Search:tribe

A 150/160 BPM mental prog' acid tribe/tekno. Tripy at the trance frontier... or at least very musical : for instance the ambiance of "Biolumiescence" definitely fits perfectly with the Jellyfish design.... And the flip keeps on offering the same dark sweetness pleasure.
Spacial !

PS : fits perfectly with CC ATOM 04 Pain-Beurre tune and the Acid Night 07 Sevenum Six A side ... The Truth :)

Karma Sutra were an anarcho pacifist band from Luton, Bedfordshire who formed in the early 80’s after the demise of the legendary the Phallic Symbols. Karma Sutra only had one release at the time - an album self released in 1987 called Daydreams of a Production Line Worker which came towards the end of their lifetime. Sealed Records now release the earlier years of demos and compilation tracks on a 15 track round up. Be Cruel with Your Past and all Who Seek to Keep you There includes their first and primitive demo The New Economy Roast from 1983. It’s very basic and has a Bullshit Detector Compilation quality to it. A few years later came the second demo Shoppers Paradise which is the best material Karma Sutra recorded. Six tracks of well produced classic 80’s Anarcho punk with a driving sound. It’s passionate, tuneful and politically aware. How this wasn’t released at the time on vinyl, is a travesty. Also included is two tracks from the Mortarhate Compilations Who? What? Why? When? Where? and We Don't Want Your Fucking Law!. Finally the last three tracks were from the final line up of the band and were recorded with Spon from UK Decay adding more post punk elements to the sound. The LP comes with a 40 page booklet of Lyrics, handouts, fanzine interviews and statements. FFO: OMEGA TRIBE, CRASS, EXIT STANCE, ALTERNATIVE

About 3300 years started gradual but cruel “amonisation” (implementation of Amon’s/Amen/Amin concept) of peoples and tribes. Lots of them fell to their knees due to the force of the adherents of “invisible” and “hiding behind multiple names” Amon. Rebels were mercilessly exterminated. Dedicated to all the fallen in this centuries-long war of thought and faith: “By the Rivers of Heresy”. The album-narration handed over by through the souls of Wirogl and Wesdor by the spirits of White Snakes tribe hiding in a black labyrinth of knowledge.

Fresh sounding and (mostly) slower paced house tracks with a twist coming out of Detroit. Filled with a sample-soaked miasma of sonic mutations that will appeal to fans of Moodymann, Theo Parrish, Urban Tribe... From the first to last thud, it moves the listener from head-shaking bewilderment to head nods of agreement at a moment's notice. Not much is known about K-6000, but based on this initial offering it is evident that the orbit of this group is broad...

For 100 LIMOUSINES’ third release, mad genius KEMETRIX unleashes 8 tracks of pure, raw, underground Detroit techno.

As a long time member of URBAN TRIBE, the name KEMETRIX rings out loud throughout the underground as a force to be reckoned with. Yet only the savviest of listeners seem aware of the prophetic depths of this artist’s unique style of anthemic, futuristic street music. HERE AND NOW explores a terrain of paranoid industrial soundscapes - an extinction level event at the centrifuge of a particle collider that endlessly creates a vast universe. This album is a clinic in the sacred and profane, the horror and the beauty, that can only be brought to you by someone that has truly lived it.

HERE AND NOW will appeal to lovers of ONYX, CYBOTRON, WU-TANG, and the SP-1200.

Having released his debut album Around The Corner in 2018, as well as a critically acclaimed LP in collaboration with Los Angeles-based musician Tristan de Liège two years later, Keno aka David Hanke's latest opus, Out Past The Current, brings together not only some of his finest remixes from the past four years but also a handful of new and exclusive works.

Once again Hanke's love for more downtempo styles is on show - a passion that has immersed the producer into the electronic music scene since the early 2000s. Developing his own style over the last few years with lush instrumentations, more complex songwriting and distinctive drum programming, his songs and remixes ease the mind with echoes from the past.

Wendell Harrison was born in Detroit in 1942 where he began formal jazz studies for piano, clarinet and tenor saxophone. At 14, while still in high school, Harrison started performing & recording professionally with artists such as Marvin Gaye, Grant Green, Sun Ra, Hank Crawford … and many others.
In 1971, Harrison began teaching music at Metro Arts (a multi-arts complex for youth) where he also connected with Marcus Belgrave, Harold McKinney and Phil Ranelin…soon after they formed the (now legendary) Afro-centric TRIBE record label and artist collective. TRIBE used the Metro Arts complex as a vehicle to convey a growing black political consciousness. Wendell Harrison also published the very popular TRIBE magazine, a publication dedicated to local and national social and political issues, as well as featuring artistic contributions such as poetry and visual pieces.
In 1978 Harrison and McKinney co-founded REBIRTH, a non-profit jazz performance and education organization, in which many notable jazz artists have participated. Around the same time Wendell Harrison also created the WENHA record label and publishing company, which released many of his (now classic) recordings as well as those of other artists, such as Phil Ranelin, Doug Hammond and Reggie Fields (The Real ShooBeeDoo).
In the early 1990s, Wendell Harrison was awarded the title of “Jazz Master” by Arts Midwest. This distinction led Harrison to collaborate with fellow honorees and gave him the chance to tour throughout the United States, Middle East and Africa. Even to this day Wendell Harrison's recordings for the TRIBE, WENHA and REBIRTH labels have a large worldwide fanbase.
It is on WENHA that Harrison released the opus: DREAMS OF A LOVE SUPREME (1980), which we are presenting you today.
DREAMS OF A LOVE SUPREME is a monster album that features an all-star line-up that includes Phil Ranelin (Freddie Hubbard, Solomon Burke, Mulatu Astakte) on trombone, Harold McKinney (Tribe) on Keyboards and Roy Brooks (Yusef Lateef, Chet Baker, Mingus) on percussion. Although you can hear the 80ies creeping in with a smoother sound, more synths, and disco/R&B vocals… this remains a very spiritual (and soulful) jazz record. The record’s an irresistible blend of soul jazz combined with funky electric instrumentation…a groovy sound which is very much of its time, yet overtly timeless and as relevant today as it was back when it was initially released.
Tidal Waves Music now proudly presents the first ever vinyl reissue of ‘Dreams of A Love Supreme’ since its release in 1980. This official reissue is now available as a deluxe 180g vinyl edition (limited to 500 copies) and comes with an unreleased bonus track.

As debut on his own label Hyperjazz Records, with 'The Great Oxidation EP', electro-shaman Khalab comes back to his natural habitat: the dance floor. With these three instrumental tracks, the visionary artist aims to drive the listener on a backward journey, down to rediscover the most ancestral human rite: to dance. A return to the origin in a radical way to reach a brighter future, but also a bridge for another world - a new space where meet new life forms and uncover new feelings and new consciousness. To embellish this EP, the presence of two very special collaborations.

His music evolution is a seamless journey – from the most ancestral tribes to the unexplored cosmos; from the black jungle to the skyscrapers; from the remotest subconscious to the furthest and real projection of future Africa. His wide-reaching musical tastes can be heard regularly on his monthly Worldwide FM show, Love from Rome. Already working on a new record ready in 2022, Khalab pulls out of his laboratory the first experiment with this EP.

Superb mental tribe progressive music : sweet DCT style !

Full side tune, The Truth, is a bloody roots acid tribe tune, with a true story, a hidden melody,sweet acid sounds, reminding me the acid belgium Bonzai sound. B-sdie stands 2 perls, the first one is Different World a total full-out acidcore tracks. Dancefloor killer. And second position Locked By The Acid : an experimental broken acid mental sound, very nostalgic and soulfull, at the frontier to be IDM acid, my fave tune here i recogn... nice little perl. Enjoy ! LIMITED 200 copies !

Pumpin to oldschool kicker, 160 to 170 bpm, trippy and light, with a reverbless kick leaving loads of spaces to ambiances.

Banging superb tribe step techno... full wobble and high speed stuff. Super solid kick and wicked oriental melodies... Just a super record.

Sharing with you the debut Album of Nice Girl titled “Ipsum”.
As a natural progression from her prior singles on Public Possession the music has a very capturing energy, although essentially machine music every single sound on the record seems connected with mother earth.
It’s rooted in the common ground that is home to all of us: the soil that nurtures flora & fauna, the air we breath, the water we drink, the sun & moon that shine upon our bodies.
One tribe, a million rituals, a common ground: The Dance (the Beat). Repetitive rhythms creating a sense of community & togetherness.

Banger of a kind bringing Acidcore, hardtehcno Acid and a pinch of that pumpin funk tribe.
Once again Vinyl Bleu makes it massive and dancefloor !

Notice here an original XTech tune style compared tpo his "speeder music".
And also a SUPERB Krismix tune. One of his best ever ???

Tribe powertool... A masterpiece of acid and percussive crazyness... Sounds from beyound.

2 bangers from 2 masters. A side brings an Enko acid tribe cruiser with a cool breakbeat drop while Dave LXR offer a proper hardfloor booster with an acidcore drop and end of the track. 2 crazy tunes with a wicked sleeve !!! enjoy !

Superb little pearl of an oldschool Italian tribe !
A big project... taking it's time to come...

Little jewel.

For more than a decade, Jamaica's Micah Shemaiah has been crafting his musical message with a keen and steady focus on Rastafari redemption and African unification. His writing style embraces and combines several genres of music delivering unique sounds that will appeal to any ear. Coming from the original home of the sound, Kingston City, and growing up in the Rastafarian house of the Twelve Tribes of Israel, this Singer/Songwriter has certainly put down a solid foundation in the Reggae Industry and has carved a place in the hearts of reggae lovers all over the world.

This new 12' vinyl LP offers 8 vocals and 2 dubs. Produced by Zion I Kings and underpinned with their trademark style of hardcore roots reggae, showcasing a broad spectrum of Micahs vocal talents. Releasing courtesy of Before Zero Records.

Dynamite Cuts is incredibly proud to be releasing this soulful, hip hop, gem by the wonderful group; Whatnauts.
“Why Can’t People Be Colors Too?” (first released 1972) is a powerful, soulful vocal with a story to tell; one that is, sadly, still so relevant today. It’s laid-back feel, with its bassy vibe; and sassy, sultry vocals takes you on the perfect mid-tempo ride. Half way through, you’ve got the superb sample vibe; already sampled by ‘A Tribe Called Quest’ (& many others).
A must-have 45
First on the flip, is “Souling with the Whatnauts”; this is a mid-tempo, essential DJ tool. Backed up with the classic “Message from a black man”. Another emotionally powerful, soul song.

Mental progressive tribe on the A side... A superb mind-travel, big ambiance, a natural flow of sound supported by a changing kick... deep !

The flip brings a SUKA ! Mental as well, but a bit more shaking, a growing glow of ambient sound with progressive suspense.

DJ Friendly EP !

Fucking good old skool french tribe. Banging and minimal ! Originaly pressed in 500 ex. in 1999.

Fucking good old skool french tribe. Banging and minimal ! Originaly pressed in 500 ex. in 199

Mental and industrial acid tribe.

A label with a cool state of mind where everyon brings a track and some money and goes with plenty of records at the end :)

Transparent vinyl !

Sleeve by K .Yoô

3 electro techno at the ecletroswing frontier... Funkyest than ever !
And one speeder at the Electro tribe "electribe" Ixindamix style...

Assumed pumpin sound !

BIG !

On Fast Idol, LA-based Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem.

Banging 2 tracks, stopry tellers of tribe between hardefloor and hardtek... Quiet olschool deejay friendly sound !

Efficient Tribecore, banging 190 up to 200 BPM tunes.

No one combines death and black metal quite like Poland’s Hate . With unflinching viciousness and a sense of atmosphere unique to the band, on Rugia, their twelfth full-length, they push the boundaries of their craft even further. Writing for Rugia commenced shortly after Auric Gates of Veles was released. However, Hate soon began to tour extensively in support of their then new opus, and the production of new music was put on the back burner. But come 2020 and the COVID pandemic, the band’s touring plans with Belphegor and Suffocation were abruptly cut short. With this unexpected infusion of free time, the band decided to buckle down and finish writing the material they were working on. .” The album title is taken from the archaic name of a German island on the Baltic Sea now called Rügen. In ancient times, Rügen or Rugia, was a site of holy pilgrimage to the pagan Slavic people. It was the very heart of the western Slavic faith, housing the fabled stronghold of Arkona. The album is at its core a tribute to Rugia and its tribes and the culture they created. The band elected to once again track the album in the Hertz Recording Studio in Poland, and it was recorded, mixed and mastered by the Wiesłaski Brothers (Behemoth, Decapitated).

Brilliant tribe banger from Italy offering collabs only.

Funky tribe to hardfloor !!

A must Have !

Mental old school tribe... Flowers for deejays, fruits for the dancefloor

Mental old school tribe... Flowers for deejays, fruits for the dancefloor !

Superb acid techno-tribe, full of creativity, morphing, new ideas, drop squrprises...
Thin and thick. fat tricks here !!

ENJOY !

Stuart Evans, aka Sordid Sound System is one of the founders of The Green Door Studio, a not for profit, analogue recording studio in Glasgow which emerged from an increasing disillusionment with the modern ways of music production. His sound holds outsider qualities, being everything but generic and predictable, mixing dub with movie soundtracks in the tradition of Carpenter and Italian likes.

On this 7” released on Höga Nord Rekords, SSS deconstructs and rebuilds music in an imaginative style, pairing tribe-ritual “back to ape”-beats with synthesized cosmic harmonies. In a way, we are enjoying straight up dub here but this record is also a display of the vivid and creative Glasgow scene centred round “The Green door studio” and record labels like “Invisible Ink” where krautrock and 80’s/90’s electronic music is part of the foundation. Boundless joy for every girl and boy!

Tribe tools... progressive traditional CZ style !

BIG !

Tancade is the solo debut by experimental cellist Gaspar Claus. Following on from his previous soundtrack work and a wealth of collaborations (incl. Bryce Dessner, Sufjan Stevens, Jim O'Rourke), Claus brings forth a collection of pieces which free the cello from its own limitations. Majestic and adventurous, stormy and radiant, dreamy and rigorous, Tancade defies categorisation, evoking chamber music suspended in the fourth dimension, the soundtrack of an experimental film or the strange folk music of an undiscovered tribe.

30 years since their creation, the unreleased Frankie Knuckles remixes of Electribe 101’s deep cut ‘Heading for The Night’ are finally unvaulted, available on 12“ vinyl

UK based electronic group Electribe 101 and their one album, Electribal Memories hold a legendary place in the annals of house and dance music. The band met after vocalist and writer Billie Ray Martin had placed an ad in Melody Maker in 1988: “Soul rebel seeks musicians – genius only”. Billie headed to meet the four responding musicians (Brian Nordhoff, Joe Stevens, Les Fleming, and Roberto Cimarosti) at their studio in Birmingham.
“I took three songs with me, one of which was the lyrics and melodies to (Electribe 101’s first single) ‘Talking with Myself’, as well as a copy of Julian Jonah’s ‘Jealousy and Lies’,” says Billie. “I told the guys: “I’ve heard the future, and this is what I want to do.” I had heard Julian’s track at the WAG Club and I still remember the moment I stopped my shimmying and just stood there, staring, then turning on my heels and going straight to the DJ to ask what this record was. The guys had already experimented with some more dance orientated tracks and were instantly sold on the idea.”
Originally self-released on white label and championed by pirate radio, ‘Talking with Myself’ caught the imagination of the UK club scene and saw the band sign to Phonogram Records. With the re-issue and its follow up, ‘Tell Me When the Fever Ended’, becoming bona fide pop chart hits, with daytime radio play, Top Of The Pops appearances, and magazine covers from Melody Maker to MixMag, i-D, the label were keen to galvanise the band’s success and for them to deliver an album quickly.
“Because we weren’t yet used to writing together, we tried different approaches,” explains Billie.” I brought along a few songs I’d already written with others. Other songs we wrote from scratch. ‘Heading for The Night’ is one of those songs. The guys had developed the music and I wrote and sang the melody and lyrics straight onto the track, without making any arrangement changes.”
The band had also found ardent fans in the US, with chart-topping success on the US club charts and mixes from some of the most in-demand remixers of the day, including Chicago House doyennes Frankie Knuckles and Larry Heard.
“Frankie had already done such an incredible job with ‘Talking with Myself’ and he was smitten with ‘Heading for The Night’”, recals Billie. “He enjoyed mixing it so much that he did six mixes, each one brilliant and soulful in its own way. His effortless and perfect vocal production while creating a more danceable version makes this another Knuckles masterpiece.”

While 'Heading for The Night' had been considered for single release, these legendary remixes never saw the light of day. Finally, Frankie’s work on this song finds its rightful place in both his and Electribe 101’s legacy.
This EP of remixes precedes the release of Electribe 101’s fabled second, never before released album Electronic Soul, later this year.

Released on CD and digital on the 21st May 2021, this eagerly anticipated LP from I Grade Records immediately soared to the number one position in the iTunes reggae charts. The LP is now being released on 12" vinyl and cassette tape courtesy of Before Zero Records.

Polarities is the 13th and final full album of new material from Vaughn Benjamin and I Grade Records, the culmination of a 20 year working relationship that began with 2001's Nemozian Rasta album, which was Midnite's 4th album released to date at that time.

Polarities was produced jointly by the Zion I Kings production team, with Tippy I of I Grade at the production helm, alongside Vaughn Benjamin himself.

The album also includes two notable guest features: Tiken Jah Fakoly of Ivory Coast on "Everything Bless" and Chronixx of Jamaica on "Black Carbon", which were both released in 2020 as the first singles off of Polarities.