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Prince - HitNRun Phase One (10th Anniversary) LP
  • A1: Million $ Show (3 10)
  • A2: Shut This Down (3 03)
  • A3: Ain't About 2 Stop (3 38)
  • A4: Like A Mack (4 04)
  • A5: This Could B Us (4 11)
  • A6: Fallinlove2Nite (3 12)
  • B1: X's Face (2 38)
  • B2: Hardrocklover (3 42)
  • B3: Mr. Nelson (2 27)
  • B4: 1000 X's & O's (4 27)
  • B5: June (3 21)
disponibile anche

Phase Two[27,69 €]


Celebrate the 10-year anniversary of Prince’s 2015 penultimate studio album, available now on vinyl for the first time. The album showcases the innovative spirit of Prince, featuring popular singles like “Stare,” “This Could Be Us,” and “FALLINLOVE2NITE.” The album includes

contributions from artists such as Prince’s bandmates in 3RDEYEGIRL (Hannah Ford-Welton, Donna Grantis, and Ida Nielsen), Judith Hill, Rita Ora, and female rap duo Curly Fryz, but it was primarily a collaboration between Prince and Joshua Welton, who was a co-producer on the album

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23,95

Last In: 3 months ago
Lukas Traxel - One-Eyed Daruma LP

Swiss artist Lukas Traxel releases his powerful debut album One-Eyed Daruma on We Jazz Records, March 10. The trio features Traxel on double bass, Otis Sandsjö on sax and Moritz Baumgärtner on drums. Compact, deep, and organic to the bone, Traxel & co's sound echoes the innovations of rhythmically driven avantgarde jazz while keeping things moving at all times. There's both drive and freedom to this sound.
ONe-Eyed Daruma features eight new compositions by Traxel, who crafted the outline for the album while dealing with the loss of his father. The group came together after an open invitation from the Zurich jazz club Moods to present a new group. The trio of Traxel, Sandsjö and Baumgärtner creates a full, symphonic, and powerful body of sound despite the instrumentation without a harmony instrument. The trio functions as a collective where the boundaries between composition, melody, and accompaniment are in flux, while keeping the common goal of creating new music together in sight at all times. Traxel reports that after playing bass in various groups with guitar and/or piano, he wanted to create a counterpoint of sorts with his new group and specifically go about it with a more sparse setup. As One-Eyed Drama proves, the idea behind the trio dynamic is a strong one and the unit makes use of their extra space in creating evocative, moody, swinging creative jazz with a distinguishable fingerprint of its own.
Lukas Traxel says:

"The process of composing this music while dealing with the loss of a loved one resulted in a writer's block at first. The notes would just not flow out of my pen until I noticed a mysterious-looking figure in the right upper corner of my piano. It was a daruma, an eyeless figure that in the Japanese tradition brings luck and prosperity. According to the myth, the first eye must be drawn onto the figure while expressing a wish. The second eye can be added only if the wish comes true. My daruma is meant to stay one-eyed as my wish, strongly connected and intertwined with my now gone father, is not meant to be fulfilled. The feeling of unfulfillment and imperfection of life serves as a common thread throughout this album, right down to its title. In a similar fashion, a composition remains incomplete until it is interpreted by musicians, and given form as music. That being said, for me playing together with this trio symbolises the upside: the sense of fulfillment in music and life.

Our musical influences include the American composer and singer Caroline Shaw, Swiss pianist Colin Vallon's trio, and composer/singer-songwriter Gabriel Kahane. In addition, I have listened a lot to the trio albums of Jimmy Guiffre and Sonny Rollins. Besides that, my musical heroes like Charlie Haden, John Coltrane, and Keith Jarrett always flow into the music. Another very important influence in the music is the work of American visual artist Agnes Martin, in whose works the imperfection of a multiplicity of repetitions results in a lively big whole in the end. (See "Wild Flower")

Live, the trio takes a lot of freedom in interpreting this music, yet we have a deeper, almost pop-like attitude towards the live performance as an experience. For me it's always important to build a strong narrative with the band while on stage."

One-Eyed Daruma by Lukas Traxel is released on 10 March 2023 by We Jazz Records on LP/CD/digitally. The LP edition is shelved in an inside-out sleeve and pressed on white vinyl. The CD is housed in a cardboard digisleeve with UV lacquer finish.

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22,65

Last In: 3 years ago
ZARD - Golden Best (35th Anniversary Vinyl Edition) 4x12
  • A1: Good-Bye My Loneliness
  • A2: Nemurenai Yoru Wo Daite
  • A3: In My Arms Tonight
  • B1: Makenaide
  • B2: Kimi Ga Inai
  • B3: Yureru Omoi
  • B4: Mou Sukoshi Ato Sukoshi…
  • C1: Kitto Wasurenai
  • C2: Kono Ai Ni Oyogitsukarete Mo
  • C3: Oh My Love
  • C4: Konna Ni Soba Ni Iru No Ni
  • D1: Anata Wo Kanjite Itai
  • D2: Ai Ga Mienai
  • D3: Sayonara Wa Ima Mo Kono Mune Ni Imasu
  • E1: My Friend
  • E2: Kokoro Wo Hiraite
  • E3: Today Is Another Day
  • F1: Don't You See!
  • F2: Eien
  • F3: My Baby Grand 〜Nukumori Ga Hoshikute〜
  • F4: Unmei No Roulette Mawashite
  • G1: Get U're Dream
  • G2: Motto Chikakude Kimi No Yokogao Miteitai
  • G3: Kyou Wa Yukkuri Hanasou
  • H3: Heart Ni Hi Wo Tsukete
  • H1: Hoshi No Kagayakiyo
  • H2: Natsu Wo Matsu Sail (Ho) No You Ni

Cutting by Tohru Kotetsu — one of Japan’s leading mastering and cutting engineers!

To commemorate the 35th anniversary of ZARD’s debut, the best album Golden Best ~15th Anniversary~ is being released on analog vinyl!
The release is set for February 4, just before the 35th anniversary of their debut (February 10, 2026).

Originally released in 2006, Golden Best ~15th Anniversary~ is the ultimate ZARD best album, achieving million sales. It is also the final work
Izumi Sakai released during her lifetime before her passing in 2007.
For the vinyl release of such an important work, the cutting was entrusted to Tohru Kotetsu, one of Japan’s top mastering and cutting engineers and
a devoted fan of ZARD. The timeless ZARD classics engraved by Kotetsu have resulted in a truly exquisite finish. Please enjoy the warmth and depth
of sound that only analog vinyl can deliver.

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

137,77
The Emotions - Untouched LP

The Emotions

Untouched LP

12inchLPRGM2041
REAL GONE MUSIC
06.02.2026
  • 1: Take Me Back
  • 2: Nothing Seems Impossible
  • 3: Boss Love Maker
  • 4: It’s Been Fun
  • 5: Love Ain’t Easy Onesided
  • 6: Blind Alley
  • 7: Show Me How
  • 8: If You Think It (You May As Well Do It)
  • 9: Love Is The Hardest Thing To Find
  • 10: Tricks Are Made For Kids
  • 11: Boy. I Need You
disponibile anche

CLEARWATER BLUE VINYL[32,14 €]


Girl group greatness, courtesy of the Chicago-based Hutchinson Sisters (with Theresa Davis on this record) and co-producers Isaac Hayes, David Porter and Ronnie Williams! Recording at Muscle Shoals and Stax studios seems to have added a little grit to The Emotions' sound, too; this 1971 classic on the Volt label offers the perfect blend of sweet and sassy. ''Show Me How'' was the hit, but it's ''Blind Alley'' that made Untouched one of the most collectible albums of its kind: that track's one of the most sampled in all of pop and hip hop, most notably by Big Daddy Kane (''Ain't No Half-Steppin''') and Mariah Carey (''Dreamlover''). Pressed in black and clearwater blue vinyl editions, and cut ALL-ANALOG from the original two-track master!
A1. Take Me Back A2. Nothing Seems Impossible A3. Boss Love Maker A4. It's Been Fun A5. Love Ain't Easy Onesided B1. Blind Alley B2. Show Me How B3. If You Think It (You May as Well Do It) B4. Love Is the Hardest Thing to Find B5. Tricks Are Made for Kids B6. Boy. I Need You

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

32,14
The Temprees - Lovemen LP

The Temprees

Lovemen LP

12inchLPRGM2049C
REAL GONE MUSIC
06.02.2026
  • A1: Explain It To Her Mama
  • A2: If I Could Say What's On My Mind
  • A3: (Girl) I Love You
  • A4: I Love You, You Love Me
  • A5: We've Only Just Begun
  • B1: Dedicated To The One I Love
  • B2: My Baby Love
  • B3: I'm For You, You For Me
  • B4: Love... Can Be So Wonderful
disponibile anche

black vinyl[28,15 €]


Produced by Josephine ''Jo'' Bridges and signed to her We Produce imprint, The Temprees were a Memphis soul vocal trio powered by one of the great falsettos in pop music, that of Jasper ''Jabbo'' Phillips. Their 1972 debut Lovemen is aptly named; this is one of the greatest make-out R&B albums ever made, with one smoldering slow jam after another. Their take on ''Dedicated to the One I Love'' is rightly considered the greatest version ever made, but ''If I Could Say What's on My Mind,'' ''Love... Can Be So Wonderful,'' and ''I Love You, You Love Me,'' will get you and your partner's hips swaying (and patch up any lovers' quarrels tout suite, too). Stax didn't really know what to do with soul this sweet (We Produce was a Stax imprint), so Lovemen languished commercially, but nowadays it's recognized as a model of its kind. For its first-ever LP reissue, we've cut Lovemen ALL-ANALOG straight from the original two-track album master, and pressed it up in two versions, one in black vinyl, the other in eco-friendly, sonically superior valentine red PET plastic. The heart on the front cover sums this one up...

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

28,15
The Temprees - Lovemen LP

The Temprees

Lovemen LP

12inchLPRGM2042
REAL GONE MUSIC
06.02.2026

Produced by Josephine ''Jo'' Bridges and signed to her We Produce imprint, The Temprees were a Memphis soul vocal trio powered by one of the great falsettos in pop music, that of Jasper ''Jabbo'' Phillips. Their 1972 debut Lovemen is aptly named; this is one of the greatest make-out R&B albums ever made, with one smoldering slow jam after another. Their take on ''Dedicated to the One I Love'' is rightly considered the greatest version ever made, but ''If I Could Say What's on My Mind,'' ''Love... Can Be So Wonderful,'' and ''I Love You, You Love Me,'' will get you and your partner's hips swaying (and patch up any lovers' quarrels tout suite, too). Stax didn't really know what to do with soul this sweet (We Produce was a Stax imprint), so Lovemen languished commercially, but nowadays it's recognized as a model of its kind. For its first-ever LP reissue, we've cut Lovemen ALL-ANALOG straight from the original two-track album master, and pressed it up in two versions, one in black vinyl, the other in eco-friendly, sonically superior valentine red PET plastic. The heart on the front cover sums this one up...

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

28,15
WILL WOOD - IN CASE I MAKE IT
  • Tomcat Disposables
  • Becoming The Lastnames
  • Cicada Days
  • Euthanasia
  • Falling Up
  • That's Enough, Let's Get You Home
  • Um, I Mean, It's Kind Of A Lot
  • Half-Decade Hangover
  • Vampire Reference In A Minor Key
  • You Liked This (Okay, Computer!)
  • The Main Character
  • Against The Kitchen Floor
  • Sex, Drugs, Rock 'N' Roll
  • Big Fat Bitchie's Blueberry Pie, Christmas Tree, And Recreational
  • Willard!
  • White Noise

A pandemic album of songs of heartbreak, virality, and dead rats, which Wood called "goodbye cruel world: the musical." The revealing chamber pop/folk album "In Case I Make it" (ICIMI), which Will Wood playfully dubbed "Goodbye Cruel World: The Musical," turned out to be a surprisingly strong followup to his chaotic and sardonic previous release, "The Normal Album." While divisive among some fans due to its gentler sounds and more traditional vocal stylings than most of his last work, ICIMI attracted new, older audiences and showed a more personal side that provided a new context to his discography. Widely considered to be some of his most powerfully emotional work, both the harshly introspective and humorous songwriting, as well as its unique delivery, are still distinctly Will Wood in their experimental nature and uncompromising unwillingness to conform to the expectations of both die-hard fans and audiences at large. In 2021, the underground singer-songwriter was suddenly the subject of unexpected online attention, which, in tandem with mental health struggles, inspired him to put out a "musical suicide note," intended to express parts of his artistic and personal identity that had gone largely unseen by a fanbase he felt misunderstood. Leading the album with intentionally algorithm-unfriendly singles and putting an eight-minute love ballad as the second track on the LP, Wood aggressively redefined himself as being more than just a handful of wacky, unwitting viral pops. Ironically, the surprise viral success of the deep cut "The Main Character," a relentless satire of online culture, drew attention to the album and its second biggest hit, the angst-ridden yet danceable "Against the Kitchen Floor." However, the immense orchestration and vulnerable writing have kept audiences coming back. Songs like "Euthanasia" and "Tomcat Disposables" have developed reputations as tearjerkers, and songs like "Cicada Days" and "White Noise" have become fan anthems in the years since.

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

32,98
Distant Strangers - Virtual Morality

Originally released in 2005, this standout EP returns as part of the much-anticipated reissue campaign from cult New York imprint Drugsex — a label that quickly became a treasured name among heads who lived and breathed the underground. Born from the creative partnership between UK producers Rob Pearson and Simon Copleston, Drugsex carved out its own raw, hypnotic corner of the international tech house movement.

For the second instalment in the reissue series, label head Rob Pearson teams up with Daniel Poli under their Distant Strangers moniker — a project that, even back then, was whispered about among selectors for its deep, rolling grooves and stripped-back intensity. Both artists had already made their mark with releases on some of the most respected labels of the era — from Rekids and Swag Records to Evasive Records, Rescue Recordings, and beyond.

The pair’s first collaboration, the Lost Souls EP, became a highly limited, in-demand underground gem, pressed in small quantities and played by those in the know. This follow-up, crafted at Online Studios in Croydon, took their sound to the next level — two original tracks built for dancefloors that like things hypnotic, physical and uncompromising.

On the A-side, Virtual Morality is a slick and driving slice of tech house pressure. Crisp percussion, rolling low-end and a subtle but addictive hook make it a peak-time weapon that never goes out of style. Flip it over for Take Us In Deeper — a track that lives up to its name with a shadowy groove, atmospheric layers and a perfectly balanced push and pull that draws dancers further into the late-night haze.

Adding even more weight to the release, Adam Collins — known for his work with Omni AM and Euphoria Records — steps in with a remix of Virtual Morality on B2. His version injects an unmistakable acid edge, elevating the original into a tripped-out, floor-focused burner that fits as comfortably in a basement sweatbox as it does on a sunrise terrace.

Nearly two decades later, these tracks still carry the same raw power and effortless groove that made them cult favourites in the first place. This reissue isn’t just a nod to the past — it’s a reminder of why this sound endures.

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12,40

Last In: 51 days ago
The Pentangle - Basket Of Light LP
  • A1: Light Flight
  • A2: Once I Had A Sweetheart
  • A3: Springtime Promises
  • A4: Lyke-Wake Dirge
  • A5: Train Song
  • B1: Hunting Song
  • B2: Sally Go Round The Roses
  • B3: The Cuckoo
  • B4: House Carpenter

Basket of Light is the most progressive and complex release by the British folk-rock group Pentangle. Traditional English folk songs are reinterpreted with a mix of jazz, pop and rock influences. Everything their previous works promised is fulfilled here. The album opener 'Light Flight' has become their signature song. If there is a prog folk masterpiece then it is Basket Of Light. Pentangle proved they could release a progressive, ground-breaking work without keyboards, much studio trickery or even electric instruments.

The original Pentangle was active in the late 1960s and early 1970s. The original line-up includes Bert Jansch (vocals & guitar) and John Renbourn (vocals & guitar).

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

34,24
Ini Kamoze - Ini Kamoze

Ini Kamoze

Ini Kamoze

12inchTXILP0025
Taxi Records
06.02.2026

Repress!

A true hot stepper and one of the best of its kind, this 1984 masterpiece from Ini Kamoze is heavy, real and authentic. It was actually Jamaican born artist Cecil Campbell's debut album and features spacious, slow motion dubs that invite you deep within their cavernous drums. The chattery percussion, echoing hits and loose percussion all make a real mark. "World-A-Music" has a beat fans of Damien Marley will recognise, and "General" features some of Campbells more vulnerable vocal work. For fans old and new, this is a perfect roots album with a unique perspective.

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23,11

Last In: 3 years ago
INDIANA MANDY - URGH

INDIANA MANDY

URGH

12inchSBRLP373
Sacred Bones Records
06.02.2026
  • Sevastopol
  • Magazine
  • Try Saying
  • Dodecahedron
  • A Brighter Tomorrow
  • Life Hex
  • Ist Halt So
  • Sicko! Ft. Billy Woods
  • Cursive
  • I'll Ask Her
disponibile anche

RANDOM TRANSLUCENT RED, GREEN & BLUE VINYL[23,49 €]


Für Mandy, Indiana, ist die Wahrheit der einzige Weg. Auf "URGH", ihrem ersten Album bei Sacred Bones präsentiert, sich das Quartett - bestehend aus Sängerin Valentine Caulfield, Gitarrist und Produzent Scott Fair, Synthesizer-Spieler Simon Catling und Schlagzeuger Alex Macdougall - als eine Kraft von unheimlicher Natur, die ein Album geschaffen hat, das ebenso sehr ein Aufruf zum Handeln ist wie eine Reise in die Vergessenheit und Transzendenz. In den zehn Tracks verwebt die Band ihre eigene unkonventionelle Sprache zu einem Mantra für Selbstbestimmung und Widerstandsfähigkeit und schafft so eine Vorlage für eine bessere Zukunft, bevor alles in Dunkelheit versinkt. Ein Großteil des Albums wurde während eines Aufenthalts in einem unheimlichen Studiohaus am Stadtrand von Leeds geschrieben und anschließend in Berlin und Greater Manchester aufgenommen. Es war eine intensive Umgebung, was zum Teil auf die gesundheitlichen Probleme zurückzuführen war, mit denen Caulfield und Macdougall während des Schreib- und Aufnahmeprozesses zu kämpfen hatten. Dennoch bleiben Mandy, Indiana kompromisslos. Caulfield setzt ihre Stimme als verzerrtes Instrument und Waffe ein, die zwischen verspielt und vernichtend oszilliert. Der pulsierende Sirenenton von ,Magazine" steht neben dem zerhackten Vocal Fry von ,try saying" und der sich wandelnden Wildheit von ,ist halt so", das die Dringlichkeit von Protestbewegungen kanalisiert, auf den Widerstand gegen den Völkermord in Gaza verweist und gleichzeitig allgemeinere Kämpfe thematisiert, während der letzte Track ,I'll Ask Her" eine bewusste Direktheit ist, die die toxische Boy-Club-Kultur anprangert, und eine hartnäckige Abrechnung, die über dem gesamten Album schwebt. Obwohl es immer noch unbestreitbare ,Knaller" gibt (wie der zerfetzte Rap von ,Sicko!" mit Billy Woods), wirkt "URGH" oft wie präzise geschnitztes Kino. Vom sprühenden Techno von ,Cursive" bis zu den dekonstruierten Feedback-Loops von ,Life Hex" bewegt sich das Album zwischen industrieller Katharsis und filmischer Unruhe und spinnt eine Spannung, die Fair als ,Remix seiner selbst" beschreibt. Diese kontrastreiche Palette ist sowohl ein notwendiger Aspekt des Albums als auch das zugrunde liegende Bindeglied. Obwohl "URGH" sehr persönlich ist, spiegelt es den gewalttätigen, zerbrochenen Zustand der Welt wider. Caulfields Texte setzen sich mit Gewalt, systemischer Gleichgültigkeit und der Allgegenwart von Schmerz auseinander, betonen aber auch Momente der Schönheit und Solidarität. URGH gehört in die physische Welt, und das Artwork von Carnovsky mit einer anatomischen Illustration von Andreas Vesalius unterstreicht die viszerale Auseinandersetzung des Albums mit dem Körper und seinen Grenzen. URGH ist sowohl jenseitig als auch physisch und kathartisch, sowohl ein erster Schritt zur Heilung als auch eine Weigerung, das Gespräch sterben zu lassen.

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

22,65
J Mascis + The Fog - More Light LP
  • A1: Same Day
  • A2: Waistin
  • A3: Where’d You Go
  • A4: Back Before You Go
  • A5: Ground Me To You
  • B1: Ammaring
  • B2: All The Girls
  • B3: I’m Not Fine
  • B4: Can’t I Take This On
  • B5: Does The Kiss Fit
  • B6: More Light

Best known as the frontman of the influential indie rock trio Dinosaur Jr., J Mascis has also been a solo artist, producer, and film composer. Getting his start as a founding member of the hardcore band Deep Wound, Dinosaur Jr. was founded in 1984 and the group emerged among the most highly regarded alternative rock. By introducing volume and attack in his songs Mascis shed the strict limitations of early 1980’s hardcore, becoming an influence on the burgeoning grunge movement. Mascis’ body of work continues to inspire a generation of guitar players and songwriters today.


In 1997, Dinosaur Jr. disbanded and Mascis released More Light, his first recording under the moniker J Mascis + The Fog. Members and collaborators of The Fog have included Mike Watt (Minutemen / fIREHOSE), Ron Asheton (The Stooges), Robert Pollard (Guided By Voices), Kevin Shields (My Bloody Valentine), Dave Schools (Hard Working Americans / Widespread Panic) and Kyle Spence (Harvey Milk).

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

24,79
J Mascis + The Fog - Free So Free LP
  • A1: Freedom
  • A2: If That's How It's Gotta Be
  • A3: Set Us Free
  • A4: Bobbin
  • A5: Free So Free
  • B1: Tell The Truth
  • B2: Someone Said
  • B3: Everybody Lets Me Down
  • B4: Say The Word
  • B5: Outside

Best known as the frontman of the influential indie rock trio Dinosaur Jr., J Mascis has also been a solo artist, producer, and film composer. Getting his start as a founding member of the hardcore band Deep Wound, Dinosaur Jr. was founded in 1984 and the group emerged among the most highly regarded alternative rock. By introducing volume and attack in his songs Mascis shed the strict limitations of early 1980’s hardcore, becoming an influence on the burgeoning grunge movement. Mascis’ body of work continues to inspire a generation of guitar players and songwriters today.


In 1997, Dinosaur Jr. disbanded and Mascis released More Light, his first recording under the moniker J Mascis + The Fog. Members and collaborators of The Fog have included Mike Watt (Minutemen / fIREHOSE), Ron Asheton (The Stooges), Robert Pollard (Guided By Voices), Kevin Shields (My Bloody Valentine), Dave Schools (Hard Working Americans / Widespread Panic) and Kyle Spence (Harvey Milk).

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

24,79
Kanonenfieber - Soldatenschicksale LP

KANONENFIEBER: "In der Schule lernen wir, dass Krieg etwas Schlechtes ist. Vom Prager Fenstersturz bis zur Ermordung des Thronfolgers in Sarajevo - Krieg bedeutet immer Gewalt. Wir hören von politischen Spannungen, gewagten Feldzügen und zermürbenden Materialschlachten. Untermauert wird all das von Zahlen, so gewaltig und abstrakt, dass sie beinahe irreal wirken: 17 Millionen Tote allein im Ersten Weltkrieg.
Wenn sich der Pulverdampf vom Schlachtfeld verzogen hat, bleiben nur noch Tote zurück - keine Menschen. Doch wer war der Mann, der erschossen im Granatentrichter liegt? Wer war der kaum 17-jährige Junge, der nach einem Minentreffer im Unterstand erstickte, schreiend nach seiner Mutter? Wer war der Feldwebel, der Fahnenjunker, der Pionier - der einfache Soldat, der innerhalb weniger Sekunden sein Leben und seine Identität verlor? Ein einzelnes Schicksal, das im Schatten des "großen Ganzen" so winzig erscheint, dass es kaum Beachtung findet.
Genau hier setzt Soldatenschicksale an.
Von der Landung der Amerikaner an der Westfront über den erbarmungslosen Winterkrieg im Osten bis hin zu den Kämpfen auf und unter der Wasseroberfläche der Nordsee - es geht um Menschen. Um Stimmen. Um Geschichten, die in Vergessenheit geraten. "Soldatenschicksale" versammelt überarbeitete Fassungen von "Yankee Division" (2022), "Der Füsilier" (2023) und "U-Bootsmann" (2023) sowie zwei neue Stücke, die als "Skagerrak" fungieren.
Skagerrak. Die größte Seeschlacht des Ersten Weltkriegs.
Nach jahrelangem Wettrüsten zwischen dem Deutschen Kaiserreich und Großbritannien ist es am 31. Mai 1916 so weit: zwei Großmächte prallen aufeinander. In den Songs "Z-Vor!" und "Heizer Tenner" wird der Untergang des Kleinen Kreuzers SMS WIESBADEN geschildert, erzählt aus der Sicht eines Marinemelders und eines Heizers. Artillerie, Flammen, Maschinenlärm - und mittendrin: zwei Männer, die Teil einer Geschichte werden, die keiner überlebt."
Ltd. CD Mediabook, Ltd. Gatefold LP & LP-Booklet, LP, Digital album.

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

24,16
DINA ÖGON - MÄNNISKOBARN LP 2x12"
  • Människobarn
  • Du Ska Va Kvar
  • Där Huden Är Tunnast
  • Verdandi
  • Grå Labyrint
  • Du Tappa Dä
  • Margaretas Sång
  • Orden Brann
  • Juvel
  • Varandra
  • Dålig Teve
  • Hack I Häl
  • Hélena

180g, cream white Vinyl, Gatefold Sleeve. Das vierte Album von Dina Ögon ist länger als alles, was sie bisher veröffentlicht haben. Während das selbstbetitelte Debüt, das zweite Album Oas und das jüngste Album Orion alle abrupt endeten, zieht die Band nun alle Register und fordert unsere ungeteilte Aufmerksamkeit. In einer Zeit, in der das Albumformat weitgehend in den Hintergrund gedrängt wurde und stattdessen lose, digitale Single-Veröffentlichungen ohne inhaltlichen Zusammenhang bevorzugt werden, schlagen Dina Ögon den entgegengesetzten Weg ein und veröffentlichen ein Doppelalbum.

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

29,37
WILL WOOD - Camp Here And There LP
disponibile anche

Campfire Vinyl[27,94 €]


Music from the soundtrack to a horror-comedy podcast that Wood was commissioned to compose for in 2020. "At the height of the pandemic, podcasters Mayfield & Belov approached Will Wood to commission him to compose for an upcoming show entitled ""Camp Here & There."" The podcast had not been recorded yet, and as if that weren't enough, Wood couldn't read sheet music. However, Wood accepted the challenge and began to teach himself new methods of writing that would allow him to compose music note-for-note in ways that his days as a bandleader had not yet prepared him for. M&B provided notes and concept art they had developed so Wood could learn about the stories and characters, and he dug into his own life and used that and what he learned about the show as inspiration for what started as simple background music and eventually became a collection of both score and original songs. This album contains both instrumental music and four original songs, including "Yes, to Err is Human, So Don't Be One." and "Your Body, My Temple."

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

24,79
WILL WOOD & THE TAPEWORMS - THE REAL WILD WOOD LP 2x12"
  • Self
  • 10-4: 6-Up 5-Oh Cop-Out Pro-Con
  • Cotard's Solution
  • Dr. Sunshine Is Dead
  • Where Do You Get Off
  • Aikido
  • Track Title Omitted At Request Of Attorney
  • Front Street
  • Wasting Away Again In Bupropionville
  • Hand Me My -X- I'm -Y-!
  • The First Step
  • 2012:
  • Mr. Capgras
  • Chemical Overreaction
  • Fibrodysplasia Ossificans Progressiva
  • Ish

Recorded in one night in 2017 "The Real Will Wood" is a raucous live album accompanying a concert film of the same name. "The Real Will Wood" is a genre-bending mockumentary concert film co-created by Will Wood and Chris Dunne (Life in the World to Come, Revelator). The soundtrack and concert video were recorded in one night in 2017; the band was strung out and bigger than ever. Until recently, this raw and high-energy live album has had only limited releases, as has the film.

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

36,09
ACID MOTHERS TEMPLE & THE MELTING PARAISO U.F.O. - Electric Heavyland (2x12")
  • A1: Atomic Rotary Grinding God ~ Quicksilver Machine Head (15:44)
  • B1: Loved And Confused (17:03)
  • C1: Phantom Of Galactic Magnum (18:57)
  • D1: Atomic Rotary Grinding God ~ Blues For Black Bible (Live) (19:36)

We’ve purged the Acid Mothers Temple archives once again, resurrecting another classic album ‘Electric Heavyland’.
Originally released in 2002 on CD only (via Alien 8 Recordings), ‘Electric Heavyland’ is presented here for the first time on vinyl, remastered and with a whole bonus live side!
Housed in a beautiful gatefold sleeve with heavy use of the original black and metallic silver ink artwork
“Suddenly, my world explodes as the band pounces on the joint with some hell-blues, laced with sci-fi laser transmissions. Jesus H. Fuck, this is loud. There comes a point when heavy jamming and pure noise meet, and that point is tearing shit up at this very moment.” Pitchfork
Of key note for AMT diehards/collectors. Side D was recorded live at at the 2nd Acid Mothers Temple Festival December 13th 2003 with Yamazaki Maso (Masonna) as a guest.
Makoto says "we have played this song, Atomic Rotary Grinding God live only once, this is that recording"
Produced, engineered and mixed by Kawabata Makoto live recorded by Takayama Manabu (original source is VHS video tape)

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

24,33
RSD - DUBPLATE ARCHIVE

Rob Smith, RSD is not only a successful dubstep producer and pioneer of the Bristol sound, but also a very popular deejay travelling the world sharing his music. Coming from a reggae background and well-versed in sound system culture, Rob kept some of his best productions for his exclusive use when deejaying, the only way you would hear these gems was being played in one of Rob's sets. Fortunately, we've managed to persuade Rob to let Reggae Archive Records share these dubplate specials with a wider audience on a limited-edition vinyl LP. Compiled and sequenced in conjunction with Rob, the LP features nine tracks newly edited and mastered by Rob to enhance the bass playback on vinyl - it's cut heavy!
The tracks were recorded between 2006 and 2011, a time when one strand of dubstep heavilyembraced reggae and dub. Rob calls these tracks reggae infused dubstep and that's what they are, but Reggae Archive Records is a reggae label and this selection of dubstep tracks will most certainly appeal just as much to reggae and dub fans. Fusing dubstep beats, reggae samples, and seriously heavy basslines, this is a joyous celebration of musical cross fertilisation that has been tried and tested in clubs worldwide. In keeping with the dubplate origins of the tracks, we have designed the labels to replicate an old school acetate, while the sleeve pays tribute to seventies pre-releases albums with a replica stamp giving just the artist and title on a plain white sleeve with aged effect.

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25,00

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CROCODILE BOOGIE - OLD SCHOOL MAN BLUES
  • Corkscrew
  • Filth
  • I Need Somebody
  • Most Of The Time
  • Weirdo
  • I Was Wrong
  • Lowdown
  • If You Leave Me

" old school man " Crocodile Boogie is back with a second album recorded at Fly-house studio, packed with greasy Stonian riffs and ramshackle ballads in the vein of early Beasts of Bourbon stuff that reek of tobacco, alcohol, and sex. Seven original tracks and a spirited cover of Iggy & the Stooges' "I Need Somebody." We know it's only Rock'n'roll but we like it , Yes we do .

pre-ordina ora06.02.2026

dovrebbe essere pubblicato su 06.02.2026

23,49
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