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Split Enz - Second Thoughts (Expanded Edition) LP
  • A1: Late Last Night
  • A2: Walking Down A Road
  • A3: Titus
  • A4: Lovey Dovey
  • A5: Sweet Dreams
  • A6: Stranger Than Fiction
  • A7: Time For A Change
  • A8: Matinee Idyll
  • A9: The Woman Who Loves You

The next chapter in this series, 'Second Thoughts (Expanded Edition)', marks 50 years since Split Enz ventured to London to record with Roxy Music's Phil Manzanera in the producer's chair. This definitive 2LP set pairs the original 1976 mix, remastered from the original tapes, with a companion LP 'Wide Angle Enz' - a treasure trove of live recordings and alternate mixes, including a previously unreleased archival rough mix of '129 (Matinee Idyll)' which is exclusive to this release. Presented in the distinctive Australia/New Zealand sleeve featuring John Prew's band portrait, the album concludes with the hypnotic locked- groove of 'Mental Notes', mirroring the international version's striking finale. Pressed on two 140g vinyl, housed in a wide- spine sleeve with printed inner bags. Remastered from the original tapes by Phil Kinrade and overseen by Eddie Rayner, with lacquers cut by Harry Rudkins at AIR Studios.

pre-order now27.02.2026

expected to be published on 27.02.2026

32,14
Nina Simone - The Essential Collection LP
  • A1: Little Girl Blue
  • A2: My Baby Just Cares For Me
  • A3: You'll Never Walk Alone
  • A4: I Loves You Porgy
  • A5: He's Got The Whole World In His Hands
  • A6: For All We Know
  • B1: Willow Weep For Me
  • B2: Solitaire
  • B3: Black Is The Colour Of My True Love's Hair
  • B4: Summertime
  • B5: Wild Is The Wind
  • B6: Memphis In June
  • B7: I Got It Bad (And That Ain't Good)
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10,50

Last In: 53 days ago
Dave Hughes - Fastplay E.P.

Dave Hughes

Fastplay E.P.

12inchCORPO02
IL CORPO
26.02.2026

The second release from Irish label IL Corpo Records comes from Dublin native Dave Hughes. The Fastplay E.P. sees the accomplished audio engineer and Dj return to production duties with 4 carefully crafted excursions into mid tempo deep house with elements of dub and techno. Having had multiple releases on John Tejada’s legendary Palette label and iRecords amongst others, the production values are top notch and well executed making this an interesting listen indeed.

Fastplay chugs along building gradually before sultry vocals from Svelte weave their way into the mix and beckon the listener to the dance floor for the night ahead.

Feel Better is a downtempo dubby experiment inflected with a dose of rave nostalgia.

Walk Alone sees more atmospheric chord work and well chosen percussion that cements the sentimental feel of the E.P.

Tabouli rounds out the release with broken beats wrapped up in mid eastern rhythms. Moody chords and a G Funk lead line keep the groove evolving to the end.

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15,34

Last In: 48 days ago
PAN DAN - MI MANIFESTO

PAN DAN

MI MANIFESTO

12inchIVR037
Ivreatornic
26.02.2026

“Mi Manifesto” = “I just show up”. No warning.

MI MANIFESTO is an album slow-cooked—actually, really slow-cooked—pretty much over a match flame. It’s a little peek into my everyday life. If you stumble into it, you might bolt… or sit down, watch it unfold, and let this train hit you head-on. It’s not an album for everyone—only for those who walked in, got it, and decided to stay.

Pressed on a brilliant acid-yellow 12”, this special release is packed with surprises:
Each copy includes a custom insert by Pan Dan featuring the album’s lyrics. Inside every package, you’ll also find a personalized surprise gift — a small creative token straight from Pan Dan’s imagination. It might be playful, poetic, unexpected… or all of these at once. In any case, it will always be yours alone.

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23,95

Last In: 54 days ago
Finlay Shakespeare - Directions Out Of Town LP

Directions Out Of Town is the latest and teased as (possibly) the last LP by DIY electronic abstract pop wizard Finlay Shakespeare.

Directions Out Of Town is a fierce mix of headstrong pop bangers. Fact. There is simply no one else traversing the field that Shakespeare is exploring. It can be lonely in the desert, Simon says. Lyrically, Directions Out Of Town is dealing with loss; personally, geographically, politically, culturally - a general decay of everything.

This new record is heavily inspired by structural film where the results unravel a method where metaphor is removed from the act of sound synthesis, production and mix of the tracks. Fiercely independent and brimming with integrity this is a deeply effective journey through machines of the human experience.

The track titles are telling: 'Away', 'Get', 'Direction', 'I go for a walk', etc

This is sentiment via complex synthesis wrung through patterns of pop. One also finds ways out that only turn out to be false/untrue.

"I essentially don't know where I belong any more. This record is the precursor to that."

What is ostensibly an electro pop record reveals a multitude of layers and depth as one man and his machines wrestle with the reality of this tangled matrix. If the charts had brains this would be album of the year.

Finlay Shakespeare is an electronic musician working in the UK. His fascination for synthesized sound was born out of his parents' record collection, leading him to explore the electronic music of decades past throughout his teenage years. While starting to write and record his own tracks, he also began learning analogue electronics, which led him to design and build his own equipment. To date, he has released work on Editions Mego, Superpang, and his own GOTO Records.

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22,65

Last In: 56 days ago
NAT KING COLE - THE VERY BEST OF LP
  • A1: Unforgettable
  • A2: Mona Lisa
  • A3: Nature Boy
  • A4: Smile
  • A5: Too Young
  • A6: (Get Your Kicks On) Route 66
  • A7: Straighten Up And Fly Right
  • A8: When I Fall In Love
  • B1: It's Only A Paper Moon
  • B2: Ramblin' Rose
  • B3: A Blossom Fell
  • B4: Walkin' My Baby Back Home
  • B5: Pretend
  • B6: Send For Me
  • B7: Answer Me, My Love
  • B8: Those Lazy, Hazy, Crazy Days Of Summer

Nat King Cole was one of the most distinctive and beloved voices in popular music, whose warmth, elegance and effortless phrasing defined an era. Very Best Of Nat King Cole brings together a superb selection of his most enduring recordings, from timeless ballads like Unforgettable, Mona Lisa and When I Fall In Love to upbeat classics such as (Get Your Kicks On) Route 66, Straighten Up And Fly Right and Ramblin’ Rose. Showcasing his remarkable range as both a romantic crooner and a swinging entertainer, this vinyl LP offers a perfect introduction to his extraordinary legacy. Pressed on highquality 180g black vinyl, it is an essential collection for long-time fans and new listeners alike.

pre-order now23.02.2026

expected to be published on 23.02.2026

15,08
MASON LINDAHL - Joshua / Same Day Walking

"On a dozen restlessly expressive instrumentals recorded between Marin and Reykjavík, the American guitarist finds turbulent beauty at the edges of the fingerstyle tradition." - PITCHFORK 7.9/10

"The greatest living guitar player" - Hayden Pedigo

Today, guitarist Mason Lindahl — whose “unabashedly beautiful" (Aquarium Drunkard) sound "balances the romantic dynamics of flamenco and the meticulousness of Windham Hill with the unguarded qualities of improvised music" (Pitchfork) — announces a pair of new albums: Joshua / Same Day Walking via Mt. Brings Death.

Though packaged together, Joshua and Same Day Walking chart distinct worlds. Recorded in northern California and produced by Robby Moncrieff (Dirty Projectors, Zach Hill), Joshua is woolier and warmer, evoking haze, humidity, and overgrown Spanish moss. Meanwhile, Same Day Walking — recorded in Iceland and produced by Moncrieff alongside two-time GRAMMY-winning composer / sound designer Sam Slater (Joker, Chernobyl) — is, appropriate for its icier climes, windswept and beholden to the vast emptiness of harsh landscapes. As a pair, they provide a thorough portrait of Lindahl's singular and versatile playing.

Amid Lindahl's purely evident virtuosity, close listeners can savor wonderful imperfections freckled throughout Joshua / Same Day Walking: buzzing strings, minimal electronic ambience, soft undulations of tempo. Lindahl isn’t here to pageant his craft; he's adventuring within, uncovering fresh avenues of sound and emotive gesture.

Described by friend and contemporary Hayden Pedigo as “the greatest living guitar player,” Mason Lindahl’s “austere, gothic flamenco...dares you to submit to this odd and immersive sonic universe" (Uncut). The Northern California native's solo instrumental debut Kissing Rosy in the Rain, released in 2021 via Tompkins Square, was praised as "gorgeous" (Petal Motel) and "a minimalist gem" (Everything Is Noise). Prior to that, his only other solo release is 2009's Serrated Man Sound.

pre-order now20.02.2026

expected to be published on 20.02.2026

24,33
Jim Noir - Programmes For Cools LP
  • Start
  • Out Of Sight
  • The Fountain
  • These Are Things
  • Manchester Cat
  • Longsword
  • Harum Scarum
  • Bit 42
  • One More Hand
  • I Think I Found It
  • Fireworks
  • Morning Light
  • Motorbike
  • Close

The last time Noir embarked on a similar creative exorcism was for 2012's Jimmy's Show LP which selected choice cuts from 18 E.P. 's released via straight to fan subscription over as many months. The resulting album is one of his most lauded and beloved by fans, with the vinyl now selling for silly money on Discogs.

Programmes for Cools is Jimmy's Show's spiritual successor, idiosyncratic, other worldly and brimming with timeless melodies. Noir's influences seep through the track list, wrapped with a haunting, dreamlike delivery.

First single 'Out Of Sight' is a Fleetwood Mac meets Selected Ambient Works era Richard D James, four to the floor banger. Already a fan favourite, it propels Side A forward with a somewhat misplaced optimism, much like Neil Young's 'Walk On' starting On the Beach.

Side B is more esoteric, exemplified by 'Fireworks’which includes lyrics and vocals from Marie Claude Dequoy,produced with the wooze of golden era Boards of Canada. Elsewhere, influences as disparate as Stevie Wonder, on the wonky clav funk of 'The Fountain', and Ian Brown 'I think I found it' illustrate Noir's disregard for musical straightjackets (the latter may have the most unapologetic baggy, hypnotic groove since the Mondays' 'Halleluiah').

As the album swells to its conclusion, via the epic Led Zeppelin meets the Warhol clique 'Morning Light’and the heart tugging finale of 'Motorbike’(the first song released from the most recent run of E.P.'s), there is a sense of completion and finality...
‘This is the last Jim Noir album. There are no more Jim Noir albums after this one. This time I'm serious. It's been the hardest I've ever worked on anything. I think I have created my own Be Here Now...Sorry.’
Joking and hyperbole aside, the album has more of an Abbey Road feel, and needs to be experienced in one sitting. If the infamous Davyhulme prankster is to be believed and this is his final outing, then you could wish for a more fitting album. - NM

pre-order now20.02.2026

expected to be published on 20.02.2026

21,43
NON VIOLENCE - LIFTED CURSE LP

NON VIOLENCE

LIFTED CURSE LP

12inchREPOSELP157
Riot Season
20.02.2026
  • A1: Power Glory (5:53)
  • A2: Art Of War On Art (5:32)
  • A3: Body Betrayal (5:08)
  • B1: Explicit (3:01)
  • B2: God On Goddess (7:10)
  • B3: You Always You Never (6:17)

For years, L.A.’s David Jasso and the UK’s Mike Vest walked separate but parallel routes through psychedelic noise rock—two genre outsiders pulling the music toward raw instinct, intensity, and sonic extremity. Their paths kept echoing each other, from their own projects and collaborations—most notably through their work with key artists in the Japanese psych underground—both speaking the same volatile language of improvisation and avant-garde abrasion. A collision wasn’t just likely—it was inevitable.
This ethos and commitment to raw, volume-overdosed psych rock led to this new collaboration. Rather than deliver the expected heavy psych freakout, they opted for something more direct and confrontational.
The result is Non Violence and the album “Lifted Curse,” a six-track blast of noise rock focused not on mysticism and psych tropes, but on psychological depth. The album rips through raw male emotion: fraternity, loss, carnal impulses, mental states. Jasso’s lyrics read like an unfiltered journal mid-burnout; Vest’s swirling, savant-garde guitars create tension with Jasso’s own guitars; and Sned’s rocksteady grooves form a fistfight of harmony and dissonance.
Together, this new power trio carves out a new sonic language—heaviness rooted not in posturing, but in realness and weight: fragility, weakness, and the human efforts forged to break out from it. Non Violence is noise rock with an unironic violent aim in the physical dimension—a new conversation in a familiar space, where vulnerability hits harder than distortion and conviction outweighs myth.
David Jasso — Guitars, Bass & Vocals
Mike Vest — Guitars, Bass & Mix
Dave Sneddon — Drums

pre-order now20.02.2026

expected to be published on 20.02.2026

20,97
Various - Have You Heard About the World Coming to an End? (Tape)
 
16
also available

Vinyl (LP)[22,48 €]


Death Is Not The End present a compilation gathering a cross-section of early gospel choirs and vocal harmony groups recorded between late 1920s and the mid-1950s - a period when spirituals & jubilee traditions merged with blues, jazz and early rhythm and blues, providing the musical routes for the coalescence of the civil rights movement born out of the black church. In the modern world these perennially vital recordings provide a fitting tonic for the near-dystopia we find ourselves living through.

pre-order now20.02.2026

expected to be published on 20.02.2026

16,39
Professor Bop Presents Various - Down At The Ugly Men's Lounge Vol. 8 (LP 10")
  • A1: Why Don’t You Do Right - Cleo Jons & Dick Reynolds Orchestra
  • A2: Fiche Le Camp Jack - Richard Anthony & Les Angels, Dir. Christian Chevallier
  • A3: I Pawned Everything - Walter Spriggs & Jesse Stone Orchestra
  • A4: Don’t Play No Mambo - The Charioteers & Sid Bass Orchestra
  • A5: Mr. Sandman - Chris Powell & The Blue Flames
  • A6: Teen Age Rock - Pete Rugolo & His Orchestra
  • A7: The Rhinoceros - Osie Johnson & His Orchestra
  • B1: Lady Be Good - Knud Jörgensen & The Metronome Singers
  • B2: Walk Softly Children - Elizabeth Lands, Orchestra Cond. By Dave Martin
  • B3: Timber’s Gotta Roll - The Deep River Boys Feat. Harry Douglass
  • B4: Blues In The Closet - The Tritones
  • B5: The Baggage Room Blues - Tom Kennedy
  • B6: Write Me Baby - The Metrotones
  • B7: Rat Race - Little Norman (Norman Kaye)

Auf dem komplett unübersichtlichen Markt der Vinyl-Wiederveröffentlichungen rarer Aufnahmen aus dem im weitesten Sinne Rock & Roll/Rhythm & Blues/Popcorn-Umfeld hat sich die Serie DOWN AT THE UGLY MEN’S LOUNGE mit einer komplett eigenständigen konzeptionellen Farbe etabliert. Das authentische 10“-Format und die Covergestaltung mit obskuren und anonymen Musikerfotos der ersten fünfzig Jahre des 20. Jahrhunderts sind gleichermaßen unverkennbar wie unwiderstehlich.
Das stilistische Spektrum der neuen Auswahl rarer und rarster Trouvaillen aus dem legendären Archiv von Prof. Bop bleibt dem Ursprungskonzept treu: Zwischen Boogie und Mambo, zwischen Blues und Bop, zwischen Exotica und Egozentrik...weniger amateurhaft gespielter Teenager-Rockabilly, eher Rock & Roll etc. von musikalisch versierten und Jazz-geschulten Vollprofis. Allesamt Aufnahmen der goldenen Epoche 1950 – 1962.

pre-order now20.02.2026

expected to be published on 20.02.2026

20,80
adaa - ...img... (TAPE)

adaa

...img... (TAPE)

CassetteMAP047CS
Mappa Editions
18.02.2026

Allowing yourself to find meaning or beauty in the mundane is an act of generosity, Whether it’s seeing a smiling face in an electrical outlet socket, or discerning cosmic design amidst the forest floor detritus, it comes from a place of kindness to yourself and senses – and openness to hidden spirit of the world. These tracks came together during a period of intense personal change for adaa, rooted in a fruitful reflection on the connections between spirit and body, “feeling my flesh so I can feel and understand my spirit,” as adaa puts it. The sense of a crossover and clash of multiple connected realities – on-screens, on-line, on-earth, off-world, after-life – unites adaa’s multifaceted productions.

Ostensibly an assemblage of found sounds. scribbled thoughts and poems from diaries, and musial snippets, the album's scattered production reflects adaa’s own many mirror worlds. Field recording sit behind most tracks, alongside VST synths, guitars, and a variety of voices, from adaa’s own mangled vox to EVP samples taken from YouTube (recorded sounds believed to be spirits or paranormal activity), all processed to varying degrees.

While the music was mostly produced either in adaa’s studio in Providence, Rhode Island, or in bed, the field recordings bring the outside world in. The result of walks in the woods, hum of roads and highways, hiss of beaches, warmth of walks with friends and past lovers “around the East Coast”. It sits behind tracks like ‘sight’ where a lilting piano lin bobs atop a pond of rustling and distant whistles. Is that birdsong? Or ghosts? Saccharine hyperpop arpeggiation crossfades sharply into noise guitar squall. Angelic demon voices yawn into a hefty crescendo. Pure drones duet with gales of undefinable field sounds.

“Sometimes I feel like a seed in frosted soil,” says adaa. “If i choose to be optimistic.”

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13,40

Last In: 62 days ago
Restive Plaggona - Short Story

“Short Story” is the new album by Restive Plaggona. Eight new tracks of industrial techno beats and raw atmospheres. Over the course of 40 minutes the album takes us through different territories and landscapes of immense bass weight sound, sometimes dark and raw, sometimes droning and minimal, always energic.

Restive Plaggona is the music project of the Corfu-based artist Dimitris Doukas, known for his heavy and deep industrial soundscapes with subtle traces of darker forms of techno music. Dimitris is a particularly productive musician, having released more than a dozen records including his own imprint Several Minor Promises.

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25,42

Last In: 32 days ago
VARIOUS - AMERICAN GRAFFITI (3x12")
  • A1: Rock Around The Clock - Bill Haley And His Comets
  • A2: Sixteen Candles - The Crests
  • A3: Runaway - Del Shannon
  • A4: Why Do Fools Fall In Love - Frankie Lymon & The Teenagers
  • A5: That'll Be The Day - Buddy Holly & The Crickets
  • A6: At The Hop - Danny & The Juniors
  • A7: He's So Fine - The Chiffons
  • A8: See You In September - The Tempos
  • A9: I Only Have Eyes For You - The Flamingos
  • B1: Surfin' Safari - The Beach Boys
  • B2: Little Darlin' - The Diamonds
  • B3: Almost Grown - Chuck Berry
  • B4: (He's) The Great Imposter - The Fleetwoods
  • B5: Smoke Gets In Your Eyes - The Platters
  • B6: Peppermint Twist (Part 1) - Joey Dee & The Starliters
  • B7: Barbara-Ann - The Regents
  • B8: Book Of Love - The Monotones
  • B9: A Thousand Miles Away - The Heartbeats
  • C1: Do You Wanna Dance - Bobby Freeman
  • C2: Party Doll - Buddy Knox
  • C3: Come Go With Me - The Del-Vikings
  • C4: You're Sixteen - Johnny Burnette
  • C5: Love Potion #9 - The Clovers
  • C6: Since I Don't Have You - The Skyliners
  • C9: Get A Job - The Silhouettes
  • D1: Come Back My Love - The Wrens
  • D2: Crying In The Chapel - The Orioles
  • D3: Cupid - Sam Cooke
  • D4: Earth Angel - The Penguins
  • D5: Freight Train - Rusty Draper
  • D6: Gee - The Crows
  • D7: I'm Sorry - Brenda Lee
  • D8: Johnny B. Goode - Chuck Berry
  • D9: The Locomotion - Little Eva
  • E1: Mr. Lonely - Bobby Vinton
  • E2: Reet Petite - Jackie Wilson
  • E3: Runaround Sue - Dion
  • E4: Searchin' - The Coasters
  • E5: A Teenager In Love - Dion & The Belmonts
  • E6: To The Aisle - The Five Satins
  • E7: Whispering Bells - The Del-Vikings
  • E8: Will You Love Me Tomorrow - The Shirelles
  • E9: Hey Little One - Dorsey Burnette
  • F1: Diana - Paul Anka
  • F2: The Girl Can't Help It - Little Richard
  • F3: It's All In The Game - Tommy Edwards
  • F4: A Kiss From Your Lips - The Flamingos
  • F5: Oh What A Night - The Dells
  • F6: Rock And Roll Music - Chuck Berry
  • F7: Sh-Boom - The Crew Cuts
  • C7: Chantilly Lace - Big Bopper
  • F8: The Stroll - The Diamonds
  • F9: Walking Along - The Solitaires
  • C8: Tutti Frutti - Little Richard

Inspired by the soundtrack from the motion picture American Graffiti, this 3LP collection captures the sound of late night cruising, jukebox romance and early rock ’n’ roll rebellion. Spanning doo wop, rockabilly and classic pop, the set brings together era defining hits from the mid 1950s to early 1960s, featuring timeless favourites by Chuck Berry, The Beach Boys, Dion, Little Richard, Sam Cooke, The Platters and many more. Pressed across three vividly coloured vinyl records, red, blue and yellow, this set is both a nostalgic listening experience and a striking collector’s piece, celebrating the golden age of American rock and pop in authentic style.

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28,99

Last In: 62 days ago
David Bowie - Under The Influence? 2x12"
  • A1: Little Richard - Fabulous Little Richard
  • A2: Anthony Newley - Who I Can Turn To
  • A3: Ann Peables - I Can’t Stand The Rain
  • A4: Ken Nordine & The Fred Katz Group - Word Jazz
  • A5: Gerry Mulligan - California Concerts
  • A6: Koerner, Ray & Glover - Blues, Rags & Holler
  • A7: Stooges - Stooges
  • A8: Moondog - Moondog
  • A9: Linton Kwesi Johnson Forces Of Victory - Forces Of Victory
  • A10: Pixies - Doolittle
  • B1: Air - Moon Safari
  • B2: Scott Walker - Scott Walker
  • B3: Grandaddy - The Sophtware Slump
  • B4: Tom Verlaine - Tom Verlaine
  • B5: Brian Eno - Another Green World
  • B6: Kevin Ayers - Unfairground
  • B7: Mother Of Invention - Freak Out
  • B8: Roxy Music - Roxy Music
  • B9: The Langley Schools Music Project - Innocence & Dispair
  • B10: The Polyphonic Spree - Section 8

Which musical artists influenced David Bowie? Which records did he listen to over and over again during his youth and beyond? Who were his favorite songwriters and composers? What were his favorites? And in the case of such an artist, unique in his genre from the beginning to the end of his career, is the term “influences” the right one? As we delved into Bowie’s work, we learned that, even if he was the type to pick and choose from all over the place, he drew most of his inspiration from himself

pre-order now13.02.2026

expected to be published on 13.02.2026

27,94
CHUCK ROTH - WATERGHOST SONGS

"Chuck Roth’s music wanders. The New York-based guitarist’s inquisitive style builds from rippling patterns that center the physicality of his instrument, roaming wherever they take him. watergh0st songs, his Palilalia debut, collects songs from the past half-decade, presenting an intimate snapshot of his music that draws from an eclectic background in classical guitar, electronic music, and improvisation." "The mark of watergh0st songs is its exploratory nature. Roth began his musical journey as a classical guitarist studying the canon works for the instrument, but he was never interested in playing fast or flashy. Instead, he wanted to roam down musical paths and see where they led him. He eventually became more interested in electronic music, where he found inspiration in subtractive properties and patterning. The music of watergh0st songs translates that electronic music to the guitar: many of the songs began as synth tones and later branched out through the physicality of his instrument." "When writing music, Roth wants melodies to feel comfortable in the body, focused less on setting a structure and more on letting music unfold how it happens in any given moment. His songs are fluid and his melodies are clear, plucked with careful attention but never too deterministically. His is the music of a traveler, floating around the strings of the guitar. It is about embracing the banal, or the everyday moments that shape a life." "Though Roth’s music often feels quite direct, there is a dreaminess that lives inside of it. His lyrics don’t feel too hot or cold, instead they have a wistfulness and melancholy of what it feels like to live through every passing day. His exploratory style bolsters these lyrics, giving the music its sense of ennui, as does his focus on texture. Each track takes on a different structure: 'Bunny Hop' unfolds like a squirrel jumping from branch to branch of a tree, while 'Private Boy' has a slower approach, growing from delayed harmonics that almost sound like bowed strings. His textures range from metallic and bristling to soft and feathery, evolving with gentleness. It is about ending up somewhere different than where it started, and watching the notes that fall in-between." The embrace of the routine colors Roth’s music. In it, there is a sense of presence, of admiring the smallest details and moments. Roth loves to take walks and look around, observing the beauty of his surroundings. Similarly, watergh0st songs feels like moving through the world at the pace of a comfortable trot and soaking in every sound as it emerges. It is a quiet evolution—but one that stays."—Vanessa Ague

pre-order now13.02.2026

expected to be published on 13.02.2026

33,57
Red Leather - Reno LP
  • A1: Train's Leavin
  • A2: Burn In Hell
  • A3: Deathwish
  • A4: Sins
  • A5: Pusherman
  • A6: The Biggest Little City In The World
  • A7: El Dorado
  • A8: Down Bad
  • B1: Desert Storm
  • B2: Watch My Daddy Die
  • B3: Walk Away
  • B4: House Of The Rising Sun
  • B5: Dakota
  • B6: Devil's Grip
  • B7: The Only Time It Rains In Hollywood

RENO, the debut album from Red Leather, is a scorched-earth confession wrapped in the swagger of classic rock and the soul of Americana. Written in the aftermath of addiction, heartbreak, and self-reckoning, it’s an unflinching look at what it means to burn your life down and start over. Across its 14 tracks, Red Leather howls through desert nights and neon cityscapes, blending grit and grace in equal measure. Songs like “Deathwish,” “Burn in Hell,” and “The Only Time It Rains in Hollywood” are raw, cinematic, and deeply human—each one a snapshot of pain, defiance, and redemption. Equal parts road trip and resurrection, RENO cements Red Leather as one of the most compelling new voices in modern rock. 1xLP, Single Pocket Jacket, Pressed on Translucent Red Vinyl

pre-order now13.02.2026

expected to be published on 13.02.2026

22,06
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