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Kintsugi (金継ぎ, "golden joinery") also known as kintsukuroi (金繕い, "golden repair") is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum, a method similar to the maki-e technique.
As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise.

6 ambient techno tracks, vinyl.

A love beyond.

LRK proudly presents "All Of Me / Self Revolution" a limited edition Retro Soul 7" vinyl from Gary Beals.

Lyrically, "All of Me" playfully celebrates bringing one's "whole self" to the forefront as Gary playfully expresses his interest and openness, giving of himself to that someone, he is very much interested in exploring more with.

Gary Beals is an acclaimed Canadian singer-songwriter known for his soulful voice and captivating and heartfelt performances. Rising to prominence as a finalist on the first season of "Canadian Idol," Beals has continued to captivate audiences with his exceptional talent and genuine artistry. His music seamlessly blends R&B, pop, and soul, resulting in a timeless sound that resonates with listeners worldwide. With multiple successful albums and a dedicated fanbase, Gary Beals continues to inspire and uplift through his powerful music.

Craig Charles is a big supporter of Gary's Beals and spun "All Of Me" for weeks on his Soul and Funk show on BBC radio Six

Limited 100 copies.

London lyricist Slim Papi returns for the 3rd and final release in his ‘Châteauneuf-du-Papi’ series with this 4-track EP.

Following collaborations with the likes of Crimeapple, Sonnyjim & Jam Baxter, this time London’s Slim Papi teams up with the Madlib-cosigned Chris Crack, who makes a rare appearance singing his way through the Max-B reminiscent hook as well as handling a 16 bar verse. Crack appearing fresh off the back of his latest ‘Free Sex’ LP and fellow wine-afficinado Griselda/Alchemist affiliate, Willie The Kid.

Continuing the trend set through his ‘Chateauneuf-du-Papi' EP series, the EP once again sees artwork courtesy of Dublin’s Johnny Brennan and includes tracks named after cult a movie directors, iconic restaurants and highly coveted bottles of plonk. The Jon Phonics produced lead single ‘Wim Wenders’ also features Luke Mills-Pettigrew of psychedelic-jazz experimentalists, Lunch Money Life, on bass guitar. Making the 4 track opus a truly all star cast.

Continuing the self proclaimed ’travel rappers’ world hopping theme (his last ‘I’ve Long & Prosper’ project written & recorded during a stint in Brazil) the EP was written during a short stint working the harvest at a friends vineyard in Portugal’s Douro valley, working 16 hour shifts, breaking only to cook twice a day. A vibe summarised in Papi’s effortless lyrics - “Precipitation, maceration, elevation, information highway generation, microphone mathematics, fry the amoratics” - and a work ethic translated to the music we hear. With his trademark themes of vintage vehicles, water sports and the finer things in life, the guest verses from Willie The Kid & Chris Crack match this energy with a little more bravado to spare.

After their debut 12" on Feel My Bicep and their contribution "Halluzinelle" to the Dots And Pearls 7 compilation, DeFeKT and Extrawelt are joining forces again.

In the act of remembering the true spirit of no-nonsense, raw, and direct techno, they created these two masterfully executed, original, and timeless cuts.

Each time they get together they come up with something truly unique, blending their styles effortlessly and seamlessly. Their expertise, knowledge, and recognition of our music's history just radiates out of this release. Both tracks immediately captured our souls here at Cocoon headquarters and we couldn't be more excited to put them out right away on this beautiful, limited, hand-stamped 10" vinyl.

A command across genres has distinguished Yasushi Ide’s work as a DJ and producer since emerging from the multiscene spawning big bang that was Tokyo’s highly influential club milieu of the 1980s. His productions draw variously from hip-hop, dub, house, punk, jazz dance, exotica and electronic music - and at their most expressive, synthesize sensibilities within a single track. The respect Ide’s earned is well evident in the impressive roll call of collaborators he’s accrued over the years - Masters At Work, Tom Verlaine, Don Letts, James Chance, DJ Krush, Pharaoh Sanders, U-ROY, and Bongo Herman, just to name a legendary few.



Now available for worldwide distribution from Love Injection Records in both digital and 7-inch 45 vinyl formats, the Yasushi Ide “A Place In the Sun (Kaoru Inoue Remix)” is paired with the equally gorgeous “A Place In the Sun (Dub).” On the former, Inoue’s treatment largely strips away the track’s beats, anchoring it to a subtle percussion pulse that emphasizes the composition’s irresistible melodic qualities. The latter finds Yoko Ota at the controls restoring and pushing reverb-soaked drums to the forefront of the mix, accentuating Ide’s affection for the sound system aesthetic while exercising just the right amount of spacial arrangement flourishes to inject some brawn amidst the beauty.



These serendipitously rediscovered renditions of a back catalog deep cut are just the latest examples of Yasushi Ide’s artistic reach. In addition to recording such acclaimed albums as 2020’s Cosmic Suite and its 2022 sequel (for which Love Injection has remixed a track), his work has spanned music supervision of some 200+ compilations for major labels, artist management, his Grand Gallery shop/gallery proprietorship, and books showcasing the depth of his archival sensibilities, including vintage t-shirt and ephemera curation. Perhaps most inspiring, however, is that Ide is still winning new appreciators and collaborators in unexpected ways four decades into a revered career that continues to evolve and expand.

Ron Henderson released only one album with his Choice of Colour band, and that was Soul Junction in 1976. The North Carolina-based singer-songwriter has become an object of cult admiration over the years which is what might explain how an original of that album can often go for upwards of $800 at auctions. The 2020 P-Vine reissue soon sold out and included an extra single from 1983, 'Gemini Lady.' It is that which now gets pressed up to its own 7". It comes with the same label design as the original with a special jacket to make it even more of a collector's item.

Hot'n'Spicy' is back for a captivating compilation of hedonistic disco delights.Experience the magic as disco players come together again on this album. Featuring the German groove sensation Delfonic, the iconic House stallion Franck Roger, the very Cosmic Dj Steef , and the Disconimo HOLDTight. Get ready for the musical journey filled with quality slow-disco soul jams, feverish disco beats, and enchanting cosmic grooves. On Side A, a Chicago disco groover « Everything is love » by Delfonic, followed by the slow house cracker « Disco Power » by HOLDTight. OnSide B, « Pinguino Bloumo », a superb piece of disco cooked by Franck Roger, and indulge in the Cosmic journey of « Warp Odyssey »by Dj STEEF. This vinyl release is a must-have for any discerning music lover seeking an exquisite blend ofdisco. Thanks for being with us on this journey. As always, a tasty piece for diggers and late-night DJs...

Over the past few years, we have strengthened our ties with photographers to showcase music we stand for.

Art Curation is deeply rooted in Délicieuse’s DNA. It all started with our Youtube channel where we have been showcasing the music we love for 10 years now. Parallel to music curation, our curiosity and appeal for aesthetic imagery brought us to enhance the music with photographs, illustrations or cinematic scenes. As a result, our Youtube channel has been the laboratory of our collaborations with photographers from all horizons such as Yosigo, Victor Costa or George Natsioulis.

Following that path, the Chambre Noire Compilation tends to expand the synergy between music & imagery. The idea is to highlight a photographer’s work & make the compilation a gallery in itself. For this first episode we are collaborating with Yosigo, a well established photographer from Barcelona. The art direction and graphic design side is imagined in collaboration with Brazilian art director Hermes Miranda.

The compilation contains 12 exclusive tracks released digitally and physically across a double vinyl edition. The physical edition includes an A6 photo booklet aiming to highlight Yosigo’s work while exploring the compilation concept.

Musically speaking the compilation follows Délicieuse’s travels and features a blend of established & emerging artists from all over the globe featuring the likes of Tell, Domenique Dumont, Fertita, Logh, BowAsWell, Pool Boy, Scissorwork, Jesper Ryom, Marvin Horsch, Jah One, Brothers of Eternal Love, and Golf Trip oscillating between Balearic, Deep House, Electronica, Electro & Indie Pop.

Get ready for an immersive and captivating musical experience with Chambre Noire.

Mix vinyl. Tracklist:

A1 Bassline Boys– War Beat
A2 Bizz Nizz– We'Re Gonna Catch You
A3 Wood Allen– Airport 89
A4 The Menz Club– Burn The House Down
A5 WestBam– Monkey Say Monkey Do
A6 Mickey Oliver– In-Ten-Si-T
A7 Fax Yourself– Sunshine 89
A8 Cappella– Helyom Halib
A9 Technodelia– Technodelia
B1 Jovanotti– Gimme Five
B2 Tatjana– Awaka-Boy Boy
B3 Sabrina– All Of Me
B4 Justian– Shake
B5 Tina– Boom Boom
B6 Fancy– Fools Cry
B7 Various– Short & Radio Version

Debut album of heavy Colombian salsa by the obscure and short-lived El Clan Antillano. Founded in 1975 by singer Jacky Carazo and radio personality / composer Mike Char and backed by a studio orchestra comprised mostly of Fruko Y Sus Tesos band members. The record has been remastered from the original tapes, with an additional three bonus cuts taken from two rare 45 singles, including the sought after track ‘Alma’. First time reissue. 180g Vinyl.

El Clan Antillano was an obscure, short-lived salsa group started in 1975 by singer Jacky “El Caballo” Carazo, originally from Cartagena, and radio host / song composer Mike Char, from Barranquilla. The band was active only until 1977, with a mere two albums to its name. Carazo and Char, “los amigos costeños” (friends from the Caribbean coastal area) created El Clan Antillano as a fresh start after the previous group Carazo had been the lead singer for, El
Afrocombo, had become inactive.

Char primary passion was music, especially songwriting. One of his skills in this area was adapting foreign songs, often in a different language, rhythm, arrangement or genre, and refashioning the tune in an uptempo Caribbean dance mode as a salsa or cumbia. This formula, as well as his own original compositions, soon brought him success not only with costeño friends like Carazo and Vicentini, but also with Medellín’s Fruko, allowing him to make a name for himself with record labels in that city. It was at this juncture, in 1975, that El Clan Antillano was born. This is their first album and was recorded with local studio musicians. It’s been said that most on the first album were from Fruko Y Sus Tesos (the voice of Joe Arroyo can be heard on coro) as well as others involved with various groups like La Protesta (de Colombia) and Juan Piña’s La Revelación.

The album kicks off with ‘Donde ‘sta? Donde ‘sta?’, a medley of costeño lyrical phrases quoting various popular porros. Gradually changing the vibe, this is followed by Enrique Aguilar’s ‘El baile del
ratón’, a humorous cumbia that changes into a salsa halfway through. As if El Clan Antillano were not entirely confident about featuring purely salsa from the start, the same cumbia/salsa hybrid formula is used in the third piece, a faithfully rendered version of Eddie Palmieri’s ‘Mi cumbia’.

‘Estás equivocada’ rocks hard like the best Venezuelan salsa of the time. ‘Esta mañana’ is a cover version of an obscure bolero from Curaçao’s Erwin Castaneer with Super Combo Castaneer. ‘En la oscuridad’ is an interesting mashup of Puerto Rican bomba and New York style pachanga. ‘El despertar’ is a sunny sounding pop song reinvented as a Nelson y sus Estrellas style salsa/cumbia hybrid with a fantastic ‘montuno’ section.

Up next is a hard salsa jam in the ‘pregón’ (street vendor’s cry) genre, written by Fruko Y Sus Tesos percussionist Álvaro Velásquez (composer of ‘El preso’). The original album track list closes out with a fantastic rendition of Puerto Rican singer/composer Bobby Capó’s classic ‘El negro bembón’ that the world first leaned to love through Cortijo y Su Combo. Three bonus tracks have been added to the album as it was originally very short. Interestingly, there were four songs from two 45 singles cut by the band that were never included on either long play. While the ephemeral El Clan Antillano may not be as well known as the groups it’s related to, namely El Afrocombo and Fruko Y Sus Tesos, it certainly deserves credit as a worthy participant in the historical evolution of salsa colombiana.

Mary Yuzovskaya's vinyl-only Monday Off imprint delivers the sixth instalment of its various artists series, calling in a crew of talented artists to explore deep, cosmic anomalies and soothing modular soundscapes. Kicking off the compilation is Poland-via-Berlin artist Blazej Malinowski, a true wizard with sound, whose 'Ocean' sees rich textural synths crash like waves onto driving low-end. The Gods Planet, Svreca's Semantica, and 012 artist is followed by Nonplus+ and Blank Slate's Michal Wolski, who delivers 'Essence', a track boasting squelchy sequences, subtle acid and swirly psychedelia.

'Black Moss' is next, a minimalistic tripper by Xhato that expertly weaves rolling synthlines into sturdy drum work. It's a constantly evolving, deep space adventure before Milena Glowacka closes the EP with distant, foggy wastelands and dubbed-out hypnotics in 'Dystopia'. Volume 6 of Monday Off's compilation cements itself as another must-have collector's item for those venturing into the trippier side of techno.

Hailing from Richmond, VA, Heartracer makes anthemic synthpop, combining modern production techniques with classic pop songwriting. Inspired by ’80s icons such as Duran Duran, a-ha, Peter Gabriel, The Outfield, and Springsteen, Heartracer’s sound is a nostalgic mix of dreamy synths, melodic guitars, and swooning vocals.

On their new album The Feel, the band channels all of that inspiration and filters it through a fresh lens; the result is a retro-inspired modern pop masterpiece. Midnight Mannequin Records is proud to present Heartracer’s The Feel on deluxe white vinyl, complete with OBI strip.

repressed !

This vinyl only Simple Things re-issue will mirror the original release, cut over 4 sides and using the original artwork but now pressed on heavyweight 180g vinyl. Cutting is by engineer Kevin Metcalfe using his original cutting notes.

Simple Things is a timelessly classic album and the essential soundtrack to any laidback summer chilling.

Zero 7 were formed in 1997 by producers Henry Binns and Sam Hardaker. In 2001 their debut album Simple Things was released selling over a million copies to date and was nominated for the Mercury Music Prize. Zero 7 were also nominated as Best Newcomer at the Brit Awards 2001.

Simple Things peaked at no.28 in the UK album chart and spent 89 weeks on the chart. Stateside, the album hit no.4 on the Billboard Dance / Electronic album chart and stayed on that chart for 52 weeks.

Singles taken from the original album included I Have Seen featuring Mozez, Destiny featuring Sia & Sophie Barker, In the Waiting Line featuring Sophie Barker and Distractions featuring Sia.

*Repress*

An artist as imaginative and unique as Ana Mazzotti doesn’t come around often. Dubbed a “super-musician” by fellow Brazilian virtuoso Hermeto Pascoal, Mazzotti’s short but rich musical career culminated in just two studio albums: Ninguem Vai Me Segurar (1974), and Ana Mazzotti (1977). Outside circles of Brazilian funk aficionados, these two gems of spellbinding samba-jazz, lysergic funk and trippy bossa have remained relatively obscure. This was partly as a result of Mazzotti’s premature death (she lost her battle with cancer in her mid-thirties), but also due to financial restraints and the prejudice she faced as a female songwriter in a fundamentally sexist society.

Born in Caixas, in Brazil’s Rio Grande do Sul municipality, Mazzotti began to play the accordion aged five, before moving with prodigious ease onto the piano. By the age of twelve she was already conducting her convent school’s choir, and at twenty-one she led her city’s premier chorus, the Coral Bento Goncalves. When rock and roll hit South America in the sixties, a young Mazzotti was one of the early adopters, fronting various guitar groups including an all female Beatles cover band, and an eclectic, eight-piece psychedelic group Desenvolvemento. Before moving to Sao Paulo to start her career proper, Mazzotti met drummer, producer and fellow music educator Romido Santos, who she would later marry. Romildo introduced Mazzotti to jazz, and music by the likes of Chick Corea and Hermeto Pascoal who she would later befriend and perform with.

In 1974 Mazzotti recorded her first album Ninguem Vai Me Segurar (1974), enlisting the in-demand arrangement talents of Azymuth’s original keyboard maestro Jose Roberto Bertrami who co-wrote several of the tracks and plays organ, piano and synthesizers on the album. It also features Azymuth’s bassist Alex Malheiros and percussionist Ariovaldo Contestini, with Romildo Santos who produced the album on drums. Recorded in Estudio Haway around the same time Azymuth recorded their debut album there, it’s no wonder the samba jazz-funk pioneer’s distinctive aesthetic is present throughout, and Mazzotti’s sensational compositions are made even more beautiful for it.
Kicking off with the swirling samba-jazz-dance masterpiece ‘Agora Ou Nunca Mais’, the album hosts several groove-heavy Brazilian cult-classics including ‘Roda Mundo’ and ‘Eu Sou Mais Eu’. Deeper moments come in the form of the alluring future soul synth sounds on ‘Bairro Negro’ and ‘Sou’, and Mazzotti’s tender, hallucinatory version of ‘Feel Like Making Love’ (made famous by Roberta Flack) perfectly reflecting the idiosyncratic genius Mazzotti achieved with Bertrami’s visionary arrangements, and Romildo’s impeccable production approach.

Far Out Recordings is proud to present the official reissue of this cult favourite Brazilian treasure. Remastered and pressed to 180g vinyl, Ninguem Vai Me Segurar (1974) will be available on vinyl LP, CD and digitally from 13th September.

One more year, we are now working tirelessly on our beloved label. Just as we did last year, this 2023, we are back with our 'ANAØH INVITES' series.

Last year we had the wonderful presence of James Ruskin and Ben Sims as guests of honor, that wonderful 12' vinyl sold out in a few weeks, however it is time to present our second volume, where again Dig-It and Fixon as hosts of the label invite 2 artists to join them and release original 4 tracks on a special edition 12' vinyl. In this second chapter we have the presence of a veteran whom we respect and love deeply, one of the main people responsible for the classic hardgroove sound , Mark Williams.
As well as one of our wonder boys, the virtuous CRAVO.

We feel honored and moved to have this second collaboration, which we hope will please everyone! Thank you for all the love and support during these first 7 years of adventure.

From México with Love. Fixon & Dig-It