Guy J continues to redefine the boundaries with his Early Morning label, a space dedicated to showcasing forward-thinking artists whose creativity defies conventions. Among these is French producer Sébastien Léger, whose latest two-track release exemplifies his penchant for innovation and mastery of sound design.
The opening track, Koi Fish, delves into Leger's inner world, displaying his exceptional sound design skills. Symbolically rooted in qualities like resilience, prosperity, love, and transformation, the track is a collage of tribal didgeridoo textures intertwined with futuristic, dub-inspired effects. These elements converge on a spiritual plane, creating a soundscape that is both immersive and thought-provoking. The second piece, Gaufrette, is a melodic odyssey blending trance-inducing motifs with a touch of nostalgic dream house, reimagined with modern ingenuity. Synthesizer themes weave seamlessly with delicate piano lines, evoking a nineties-inspired euphoria that brims with creativity. The arrangement is meticulously crafted, with intricate percussion and a dynamic structure that continuously unveils fresh layers, technical ingenuity, and inventive ideas. This release highlights Leger's innovative spirit and reinforces Early Morning's status as a vanguard for transformative music that challenges and inspires.
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- A1: Fiesta En La Jungla
- A2: Fuga En La Selva
- A3: Tu Partida
- A4: Agua De Cachilde
- A5: La Chicharra
- A6: Dolor Y Pena
- B1: Izango
- B2: El Shiringuero
- B3: A Jenny
- B4: Linda Tocachina
- B5: Para Mi Gente
- B6: Tragedia En Uchiza
Carrying the torch of psychedelic cumbia, with a healthy dose
of surf guitar and Amazonian dancefloor flourishes from Peru
and Brazil alike, Fiesta en la Jungla by Los Dexter’s de Uchiza
is the first release from the newly formed London-label Ritmo
del Barrio. Originally released in 1982, it captures the finest
cumbia being made in Peru at the time, decked out with
frenetic surf-rock guitar riffs, rhythms floating on crisp
cumbia percussion and occasionally punctuated by carimbó
breakdowns native to the Pará region of north-eastern Brazil.
The album is filled with energy, a gem that was always
intended to animate any dancefloor. Peruvian cumbia came to national attention in the late 60s
through the recordings of Juaneco y su Combo, Los Destellos
and Los Wembler’s de Iquitos, but it’s had many revivals, and
Fiesta en la Jungla arrived when the style was going through a
major transition. In 1977, a passenger plane carrying most of
the members of Juaneco y su Combo crashed, killing everyone
on board. In 1980, Los Destellos retired, and Los Wembler’s
released their tenth and final record, they were ready for a
break. This left a big void in Peruvian music. Wasting no time,
Los Dexter’s Emerson Ruiz Mosquera took the opportunity and
gave his band new life, filling the band’s ranks with young and
energetic musicians who were hungry for success. He built the
new band around a solid base of dexterous guitars, a dynamite
rhythm section, and added oodles of percussion and an electric
organ, giving them a powerful psychedelic sound that called
back to the sounds of the original chichamasters, but added a
new sheen. Along with bands like Los Shapis and Los Walkers
de Huánuco, Peruvian cumbia was reborn as chicha in the
1980s, and was now the sound of Peru’s barrios up and down
the country.
Based in the city of Uchiza, on the edges of the Amazon basin,
Los Dexter’s were uniquely located in central Peru, closer to the
largest urban centres of the country than Amazonian outposts
like Pucallpa or Iquitos, and therefore better positioned to
travel to the furthest reaches of the country with ease. In a
sense, Los Dexter’s were a bridge between the Amazon and the
rest of Peru, a bridge over which the sounds of Amazonian
cumbia could travel to the rest of the country on their way to
becoming one of the most ubiquitous elements of Peru’s musical
identity. Fiesta en la Jungla represents Los Dexter’s in their third
iteration. Led by Emerson Ruiz Mosquera, who was just a
young boy in 1970 when his older brother founded the group
with four of his friends, the ensemble by the time of Fiesta en la
Jungla included Orlando Abad on the timbales and lead vocals,
Lucho Bendezú on lead guitar, Javier Quiroz as second
guitarist, Alejandro Almeira on bass, Rufino Bustamante on
keyboard, Ramon Siu on bongos and bells, Ivan Rios on conga,
and Emerson as musical director and composer. Remarkably,
most of the group’s members helped to write at least one
track, Los Dexter’s were a collective endeavour.
Reissued on vinyl for the first time by Ritmo del Barrio, this
record is essential for any collector of Peruvian cumbia.
Showcasing the unique sound of Los Dexter’s, it carries hits
like “Fuga en la Selva” and “El Shiringuero”, which are sure to
set any dancefloor on fire, combined with slower, carimbó-
infused cumbias like “Fiesta en la Jungla,”and “Agua de
Cachilde.” Its closing track, “Tragedia en Uchiza'', is a key
piece of local history and tells of the flooding of the
Chontayacu River in 1982, a mortal tragedy that affected
thousands of people. Despite the subject matter, the album
maintains a joyful vibe throughout, with high energy riffs and
irresistible rhythms, contrasted with terse love ballads, like “A
Jhenny.” It is both a piece of musical history, and a sure-fire
tool for the dance floor.
Los Dexter’s became a fixture of festivals and celebrations in
the provinces of San Martin and Huánuco, and from expanded
across the country, taking Amazonian cumbia from the
Peruvian Amazon, to the heights of the Peruvian sierra, the
coastal plains, and the capital city of Lima.
We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal work remains a cornerstone of the Krautrock and "Kosmische" movement, blending psychedelic rock, ambient soundscapes, and early electronics into a transcendent auditory experience.
The Album has been recorded by Manuel Göttsching in it´s entity, with additional help to come from Producer Dieter Diercks playing bass, percussion, Drummer Harald Grosskopf and of course Rosemarie "Rosi" Müller.
"Starring Rosi" is an essential piece of their continuation of blending cosmic psychedelia, ambient textures, and avant-garde electronic experimentation. Originally released in 1973, this album marked a significant departure for the band, featuring Rosi Müller, who added a lyrical and vocal dimension to the band's typically instrumental soundscapes & Manuel Göttsching background singing.
To many technically Ash Ra Tempel last, yet most accessible, release, although there was the soundtrack to Philippe Garrel´s movie "Le Berceau de Cristal" and there might be some further previously unreleased, music to come out later.
Album Background:
*Starring Rosi* stands out in Ash Ra Tempel's discography for its lighter, more accessible sound, balancing the band's signature cosmic explorations with melodic structures and poetic lyrics.
It marks an unique chapter in Ash Ra Tempel's discography, featuring the ethereal vocals of Rosi Müller alongside Manuel Göttsching's visionary guitar work. The album is a sonic journey that takes listeners through seven distinct tracks, each showcasing Manuel Göttschings pioneering approach to music.
From the dreamy opening track "Laughter Loving" to the meditative "Day-Dream" and the atmospheric "Interplay of Forces," songs that illustrate the band's evolution from their earlier, more intense and improvisational albums, showcasing a more reflective and introspective side .
"The Fairy Dance" is delving into the mystical and meditative, transporting listeners to a dreamlike state.
While "Schizo" sounds like a continuation of the best moments of the previous Ash Ra Tempel records, is the last track "Bring Me Up" an Up-tempo Song that features Manuel as well on vocals.
"Starring Rosi" captivates with its blend of cosmic improvisation and melodic beauty.
Reissue Details:
This reissue of *Starring Rosi* has been introduced and overseen by Manuel Göttsching still, and finalised by his Family exactly to his standards, in which the meticulous approach to his work lives on.
An updated 2024 recut carefully commissioned by Schnittselle in Berlin (who also signs responsible for the previous ART Reissues, likewise, the 2016 E2 E4 Anniversary Edition ensure the warm depth sound while bringing out the rich textures and nuances, all of the original recordings. The reissue is available on 180-gram Black vinyl and a Limited Edition in transparent Pearl Sunrise Vinyl.
Both vinyl editions comes with a replica of the original Vinyl Artwork including it´s original Backside.
The Limited Edition also includes a Poster of the alternate Backside, used later on the CD Editions showing Rosi and Manuel improvising during studio sessions. Also included are prints of previously unreleased Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel
We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal work remains a cornerstone of the Krautrock and "Kosmische" movement, blending psychedelic rock, ambient soundscapes, and early electronics into a transcendent auditory experience.
The Album has been recorded by Manuel Göttsching in it´s entity, with additional help to come from Producer Dieter Diercks playing bass, percussion, Drummer Harald Grosskopf and of course Rosemarie "Rosi" Müller.
"Starring Rosi" is an essential piece of their continuation of blending cosmic psychedelia, ambient textures, and avant-garde electronic experimentation. Originally released in 1973, this album marked a significant departure for the band, featuring Rosi Müller, who added a lyrical and vocal dimension to the band's typically instrumental soundscapes & Manuel Göttsching background singing.
To many technically Ash Ra Tempel last, yet most accessible, release, although there was the soundtrack to Philippe Garrel´s movie "Le Berceau de Cristal" and there might be some further previously unreleased, music to come out later.
Album Background:
*Starring Rosi* stands out in Ash Ra Tempel's discography for its lighter, more accessible sound, balancing the band's signature cosmic explorations with melodic structures and poetic lyrics.
It marks an unique chapter in Ash Ra Tempel's discography, featuring the ethereal vocals of Rosi Müller alongside Manuel Göttsching's visionary guitar work. The album is a sonic journey that takes listeners through seven distinct tracks, each showcasing Manuel Göttschings pioneering approach to music.
From the dreamy opening track "Laughter Loving" to the meditative "Day-Dream" and the atmospheric "Interplay of Forces," songs that illustrate the band's evolution from their earlier, more intense and improvisational albums, showcasing a more reflective and introspective side .
"The Fairy Dance" is delving into the mystical and meditative, transporting listeners to a dreamlike state.
While "Schizo" sounds like a continuation of the best moments of the previous Ash Ra Tempel records, is the last track "Bring Me Up" an Up-tempo Song that features Manuel as well on vocals.
"Starring Rosi" captivates with its blend of cosmic improvisation and melodic beauty.
Reissue Details:
This reissue of *Starring Rosi* has been introduced and overseen by Manuel Göttsching still, and finalised by his Family exactly to his standards, in which the meticulous approach to his work lives on.
An updated 2024 recut carefully commissioned by Schnittselle in Berlin (who also signs responsible for the previous ART Reissues, likewise, the 2016 E2 E4 Anniversary Edition ensure the warm depth sound while bringing out the rich textures and nuances, all of the original recordings. The reissue is available on 180-gram Black vinyl and a Limited Edition in transparent Pearl Sunrise Vinyl.
Both vinyl editions comes with a replica of the original Vinyl Artwork including it´s original Backside.
The Limited Edition also includes a Poster of the alternate Backside, used later on the CD Editions showing Rosi and Manuel improvising during studio sessions. Also included are prints of previously unreleased Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel
Portland-based ambient architect and far afield sound technician Graintable, aka James Cooke returns with his debut outing on Music To Watch Seeds Grow By and his fourth in the R$N stable; 'Blue Flax'. Following his acclaimed and sold out cassette releases 'Herons', 'Universal Ash' and ‘The Rain In The Trees’ on Ransom Note Records, this new collection sees Cooke delving deeper into the intersection of natural processes and liminal organic electronics.
'Blue Flax', the resilient flowering plant celebrated for its delicate blue blooms and medicinal applications, is native to the Pacific Northwest - the region Cooke calls home. This plant has long grown on the ancestral lands of the Wasco, Klickitat, Warm Springs, Cayuse, and Umatilla tribes. Its connection to this landscape underscores the album’s themes, weaving together ten intricate ambient pieces that reflect the plant's dual nature of part healer, part object of wonder. Recorded during the transitional hours of dawn and dusk in his Portland studio, Cooke’s soundscapes capture both the meditative aspects of watching plants grow and the gradual transformation of organic matter into usable forms. The centrepiece of the album Cerulian FIelds, reminds of the early morning light, those inspiring hours before the rest of the world wakes and the first shoots break through the soil into the new dawn. It’s a beautiful crystallisation of what is Cooke’s most comprehensive collection of meditative compositions to date.
For fans of: Steve Roach, Alessandro Cortini, Suzanne Ciani, Davis Galvin
Early support including: Courtesy, Laurent Garnier, Massimiliano Pagliara, DJ Harvey, Domenic Capello
- A1: Three-Dee Melodie
- A2: Wow And Flutter
- A3: Transona Five
- A4: Des Etoiles Electroniques
- B1: Ping Pong
- B2: Anamorphose
- B3: Three Longers Later
- C1: Nihilist Assault Group
- C2: International Colouring Contest
- C3: The Stars Our Destination
- C4: Transporté Sans Bouger
- D1: L’enfer Des Formes
- D2: Outer Accelerator
- D3: New Orthophony
- D4: Fiery Yellow
Am 28. Februar 2025 machen Stereolab sieben Studioalben erneut als 2LP-Formate erhältlich. Diese verwenden dieselben Remaster wie die erweiterten Vinylausgaben von 2019, die von Bo Kondren bei Calyx Mastering von den Original-1/2-Zoll-Bändern unter der Aufsicht von Tim Gane (Stereolab) geschnitten wurden, jedoch ohne das Bonusmaterial der 3LP-Versionen (die inzwischen eingestellt wurden). Die Idee dahinter besteht darin, Fans und Läden kostengünstigere Formate dieser begehrten Alben zur Verfügung zu stellen. Jede Platte wird im 5 mm dicken Cover mit bedruckten Innenhüllen und einer schützenden PVC-Aussentasche geliefert.
Die Alben:
1. Transient Random-Noise Bursts With Announcements (1993)
2. Mars Audiac Quintet (1994)
3. Emperor Tomato Ketchup (1996)
4. Dots And Loops (1997)
5. Cobra And Phases Group Play Voltage In The Milky Night (1999)
6. Sound-Dust (2001)
7. Margerine Eclipse (2004)
- A1: Brakhage
- A2: Miss Modular
- A3: The Flower Called Nowhere
- B1: Diagonals
- B2: Prisoner Of Mars
- B3: Rainbo Conversation
- C1: Refractions In The Plastic Pulse
- D1: Parsec
- D2: Ticker-Tape Of The Unconscious
- D3: Contronatura
Am 28. Februar 2025 machen Stereolab sieben Studioalben erneut als 2LP-Formate erhältlich. Diese verwenden dieselben Remaster wie die erweiterten Vinylausgaben von 2019, die von Bo Kondren bei Calyx Mastering von den Original-1/2-Zoll-Bändern unter der Aufsicht von Tim Gane (Stereolab) geschnitten wurden, jedoch ohne das Bonusmaterial der 3LP-Versionen (die inzwischen eingestellt wurden). Die Idee dahinter besteht darin, Fans und Läden kostengünstigere Formate dieser begehrten Alben zur Verfügung zu stellen. Jede Platte wird im 5 mm dicken Cover mit bedruckten Innenhüllen und einer schützenden PVC-Aussentasche geliefert.
Die Alben:
1. Transient Random-Noise Bursts With Announcements (1993)
2. Mars Audiac Quintet (1994)
3. Emperor Tomato Ketchup (1996)
4. Dots And Loops (1997)
5. Cobra And Phases Group Play Voltage In The Milky Night (1999)
6. Sound-Dust (2001)
7. Margerine Eclipse (2004)
- A1: Fuses
- A2: People Do It All The Time
- A3: The Free Design
- A4: Blips Drips And Strips
- A5: Italian Shoes Continuum
- B1: Infinity Girl
- B2: The Spiracles
- B3: Op Hop Detonation
- B4: Puncture In The Radax Permutation
- B5: Velvet Water
- C1: Blue Milk
- D1: Caleidoscopic Gaze
- D2: Strobo Acceleration
- D3: The Emergency Kisses
- D4: Come And Play In The Milky Night
Am 28. Februar 2025 machen Stereolab sieben Studioalben erneut als 2LP-Formate erhältlich. Diese verwenden dieselben Remaster wie die erweiterten Vinylausgaben von 2019, die von Bo Kondren bei Calyx Mastering von den Original-1/2-Zoll-Bändern unter der Aufsicht von Tim Gane (Stereolab) geschnitten wurden, jedoch ohne das Bonusmaterial der 3LP-Versionen (die inzwischen eingestellt wurden). Die Idee dahinter besteht darin, Fans und Läden kostengünstigere Formate dieser begehrten Alben zur Verfügung zu stellen. Jede Platte wird im 5 mm dicken Cover mit bedruckten Innenhüllen und einer schützenden PVC-Aussentasche geliefert.
Die Alben:
1. Transient Random-Noise Bursts With Announcements (1993)
2. Mars Audiac Quintet (1994)
3. Emperor Tomato Ketchup (1996)
4. Dots And Loops (1997)
5. Cobra And Phases Group Play Voltage In The Milky Night (1999)
6. Sound-Dust (2001)
7. Margerine Eclipse (2004)
- A1: Black Ants In Sound-Dust
- A2: Space Moth
- A3: Captain Easychord
- B1: Baby Lulu
- B2: The Black Arts
- B3: Hallucinex
- C1: Double Rocker
- C2: Gus The Mynah Bird
- C3: Naught More Terrific Than Man
- D1: Nothing To Do With Me
- D2: Suggestion Diabolique
- D3: Les Bons Bons Des Raisons
Am 28. Februar 2025 machen Stereolab sieben Studioalben erneut als 2LP-Formate erhältlich. Diese verwenden dieselben Remaster wie die erweiterten Vinylausgaben von 2019, die von Bo Kondren bei Calyx Mastering von den Original-1/2-Zoll-Bändern unter der Aufsicht von Tim Gane (Stereolab) geschnitten wurden, jedoch ohne das Bonusmaterial der 3LP-Versionen (die inzwischen eingestellt wurden). Die Idee dahinter besteht darin, Fans und Läden kostengünstigere Formate dieser begehrten Alben zur Verfügung zu stellen. Jede Platte wird im 5 mm dicken Cover mit bedruckten Innenhüllen und einer schützenden PVC-Aussentasche geliefert.
Die Alben:
1. Transient Random-Noise Bursts With Announcements (1993)
2. Mars Audiac Quintet (1994)
3. Emperor Tomato Ketchup (1996)
4. Dots And Loops (1997)
5. Cobra And Phases Group Play Voltage In The Milky Night (1999)
6. Sound-Dust (2001)
7. Margerine Eclipse (2004)
- A1: Vonal Declosion
- A2: Need To Be
- A3: Sudden Stars
- B1: Cosmic Country Noir
- B2: La Demeure
- B3: Margerine Rock
- C1: The Man With 100 Cells
- C2: Margerine Melodie
- C3: Hillbilly Motorbike
- D1: Feel And Triple
- D2: Bop Scotch
- D3: Dear Marge
Am 28. Februar 2025 machen Stereolab sieben Studioalben erneut als 2LP-Formate erhältlich. Diese verwenden dieselben Remaster wie die erweiterten Vinylausgaben von 2019, die von Bo Kondren bei Calyx Mastering von den Original-1/2-Zoll-Bändern unter der Aufsicht von Tim Gane (Stereolab) geschnitten wurden, jedoch ohne das Bonusmaterial der 3LP-Versionen (die inzwischen eingestellt wurden). Die Idee dahinter besteht darin, Fans und Läden kostengünstigere Formate dieser begehrten Alben zur Verfügung zu stellen. Jede Platte wird im 5 mm dicken Cover mit bedruckten Innenhüllen und einer schützenden PVC-Aussentasche geliefert.
Die Alben:
1. Transient Random-Noise Bursts With Announcements (1993)
2. Mars Audiac Quintet (1994)
3. Emperor Tomato Ketchup (1996)
4. Dots And Loops (1997)
5. Cobra And Phases Group Play Voltage In The Milky Night (1999)
6. Sound-Dust (2001)
7. Margerine Eclipse (2004)
- A1: Spacemen 3 - Big City Remix - 10 45 (1991, Uk)
- A2: Love Spirals Downwards - Sunset Bell - 5 46 (1998, Usa)
- B1: Anaconda - Ideas For Virtual Reality - 10 54 (1993, Netherlands)
- B2: Cyclone - Beautiful Minds - 4 51 (1991, Uk)
- C1: Fred Gianelli - 1St Premonition - 9 18 (1993, Uk)
- C2: Marco Passarani - Zep Teti - 5 28 (2000, Italy)
- D1: Nail - Volterage - 10 41 (1994, Uk)
- D2: Tba, Natalie Beridze - Forever Has No Shadow - 5 57 (2011, Georgia)
- E1: Lfo - Loop (Journey Mix) - 10 52 (1996, Usa)
- E2: Mimi Majick - Mimi‘s Majick Utilities One - 6 07 (1996, Uk)
- F1: Atypic - Otaku - 8 54 (1993, Uk)
- F2: Tek Jam & Inzekt - Driver - 7 54 (1999, Switzerland)
This is a journey, not a compilation, it’s an immersive journey into the depths of sonic exploration, lovingly selected by Swiss underground DJ Princess P. Known for her ability to craft deeply emotive and genre-blurring DJ sets, she takes you on a transcendent musical voyage, hat moves effortlessly between euphoric dancefloor moments and introspective soundscapes. From the pulsating echoes of Spacemen 3 to the ethereal tones of Natalie Beridze, while unearthing hidden gems from Atypic, LFO and Irdial Discs' Mimi Majick, her selection spans over decade of blending electronic dreamy soundscapes with ecstatic rhythms. This selection offers a rare glimpse into the mind of an artist who masterfully bridges the gap between ambient introspection and club euphoria.
The Standard School Broadcast Recordings, einst als lange verschollene (und in den meisten Fällen völlig
unbekannte) Studioaufnahme von John Lee Hooker angesehen, ist die erste kommerzielle Veröffentlichung
einer seltenen, vollständig elektrischen Bluesband-Aufnahme aus dem Jahr 1973. Die Session wurde bei
Coast Recorders in San Francisco direkt auf Band aufgenommen und fängt Hooker in einer turbulenten
und zutiefst transformierenden Zeit seiner Karriere ein, begleitet von seiner zuverlässigen Rhythmusgruppe
aus Bassist Gino Skaggs und Schlagzeuger Ken Swank sowie Hookers Sohn Robert, dem Pianisten.
The Standard School Broadcast, 1928 ins Leben gerufen, war eine mehrfach preisgekrönte Bildungsradioserie, die von Standard Oil (auch bekannt als Esso, später Exxon) gesponsert wurde. Die in San Francisco ansässige Sammlung war auf Musikverständnis und amerikanische Geschichte spezialisiert. Kopien
einiger ihrer Shows wurden auch auf Vinyl-LPs an Schulen verteilt. Ein solches Set mit zehn Alben war
Musikinstrumenten gewidmet, darunter auch der Gitarre. Während andere legendäre Gitarristen dabei
waren: der klassische Virtuose George Sakellariou, die Jazzgiganten Herb Ellis und Joe Pass sowie der
Session-Geselle Chuck Day, war ihre endgültige Auswahl die reine Verkörperung des Herzens und der Seele
der Bluesgitarre: John Lee Hooker.
Die CD enthält außerdem zwei Bonustitel – „Sallie Mae“ und „Instrumental“
Trueno is the result of the exploration of two lovers of the unusual, the experimentation, and the noise. The product of the meetings between Martí and Oxo during various sessions recorded in 2024 in Oxo's private studio in Madrid.
Martí provided his modular synthesizer, and DIY sound generators and modifiers. A set of parts that transform electric signals into audio and deconstructs them to the smallest grains. Through synthesis processes, and the use of the sampler as an instrument, the sound is destroyed, constructed, and manipulated, generating complex sounds and structures, both rhythmic and stochastic.
Oxo is a sound engineer and experimental musician. He provided all the necessary machinery for recording and mixing and a constant creative suggestion, facilitating the process of capture, breakdown, editing, and mixing in real-time.
After twenty years of playing intensely as a recognized musician and sound artist, Martí has recorded his first reference, an LP that can never be performed, but can be listened to permanently.
2026 Repress
MOLA's music is the unadorned antithesis to a rosy world. She celebrates herself to death, pulls you into her inner chaos and does without the usual romanticising transfiguration of the merciless disorientation that catches up with you on the way home after the last cigarette.
MOLA knows better than anyone that she is a border commuter - and she has never made a secret of it. Perhaps it was fate that the course of events abandoned her shortly after her birth in Erba, Italy, in Germany's most austere metropolis. In Munich, where flying free and falling free are a little more complicated than in the cesspit of Berlin, where one would naturally place Isabella Streifeneder and her music if one didn't know better.
Temporarily reduced to intimacy, then escalating into iconic 80s "Purpel Rain" pathos, MOLA illustrates the emotional chaos that the inner dialogue of left and right brain triggers in her. Unconventional pop music that bundles the nonchalance of great soul anthems, the grace of the Italo-disco of the eighties and the ingenuousness of lascivious hip-hop bangers instead of trying to sound modern by force.
MOLA celebrates defeat, exposes life lies, criticises adulthood, documents radical mood swings. She balances along the abyss in her ball gown, jokes about things you don't joke about, praises and curses intoxication and love - "Vino Bianco no longer tastes like dolce vita, it only tastes like losing".
You can now see MOLA supporting Fatoni, Roy Bianco & the Abbrunzati Boys, Mayberg and Kaffkiez in a flurry of strobe lights after sold-out "nothing breaks me" shows in Munich, Cologne, Berlin & Hamburg. In addition to a festival season that couldn't have been more beautiful, they finally have a big tour of their own coming up for their next album, which will see the light of day in September.
After more than 40 festivals "Snow in Summer" on well-known stages like Lollapalooza Berlin, Rocken am Brocken, Puls Open Air, but also as support for Udo Lindenberg at the Hermann-Hesse-Festival, "Life is Beautiful", the darned second record, sounds almost cynical, ironic or simply naive? In the end, it doesn't matter, because when you are overcome by this spontaneous feeling that is far removed from any rationality, you don't ask any questions. It tastes like the melancholy of a summer in its last breaths, like the last drink of an uncompromisingly insane night.
There is sweating, pogoing and feeling together. Even where it hurts.
You are not just an onlooker or a silent spectator, but part of this empowering feeling of "we".
Free-floating. Inspired. Multi-layered. Al Pagoda’s debut Lucky Veil for Bigamo certainly was many different things, but, above all, a highly impressive sleeper album that offered something new with each and every listening. It also felt a bit dizzy and lonely, but maybe that’s what’s happening when you relocate yourself to Berlin as an artist during the cold season.
Four years later, many of these characteristics still remain intact, but the sonic identity of Al Pagoda has evolved: the feeling of solitude made room for something way bigger, precise, and ambitious sounding. This transformation is shaped by the creative partnership with German producer Berend Intelmann, whose rhythmic expertise has become integral to their shared musical vision.
Producer, songwriter and director Sevdaliza releases her highly anticipated sophomore album Shabrang in roaring 2020. Produced entirely by herself together with long-time collaborator Mucky, the 14- track album is the long awaited follow-up to the 2017 debut album ISON.
In just a few years time Sevdaliza established herself as an iconic, highly creative, versatile and independent artist who has landed on many celebrity moodboards. Her stunning visual for HUMAN of her debut album ISON has collected over 25 million YouTube views to date and masterpiece Shahmaran about mental slavery, won 2 UK Music Video Awards. Sevdaliza toured 35 countries in the last 2 years and amassed thousands of fans globally (Spotify 200.000, Youtube, 300.000, IG 230.000). In 2020 Sevdaliza will return with her follow up album Shabrang.
“Shabrang” is mentioned In Persian mythology, although there is no direct translation to capture it’s essence, the Farsi phrase Shabrang literally translates to color-palette of the night. This “palette” is visualized in the tones in Sevdaliza’s black eye on the album cover. The black eye represents the years of physical and emotional turbulence. In Sevdaliza’s words “This album represents to me that the essence of it all to me is love. It is a deep letter to myself, my own bible I have to write in order to trust and believe in life. Trust in myself and my character as a human being.”
Born in Iran and residing in the Netherlands, Sevdaliza has been a strong independent force in the creation of her art. She is a producer and engineer, an independent art director with critical eye for detail and storytelling and an unique songwriter. Her music has been described as “genre- bending”, drawing on various genres including alternative electronic, indie, triphop, alternative R&B and the avant-garde.
Shabrang is available on grey vinyl and the package contains a large poster and photograph ID-sheet.
Over the last few years, New York based producer umru has applied his vivid sonics to an expansive pool of sounds through his own work, or with those operating on the cusp of the underground and mainstream space such as Charli XCX, 100 gecs and ericdoa. After opening a new era late last year with the carnal rap chaos of ‘check1’ ft. Tommy Cash and 645AR before following it out with the hyperactive love story of ‘heart2’ with Rebecca Black and Petal Supply, umru today announces his second official EP on the PC Music label; comfort noise. Alongside the announcement, he’s sharing another taste from the project - a collaboration with Fraxiom titled ‘all i need’, also featuring Hannah Diamond and Tony Velour. Opening more gently than his most recent previous efforts, ‘all i need’ is centered around a pervading tenderness that glitters even through the song’s more hectic moments. Fraxiom’s vocal glides in a breathless fashion as if they’re expressing their crush in as descriptive fashion as possible, becoming the main melodic centrepiece as the track transforms into a relentlessly percussive workout. Tony Velour’s verse brings a more laid back rhythmic approach to the track before Hannah Diamond lays down a twinkling contribution to the track’s closing moments, making ‘all i need’ one of the most sonically diverse electronic pop tracks of recent times. With comfort noise, umru has compounded his reputation as one of this generation’s most inventive crossover producers. Taking his truly versatile sonic palette and applying it to classic pop songwriting, umru is pushing the boundaries of what is possible within his scene, and as unpredictable as his sound is, you can be sure it’ll be one hell of a ride. North American tour with Hyd through November 2022 followed by Boiler Room stage (OOM ROOM) curated by umru featuring ericdoa, Petal Supply, William Crooks.
- A1: Armin Van Buuren - "The Road To Your Destination" (A State Of Trance Year Mix 2024 Outro) (1 02)
- A2: Armin Van Buuren & Moby - "Extreme Ways" (1 10)
- A3: Jerome Isma-Ae - "Hold That Sucker Down" (Hel Slowed Remix) (1:10)
- A4: Hel Slowed & Amber Revival - "Wildfire" (1:10)
- A5: Estiva - "Fine Day" (1 10)
- A6: Armin Van Buure - "Love Is A Drug" (Feat Anne Gudrun - Agents Of Time Remix) (1 10)
- A7: 7 Skies X Antheros - "Finish My Life" (1 10)
- A8: Elysian - "Now We Are Free" (1 10)
- A9: Rivo - "In & Out Of Love" (Vs Armin Van Buuren) (1 10)
- A10: Armin Van Buuren - "Pulstar" (1 10)
- A11: Nilsix - "Old's Cool" (1 10)
- A12: Giuseppe Ottaviani - "Something About You" (Feat Adriana Stone) (1 10)
- A13: Above & Beyond - "Heart Of Stone" (Feat Richard Bedford) (1 10)
- A14: Marlo & Mila Josef - "You Are Not Alone" (Tech Energy Mix) (1 10)
- A15: Gabry Ponte X Giuseppe Ottavinai - "In My Mind" (Feat Malou) (1 10)
- A16: David Forbes - "Alcazar" (1 10)
- A17: Layton Giordani X Tiga X Audion - "Let's Go Dancing" (0 43)
- B1: Armin Van Buuren - "Es Vedra" (1 10)
- B2: Above & Beyond - "Crazy Love" (Feat Zoe Johnston) (1 13)
- B3: Armin Van Buuren & Agents Of Time - "Love Is Eternity" (Feat Orkid) (1 13)
- B4: Semblance Smile - "Just Let Go" (1 13)
- B5: Camisra & Armin Van Buuren - "Let Me Show You" (1 13)
- B6: David Guetta & Mason - "Perfect (Exceeder)" (Vs Princess Superstar) (1 13)
- B7: Armin Van Buuren - "High On Love" (Feat Anne Gudrun) (1 13)
- B10: Laura Van Dam & Ginchy - "Save Me" (1 13)
- B11: Paul Van Dyk - "For An Angel" (Kolonie Remix) (1 13)
- B12: Armin Van Buuren - "Forever (Stay Like This)" (Feat Goodboys - Club Mix) (0 36)
- B13: Oliver Heldens & Armin Van Buuren - "Freedom" (Feat Sam Harper) (0 47)
- B14: Armin Van Buuren, Ferry Corsten, Rank 1 & Ruben De Ronde - "Destination" (A State Of Trance 2024 Anthem) (0 34)
- B15: Giuseppe Ottaviani & Lasada - "Leave You There" (0 39)
- B16: Cosmic Gate & Christian Burns - "Brave" (Sean Tyas Remix) (0 47)
- B17: Daxson - "Elysium" (Transmission Theme 2024) (1 05)
- B18: Ilan Bluestone - "Echoes Of Courage" (0 38)
- B19: Giuseppe Ottaviani X Lea Key - "In The Silence" (0 51)
- B20: Armin Van Buuren - "Part Of Me" (Feat Louis Iii) (0 34)
- C1: Joris Voorn & Avira - "The Orange Theme" (1 00)
- C2: Avira - "Hot Tub Time Machine" (1 12)
- C3: Armin Van Buuren & Ahmed Helmy - "Racing Spirit" (1 21)
- C4: Protoculture - "Starfield" (1 21)
- C5: Artbat & Armin Van Buuren - "Take Off" (1 21)
- C6: Matt Fax - "Raven" (1 21)
- C7: Ferry Corsten X Marsh - "Fulfillment" (1 21)
- C8: Ahmed Helmy - "R4Ve 301" (1 21)
- C9: Andrew Rayel Presents Aether - "Memoria Eterna" (1 21)
- C10: Krevix & Hadriani - "Your Life" (0 54)
- C11: Sharam - "Patt (Party All The Time)" (Adam Beyer, Layton Giordani & Green Velvet Remix) (0 47)
- C12: Mauro Picotto - "Lizard" (Dan Cooper Remix) (0 46)
- C13: Ferry Corsten & Superstrings - "Remember" (0 47)
- C14: Craig Connelly & Nicholas Gunn - "Miss You" (Feat Alina Renae) (0 44)
- C15: Aly & Fila, Philippe El Sisi, Omar Sherif - "Count On Me" (With Jaren) (0 42)
- B8: Orjan Nilsen - "Ashore" (1 13)
- C16: Ben Gold & Bo Bruce - "Half Light" (0 52)
- C17: Ferry Corsten - "Just Breathe" (0 45)
- C18: Eddie Makabi - "Ecstasy" (Feat Einat - Allen Watts Remix) (1 06)
- C19: Factor B - "The Girl With Her Head In The Clouds" (Ellie Song) (0 48)
- D1: Ben Hemsley - "Tidal" (Feat Rose Gray - The Euphoric Mix) (1 03)
- D2: Armin Van Buuren - "Bed Of Rain" (Feat Mila Josef) (1 10)
- D3: Paul Van Dyk & Sue Mclaren - "Love Is Enough" (Shine Mix) (1 10)
- D4: Armin Van Buuren & Hardwell - "Follow The Light" (1 10)
- D5: Allen Watts Presents Awaken - "Fragments" (1 10)
- D6: Maarten De Jong - "Kanua" (1 10)
- D7: Ram & Richard Durand Presents Digital Culture - "Follow Me 2024" (Vs Space Frog & Derb) (1 10)
- D8: Matty Ralph - "Dreaming" (1 10)
- D9: Armin Van Buuren & Gryffin - "What Took You So Long" (1 10)
- D10: Aly & Fila X Lostly - "The Unknown" (1 10)
- D11: Daxson & Nation Of One - "Now Or Never" (Craig Connelly Remix) (0 45)
- D12: C-Systems - "Voyager" (0 47)
- D13: Andrew Rayel - "The Abyss" (0 51)
- D14: Aly & Fila With Ferry Tayle - "Concorde" (Cris Grey Remix) (0 52)
- D15: Armin Van Buuren X Hi-Lo - "Now Love Will Begin" (0 49)
- D16: Armin Van Buuren & Ben Hemsley - "Is It Beautiful" (Feat Lucy Pullin - A State Of Trance 2025 Anthem) (0 47)
- D17: Xijaro & Pitch - "The Path" (0 48)
- D18: Alex Morph - "Ava Mariae" (0 55)
- D19: Richard Durand & Nicholas Gunn - "About A Love" (Feat Jordan Grace) (1 00)
- D20: John O'callaghan, Paul Skelton & Ren Faye - "May The Road Rise" (1 08)
- E1: Cold Blue - "The Great Awakening" (1 03)
- E2: Trance Wax - "Ascend" (Sneijder Remix) (1 07)
- B9: Hel Slowed X Jnsn - "Want Me" (1:13)
- E3: Sneijder Remix - "Don't Stop" (Drums & Acid Mix) (1 07)
- E4: Allen Watts - "Elevate" (1 07)
- E5: John O'callaghan & Alex Holmes - "Devotion" (1 07)
- E6: Miyuki & Jennifer Rene - "Our Song" (1 07)
- E7: River - "I Can't Sleep" (1 07)
- E8: Will Atkinson - "High On The Low" (1 07)
- E9: Craig Connelly & Cari - "Breathe Again" (1 07)
- E10: Aly & Fila & Richard Durand - "Nebula" (1 07)
- E11: Armin Van Buuren & David Guetta - "In The Dark" (Feat Aldae) (1 07)
- E12: Bryan Kearney - "You Will Never Be Forgotten" (Lostly Remix) (1 07)
- E13: Armin Van Buuren X Vize X Leony - "City Lights" (1 07)
- E14: Talla 2Xlc & Fragma - "Toca's Miracle" (1 07)
- E15: Factor B - "A Gift To The Earth" (1 07)
- E16: Alexander De Roy & Hidden Tigress - "Intention" (Eximinds Remix) (1 07)
- E17: Lange - "Drifting Away" (Feat Skye - Drifting Away) (1 07)
- E18: Drifting Away - "Viva L'opera" (0 57)
- F1: Armin Van Buuren & W&W - "Late Checkout" (1 06)
- F2: Ben Gold - "Diving Faces" (1 08)
- F3: Felix - "Don't You Want Me" (Ki/Ki Remix) (1 08)
- F4: Elley Duhe & Whethan - "Money On The Dash" (Armin Van Buuren Remix) (1 08)
- F5: Ben Gold & Scott Mac - "Damager 24" (1 08)
- F6: Gabry Ponte & Le Shuuk - "Psychotek" (1 08)
- F7: Hi-Lo & Maddix - "My Fantasy" (1 08)
- F8: Ben Nicky, Hannah Laing & Paul Findlay X Signum - "Coming On Strong" (Feat Scott Mac - Trance Mix) (1 08)
- F9: Bryan Kearney - "Angel Child" (1 08)
- F10: 0Gravity - "Take My Breath" (1 08)
f11 FLRNTN, Benjamin Duchenne - "Last Man Standing" (feat Sivan) (1:08)
f12 Nicholas Gunn & Harshil Kamdar - "Here I Am" (feat Alina Renae - Richard Durand remix) (1:08)
f13 DJ TH X TH3 ONE X Sue McLaren - "Everything To Me" (1:08)
f14 Matty Ralph - "Te Adoro" (1:08)
f15 Armin Van Buuren & Vini Vici - "Sarabande" (feat Anna Timofei) (1:08)
f16 Lilly Palmer - "Hare Ram" (1:08)
f17 David Forbes - "Techno Is My Only Drug" (1:08)
f18 Armin Van Buuren - "Blah Blah Blah" (Lilly Palmer remix) (1:08)
f19 Armin Van Buuren - "The Road To Your Destination" (A State Of Trance Year mix 2024 outro) (1:14)
- Crude Soil 04:08
- Myriads 05:12
- Lifelike (Feat. Midwife) 04:38
- Veils 05:48
- Sun Unseen 04:49
- Lowercase Letters 05:32
- Infinities 05:31
- Burnt Siennas 05:31
On "Not Around But Through", Portland-based experimental musician and tape wizard Amulets
navigates the process of acceptance and the tumultuous journey of looking within. Over the course of 8 tracks he explores the emotional path of moving through rather than circumventing, in the process soundtracking a purposeful desire to face trauma and vulnerability.
Infusing his trademark ambient soundscapes with ambitious blends of post-hardcore, emo, and metal, "Not Around But Through" connects the dots between personal and social dislocation, leaving us with a taste of the fragmented and fallen future we are all steeling ourselves for. Traversing a landscape that varies from gentle and meandering to explosive and cathartic, Amulets uses cinematic tension and relentless attention to detail to construct his sonic apparitions. On "Lifelike" he collaborates with Midwife, incorporating Madeline Johnston's voice into a song that pulsates with post-shoegaze transcendent energy.
Amulets is the solo project of Portland-based audio + visual artist Randall Taylor. Amulets employs handmade cassette tape loops and live processed guitar loops to create live, lush soundscapes and immersive drones. Through the recontextualisation of cassettes, sampling, field recording, and looping, these long-form compositions blur the genres of ambient, drone, noise, and electronic music.
- A1: John Martyn - Small Hours
- A2: Stephen Whynott – A Better Way
- A3: April Fulladosa - Sunlit Horizon
- B1: Sylvain Kassap - Plancoët
- B2: Manu Dibango - Night In Zeralda
- B3: Henri Texier - Hocoka Time
- B4: Nivaldo Orneleas - O Que Ha
- B5: 808 State – Pacific State (Massey’s Conga Mix)
- C1: Magma - Eliphas Levi
- C2: Homelife - Stranger
- C3: Michael Gregory Jackson - Unspoken Magic
- D1: Dora Morelenboum - Avermelhar
- D2: Simone - Tudo Que Você Podia Ser
- D3: Experience Unlimited – People
- D4: Otis G. Johnson - I Got It
- D5: Mel & Tim - Keep The Faith
Black Vinyl[39,08 €]
Exploring late-night, after-hours meditations on sound; ‘Everything Above The Sky (Astral Travelling with Luke Una)’ is a new compilation by the titular DJ, promoter and enigmatic cultural curator. Off the back of the E Soul Cultura phenomena, this compilation comes at a timely point in Luke’s rich career as he soars the heights of playing all over the world. Avoiding any chance of his sound being pigeonholed, Luke has put together a tracklist of songs and music that have a transcendental feel, after coming off the grid, going back to source, outside the city walls .
Music has long been believed to aid out of body experiences and many of us have searched long and hard for a combination of those elusive ingredients that might alleviate some of the monotony of everyday life, our daily routines and obligations, and those things that seem to block us from the spirit of the universe. In this collection, Luke selects music with all the right ingredients in just the right quantities, allowing the listener to engage in an esoteric journey of enlightenment through sound. Being a prolific collector of music, Luke initially delivered enough tracks to compile several compilations, making the licensing process the biggest effort to date for the label. The music moves softly and slowly, never becoming too intrusive, exemplifying the wonderful elevating properties of simple songs played from the heart.
Luke’s Everything Above The Sky manifesto reads, “Astral Travelling in the meadowlands with acid folk, spiritual jazz, around midnight hocus pocus, cosmic psychedelic soul, magical spellbound whirling swirling love songs, Brazilian ballads of light into machine soul gospel utopia dreaming, Balearic bossa, Outer Space ancient African drum, the breath of trees, escaping the big bad modern world, gathering round winter fires, walking amongst the bracken in Padley Gorge in late summer twilight, overlooking the Hope Valley, escaping ego, detaching and finally letting go amongst the stars with the slowly floating people. It’s beautiful beyond. Everything above the Sky”.
Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene. Then came Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to É Soul, house, disco and techno. Luke’s much loved, long-running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ+ cultural landscape. Luke’s Friday evening show on Worldwide FM captured imaginations and became a cult four-hour must-listen monthly journey for fans all over the world. Today, Luke remains, as ever, at the forefront of a changing milieu, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.




















