Restive Plaggona recently released a brand new studio effort - a full-length album featuring 10 original tracks and a
remix from Ancestral Voices, with a dark and melancholic twist, as the title of the project might imply. Connected by a commonality of despair, nostalgia and desolation, Restive Plaggona elevated these elements into its maturity. At its core, each track has a soul-stirring significance, and is embalmed by titles that fringes on a political dimension.
* Opening number 'Intimacy is Violence' does a remarkable job capturing the vibe of the album, serving as a great
introduction. The track has a very industrial tone, with a strong cinematic feel to it. The following track, 'Rote Zora,' follows suit with a more percussive and colorful arrangement, with a more substantial focus on rhythmic patterns.
* 'Cut Off From Modern Society' its combination of dark atmospheres, lush melodies, and glitchy beats. 'Sudden Burst of Safety' is another excellent track worth mentioning, due to its stadium-sized drums and saturated sounds, adding an
aggressive feel to the music. All in all, the album is a real sonic journey, begging to be enjoyed from start to finish!
* Set for release in both physical and digital formats on December 15th, Silently Hopelessly marks Restive Plaggona's first LP for Swiss-based record company Thrènes (which takes its name from the Greek word for funeral lament) and are a label dedicated to the release of tenebrous electronica and techno.
Text: Masscomm & Andrea Caccese
Suche:vale of tears
Very Limited 7” EP with printed lyric inner sleeve
Purely Physical Teeny Tapes continue to sink their teeth into the fleshy nethers of the contemporary oz
underground, plucking the self-titled ep of vivisected bedroom folk by naarm/melbourne trio Who Cares?
from the recesses of net anonymity for the greatest of good.
Upon appearing out of nowhere back in ‘24, the quartet’s debut registered (feverishly) somewhere
between immediacy & beguilement, the intervening year & change doing little to dull its aura, the
mystique only heightened by their suitably gorgeous appearance in wonderful company on a colourful
storm’s recent ‘going back to sleep…’ compilation-extravaganza. The conceit of these four tracks here is
disarmingly minimal - repetitious loner guitar strummage, oblique vox poetics as lullaby, intermittent
sunken percussion, bass the subtle melodic lugger - all recurring/revolving in delicious pirouette freefall,
un-rinseable within the mind, wayward melodies stuck like heat-warped treacle.
As with the firmest of its diy domestica ilk, there’s something ever so slightly off here, the carnivalesque
nature of this thing being the ‘what?’ that keeps pulling you in. parched ennui drip, fully zonked bacchanal
(anti-)energetics, listlessness rendered bedsit anthem, cooees in the hallway. depending on how your
head is screwed, ‘correct’ or otherwise, one might hear a charmed take on a vein of folk song fallen well
by the wayside/behind the mantle, others a seance for the spirits in the kettle, others more attuned to the
myriad wraiths swirling within the outer reaches of these songs, flights of whimsy foiled by a sticky, gluey
something or other. choose, or rather submit to your own adventure. Miaow miaow miaow.
'After a first album as a duo released on Okraina Records: "Le Corps Défendant", Delphine Dora and Mocke invite us to join them again in listening to a new album. We slip into it as if in a dream, the music carries us away with its floating images.
Heard before on a handful of disturbingly beautiful solo albums and in collaborations such as Midget!, Arlt, Chevalrex, Mohamed Lamouri, Mocke (Dominique Dépret's nom de plume) is a subtle and inventive guitarist, who draws melancholic arpeggios, with a beautiful languor, that walk the line between tensions and tears. Delphine Dora has been heard with Roxane Métayer, Sophie Cooper, Andrew Chalk, Jackie McDowell, Helena Espvall, Valentina Magaletti ... meeting in a moment of improvisation, a solitary sincopated voice blooming between the black and white keys of her piano, tuning betwist these keys, or at other times in the gap of the right note. Here improvisation feeds on melody, or is it the other way round?
Recorded in an old church in the village of Mauzun in the Puy-de-Dôme, by Cyril Harrison, "L'invisible est multiforme" is an invitation to join them, to let these abstract songs erase our obsessive thoughts of the day, to open ourselves to the vibrant poetry of the air and the evening, to finally forget ourselves. Each note played by these four intertwined hands is like a slight break in the fabric of time, sliding one over the other, reminding us of mortality and its beauty. Ritornellas flow out of mechanical clocks, fragile, taking care not to hurt the silence. Both seek to dig and open up new paths to enrich their duet, to open up imaginary landscapes. Sometimes the guitar cuts through the fabric of an organ, fractures the song, just as the rain erases a landscape, redrawing it. But very quickly, both of them continue to follow this new path, improvising what will serve as a framework, a perspective, a language. There is a kind of praise for slowness in this "invisible", a desire to hold back the song, not to let it slip away, to let the listener's ear enter its course, to share the last note, its illumination. Each of these thirteen short sound pieces merge into a common colour, a vibration close to the different tonalities, which inter-penetrate, like a cubist painting. Words cannot take away the mystery of this record, words can only fail to describe the music, you must hear it.'
- Michel Henritzi
- 1: Purgatory
- 2: In The Morning
- 3: Highway Ii
- 4: Hollywood
- 5: Country Suep
- 6: Patronised
- 7: The Rain
- 8: Big Jump
- 9 10: Days
- 10: Fornever
The track shows SUEP at their best - glistening synth pop with Marr-esque jangle, sweet but emotionally incisive. Singer Georgie Stott - also known for being the keyboardist of the recently ended Porridge Radio - is at peak performance, marrying catchy melodies with off-kilter storytelling.
Receiving acclaim across BBC 6 Music and the indie press for their ‘car boot sale’ pop music, SUEP rummage through the jumble bin of music history, selecting and reassembling its best parts into something playful, strange and deeply artful. The band are affiliates of the Gob Nation collective - including The Tubs, Sniffany & The Nits, Ex-Void, and others., described by the Guardian as uniting around “a leftfield sensibility, lacerating wit and snotty attitude.”
With a slightly darker edge than their delightful EP Shop or last year’s groovy The Rain, Highway II tells the story of hope slamming into disappointment - a Valentine’s date gone wrong. Tears, cigarette breaks, running makeup and snotty sleeves paint a picture of painful emotional dislocation. It comes with an incredible, multilayered dance-routine music video from frequent collaborator, artist Jess Power.
Singer Georgie Stott says: “The lyrics for this poured out of me on Valentine’s Day when me and my partner went out on a date in the Limehouse area, over the river from where we lived in Rotherhithe. I got drunk too quickly, he got grumpy, and tears started streaming down my face because I just wanted to have a nice romantic time. We made up in the Canary Wharf Wetherspoons at the end of the night, but I went to have a cigarette before, to get out all my sobs and wrote all the lyrics on my phone in one go. Then at a practice studio we quickly wrote it around some chords I made up in the room.”
Forever is a confident debut, a masterpiece of modern indie songcraft. Across the album SUEP dip into country, synthpop, garage rock, post punk, and pub rock, but always retain their signature penchant for melodic hooks, snappy structures and straight-to-the-heart lyrics. Artfully unpretentious, the album was recorded by friend Matt Green, best known for his work with The Tubs, and mixed by Mike O’Malley of the band caroline.
Led by Georgie Stott and Joshua Harvey, SUEP have become fixtures of south-east London’s underground through a series of shared living spaces, improvised studios and DIY venues. Now with George Nicholls (The Tubs, Joanna Gruesome, GN Band), William Deacon (PC World), and Louis Forster (The Goon Sax, Expiry) completing the line up, their debut is finally on its way.
Forever is a glimpse into one of the best bands on the scene, not fitting into any trend, but also never fading into obscurantism - SUEP are a band that wear a joie de vivre loosely but fashionably. Now is their time to shine.
- 01: Dune
- 02: Kundela Mawedi
- 03: Paco
- 04: Cameo
- 05: Cacopoulos
- 06: Khettara
- 07: Hell Dorado
- 08: Papambra
- 09: Porpora
Killer Groove Records proudly presents the self-titled debut album by Italian cinematic funk trio Atabasca. A sonic journey where funk, psychedelia and desert groove merge into a timeless narrative suspended between rhythm and vision.
"Atabasca" marks the debut release from the cinematic funk trio, dropping March 27th on limited edition LP, CD digipack and digital formats, the latter featuring an exclusive bonus track. This is a project built on evocative imagery: each song unfolds as an open scene, an emotional landscape where listeners can step inside and write their own ending.
Lap steel, kalimba, percussion and guitars interweave with bass and drums, striking an original balance between tradition and experimentation that evokes unwritten soundtracks for worlds at once distant and familiar. The record navigates between melancholy and irony, tension and release, with a sharp focus on dynamics and sonic narrative.
Deserts, seas, imaginary villages, getaways, pursuits and collective rituals: "Atabasca" emerges as a collection of musical landscapes that unfolds through vivid, evocative imagery.
Jazz-funk, world music, afrobeat, psychedelia and the Italian Golden Age of movie soundtracks merge into a singular emotional geography: warm, analog and deeply human.
The musical journey opens with "Dune", a melancholic statement that leaves room for imagination, before igniting with "Kundela Mawedi" and its cascading lap steel over haunting vocal chants. "Paco" tips its hat to classic westerns, tracing a bandit's trajectory, while "Cameo" drifts back to childhood through minimal rumba and shimmering kalimba. The cinematic imagery continues in "Cacopoulos", a nod to Spaghetti westerns and Eli Wallach, built on raw drum patterns and distorted guitars. Intensity builds in "Khettara", where afrobeat rhythms and Middle Eastern textures intertwine, before "Hell Dorado" tears off in pursuit of the American dream's funk-fueled mirage. "Papambra" weaves hypnotic polyrhythms between kalimba and lap steel, while "Porpora" delivers a sensual, visceral tango of passion and tension. The digital edition closes with "Reprise", a sequel that stretches the album's central theme into an expansive, meditative interpretation.
The tracks were recorded in single takes, capturing the raw energy and natural atmosphere of the performance. Artistic production was handled by the trio alongside Andrea Fabrizii (digger, musician, producer and catalogue curator for CAM Sugar), while Riccardo Ricci mastered the album at Velvet Room Mastering Studio in Brighton.
Like a desert blooming within the evergreen forests of the planet's far north, a unique, alien, disruptive environment. This is the vision behind Atabasca, the project of Luca Mongia (guitars, lap steel, keyboards, vocals), Paolo Mazziotti (bass, keyboards, vocals) and Valerio Pompei (drums, percussion, vocals).
Individually active for over twenty years on both the national and international scenes, the three Italian musicians came together in 2023 to create a project that merges experience, experimentation and creative freedom. Their music is imaginative and at times dreamlike, blending the classic concept of the instrumental trio with the worlds of film scoring and sound design.
Atabasca's sound moves through jazz-funk, world and cinematic territories, weaving together afrobeat, desert and psychedelic influences into a personal and timeless language. Each piece is a scene; each sound, a fragment of a world, a journey between reality and imagination where groove, texture and organic timbre merge into a singular sonic ecosystem: a perpetually shifting balance that generates new inner landscapes.
For fans of Khruangbin, Surprise Chef and instrumental psych-funk!
- A1: Tears In The Typing Pool (Demo)
- A2: Still Feels Like Tears (Demo)
- A3: Come Back To Me (Demo)
- A4: The Little Bell (Demo)
- A5: Distant Call (Demo)
- A6: Valerie (Demo)
- A7: Colour Me In (Demo)
- B1: Ominous Cloud (Demo)
- B2: Flame Left From The Sun (Demo)
- B3: Where Youth And Laughter Go (Demo)
- B4: Poem Of A Dead Song (Demo)
- B5: O How I Miss You (Demo)
- B6: Pendulum (Demo)
- B7: Please Call To Book (Demo)
"Distant Call" ist im Gegensatz zu "Spell Blanket" eine Sammlung früher Demos von Songs, die später als fertige Produktionen auf den Alben "Haha Sound", "Tender Buttons" und "The Future Crayon" erscheinen sollten. Das Album enthält außerdem zwei Songs, die James nach Trishs Tod entdeckte: "Come Back To Me" und "Please Call To Book". Diese waren ihre Antwort auf das "Let's Write A Song"-Projekt von Broadcast aus dem Jahr 2006, bei dem Fans gebeten wurden, Songtexte auf einer Postkarte einzusenden, die dann in einen fertigen Song eingearbeitet wurden. "Distant Call" schließt die Tür zu Broadcast und wird die letzte Veröffentlichung der Band sein.
- A1: Show Me (The Lexicon Of Love - Half-Speed 2023 Mastered At Abbey Road By Miles Showell)
- A2: Poison Arrow
- A3: Many Happy Returns
- A4: Tears Are Not Enough
- A5: Valentine's Day
- B1: The Look Of Love
- B2: Date Stamp
- B3: All Of My Heart
- B4: 4 Ever 2 Gether
- B5: The Look Of Love (Part Four - The Route To Lexicon)
- C1: Overture*
- C2: Surrender (Phonogram Demo)
- C3: Show Me (Phonogram Demo)
- C4: Tears Are Not Enough (Phonogram Demo)
- D1: Tears Are Not Enough (Steve Brown 12")
- D2: Alphabet Soup (Steve Brown 12")
- D3: Theme From 'Man Trap
- E1: Tears Are Not Enough (Original 7" - Lexicon Plus)
- E2: Poison Arrow (Jazz Mix)
- E3: The Look Of Love (Special Remix)
- F1: Overture (The Lexicon Of Love Live At Hammersmith Odeon, November 1982)
- F2: Show Me
- F3: Many Happy Returns
- F4: Tears Are Not Enough
- G3: All Of My Heart
- H1: Valentine's Day
- H2: 4 Ever 2 Gether
- H3: Poison Arrow
- G1: Date Stamp
- G2: The Look Of Love
1 LP[36,93 €]
Zur Feier des 40-jährigen Jubiläums wurde die Studioversion von ”The Lexicon of Love” von ABC in den Abbey Road Studios als Half Speed-Version neu gemastert! Das Album enthält einige seltene Tracks und Konzertauftritte, die noch nie zuvor auf Vinyl veröffentlicht wurden! Diese Neuauflage von ”The Lexicon Of Love” wird als 4LP+BluRay und auf schwarzen Vinyl (Half Speed Master) am 04.08 veröffentlicht.
- James Brown - Please, Please, Please
- Marvin Gaye - My Funny Valentine
- Sam Cooke - Bring It On Home To Me
- Little Willie John - Fever
- The Everly Brothers - All I Have To Do Is Dream
- Ben E. King - Spanish Harlem
- Al Jarreau - Tired Of Being Alone
- George Mccrae - Rock Your Baby
- Barry White - Lady, Sweet Lady
- Screamin' Jay Hawkins - I Put A Spell On You
- Aaron Neville - How Could I Help But Love You?
- The Isley Brothers - Right Now
- Joe Tex - Blessed Are These Tears
- Ray Charles - Georgia On My Mind
- Stevie Wonder - Hallelujah (I Love Her So)
- A1: Thelonious Monk - Straight, No Chaser
- A2: Amy Winehouse - What Is It About Men
- A3: Amy Winehouse - Stronger Than Me
- A4: Amy Winehouse - I Heard Love Is Blind
- A5: The Specials - Ghost Town
- A6: Amy Winehouse - Know You Now
- A7: Little Anthony & The Imperials - I'm On The Outside (Looking In)
- B1: The Shangri-Las - Leader Of The Pack
- B2: Billie Holiday - All Of Me
- B3: The Shangri-Las - Dressed In Black
- B4: Donny Hathaway - I Love You More Than You’ll Ever Know
- B5: The Libertines - Don't Look Back Into The Sun
- B6: Amy Winehouse - Fuck Me Pumps
- C1: Tony Bennett - Body & Soul
- C2: Amy Winehouse - Back To Black
- C3: Amy Winehouse - Valerie (Live Lounge Version)
- C4: Minnie Riperton - Les Fleurs
- C5: Willie Nelson - That’s Life
- C6: Dinah Washington - Mad About The Boy
- C7: Amy Winehouse - (There Is) No Greater Love
- D1: Amy Winehouse - Me & Mr Jones
- D2: Amy Winehouse - Love Is A Losing Game
- D3: Amy Winehouse - Rehab
- D4: Sarah Vaughan - Embraceable You
- D5: Amy Winehouse - Tears Dry On Their Own
- D6: Nick Cave – Song For Amy
Black LP[25,63 €]
The official soundtrack release to the new film of Amy Winehouse, BACK TO BLACK, releasing Spring 2024. Amy Winehouse is widely considered as one of the greatest artists in recent history, selling more than 30 million records worldwide. Her acclaimed self-produced 2006 album Back to Black, propelled her to global stardom, going on to win a (then) record breaking 5 Grammy Awards, including Record Of The Year and Song of The Year for hit single Rehab. Releasing on 140g 1LP Black vinyl, the tracklist comprises a carefully curated highlights collection of Amy's original recordings and tracks from her idols, such as The Shangri-Las, Billie Holiday and Dinah Washington, that are featured in the film, plus a new original track sung by Nick Cave. The vinyl product is housed in a single sleeve with printed inners featuring a personal note from director Sam Taylor-Johnson.
- A1: Corridor Of Dreams Feat. Systur (Sisy Ey) & Oilly Wallace
- A2: Ugle (Drømmen Om Møn)
- A3: So Much Feat. Woolfy
- A4: I Was There
- A5: Tears We Haven’t Cried Feat. Toby Ernest
- A6: Save Me Feat. Toby Ernest & Oilly Walace
- B1: Conversations Feat. Systur (Sisy Ey)
- B2: Le Trois
- B3: Love My Way Feat. Jacob Bellens
- B4: Club Paradisco
- B5: Coming Home Feat. Toby Ernest
- B6: Reflector (Reprise)
Just when you thought you had Kasper Bjørke figured out he comes back with another great musical surprise. His new album Puzzles, which will be released April 5th on hfn music, follows two recent collaborative EPs on Live at Robert Johnson and Mule Musiq as well as his second Kasper Bjørke Quartet neoclassical/ambient album Mother on Kompakt.
Puzzles is Kasper’s love letter to the sound of early 2000s New York - merged with his Scandinavian sense of producing songs that goes beyond conventional club music; combining disco tinged instrumentations mixed with elements of 80s funk, jazz and contemporary pop songwriting, creating something familiar yet, something very fresh and innovative at the same time.
The album includes collaborations with a wide range of musicians and vocalists. From California based indie-disco troubadour Woolfy (DFA, Rong, Permanent Vacation etc.) to the Icelandic dream-folk trio Systur aka Sísý Ey (who also featured on Kasper’s 2014 single Apart, where the Michael Mayer remix became a timeless club anthem), as well as other longtime collaborators and artist friends: Toby Ernest, Jacob Bellens, WhoMadeWho’s Tomas Høffding on bass, Posh Isolation affiliate Frederik Valentin on guitar and the young, rising jazz star Oilly Wallace on saxophone and flute. Essentially, the majority of Puzzles is played and recorded live, including the drums by Rasmus Littauer (School of X, MØ). Many of the songs emerged from chord progressions written during studio sessions between Kasper and Toby - which Kasper then produced into a colourful and effective album, rooted in an expressive live feeling far from programmed patterns.
Puzzles is a new step for Kasper as a producer and artist, showcasing his ability to move and flow freely between genres and expressions, however still deeply rooted in his love and affection for the classic disco groove - which is only natural after more than two decades as an active DJ.
Another piece has been added to the musical puzzle of Kasper Bjørke
- A1: Armin Van Buuren - Am I Ai? (A State Of Trance Year Mix 2023 Intro)
- A2: Gareth Emery - Missing You (Feat Maria Lynn)
- A3: Above & Beyond - 500
- A4: Armin Van Buuren - Love Is A Drug (Feat Anne Gudrun)
- A5: Dim3Nsion - Stronger Now
- A6: Armin Van Buuren & Matoma - Easy To Love (Feat Teddy Swims - Tanner Wilfong & Assaf Remix)
- A7: Estiva - Via Infinita
- A8: Aname - Escape
- A9: Super8 & Tab & Crowdplusctrl - Incomplete (Feat Jess Ball)
- A10: Miss Monique & Avira - Subterranean (Feat Luna)
- A11: Laura Van Dam - Needing You
- A12: Maor Levi & Magnificence - Let You Go
- A13: Kasia - Universal Nation
- A14: Hel Slowed & Amber Revival - If You Only Knew
- A15: Aname - Anywhere (Road Trippin’) (Road Trippin’)
- A16: Armin Van Buuren - Dayglow (Feat Stuart Crichton)
- B1: Dekkai - Firmament
- B2: Armin Van Buuren - In & Out Of Love (Feat Sharon Den Adel - Innellea Remix)
- B3: Orjan Nilsen - 9910
- B4: Armin Van Buuren - Motive
- B5: Chicane - Saltwater (Feat Moya Brennan - Ilan Bluestone Remix)
- B6: Seven Lions & Above & Beyond - Over Now (Feat Opposite The Other)
- B7: 7 Skies - Tokyo777
- B8: The Blizzard - Kalopsia (Matt Fax Remix)
- B13: Dim3Nsion - Adagio In G Minor
- B14: Giuseppe Ottaviani Vs Alex Sonata & Therio - Tears Of The Kingdom (Feat Tishmal)
- B15: Giuseppe Ottaviani & Ilan Bluestone - Futuro
- B16: Hel Slowed & That Girl - Hold Onto This
- B17: Gareth Emery - Vertigo (Feat Sarah De Warren)
- C1: Ahmed Helmy - Glitch
- C2: Ferry Corsten - Mind Trip
- C3: Cubicore - Bifrost
- C4: Lostep - Burma (Aname Am Remix)
- C5: Armin Van Buuren - Vulnerable (Feat Vanessa Campagna)
- C6: Ahmed Helmy - R4Ve 201
- C7: Achilles & Wintersix - Night Vision
- C8: Fergie - Here Comes That Sound
- C9: Dod - So Much In Love (Armin Van Buuren Remix)
- C10: Ferry Corsten - Yes Man
- C11: Ahmed Helmy & D72 - Analogy
- C12: Ben Gold & Ruben De Ronde - Bliksem
- C13: Bryan Kearney Vs Karney - Compromise
- C14: Achilles, Semblance Smile & Sharon Valerona - Never Lost
- C15: Orjan Nilsen - Xiing (Nilsix Remix)
- C16: Maarten De Jong, Frank Spector & Luca Morris - Minuetto
- C17: Asteroid - Free
- C18: Murzo - Kiss The Night
- C19: Xijaro & Pitch - Invisible (With Adara)
- B9: Luke Bond Vs M6 - Nexus
- C20: Bryan Kearney & Bo Bruce - Shine A Light
- B11: Eelke Kleijn - Time Machine
- C21: Paul Van Dyk & Ciaran Mcauley - Someone Like You
- D1: Paul Van Dyk, Marc Van Linden & Sue Mclaren - Beautiful Life (Shine Ibiza Anthem 2023)
- D2: Miyuki - Love Again Like That (Feat Tara Louise)
- D3: Xijaro & Pitch - Chasing Dreams
- D4: Binary Finary - 1998 (Victor Ruiz Remix)
- D5: Emma Hewitt Vs Roman Messer - Fallen
- D6: Will Rees Vs Asteroid - Exhilarate
- D7: Artento Divini Vs Davey Asprey Presents Adda & Ontune - Divas
- D8: Whiteout - Adsr
- D9: Mhammed El Alami - Healing
- D10: Ciaran Mcauley & Susie Ledge - You’re Never Alone (Uplifting Mix)
- D11: Driftmoon - Feel The Waves
- D12: Allen Watts & Rene Ablaze - On My Way (Feat Cari)
- D13: Xijaro & Pitch - Time (With Cari)
- D14: Trance Wax - Artificial Intelligence
- D15: John O’callaghan - Riverside
- D16: Alex Morph & Amy Wallace - Surrender
- D17: Allen Watts - Set Me Free
- D18: Giuseppe Ottaviani - Angel (Feat Faith - Yelow Remix)
- D19: Aly & Fila Vs Chapter 47 Vs Richard Bedford - Edge Of Tomorrow
- D20: Sneijder Vs Cari - You Take My Breath Away
- D21: Ben Gold - Follow The King (Feat Madelyn Monaghan - David Forbes Remix)
- D22: Solarstone - Solarcoaster (Maarten De Jong Remix)
- D23: Daxson - Who We Are
- D24: Giuseppe Ottaviani - To The Stars (A Dreamstate Anthem) (A Dreamstate Anthem)
- B10: Uufo - Energize
- B12: Armin Van Buuren & Punctual - On & On (Feat Alika)
- D25: Haliene - Reach Across The Sky (Ben Gold Remix)
- E1: Trance Wax - Ascend
- E2: Emma Hewitt Vs Xijaro & Pitch - Everlasting
- E3: Craig Connelly & Christina Novelli - Black Hole (Giuseppe Ottaviani Remix)
- E4: Andrew Rayel - One More Memory
- E5: Craig Connelly - Nathan’s Song
- E6: Armin Van Buuren, Ferry Corsten, Rank 1 & Ruben De Ronde - Destination (A State Of Trance 2024 Anthem)
- E7: Ardi - Mystical
- E8: John Askew - Aces Hi
- E9: Giuseppe Ottaviani - Conscious Mind
- E10: Armin Van Buuren & Just Us - Make It Count
- E11: Bk - Xtc Nation
- E12: Bryan Kearney - Encanta
- E13: Somna & Sarah De Warren - Satellites (Will Atkinson Remix)
- E14: Emma Hewitt Vs Daxson - Warrior
- E15: Craig Connelly & Haliene - Other Side Of The World
- E16: Ram & Cari - What Matters
- E17: Sneijder Vs Nat Conway - Everybody’s Free
- E18: John Askew - Running In The Dark
- F1: Ben Gold - Ultrasonic (Maarten De Jong Remix)
- F2: Armin Van Buuren - Computers Take Over The World (Maddix Remix)
- F3: Will Atkinson - Cosmic Heartbreak
- F4: Armin Van Buuren Vs Xoro - God Is In The Soundwaves (Feat Yola Recoba)
- F5: Armin Van Buuren & Vini Vici - When We Come Alive (Feat Alba)
- F6: Bk - You Are The Master
- F7: David Forbes - Dreamstate
F8 . Liam Melly - Energy
F9 . Armin Van Buuren - Space Case
F10 . The Obsessed - Free Yourself
F11 . Ie Shuuk & B Stylezz - Konje
F12 . Armin Van Buuren - Lose This Feeling (Maddix remix)
F13 . Armin Van Buuren - Lose This Feeling (Dimension remix)
F14 . Armin Van Buuren - AI Vs Humanity (A State Of Trance Year mix 2023 outro)
This album was recorded in 1983 in Copenhagen and earned superlative reviews all over the world.
"Tenorman Eddie "Lockjaw" Davis had already been a potent force in jazz for 35 years when he recorded this set but as it turned out his SteepleChase date (his next-to-last session) was one of the strongest of his career. Accompanied by a trio led by pianist Kenny Drew, Lockjaw really tears into these standards which are highlighted by "I Only Have Eyes for You," "There Is No Greater Love" (the alternate version was released for the first time on its CD reissue), "Four" and the title cut.
Davis was at the peak of his powers during this recording, making this SteepleChase outing one of his very best." - Scott Yanow, AllMusic "Nothing valedictory about this date. No signs of decline. It's hard to believe it was Jaw's last album as a leader. Just the thing if you didn't miss your water until your well went dry." - Cadence
- A1: Show Me
- A2: Poison Arrow
- A3: Many Happy Returns
- A4: Tears Are Not Enough
- A5: Valentine's Day
- B1: The Look Of Love
- B2: Date Stamp
- B3: All Of My Heart
- B4: 4 Ever 2 Gether
- B5: The Look Of Love (Part Four)
5 LP[120,80 €]
Zur Feier des 40-jährigen Jubiläums wurde die Studioversion von ”The Lexicon of Love” von ABC in den Abbey Road Studios als Half Speed-Version neu gemastert! Das Album enthält einige seltene Tracks und Konzertauftritte, die noch nie zuvor auf Vinyl veröffentlicht wurden! Diese Neuauflage von ”The Lexicon Of Love” wird als 4LP+BluRay und auf schwarzen Vinyl (Half Speed Master) am 04.08 veröffentlicht.
Since we've known him, Robert Lloyd has made quite clear his enormous affection for the songs and sounds of Freakwater, the duo of Janet Beveridge-Bean and Catherine Irwin who've been wrongly denied their place as rightful and willful progenitors of alt-country's 'movement', which (frankly) is to their credit. Their genius in offering absolute authentic to the sound old-time Appalachian folk music with a modern façade that in no way negates tradition (one of their albums is titled Feels Like The Third Time) is unparalleled within the genre, and Freakwater remain under-appreciated. After the start of Covid, Robert dared approach Janet with the idea of recording together. Over the course of the long pandemic, songs were bandied about for months, and when recording was finally practical, a band was assembled with dates set up for a recording session in Valencia, Spain. Robert and Janet were joined by Robert's long-time ally, Pete Byrchmore, the musical foil for Robert's solo album on Virgin and a former Nightingale, Mark Bedford, the bassist for Madness and Terry Edwards' Near Jazz Experience, and Pablo Roda, Spanish mystery drummer, couldn't have worked out more perfectly. Tracks were selected without regard for collective presentation, just the goal of walking out of the studio with an album of perfect gems. Forget Lee & Nancy or George & Tammy, Rob and Janet have an immediate chemistry that only sounds long-lived - and too uniquely them to merit any comparison. The title track, Black Cat, Dark Horse is the sole Lloyd / Bean / Byrchmore composition and one of the record 's highlights. Jim Elkington, collaborator with Jeff Tweedy and Richard Thompson, contributes Heavy Reckonings and a song written with Janet, The True Lovers' Knot And The Lie, while Robert adds reworkings from past releases - Sweet Georgia Black and Black Country (with Pete) - not to mention the unreleased Eggs And Bacon. Janet brought One Shot and the unheard Freakwater song Arc Of A Smile. Covers of tunes from Dion and The Monkees and a magnificent Jon Langford song, "Tears Like Stars" round out the album. We daresay the album is among the finest you'll hear in 2023. That it doesn't fit perfectly into any preconceived genre is a testament to its quality. "Songcraft" is a word used infrequently today, yet Black Cat, Dark Horse will show that good songs endure. We're proud that Robert and Janet will find some new admirers through this album's release. The Michael Cumming / Stewart Lee film King Rocker made a case for Robert Lloyd-as-losthero; this album furthers that idea and shows a compelling side of Janet's talent and abilities which will be a surprise to her fans and serve as an entry point to exploring her many other compelling projects.
Finally on vinyl, the legendary broadcast from the Hove festival in Arendal, Norway on Jun 26th, 2007. Amy Winehouse battled through heavy rain to deliver a stellar set on the first day of the festival, conquering the hearts of the Norwegian crowd with a medley of hits that borrowed heavily from her second album Back To Black in addition to an explosive mix of cover versions including numbers originally performed by the likes of the Specials, Toots and Maytals, and the Zutons. Amy's blend of soul, ska, R&B e Jazz left an incredibile mark in the music world and this breathtaking performance shows how we lost the most incredible vocal talent of her generation.
Amy Winehouse’s Live at Glastonbury 2007 will be available on vinyl for the first time from June 3. It captures her performance on the Pyramid Stage at that year’s festival, 15 years ago this summer.
Winehouse’s show, her second at Glastonbury, will be released in a 2LP black vinyl set. They bring back to the fore one of the most memorable highlights of her all-too-short career, capturing not only her unique artistry and song craft, but the singer and writer’s trademark, between-songs banter and the sheer love for her emanating from the festival crowd. Highlights include “Rehab,” “You Know I’m No Good,” “Love Is A Losing Game,” “Valerie,” and “Tears Dry On Their Own,” as well as her cover of Toots and the Maytals’ “Monkey Man.”
Amy played a second set later the same day on the Jazz World Stage, and returned to the Pyramid Stage the following year, firmly establishing herself as part of the world-famous festival’s remarkable history. The artwork for the forthcoming release includes recollection of the performance by Glastonbury Festival’s co-organizer Emily Eavis. “Amy Winehouse was a Glastonbury-goer through and through,” she says. “She either came and played or, when she wasn’t working, came and camped. She played in the blistering heat and the heavy rain, and there were so many magical moments to her performances.”
- 1: July Tree – Nina Simone
- 2: Stumblin’ In – Chris Norman & Suzi Quatro
- 3: Sometimes I’m Happy – Johnny Guarnieri
- 4: Ac–Cent–Tchuate The Positive (Single Version)
- 5: Blue Sands
- 6: But You’re Mine – Sonny & Cher
- 7: My Ding-A-Ling (Live At Fillmore Auditorium, San Francisco, Ca/196)
- 8: Peace Frog – The Doors
- 9: Let Me Roll It – Paul Mccartney And Wings
- 10: Life On Mars? – David Bowie
- 11: Slip Away – Clarence Carter
- 12: Diamond Girl (Album Version) – Seals And Crofts
- 13: Greensleeves – Mason Williams
- 14: Barabajagal – Donovan
- 15: Softly Whispering I Love You – The Congregation
- 16: Licorice Pizza – Jonny Greenwood
- 17: If You Could Read My Mind – Gordon Lightfoot
- 18: Walk Away – The James Gang
- 19: Lisa, Listen To Me – Blood, Sweat & Tears
- 20: Tomorrow May Not Be Your Day – Taj Mahal
We are extremely excited to announce that Licorice Pizza: The Original Motion Picture Soundtrack will be released on Friday 10rd December 2021 on both CD + Vinyl. Licorice Pizza is the story of Alana Kane (Alana Haim) & Gary Valentine (Cooper Hoffman) who grow up & fall in love in San Fernando Valley (1973). Written & directed by filmmaker Paul Thomas Anderson. Sean Penn, Bradley Cooper, Tom Waits & Benny Safdi also star. Limited movie release in the U.S. Nov 26 and goes wide in US on Dec 25. Radiohead's Jonny Greenwood composed the film's score & Paul Thomas Anderson curated the soundtrack also features songs by David Bowie, Paul McCartney and many more to be revealed. The title pays homage to the California record store, Licorice Pizza.
[d] 4 Ac–Cent–Tchuate The Positive (Single Version) [feat. Vic Schoen & His Orchestra] – Bing Crosby & The Andrew Sisters
[e] 5 Blue Sands [feat. Buddy Collette] – Chico Hamilton Quintet
[g] 7 My Ding-A-Ling (Live At Fillmore Auditorium, San Francisco, CA/1967) [feat. Steve Miller Band] – Chuck Berry
- 5: Blue Sands
- 7: My Ding-A-Ling (Live At Fillmore Auditorium, San Francisco, Ca/196)
- 1: July Tree – Nina Simone
- 2: Stumblin’ In – Chris Norman & Suzi Quatro
- 3: Sometimes I’m Happy – Johnny Guarnieri
- 4: Ac–Cent–Tchuate The Positive (Single Version)
- 6: But You’re Mine – Sonny & Cher
- 8: Peace Frog – The Doors
- 9: Let Me Roll It – Paul Mccartney And Wings
- 10: Life On Mars? – David Bowie
- 11: Slip Away – Clarence Carter
- 12: Diamond Girl (Album Version) – Seals And Crofts
- 13: Greensleeves – Mason Williams
- 14: Barabajagal – Donovan
- 15: Softly Whispering I Love You – The Congregation
- 16: Licorice Pizza – Jonny Greenwood
- 17: If You Could Read My Mind – Gordon Lightfoot
- 18: Walk Away – The James Gang
- 19: Lisa, Listen To Me – Blood, Sweat & Tears
- 20: Tomorrow May Not Be Your Day – Taj Mahal
We are extremely excited to announce that Licorice Pizza: The Original Motion Picture Soundtrack will be released on Friday 10rd December 2021 on both CD + Vinyl. Licorice Pizza is the story of Alana Kane (Alana Haim) & Gary Valentine (Cooper Hoffman) who grow up & fall in love in San Fernando Valley (1973). Written & directed by filmmaker Paul Thomas Anderson. Sean Penn, Bradley Cooper, Tom Waits & Benny Safdi also star. Limited movie release in the U.S. Nov 26 and goes wide in US on Dec 25. Radiohead's Jonny Greenwood composed the film's score & Paul Thomas Anderson curated the soundtrack also features songs by David Bowie, Paul McCartney and many more to be revealed. The title pays homage to the California record store, Licorice Pizza.
d 4 Ac–Cent–Tchuate The Positive (Single Version) [feat. Vic Schoen & His Orchestra] – Bing Crosby & The Andrew Sisters
[e] 5 Blue Sands [feat. Buddy Collette] – Chico Hamilton Quintet
[g] 7 My Ding-A-Ling (Live At Fillmore Auditorium, San Francisco, CA/1967) [feat. Steve Miller Band] – Chuck Berry
By now you’re probably familiar with our wildly popular Brown Acid series of rare, lost and unreleased proto-metal and stoner rock singles from the 60s-70s. In the endless pursuit of those glorious gems, we often uncover equally brilliant rarities from the late-70s to late-80s Golden Age of Heavy Metal that also just must be heard, but they don’t fit the series’ aesthetic. Scrap Metal, Volume 1 collects some of the greatest unknown and lost Heavy Metal tracks, long buried beneath the avalanche of the era’s classic output.
We all know the old adage that history is told by the winners. But sometimes the losers tell the best stories. And while none of these bands found fame and fortune, this artifact and the volumes to come are testament to the enduring power of heavy music. You can hear the blood, sweat and beers that went into each of these singles. The recordings may be low budget, but the inspiration and talent is immutable. Not only are the amps turned up to 11, the boyish sexual innuendo is cranked to 69. You can hear the convergence of influences — NWOBHM, thrash, glam metal, doom, etc — colliding at once as the era birthed a wellspring of subgenres.
Many of these singles are self-released and were thus limited to a small run of copies. Those that remain are hoarded by collectors and sold for exorbitant amounts. We’ve collected the best of the best for you here. As with Brown Acid, all of these tracks are licensed legitimately and the artists all get paid. Because it’s the right thing to do.
LINER NOTES:
Rapid Tears launch this series with the perfect christening. The Toronto, ON quintet’s 1981 single “Headbang” is such the pinnacle of heavy metal madness that it almost sounds like a spoof. There’s also enough of the rapid-fire sputum that inspired Metallica to bang the head that doesn’t, as such, engage in said practice, to be found on the band’s sole full length Honestly. But “Headbang” is a straightforward glammy anthem for the ages.
Air Raid’s “69 In A 55” may be lyrically so sophomoric that it’s actually pretty clever, but this 1983 Bay Area power metal single is loaded with sleek Judas Priest riffs and interwoven melodies that are downright sublime. The band’s sole release, the 2-song Rock Force 7” features a curious band photo in which 3 band members — dolled up in Crüe makeup and leather — are sexually menacing the lead singer/guitarist tied to a bed. Another low budget highlight is when singer/guitarist Tommy “Thrasher” Merry imitates a delay effect on his vocals as he sings, “tonight!...tonight...night.”
Hades’ “Girls Will Be Girls” has a real demo cassette feel to its vastly uneven mix, but the energy to the performance makes this an undeniable keeper. The long running Paramus, NJ quintet’s 1982 2- song debut 7” titled Deliver Us From Evil features this blistering thrasher dominated by shimmering leads and confident vocals that show why the band went on to near-fame on Metal Blade Records.
Resless don’t need no T to prove that they’ve got “The Power” with this 1984 driving mid-tempo rocker in the vein of Mötley Crüe and Ratt. The River Vale, NJ quartet’s tight crunch wails all over Bon Jovi posers but it’s the band’s unique and subtle deployment of background vocals that gives this rager its staying power.
Pittsburgh, the Steel City, is home to Don Cappa, a band that pays tribute to the burgh, the metal, and the awesomeness of both with “Steel City Metal.” Their lone single, issued in 1987 with only 300 copies released, sounds like the work of some serious steel driving men, with a drummer who might’ve forgotten to wear a hard hat one too many times on the construction site.
The Beast has more of a punk feel to their aggressive “Enemy Ace” track from the 4-song Power Metal EP from 1983 — something like Dr. Know meets D.O.A. But their look, artwork and lyrics all prove that Heavy Metal is where their hearts lie. And this hook filled monster delivers repeated lines like, “I command them all in my lofty realm,” with commendable conviction.
Dead Silence from Denver, Colorado, debuting in 1984 is not to be confused with Dead Silence from Denver, Colorado, who also debuted in 1984. The former a workman’s hard rock bar band, the latter a political peace punk band and neither knowing of the other’s existence throughout their tenure. The pre-internet days were a marvel, indeed.This Dead Silence spits out a slick, Nugent tinged rocker called “Can’t Stop” about life on the road.
The Danger Zone is, by all accounts, not the place to be. And, Hazardous Waste of Boston, MA saw fit to add their two cents on the matter with this 1986 single that combines Van Halen’s flashy musicianship with NWOBHM aggression that sounds so awesome it teeters on itself entering the “Danger Zone.”
Czar’s heavy, doomy “Iron Curtain” single from 1982 hearkens to the sleazy sounds of Saint Vitus and Pentagram with its cranked up DOD Distortion pedal in a Peavey combo amp guitar tone and meaty, barking vocals. The upstate NY quintet only issued this 2-song single, but its driving rhythm, nosedive whammy-bar guitar solos and comparatively mature Cold War subject matter show they had real potential.
Not much is known about Real Steel’s majestic “Viking Queen” from 1987, other than it rocks hard and the 7” 45 sells for upwards of a grand on the collectors market. The Flint, Michigan band recorded at the home studio of local radio personality Bill Lamb, who primarily released Christian Gospel recordings. So, perhaps the band was struck down by a bolt of lightning shortly after this rare single’s release. Whatever the case may be, it’s a must have for fans of classic metal mayhem.




















