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- A1: Ulf Wakenius Feat Youn Sun Nah - Message In A Bottle
- A2: Paola Arnesano - Roxanne
- A3: Vincent Peirani, Vincent Lê Quang & Sylvain Luc - Every Little Thing She Does Is Magic
- A4: Pink Turtle - Every Breath You Take
- A5: Kevyn Lettau - Synchronicity
- B1: Nils Landgren, Michael Wollny & Lars Danielsson Feat Wolfgang Haffner - If You Love Somebody Set Them Free
- B2: Andy Bey - Fragile
- B3: Julian & Roman Wasserfuhr - Englishman In New York
- B4: Lisa Bassenge Trio - De Doo Doo Doo De Da Da Da
- B5: Christof Lauer & Jens Thomas Feat Sidsel Endresen - Shadows In The Rain
Despite the name, the band does not perform exclusively in trio formation, but expands the lineup with illustrious guests of the jazz genre. In the past AMC Trio has collaborated with Philip Catherine, Bill Evans, Ulf Wakenius, Mark Whitfield, Michael Patches Stewart and many others, including the guest on 'Following the Light' Randy Brecker.
The AMC Trio band has been around for about twenty years and consists of pianist Peter Adamkovic, bassist Martin Marincak and drummer Stanislav Cvanciger. It has its musical foundations in mainstream jazz but over the years has managed to develop its very own musical sound and style. The band incorporates many self-experienced stories and emotions in their compositions.
Although their music is influenced by Slovak music, it goes beyond the usual jazz progressions and touches on a number of diverse genres. For example, the wide range of melodies is inspired by popular and classical music, melodies from Eastern Slovak folk music, nature, literature and spirituality.
- A1: Niels Landgren & Jan Lundgren - Blekinge
- A2: Gregoire Maret & Romain Collin & Bill Frisell - Wichita Lineman
- A3: Wolfgang Haffner - Tango Magnifique (Feat Ulf Wakenius & Christopher Dell)
- A4: Michael Wollny & Emile Parisien - White Blues
- B1: Paolo Fresu & Lars Danielsson - Darduso
- B2: Kadri Voorand & Mihkel Malgand - Ageing Child
- B3: Andreas Schaerer - Embraced By The Earth (Feat Vincent Peirani)
- B4: Joachim Kuhn & Mateusz Smoczynski - Epilog Der Hoffung
‘Hörtest-Edition IV - Visions of Jazz’ is a listening experience to be cherished. It offers a specially curated programme which can be compared across different media and in various formats. Enjoy an audiophile adventure in perfect sound quality: the 180gram LP, cut at half speed, has been subject to the most exacting demands during the pressing process, rendering the quality of a turntable audible. Compare the special features of vinyl with the strengths of a conventional audio CD, or alternatively feast your ears on the sound quality attainable in the hi-res world of 24-bit. For this listening experience, ACT has curated a selection from its current releases by renowned artists, all recorded and produced to the highest standards and with an uncompromising focus on sound quality. Test… compare… but above all, enjoy the music. Under the motto ‘Visions of Jazz’, ‘Hörtest-Edition IV’ presents a multi-faceted kaleidoscope of current jazz. This ‘Hörtest-Edition’ includes gatefold 180g LP, CD and 24Bit high resolution digital download files. Curated and compiled by Marco Ostrowski.
‘Kind of Tango’ is a kaleidoscope of shifting emotions. Wolfgang Haffner’s conception of tango has drama and propulsion in it but also melancholy and longing, with room for frenetic outbursts too. All this is unified by his inimitable groove and feel that commentators have called “an absolute dream,” “magical” and “profoundly relaxed.” Alongside trusted co-protagonists Christopher Dell and Lars Danielsson, he has two guests with him who defy all the clichés associated with tango: guitarist Ulf Wakenius cut his teeth musically in Oscar Peterson’s band and his Swedish heritage always shines through in his playing; Vincent Peirani is one of the leading innovators on the accordion and he finds new ways to define the instrument’s role in the tango. Also, young pianist Simon Oslender makes a first appearance with the band. Jazz and tango find a natural yet constantly shifting equilibrium - to be heard particularly effectively on ‘Close Your Eyes And Listen’ by Astor Piazzolla. In addition to compositions by Haffner himself and by his band members, pieces by the celebrated Argentinian bandoneon player and composer are the focal point of the album. Piazzolla’s innovations with the tango, such as bringing jazz into it, date from around 1955. Haffner and the tango
seem perfectly matched to each other. Tango is no longer a fixed style nowadays, it is above all an attitude to playing and an attitude to life. Wolfgang Haffner’s approach to tango is both authentic and new. It is his and his alone and it is irresistible.
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