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BAHAMA SOUL CLUB - SUNDUB SOCIETY LP

Sundub Society - featuring Josephine Nightingale, Ally Garrido, Tiago Saga, Naomi Falcon, Cutty Wren, Hedvig Larsson. The Bahama Soul Club are a German-based group whose unique blend of soul, jazz, funk, blues, bossa nova, afro and Caribbean influences has firmly put them on the map as one of the most exciting contemporary outfits of the black music scene. Inspired by the blissful energies of the sun drenched coast and the multicultural verve of tattooed wave riders, spiritual seekers, rainbow healers, mystic maidens and dreadlocked beauties, .... and of course the funky smell of sandy flip flops. Lush arrangements painted with sun-soaked brushes, captivating hangout vibes, shuffling bits of Reggae, woven threads of 70s roots, traditional rhythms and beats and sounds of the South Western Algarve. Sincere, artistic, full of spirit and definitely unique. No striving for the worldly charts. An album recorded mainly with the local legends. Stoned troubadoures, poetic pirates, authentic rebels. The songs were born from a vague idea after the release of "Bohemia After Dawn", the last album on which a few artist friends from the Algarve had already contributed. There is always a special magic in the neighborhood when sunny midday jams morph to sundown sessions to party-till-dawn skanks. We then just put those jams on tape. So, ten sundubby love songs to 'Oh, those sandy beaches'!

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26,47

Ültimo hace: 18 Meses
CHICO HAMILTON - THE DEALER LP

Led by drummer and bandleader Chico Hamilton, The Dealer features appearance from Archie Shepp, Charles Lloyd and, notably, the recording debut of guitarist Larry Coryell, who lends a bluesy edge to a solid and mellow soul-jazz outing.This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.

Reservar26.04.2024

debe ser publicado en 26.04.2024

30,04
GLORIA COLEMAN FEAT. POLA ROBERTS - SOUL SISTERS LP

Guitarist Grant Green joins organist Gloria Coleman and drummer Pola Roberts on this satisfying and soulful album, unique in the Impulse catalog. Produced by Bob Thiele, recorded by Rudy Van Gelder and originally released in 1963. This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.

Reservar26.04.2024

debe ser publicado en 26.04.2024

30,04
GERRY MULLIGAN - Night Lights LP

On his 1963 debut release for the Phillips label, baritone saxophonist Gerry Mulligan is joined by familiar friends, including Art Farmer, Bob Brookmeyer and Jim Hall for a relaxed and refined set of cool jazz ballads. Highlights include the Mulligan-penned title track and Chopin’s ‘Prelude In E Minor’.

Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Reservar26.04.2024

debe ser publicado en 26.04.2024

36,35
GEORGE BENSON - Giblet Gravy LP

Released on the Verve label in 1968, Giblet Gravy marked jazz/soul guitarist George Benson's fourth album as a leader. It features Benson backed by an all-star group arranged and conducted by Tom Mcintosh, that includes such jazz luminaries as Ernie Royal, Pepper Adams, Johnny Pacheco, Billy Cobham, Ron Carter, and Herbie Hancock. According to AllMusic reviewer Richard S. Ginell, the label's "immediate goal was to groom Benson as the next Wes Montgomery (who was about to leave Verve) - and so he covers hit tunes of the day, playing either with a big band plus voices or a neat quintet anchored by Herbie Hancock, and the sound is contoured to give his guitar a warm mellow ambience. But the eclectic Benson is his own man, as his infectious repeated-interval rhythm trademark tells us on his self-composed title track. George's work is always tasty and irresistibly melodic."

Reservar15.04.2024

debe ser publicado en 15.04.2024

27,31
NICO - Chelsea Girl LP

Nico

Chelsea Girl LP

12inch700209
Elemental Music
15.04.2024

The debut solo album (and second studio LP) by German singer Nico, Chelsea Girl was released by Verve Records in October 1967, following Nico's collaboration with the Velvet Underground on their 1967 debut studio album. The title is a reference to Andy Warhol's 1966 film Chelsea Girls, which Nico starred in. Born Christa Päffgen in Cologne in 1938, Nico was a singer, songwriter, actress and model. Besides working with Warhol, she had roles in several films, including Federico Fellini's La Dolce Vita (1960). In the 1980s, she toured extensively. She died in Ibiza on July 18, 1988, as the result of a cycling accident at the age of 49. Musically, Chelsea Girl can be described as a cross between chamber folk and 1960s baroque pop. AllMusic reviewer Lindsay Planer gave it four and a half out of five stars, stating that "Nico's inherently bleak delivery is similar to the more modern contributions of Laurie Anderson, Ann Magnuson, and Patti Smith. An unqualified masterpiece." Produced by Tom Wilson, much of the album features instrumental work and songwriting credits from Velvet Underground members Lou Reed, Sterling Morrison, and John Cale. "I'll Keep It with Mine" was written by Bob Dylan, while three other songs are by Jackson Browne.

Reservar15.04.2024

debe ser publicado en 15.04.2024

26,85
Elliott Brood - Country

With base notes of Texas country, full bodied Americana and flutters of rim-shot percussion, Elliott BROOD infuse their own experiences into the 1970s hit. Transformed into a true country ripper, “Bluebird Wine” chirps and hops along with a peppy verve. True to form, Elliott BROOD layer on their signature stomp and clap sound and their unique blend of vocal tones, creating an elixir of lifestyle, a feeling to imbibe that brings joy and fullness.

Reservar12.04.2024

debe ser publicado en 12.04.2024

30,04
Ella Fitzgerald - Clap Hands, Here Comes Charlie! LP

"Back in the 1990s original Verve pressings of this record were hot items pushed into prominence in great part by write-ups in The Absolute Sound, particularly by my friend Frank Doris. I found a few, and even a few in pretty good condition, but none of them begin to compare to this double 45 RPM set that offers more of everything, particularly transparency and instrumental separation. ...Ella's on a microphone with a slightly rising high end but if it sounds icy, don't blame the recording or the mastering. It's your system. If it's well-balanced and your cartridge is a good tracker, the vocal transparency and clarity are spooky and the sibilant articulation is precise. These double LPs cut at Sterling Sound use the original tapes, not copies of the original tapes and the clarity and transparency coupled with QRP's drop-dead silent pressings are remarkable. The original pre-MGM buyout LP has a pleasingly nostalgic quality and the added warmth produces a bit more room sound, but in my opinion it can't compare to this reissue unless you like hearing things through rose-tinted loudspeakers. Elegantly produced, arranged and recorded and easy to recommend ..." Music = 9/11; Sound = 9/11 - Michael Fremer, February 15, 2013.

Fourteen numbers from the heyday of swing, composed sometime between 1930 and 1945 - played and sung time and time again in ballrooms, or on the radio to advertise biscuits or war bonds, were recorded by Ella in completely new and personal interpretations in 1961. No one should be put off by the rather unfortunate cover. Clap Hands... is absolutely top notch as regards musicality, perfect recording quality, superb accompaniment by a small ensemble, with room for improvisations; it offers a wonderful opportunity to discover something new in these evergreens, despite the occasionally banal lyrics. The songs of this recording conjure up bygone days, with listeners in the 21st century being offered a highly personal homage to one of the most successful periods in the 100-year history of jazz.

Reservar01.04.2024

debe ser publicado en 01.04.2024

37,77
Nina Simone - Nina’s Back LP

Mit dem Album „Nina’s Back“, das erstmals 1985 erschien, macht Verve Records nach „Fodder On My Wings“ von 1982 ein zweites ungewöhnliches Nina-Simone-Album aus den 1980er Jahren wieder erhältlich. „Nina’s Back“ ist Nina Simones Pop-orientiertestes Album, mit Black Music, World Music und sogar Disco-Einflüssen. Bei Puristen hat es daher lange Zeit unterschiedlichen Ruf genossen. Mit heutigen Ohren gehört, ist „Nina’s Back“ jedoch ein packendes Werk, das es vierdient hat wiederentdeckt zu werden, nicht zuletzt wegen einiger großartiger Songs aus der Feder der Musikerin.

Reservar15.03.2024

debe ser publicado en 15.03.2024

27,94
Stan Getz, Bill Evans - Previously Unreleased Recordings (Acoustic Sounds Series)

Bill Evans and Stan Getz are about as close as musicians can get in terms of artistry, musical philosophy, technique, and personality. These previously unreleased sessions, recorded in 1963 with drummer Elvin Jones and a mix of bassists Ron Carter (Side A) and Richard Davis (Side B) are a perfect harmony of their strong individual styles and collaborative sensibilities with both at the peak of their creative careers.

Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

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41,98

Ültimo hace: 2 Años
Billie Holiday - All Or Nothing At All LP

Der großartigen Sängerin Billie Holiday nähert man sich immer sehr respektvoll, behutsam ihrem tragischen Leben gegenüber, aber auch voller Bewunderung der fantastischen Musik, die sie erschaffen hat. Die aktuelle Analogue Productions/Verve Edition in 45rpm, verteilt auf zwei super sauber gepressten Vinyl-Scheiben, unterstreicht dies akustisch mehr als deutlich. Dabei ist die Tatsache, dass die Aufnahmen in Mono sind, ein soundtechnischer Haupt-Gewinn. Der Klang gewinnt dadurch definitiv an Intensität, Tiefe und Druck. Die Scheibe erschien erstmals 1955. Eine geniale Band bannte damals 12 wunderbare Lieder auf die analogen Studiobänder. Neben Sängerin Billie Holiday agieren noch die Schlagzeuger Larry Bunker und Alvin Stoller, Harry „Sweets“ Edison an der Trompete, Barney Kessel an der Gitarre, Jimmy Rowles am Piano und Ben Webster am Saxophon. Den Bass teilen sich Red Mitchell und Joe Mondragon. Der Opener „Do NothingTill You Hear From Me“ ist maximal fesselnd. Holidays Stimme erfüllt den ganzen Hörraum. Kessel spielt dazu wunderschön bluesig-trockene und wohlklingende blue notes. Websters Saxophon ist so unendlich präsent, dass man unschwer meinen könnte, man säße inmitten des Ensembles. Mit Swing und Maxi-Groove kommt „But Not For Me“. Jazz as Jazz can! Herrlich perlen die Klavierfiguren von Rowles. Der Kontrabass kommt dabei so unendlich druckvoll und dynamisch. Das muss man hören, fühlen und spüren. Holidays Stimme hat dabei soviel Klangfarbe, dass man nur noch Schwärmen kann. Die zwei 180 Gramm schweren LPs kommen im ästhetisch gestalteten Klappcover. Dieser audiophile Edelstein gehört in jede gut sortierte Schallplattensammlung, und zwar definitiv schrankenlos Genre-übergreifend. wb

Reservar19.02.2024

debe ser publicado en 19.02.2024

20,97
PORCELAIN ID - BIBI:1 LP

Porcelain Id

BIBI:1 LP

12inchUNDAY158LP
UNDAY RECORDS
16.02.2024

You just moved to the big city, you end up at a party where you don't know anyone and someone walks up to you and asks: "Hey, are you alone here?". That is exactly the feeling that Porcelain id describes on their debut album Bibi:1, short for the Arabic pet name Habibi. Porcelain id is the pseudonym under which Hubert Tuyishime (they/them/their) has been unleashing unique songs since 2020.

The album - inspired by their move from a quiet provincial town to Antwerp - is the soundtrack to walking into city traffic during rush hour and trusting to get out of the chaos in one piece. It is an ode to exciting encounters with complete strangers and to the friends you can come home to afterwards. A story about being a stranger in a city you've romanticized for so long, the rejection that comes with it, and the false nostalgia with which you look back on it all later on.

At first hearing, the completely English-language Bibi:1 may seem like a brusque farewell to the autobiographical intimacy and lo-fi singer-songwriter music on the previously released EPs Mango and Reprise, and especially on songs like Vlaanderen. But to Porcelain id it feels like an organic evolution. One towards more abstraction, experimentation and electronics, but never detached, and still building on the core of Porcelain id.

The new sound is the result of an intense collaboration with producer and partner in crime Youniss Ahamad, who, despite their different musical backgrounds, immediately felt challenged after Porcelain id's legendary elevator pitch: 'I want to make something that is situated between Nick Cave and the Bad Seeds and Yeezus by Kanye West'.

Together they drew the blueprint for Bibi:1 in Youniss' home studio. Track by track, without looking back. A sporadic, but rigid process that added to the intensity of the album. In the studio, the songs were taken to a higher level. The two invited a pack of talented friends and young musicians to the studio to add parts, a stark contrast to the solitary approach of previous EPs. Aram Abgaryan (recording engineer/synths/vocals), Nard Houdmeyers (guitar), Tim Caramin (drums), David Idrisov (bass), Alban Sarens (sax) and Emma Hessels (vocals) came by. Aram Santy was at the controls during the mixing sessions.

The result sounds like the ultimate symbiosis of Porcelain id and Youniss. Lofi, but ambitious. Fragile, but rough. Poppy, but disruptive. Sometimes challenging. Then welcoming again. Sometimes even danceable. Each song forms a small vignette that is part of a diverse, but coherent unity. Adam Coming Home and Low Poly are closest to the melancholy of Porcelain id's earlier work, while Lights! strikes a new path. First single Man Down, on the other hand, is inspired by the Antwerp students who drown every year and sounds like a wandering nightly stroll through the city. For Brilliant, David Idrisov was asked to 'play bass as if Chet Baker were not a trumpet player, but a bass player', a bizarre assignment that he accomplished with verve. And Cellophane flirts with emo trap and was sung with raspberries between the teeth, to simulate the effect of grills.

Reservar16.02.2024

debe ser publicado en 16.02.2024

22,90
BEN WEBSTER - SOULVILLE LP

Soulville is quintessential Ben Webster: intimate, tender, endlessly expressive. Webster was internationally recognized as one of jazz's elder statesman when he recorded this album in 1957. Leading a stellar combo through a program consisting mostly of vintage pop tunes, the great tenor saxophonist is at his peak. Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Reservar26.01.2024

debe ser publicado en 26.01.2024

41,98
SHED SEVEN - A MATTER OF TIME

Shed Seven

A MATTER OF TIME

12inchCOOKLP898
Cooking Vinyl
12.01.2024

Shed Seven will return with their first album in more than six years. For "A Matter of Time", Shed Seven"s core members - vocalist Rick Witter, guitarist Paul Banks and bassist Tom Gladwin - reconnected with the classic albums that first inspired them to form a band. The resulting record sparkles with the liberated exuberance and full-throttle rock "n" roll attitude of a group who are making music for the sheer joy of expressing themselves and performing together. While the album broadens the Shed Seven sonic palette a touch, it"s full of the towering, arms-in-the-air anthems and yearning melancholia that fans have come to love them for. The trio enlisted a new line-up for the album, calling upon drummer Rob "Maxi" Maxfield (Audioweb) and keyboardist Tim Willis (Ian Brown). The album was produced by the Grammy Award-winning Youth (The Verve, Pink Floyd) at El Mirador Studios in Andalucia, Spain, before being completed by leading mixer Cenzo Townshend (Florence + The Machine, Inhaler). "A Matter of Time" flows from adrenalised punky power-pop right through to epic slow-burners, complete with some special guests: Happy Mondays" legend Rowetta contributing fervent gospel vocals to "In Ecstasy", Laura McClure of Reverend & The Makers on the folky-pop of "Tripping With You" and Peter Doherty, who duets with Witter on the dramatic closer "Throwaways". Shed Seven emerged as one of the big hitters during the heyday of Britpop, their catalogue of classic singles leading to seven Top 20 hits including "Going For Gold", "Chasing Rainbows", "Disco Down" and "On Standby" as well as four Top 10 albums. Their popularity has continued since reforming in 2007, with 2017"s "Instant Pleasures" album debuting at #8 - their highest-charting record in eighteen years. 2024 will mark 30 years since Shed Seven"s debut, Change Giver, and A Matter Of Time demonstrates that the band are at the very top of their game and the journey is far from nearing its end.

Reservar12.01.2024

debe ser publicado en 12.01.2024

23,49
George Benson - Shape Of Things To Come LP

This A&M/CTI debut album by George Benson signaled the arrival of a true star in the jazz scene. Creed Taylor signed Benson immediately after Wes Montgomery's passing in 1968 -- he was being groomed for it by Verve's house producer, Esmond Edwards, and arranger, Tom McIntosh, before he ever came to CTI. Taylor paired Benson with arranger Don Sebesky (who had done plenty of work on Montgomery's A&M sides) and engineer Rudy Van Gelder. Herbie Hancock and Ron Carter (both members of the Miles Davis Quintet with whom Benson had guested earlier that year), bassist Richard Davis, and pianist Hank Jones were all guests.

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24,79
DOROTHY ASHBY - The Rubáiyát Of Dorothy Ashby LP

Released on the Cadet label in 1970, this album’s wondrous mix of spiritual and funky jazz and unique instrumentation defy categorization. Harpist Ashby adds the koto, a 13-stringed Japanese instrument to her arsenal, and her long-time arranger Richard Evans blends flutes, vibraphone, oboe, kalimba and Ashby’s own vocals into a singular and soul-affirming set.
This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.

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31,05

Ültimo hace: 16 Meses
MARCOS VALLE & AZYMUTH - FLY CRUZEIRO

2023 REPRESS - Rare Brazilian Bossa Nova - Latin album - Comes with insert/liner notes & packaged in a gatefold jacket - 180g TANGERINE COLORED vinyl limited to 500 copies w/obi strip // Marcos Valle needs little introduction, born in Rio de Janeiro in 1943, Mr. Valle is an award-winning/chart-hitting Brazilian singer, songwriter and record producer. He was raised on a staple diet of classical, Brazilian popular music and North American jazz. Marcos Valle grew up to be one of the most influential & innovating musicians of the Bossa nova period and is regarded as one of the greatest Brazilian artists of all time. He has recorded albums for North American labels such as EMI, Warner Brothers & Verve_cementing his career with a series of tight musical workouts moving seamlessly between funk, samba, soundtracks, soul, jazz, dance and rock. Valle contributed to some of the most important recordings by artists including Sarah Vaughan, Frank Sinatra, Sergio Mendes, Leon Ware, Chicago and Airto Moreira. Mr. Valle's work has been sampled/remixed by major artists from the likes of Jay-Z, Kanye West & Madlib.One of Valle's favorite bands to frequently collaborate with was no doubt Azymuth, who took their name from a Valle song!Azymuth (Bertrami-Malheiros-Conti) started their individual careers in the 1960s in the emergent Bossa nova and jazz scene of Rio, living in the same bohemian block in Copacabana and playing in small bars as session musicians under various other names.It was the early 1970s when Azymuth really began to cause a stir and Marcos Valle invited them to record on a soundtrack LP he was doing. The unique Azymuth sound was now born: a mix of electronic music, samba, funk and jazz that they defined as MPB-jazz (MPB stands for Musica Popular Brasileira). Over the decades Azymuth released extremely successful albums (selling millions of copies) on labels such as Polydor, Som Livre and Atlantic. Hitting the charts on multiple occasions, Azymuth played at the Monterrey and Montreux jazz festivals and at venues around the globe.The band has worked with legendary musicians from Joe Henderson to Stevie Wonder and they've also been remixed/sampled by artists such as Flying Lotus, will.i.am, MF DOOM and Peanut Butter Wolf. Their unique brand of fusion-music has influenced three generations of musicians, DJs, and producers. Music journalists across the spectrum from mainstream to underground, celebrated these raw yet wildly imaginative and musically accomplished tracks that were a revelation of jazz, funk and disco, with some even stating that the roots of EDM were on display in their early recordings.On the album we are presenting you (Brazil by Music - Fly Cruzeiro) the listener is getting yet another fantastic early Valle/Azymuth collaboration. Released in 1972, this rare album was pressed and gifted to customers of the `Cruzeiro' airline company. This promotional record came as no surprise because the connection between Cruzeiro Airlines and Valle was very tight (Valle's father was the manager and his brother was a co-pilot there).Next to the Valle/Azymuth material present, other songs include some of the all-time best Brazilian standards originally written by renowned artists such as Jorge Ben & Antonio Carlos Jobim. Take a flight with us through this fantastic album and into some of the best Jazz, Funk & Bossa Nova the Brazilian musical landscape has to offer.Tidal Waves Music now proudly presents the first ever vinyl reissue of `Fly Cruzeiro' since its release in 1972 (only 500 copies were pressed upon its original release in 1972).

Reservar01.12.2023

debe ser publicado en 01.12.2023

40,13
Ella Fitzgerald - North Sea Jazz Concert Series-1979-

BERTUS DISTRIBUTION INTRODUCES NORTH SEA JAZZ CONCERT SERIES

Bertus Distribution, in collaboration with NTR, AVROTROS and MOJO, presents a new vinyl series consisting of live recordings of legendary artists through the decades made at the renowned North Sea Jazz Festival.

The North Sea Jazz Concert Series will include officially licensed releases that will be released as standard on 180-gram white vinyl in a sleeve of heavy paper printed on reversed board. The records will be captured in mainly black-and-white artwork by Hans Pol in his signature style of the festival with inspiration from the covers of classic older jazz releases from the Blue Note label, for example. The liner notes are written by journalist and jazz expert Jeroen de Valk.

For the first release in this series, the honour is given to one of the most famous jazz singers ever, Ella Fitzgerald. On Friday 13 July 1979, she gave a raucous and peerless performance at the festival then still held in The Hague. The "First Lady Of Song" worked her way with verve through standards like 'There Will Never Be Another You', 'Satin Doll', ''Round Midnight' and 'Mr Paganini'. Her accompanists that night were Paul Smith on piano, Keter Betts on bass and Mickey Roker on drums; a trio line-up with the power of a big band.

Future releases will include NSJ recordings by such notables as Dizzy Gillespie, Buddy Rich, Ray Charles, Dexter Gordon and Jan Akkerman. It will be a long-running series with the aim of releasing the most extraordinary NSJ performances on vinyl.

The first edition of the North Sea Jazz Festival took place in 1976 at The Hague’s Nederlands Congresgebouw with some 9,000 visitors. In the first year, jazz legends such as Sarah Vaughan, Count Basie, Dizzy Gillespie and Stan Getz performed alongside a host of artists from the Dutch avant-garde.

The festival, officially NN North Sea Jazz since 2018, has now developed into a major international event that is also known beyond the Dutch borders as an event where jazz from the past, present and future merges with other genres such as blues, soul, funk, hiphop, pop and more. Over the years, it has grown to fifteen venues, around thirteen hundred musicians and an annual audience of between eight-five and ninety thousand. Since 2006, the festival has been held in new wider venue, namely Rotterdam Ahoy.

Reservar01.12.2023

debe ser publicado en 01.12.2023

28,78
BEN WEBSTER & HIS QUARTETT - WAYFARING WEBSTER LP 2x12"

Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists - the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon_but a dream came true when he was offered a permanent job in Duke Ellington's orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960's, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note_and countless others. On the album we are proudly presenting you today (Wayfaring Stranger recorded in 1970 by the NPS Radio network in The Netherlands) you will find mind-blowing high-quality Dutch sessions that were left dormant on a shelf and weren't commercially released for over 30 years! On 'Wayfaring Stranger' the listener is treated to no less than nine sublime tracks that document Webster's trademark relaxed-swinging but imaginative playing style that never gets boring. The album features an all-star line-up from the likes of Rob Langereis (Toots Thielemans), John Engels (Chet Baker, Dizzy Gillespie) and Cees Slinger (Dexter Gordon, Slide Hampton). Expect a 61-year-old Ben Webster in excellent form giving a warm, dusky, gritty yet funky performance where he delivers everything from up-tempo material, 12-bar blues jams to soulful expressive ballads. Webster's quartet is in constant musical dialog with each other, creating a unique back and forth between musicians at the top of their game. Tidal Waves Music now proudly presents the FIRST EVER vinyl release of this fantastic album (originally released as a limited Compact Disc edition back in 2000). This unique record comes as a deluxe 180g DOUBLE vinyl edition (strictly limited to 1000 copies) with obi strip.

Reservar24.11.2023

debe ser publicado en 24.11.2023

48,11
Cream - Heavenly Cream - an Acoustic Tribute To Cream LP 2x12"
 
15

Heavenly Cream 'An Acoustic Tribute To Cream' features Ginger Baker, Cream lyricist the late Pete Brown, Free front man Paul Rodgers, Bernie Marsden, Joe Bonamassa, Bobby Rush, Malcolm Bruce (son of Jack Bruce), Debra Bonham, Maggie Bell and others.

For a band that only existed for two and a half years, the influence and fame of Cream seems to have only grown and grown over the decades.

One of the highlights of this project was the participation of Cream's original drummer Ginger Baker. It turned out, sadly, that these were the last recording sessions he ever did.

Another big plus was getting the great Bobby Rush. The 85 year old blues/ funk master verve and energy is spectacular.

Joe Bonamassa didn't quite realize that we were all- acoustic, but plugged in for his slide work on "Sunshine" to great effect.

The powerful vocals of Deborah Bonham gracefully shook the walls of Abbey Road studios when she came in to lay down a couple of tracks. Her husband Peter Bullick also added to the mix, displaying his guitar finesse with great ease.

Maggie Bell's performances were a welcome reminder that she is still one of the greatest British blues/ soul artists of our time. And multi- instrumentalist and singer Malcolm Bruce, who played on every track, did some magical work that his late father Jack would surely have been very proud of.

If that wasn't enough, the phenomenal voice of Paul Rodgers puts the sweetest icing on this fine collection of tracks with his unmistakable presence.

In 2006 Cream won the Lifetime Achievement Award at the Grammys. Features Joe Bonamassa 3 times Grammy Nominee, Bobby Rush 2 time Grammy Winner, Son Of Jack Bruce, Malcolm Bruce, plays on every track.

Produced by Rob Cass, also producer of Silver Rails, Jack Bruce's final album.

Reservar24.11.2023

debe ser publicado en 24.11.2023

52,90
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