lovely voice. Also a friend of mine called Paul Wheeler who is featured on the second album.”

The first-ever best of of Nim Vind is called Anthology 1 and is released by Sunny Bastards Records! This collection of audio medicinals created in a UFO vibrating in the Key of NV is guaranteed to blow your mind. Experience the energy and indulge in some Halloween candy with Nim Vind's 180-gram Vinyl album. This collection includes Nim Vind's most popular tracks from regular albums Fashion Of Fear, Stillness Illness & Saturday Night Seance Songs, along with some special versions or tracks that have never been released before. Nim Vind was introduced to Europe through Zillo Magazine and the Goth club "Pagan Love Songs". This led to the release of his first album, "Fashion of Fear", on Fiendforce Records Germany. The album was recognized by Metal Hammer UK, Maximum Rock n Roll and many other magazines that support underground artists. Rue Morgue Magazine (the world's biggest Horror Entertainment Print magazine) selected Nim's album "Saturday Night Seance Songs" as the Album of the Year. He has shared stages with the likes of Gary Numan, Filter, Blitzkid, The 69 Eyes, Todd Kerns (Slash with Miles Kennedy and the Conspirators), Peter Murphy of Bauhaus, and many more. The album kicks off with NV classic "Killing Saturday Night", which has garnered 1.7 million plays on Spotify and more than 330,000 views on YouTube. The collection attempts to showcase some of the songs that have been a part of his story, bringing us up-to-date with his current work. If you're a Horrorpunk, Goth, Post-Punk, Rock N Roll or Alternative collector, this collection is a must-have! Vinyl only compilation, for fans of MISFITS, JERRY ONLY, CHRIMSON GHOSTS, BLITZKID, THE OTHER.

The Left Side is the latest body of work from the Iggy Pop-endorsed teens since the release of their acclaimed second EP We Aren’t Getting Out But Tonight We Might in summer 2022. With Saul at the creative helm, The Left Side is a mature and cerebral body of work with Saul once again writing and producing the entire EP (with co-production by Ali Chant (Yard Act, Katy J Pearson, Dry Cleaning) on ‘Conman’ and ‘ITSA’). Written in Saul’s bedroom, the EP is a retrospective insight into the young band’s journey so far as they tie up their teenage years.

A coming of age saga, the EP acts as a vehicle for Saul to dive into the psyche behind emotional evolution, and to unpack the complexities of maturity and the ability to say goodbye to the past. These themes present themselves not only in the songs, but right down to the title of the EP itself - which refers to the fact that the left side of the brain is responsible for comprehension.

Summarising the EP, Saul says: “It’s the closest we have been to knowing what picture we want to paint. It’s another window into the musical space we wish to explore, yet I think we’re closer to having our sound. I think the project signifies the end of a section in our lives, moving out from the haze of the moment and reflecting on our teenage years and all its chaos with more understanding.”

L’objectif have drawn instant acclaim across their two EPs to date with support coming from key tastemakers at 6 Music (where previous single ‘Feeling Down’ was daytime playlisted after being premiered by the station’s Steve Lamacq) such as Amy Lamé, Tom Robinson, and of course Iggy Pop, BBC Radio 1’s Jack Saunders (who made the band his Next Wave featured artist and featured

‘Burn Me Out’ and ‘Do It Again’ as Daily Delivery) and Gemma Bradley, Radio X’s John Kennedy, Apple Music 1’s Matt Wilkinson, and Australian national broadcaster triple j. The effervescent young band have already received ‘ones to watch’ tips from national media outlets NME (First On), The Line Of Best Fit (On The Rise), The Observer (One to watch), The Sunday Times Culture (Breaking Act), and more.

Stop. Breathe. Reload. And dive into "El Paso, Elsewhere: The Album". Black Screen Records, Lost In Cult Records and Strange Scaffold are teaming up to bring the original songs of RJ Lake and LAKE SAVAGE to life on glorious vinyl. "El Paso, Elsewhere: The Album" takes aim at the key songs that punctuate the game's dark and introspective journey through haunted hallways - with heavy doses of hip-hop, electronica and Trace-Wave coalescing into a pellucid vision of influences and a deeply entrenched sense of identity, akin to the works of seminal hip-hop artists such as Kendrick Lamar and Open Mike Eagle. All tied together within the beautiful gold foil cover artwork by Bri Neumann. RJ Lake shared some of their thoughts going into the creation of this album: "Months before the first thing I ever started working on with Nelson Dog Airport Game (that's not the actual title, but it might as well be) even came out, he asked me if I knew anyone who could make a horror game. I knew a guy. A few months in, we did a touch-base about the music and mutually agreed that none of it at that point was totally working. It was good (look, I'm not going to put myself down here; even back in 2020, it kicked ass) but it wasn't RIGHT. He gave me a bunch of reference materials and kept pointing to them and saying: 'Okay, but these? These are RIGHT. These have the juice we want.' The thing every single song he showed me had in common, was that every one of them had vocals. After some back and forth, we both agreed: 'El Paso, Elsewhere' had to be a rap record as much as it had to be a game. So, three and a half years later, here we are. This is probably the most lavishly mixed thing I've ever made, full of weird, intricate beats, layered vocals from both myself and Nelson, lyrics that go everywhere from bleak to so-party-that-you'll-die to totally ridiculous, loads and loads of genre switch-ups, and absolutely zero subtlety. For 'El Paso, Elsewhere', I made a full score, but that's not what this is. This vinyl is a fucking album and it's sequenced like one. Play it loud!" Alongside the LP, explore what happens after the events of "El Paso, Elsewhere" within the diaries of James Savage - an exclusive in-world archive of the thoughts and feelings directly from the heart and soul of our protagonist within the liner notes. As well as a 5-page excerpt from the "El Paso, Elsewhere" original script and never before seen concept art by Demente Animation Studio.

Much like the North Carolina wilds it reflects, Needlefall waxes and wanes from mysterious and unsettling to ecstatic and awe-inspiring, capturing the sacred dimensions of the natural world. Magic Tuber Stringband draw on a host of fellow travelers to realize Needlefall"s intricate arrangements, exemplifying the diversity of contemporary folk movements, placing their work in the tradition of modern innovators like Moondog, Harry Partch, Pauline Oliveros, and labelmate Sally Anne Morgan. The vast forests and mountains that inspire the band as a metaphor for living music traditions - ever-changing and yet still standing, shaped over time by human hands while equally shaping the human experience. Magic Tuber Stringband, from North Carolina, are Courtney Werner and Evan Morgan, accompanied by their regular bassist Mike DeVito. Morgan is an organizer within the local music community, and Werner is a dedicated naturalist involved in local land stewardship. Needlefall answers the question "what does a modern string band sound like?" with powerful new arrangements of traditional songs and transcendent originals. The album is teeming with life, translating abundant ecosystems into arcing melodies and shimmering, mystic drones. The band explains: "If you spend enough time out in the woods you inevitably see or hear things that are hard to explain. I"ve been in caves where it"s total darkness and you"re enveloped by the disorienting sound of dripping water. The natural sights and sounds in these places are often repetitive, percussive, expressive, sometimes unsettling - the way that water carves patterns into rock or tree trunks appear in endless rows."

Much like the North Carolina wilds it reflects, Needlefall waxes and wanes from mysterious and unsettling to ecstatic and awe-inspiring, capturing the sacred dimensions of the natural world. Magic Tuber Stringband draw on a host of fellow travelers to realize Needlefall"s intricate arrangements, exemplifying the diversity of contemporary folk movements, placing their work in the tradition of modern innovators like Moondog, Harry Partch, Pauline Oliveros, and labelmate Sally Anne Morgan. The vast forests and mountains that inspire the band as a metaphor for living music traditions - ever-changing and yet still standing, shaped over time by human hands while equally shaping the human experience. Magic Tuber Stringband, from North Carolina, are Courtney Werner and Evan Morgan, accompanied by their regular bassist Mike DeVito. Morgan is an organizer within the local music community, and Werner is a dedicated naturalist involved in local land stewardship. Needlefall answers the question "what does a modern string band sound like?" with powerful new arrangements of traditional songs and transcendent originals. The album is teeming with life, translating abundant ecosystems into arcing melodies and shimmering, mystic drones. The band explains: "If you spend enough time out in the woods you inevitably see or hear things that are hard to explain. I"ve been in caves where it"s total darkness and you"re enveloped by the disorienting sound of dripping water. The natural sights and sounds in these places are often repetitive, percussive, expressive, sometimes unsettling - the way that water carves patterns into rock or tree trunks appear in endless rows."

'Pussy Plays Again' the follow up album to the original 1969 classic is finally here. The original 'Pussy Plays' album was released in 1969. That album had a psychedelic and freaky, fuzz n' wah-wah guitar with swirling keyboards and a classic '60s production loaded with all the studio effects of the era. Pussy Plays is undoubtedly also one of the most obscure and beautiful psychedelic albums of the 1960s.

So here at last, after 55 years, the follow-up album to that first hugely iconic British Psych album, 'Pussy Plays'. The original Pussy drummer Steve Townsend and ex-Iron Maiden guitarist Bob Sawyer, along with friends Paul Jackson and Rick Cullen, came together for the follow up album 'Pussy Plays Again'. The recording techniques were basic, the sound is lo-fi, and where this is less than puurrrfect, we believe the quality of the music itself and the imagination and creativity shine through.

B.O.L.T. Warhead was one of the pioneers in the Norwegian hip hop scene. They grew out of the A-Team crew, and took their music in a rougher and more militant direction. The peace signs and positivity of the A-Team was replaced by black military pants and doomsday poetry. The Re-Enforcement was the only album released by B.O.L.T. Warhead, and it is considered a classic in britcore circles nevertheless, with the CD and the tape going for more than 100 EUR. Now it is available on vinyl for the first time.

The very first Oi! compilation album – originally released in 1980 – gets a welcome re-issue on vinyl for the first time in nearly 30 years. Now comes complete with a gatefold sleeve with liner notes by original compiler Garry Bushell.

Features contributions from the likes of the Angelic Upstarts, Cockney Rejects, Cock Sparrer and Slaughter & The Dogs alongside (then) newer bands like The 4 Skins, Exploited and Peter & The Test Tube Babies.

Limited to a 1000 coloured vinyl pressing.

"One of the most famous Dutch bands ever is Shocking Blue. The band released some of their best-selling hits all around the world, including the still standing ""Venus"". It´s one of the many songs which can be found on the double LP Single Collection Part 1. This collection was originally released in 1997 and consisted of 28 of their best tracks, including ""Pickin' Tomatoes"", ""Never Marry a Railroad Man"", and ""Mighty Joe"". Also included are Robbie's powerful B-sides like ""Fireball of Love"", ""Hot Sand', ""Wild Wind"", and ""Roll Engine Roll"". Single Collection Part 1 is available as a limited edition of 1000 individually numbered copies on white coloured vinyl, housed in a gatefold sleeve. "

Single Collection Part 1 by Shocking Blue, released 22 March 2024, includes the following tracks: "Lucy Brown Is Back In Town", "Send Me A Postcard", "Long And Lonesome Road", "Venus" and more.

This version of Single Collection Part 1 comes as a 2xLP in a(n) Gatefold Sleeve packaging.

The vinyl is pressed as a white disc. Another vinyl is pressed as a white disc.

“My heart is loud,” Julia Holter sings on her sixth album Something in the Room She Moves, following an inner pulse. The Los Angeles songwriter’s past work has often explored memory and dreamlike future, but her latest album resides more in presence: “There’s a corporeal focus, inspired by the complexity and transformability of our bodies,” Holter says. Her production choices and arrangements form a continuum of fretless electric bass pitches in counterpoint with gliding vocal melodies, while glissing Yamaha CS-60 lines entwine warm winds and reeds. “I was trying to create a world that’s fluid-sounding, waterlike, evoking the body’s internal sound world,” Holter says of her flowing harmonic universe.

“What is delicious and what is omniscient?” she sings on “Spinning”, the album’s incantatory centerpiece. “What is the circular magic I’m visiting?” Or as Holter put it: “It’s about being in the passionate state of making something: being in that moment, and what is that moment?” She found it anew on Something in the Room She Moves, singing in somatic frequencies.

“My heart is loud,” Julia Holter sings on her sixth album Something in the Room She Moves, following an inner pulse. The Los Angeles songwriter’s past work has often explored memory and dreamlike future, but her latest album resides more in presence: “There’s a corporeal focus, inspired by the complexity and transformability of our bodies,” Holter says. Her production choices and arrangements form a continuum of fretless electric bass pitches in counterpoint with gliding vocal melodies, while glissing Yamaha CS-60 lines entwine warm winds and reeds. “I was trying to create a world that’s fluid-sounding, waterlike, evoking the body’s internal sound world,” Holter says of her flowing harmonic universe.

“What is delicious and what is omniscient?” she sings on “Spinning”, the album’s incantatory centerpiece. “What is the circular magic I’m visiting?” Or as Holter put it: “It’s about being in the passionate state of making something: being in that moment, and what is that moment?” She found it anew on Something in the Room She Moves, singing in somatic frequencies.

On-Ly is the solo and collaborative moniker of pianist and producer Joshua Smeltink. Spanning genres, On-Ly's house and hip-hop history is ever-present and imbued with the hard-hitting post-bop jazz-rock of the 60's / 70's, harking back to bands such as Weather Report and Miles Davis Group (70s).

Reflecting on great leaders and great bands and what makes them essential; there is not too much more that On-Ly has considered for Wonderlust. Distinct in that it inaugurates his first release with a band; Wonderlust simultaneously pulls at the coat-tails of Santana's Moonflower, The Mars Volta and the original Herbie Hancock and the Headhunters all whilst serving you some Bob James on the side. The album takes on a facilitating role in the style of great psychedelic albums as one finds themselves at the whimsy of through-composed pilgrimages to soft, heartfelt song and back to sun-soaked heights woven with engaging arrangement, a one-of-a-kind production style and an incredible pedigree of musicianship.

In 2024, the singer and songwriter Oum is celebrating her fifteen-year career, with a live album, recorded in Marrakech, which plunges back into the magic of her three flagship records, here revisited in a different light. This seventh album, named Dakchi, which means "those things", is the opportunity for this daring off-roader to allow herself a suspended moment for a temporary assessment, a return to her roots. Dakchi is the first best-of live album, in which Oum brings together around ten titles from her repertoire woven throughout three albums with identities as singular as they are filled with a common sap: Soul of Morocco (2013), Zarabi (2015) and Daba (2019). It is the expression of typically Moroccan hybridizations - African, Berber and Andalusian - which irrigate the crossbreeding of Oum. It is also joyful and natural fireworks display of polyrhythms which galvanize her music : the Marrakech signature, playful, sunny, festive. Oum slips three unpublished pieces, including the sublime Arabic cover of the legendary bolero "Lagrimas Negras", "Toda la Gente", an introduction to "Mansit", signed by cuban musician Damian Nueva or the delicate "Intidhar", composed by Yacir Rami.

Helping to spearhead a revival of neo-psychedelic pop, California's Sugar Candy Mountain emerged in the early 2010s fusing sunny, retro sounds with lush, sophisticated composition. Ranging from lo-fi experimentation to vibrant Tropicália, early releases like 2013's Mystic Hits soon gave way to a brighter, synth-driven brand of psych-pop on 2018's Do Right. Sugar Candy Mountain's evolution continued with their eclectic fifth album, Impression, in 2021.The band initially began oin 2010 as the recording project of Oakland-based musician Will Halsey. From early on, his partnership with collaborator Ash Reiter yielded a unique sound blending classic '60s West Coast psychedelia with pastoral folk and pulling inspiration from pop experimentalists like Brazil's Os Mutantes, the Flaming Lips, and Brian Wilson. The band's self-titled 2011 debut drew largely from Halsey's early, more lo-fi recordings. By the time of 2013's Mystic Hits, Sugar Candy Mountain had evolved into a fully fledged live group with Halsey and Reiter at the helm. The album also expanded on their Brazilian influences and was partially recorded in Sao Paulo.Reissued for it's 10th Anniversary, Mystic Hits returns to vinyl under their newly minted home record label, Sugar Candy Mountain Records. Available in March 2024 on Lava Splatter (ltd to 1000) and Blood Red vinyl.

In 2024, the singer and songwriter Oum is celebrating her fifteen-year career, with a live album, recorded in Marrakech, which plunges back into the magic of her three flagship records, here revisited in a different light. This seventh album, named Dakchi, which means "those things", is the opportunity for this daringoff-roader to allowherself a suspended moment for a temporaryassessment, a return to her roots. Dakchi is the first best-of live album, in which Oum brings together around ten titles from her repertoire woven throughout three albums with identities as singular as they are filled with a common sap: Soul of Morocco (2013), Zarabi (2015) and Daba (2019). It is the expression of typically Moroccan hybridizations - African, Berber and Andalusian - which irrigatethe crossbreeding of Oum.It is also joyful and natural fireworks display of polyrhythms which galvanize her music : the Marrakech signature, playful, sunny,festive. Oum slips three unpublished pieces, including the sublime Arabic cover of the legendary bolero "Lagrimas Negras", "Toda a Gente", an introduction to "Mansit", signed by cuban musician Damian Nueva or the delicate "Intidhar", composed by Yacir Rami.

London noise-rock quartet USA Nails have announced their upcoming album Feel Worse’, out March 22nd 2024. It’s the first album on their new label One Little Independent Records (home to anarcho-punk bands both old and new; Crass, Bad Breeding and more). The band have forged a considerable reputation since their formation in 2013 from their South London base, comprising of members of Kong, Future Of The Left, Blacklisters, Death Pedals and Silent Front.

‘Feel Worse’ explores schadenfreude; the pleasure derived from another person’s misfortune. With this, they use new material to attack austerity and UK authoritarianism, consumer culture (particularly the consumption of quick fix reality TV and hyper-capitalist agendas), youth culture and bullying, and more. They do so with their intense and unmistakable brand of abrasive, chaotic post-hardcore. There’s a raw and uncompromising energy to USA Nails, and ‘Feel Worse’ is their most powerful and vital album to date.

London noise-rock quartet USA Nails have announced their upcoming album Feel Worse’, out March 22nd 2024. It’s the first album on their new label One Little Independent Records (home to anarcho-punk bands both old and new; Crass, Bad Breeding and more). The band have forged a considerable reputation since their formation in 2013 from their South London base, comprising of members of Kong, Future Of The Left, Blacklisters, Death Pedals and Silent Front.

‘Feel Worse’ explores schadenfreude; the pleasure derived from another person’s misfortune. With this, they use new material to attack austerity and UK authoritarianism, consumer culture (particularly the consumption of quick fix reality TV and hyper-capitalist agendas), youth culture and bullying, and more. They do so with their intense and unmistakable brand of abrasive, chaotic post-hardcore. There’s a raw and uncompromising energy to USA Nails, and ‘Feel Worse’ is their most powerful and vital album to date.

This group of Ole Miss grads feature Jim Weatherly (writer of “Midnight Train to Georgia”) and is often likened to the Association for their soft, trippy sound. “Everything about this well-crafted fusion of sunshine pop and gentle psychedelia is geared towards accenting all things melodic” - Grahame Bent (Record Collector) Reissued on LP for the first time! This release comes with (a) Booklet.

This group of Ole Miss grads feature Jim Weatherly (writer of “Midnight Train to Georgia”) and is often likened to the Association for their soft, trippy sound. “Everything about this well-crafted fusion of sunshine pop and gentle psychedelia is geared towards accenting all things melodic” - Grahame Bent (Record Collector) Reissued on LP for the first time! This release comes with (a) Booklet.

This is as if The Hellacopters and Jethro Tull had a bastard son and let the kid drunk from a cup full of punk nectar. A long out of print album, 'Hunting Gatherers' has now been remastered as well as containing a bonus track, 'Fire', from the original recording sessions.

Die Zukunft des Folk Metal
Nach der erfolgreichen Kampagne zum Album "Dusk of the Ages", bei der das "Canto d'Inverno"-Video 4,6 Millionen Aufrufe auf YouTube erreichte,
sind Furor Gallico mit voller Wucht zurück und vereinen einmal mehr auf brillante Weise extreme Metal-Musik mit traditionellen keltischen, irischen
und bretonischen Melodien. “Future to Come" kann zwar nicht als Konzeptalbum bezeichnet werden, aber die meisten Songs basieren auf der Idee
der körperlichen und geistigen Erlösung. Der Hörer taucht ein in eine facettenreiche Welt, in der jeder Song eines von vielen Szenarien darstellt - von
epischen und apokalyptischen Landschaften bis hin zur inneren Versöhnung mit uns selbst und der Erde - jedes einzigartig in seinem Stil und doch gut
ausbalanciert, um den Hörer auf eine Reise durch die Sorgen des Lebens und die Erlösung daraus mitzunehmen.

1-2-3-4! Here we are and here we go! Broken Cuffs aus Kalifornien / U.S.A. veröffentliches ihren längst überfälligen ersten Longplayer und machen dabei keine Gefangenen. Aggressiv-vorwärtstreibender Streetpunk in bester Casualties , G.B.H. oder Exploited-Manier. Keiner der 11 Songs knackt dabei auch nur annähernd die 3 Minute Marke und auch textlich sind die Songs als Kampfansage gegen das Establishment und System auf den Punkt gebrachte Wut mit F**K You!-Attitude! ''Never Give Up The Fight. Fight ! Fight! Never Stop Fighting, This Is Your Life! knallt es aus den Boxen und das zieht sich durchs komplette Album. Extrem wütend, angepisst mit der perfekten Balance an Melodien und Chören! Ursprünglich 2005 gegründet um ein Jahr später schon wieder history zu sein, haben sich Broken Cuffs 2015 wieder zusammen gefunden und in den Folgejahren insbesondere auf den Clubbühnen für ordentlich Furore gesorgt. Diese geballte Power haben sie auch auf ihrem Debut-Album eingefangen! The real deal und genau SO muss Punk auch heute noch klingen!!!

The truest Freaks Of Nature, Sleep D, are following up their hot ‘n’ heavy “F.O.N” series with Vol. 2; rammed start to finish with juiced up club exhilarations - you can’t afford to miss this.

Australia’s notoriously prolific duo are celebrating all things bass, the 3 tech-tinged party starters are a force to be reckoned with, an official warning of high voltage (and speed). Welcoming back Butter Sessions alumni Ivy Barkakati & Furious Frank, the sun kissed acid anthem Ahora Sí metamorphosizes into a peak-time prog punisher Border Control where sensual whispers weave their way through a slick sexy drum maze, a darker rendition merging past, present and futuristic fantasies. Post Pump elevates tech house to immaculate status, undeniable deep groove unlocked through their signature bump and bounce; a combination of wild A side audio energies finding their home on freaky finale Bass’d In Berlin. Close your eyes, strap in and surrender control, Sleep D once again showcasing what they do best; modern dance from down under.

Singer/Songwriter Vince Freeman veröffentlicht nach einem beachtlichen Werdegang sein Debütalbum: 'Best UK Male Solo Artist' bei den UK Indy Awards 2008, legendäre Teilnahme an 'The Voice' 2012, Bühnenauftritte mit Ed Sheeran, Eric Clapton und Paul Weller, Vokalist bei Lost Frequencies und Fedde Le Grand. 'Scars, Ghosts & Glory' entstand mit dem befreundeten Musiker Ian Dench (EMF), wurde von Paul Visser (GoldCrush) produziert und strotzt nur so vor kraftvollen Ohrwürmern. Die erste Single und Opener 'Powers' ist eine Gospel-durchdrungene Hymne voller Dankbarkeit, Positivität und Optimismus und zeigt Freemans gefühlvolle Stimme als auch seinen Glauben an die Kraft des Liedes.