Frankfurt electronica via Santo Domingo, Dominican Republic. Equally inspired by early Internet and the promise of technology, Boundary's "Terrain Scanner" narrates a device that allows the indigenous people of the isle to localise and protect their rare earths and minerals. It's ancient, hence deeply integrated with the surrounding flora. Pay close attention and you will get to hear the shimmering stream nearby.
Buscar:will b
Feiern Sie 30 Jahre Freundschaft mit Disney und Pixar’s Toy Story: Die Songs to Infinity and Beyond
zoetrope Vinyl mit den kultigen Songs „You’ve Got a Friend in Me“ aus Toy Story, „When She Loved Me“
aus Toy Story 2, „We Belong Together“ aus Toy Story 3, „I Can’t Let You Throw Yourself Away“ aus Toy
Story 4 und mehr!
- A1: Put It To Use
- A2: Solar Flare
- A3: My Mind Can Be Cruel To Me
- A4: Mk Ultra Blues
- A5: History
- B1: Everything We Need
- B2: Save Ourselves
- B3: I'm Here
- B4: Black Iowa Dirt
- A1: Square Hammer; Written-By – A Ghoul Writer
- A2: Nocturnal Me; Written-By – Ian Mcculloch, Les Pattinson, Pete De Freitas, Will Sergeant
- A3: I Believe; Written-By – James Ford, Jas Shaw, Simon Lord
- B1: Missionary Man; Written-By – Annie Lennox, Dave Stewart*
- B2: Bible; Written-By – Christian Falk, Fred Asp, Per Hägglund, Joakim Thåström*
2025 Repress
The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre.
His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With 9 Is A Classic, Slaves To The Rave, Pitch-Hiker, Stereo Murder and We Have Arrived, just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties!
The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp.
All original tracks have been re-mastered to the highest possible standard of quality.
Thomas Valverde unveils Polka, his second album. This new record dedicated to solo piano takes the approach of a pared-down, minimalist production. Both upright and grand pianos are used. The grand piano is used to develop a powerful, committed and liberating discourse, while the upright piano brings a more organic sound and allows an intimate experience. The tracks on the album are conceived as sidereal love songs. Songs without words, more apt to translate the invisible, the threads of love and beauty. Everything has to be said on the keyboard, in the notes and between the notes. The album was recorded at the prestigious La Fabrique des Ondes studio, with David Chalmin (collaborator of Thom Yorke, The National, Katia & Marielle Labèque) recording and mixing. The album's title is a nod to two of his teenage heroes: Serguei Rachmaninov (genius composer) and Vladimir Horowitz (legendary pianist), whose music haunts so many musicians and music lovers. It's also a pun on the name of DJ and producer Paul Kalkbrenner (Paul K), whose simple, powerful tunes influenced the title "Polka". Thomas Valverde is also the founder and artistic director of the Biarritz Piano Festival, which features some of the world's finest pianists.
"Cuban Soul-18 Kilates" is Cassiano's third studio album, released in 1976, and stands as a milestone in Brazilian soul music. It combines Brazilian rhythms with classic American soul elements, creating a unique fusion. Cassiano's smooth, soulful vocal style and the album’s larger-than-life arrangements, reminiscent of Tim Maia's sound, give it a rich, deep feel.
The standout track, ‘Onda,’ is a relaxing anthem evoking beach vibes that has become a DJ’s favorite in recent years and also made it into several compilations. "Cuban Soul-18 Kilates" has earned cult status over the years, securing its place as one of the most coveted Brazilian records of all time. Remastered from the original tapes and pressed on 180g vinyl. This release is part of a new reissue series that will include many other outstanding Brazilian classics like Evinha “Cartão Postal” or Gerson King Combo.
"Cuban Soul-18 Kilates" is Cassiano's third studio album, released in 1976, and stands as a milestone in Brazilian soul music. Influenced by artists like Otis Redding, Eddie Kendricks, Stevie Wonder, and others, it combines Brazilian rhythms with classic American soul elements, creating a unique fusion. The album features 9 tracks, with ‘A Lua e Eu’ becoming a major commercial hit and the theme song for the soap opera “O Grito”. Cassiano's smooth, soulful vocal style and the album’s larger-than-life arrangements, reminiscent of Tim Maia's sound, give it a rich, deep feel. The standout track, ‘Onda,’ is a relaxing anthem evoking beach vibes, with its captivating bassline, subtle percussion, and natural sounds of the sea, making it perfect for moments of relaxation. This song, along with the album’s other tracks, showcases Cassiano's mastery of Brazilian soul, making “Cuban Soul-18 Kilates” a definitive and cherished record in the genre. This album has earned cult status over the years, securing its place as one of the most coveted Brazilian records of all time. Once incredibly rare and expensive, it's now at the top of every serious collector's wishlist. After not being available outside of Brazil for years, it’s finally been reissued – don’t miss your chance to own this legendary piece of music history.
- A1: My Life Started Today
- A2: Rosebud
- A3: All That We Ever Have
- A4: Sound And The Fury
- A5: The Only Ones
- B1: Funny The Things
- B2: Sincerely
- B3: Shadow Dancer
- B4: To Be Loved
- B5: Dancing Shadow
Demon Music Group are delighted to confirm the signing of ‘Night Mirror’ – the fourth solo album from electronic music legend, Claudia Brücken. • Written and recorded in London between 2023-2025 with longtime collaborator John Williams, ‘Night Mirror’ is a stunning collection of 10 brand new songs, suffused with optimism, loosely bound by themes of reflection and rebirth. •
Having first come to notice as the lead singer of Düsseldorf electronic music pioneers Propaganda, one of the first signings to the celebrated ZTT Records (Frankie Goes To Hollywood, Art Of Noise, 808 State), Claudia’s striking image and distinctive vocals made her one the most influential and inspiring female musicians of her generation. Propaganda enjoyed chart success with hit singles like ‘Dr Mabuse’ and ‘Duel’ and their 1985 album ‘A Secret Wish’ is frequently cited as one of the landmark electronic pop albums of all time. • In subsequent years, along with collaborations with the likes of Wolfgang Flür (Kraftwerk), Martin Gore (Depeche Mode), ACT, Andrew Poppy, Andy Bell (Erasure), and Peter Hook (New Order). Claudia was most recently in the limelight fronting the reimagined xPropaganda whose 2022 album ‘The Heart Is Strange’ garnered ecstatic reviews and reached No. 11 in the UK album chart. •
On ‘Night Mirror’ Claudia is reunited with musical partner John Williams, whose work as a producer, writer, engineer, and record label head has seen him work with such luminaries as The Housemartins, Alison Moyet, Blancmange, Simple Minds and The Proclaimers. Contributing to the album are an accomplished series of musicians, whose credits include The Lighthouse Family, Cathy Dennis, Orlando Weeks (The Maccabees), and Kaiser Chiefs. • This LP release is presented on Dark Cherry vinyl. • This is a priority release for Demon, and we will be supporting with full retail, press, radio and online campaigns.
Mit "Everybody Loves the Sunshine" (1976) vermischt Roy Ayers nahtlos die Genres Soul, Funk & Jazz und erschafft einen zeitlosen Sound, der Musiker und DJs auf der ganzen Welt noch immer beeinflusst, mit dem Vibraphon als zentrales Instrument, ein Ansatz, der Ayers einzigartigen Stil definiert. Im Jahr 1976 veröffentlichte der legendäre Musiker und Komponist Roy Ayers mit ELTS eines der bedeutesten Alben seiner Karriere. Dieses Album festigte nicht nur Ayers' Stellung als Schlüsselfigur in der Welt des Jazz, sondern markierte auch einen Meilenstein in der Soulmusik und im zeitgenössischen Jazz-Funk. Es zeichnet sich durch eine raffinierte Mischung aus unwiderstehlichen Grooves, sanften Melodien und einem einzigartigen Sound aus, der über die Jahre hinweg nicht verblaaste und für mehrere Generationen von Musikern und Hörern zu einer Referenz wurde. Mitte der 70er Jahre hatte sich Ayers bereits mit seiner Band Roy Ayers Ubiquity und seinem unverwechselbaren Einsatz des Vibraphons, das zu seinem persönlichen Markenzeichen wurde, einen Namen gemacht. Und mit ELTS wagte sich Ayers an einen noch zugänglicheren Sound, auch als Reaktion auf den Aufstieg von Disco und das wachsende Interesse an Musik afro-amerikanischer Prägung überhaupt. In den zehn Tracks des Albums schafft Ayers eine Klangatmosphäre, die sowohl die Wärme des Sommers als auch die Raffinesse des Jazz jener Zeit heraufbeschwört, alles vor dem Hintergrund des modernen Soul. Produziert von Ayers selbst zusammen mit seinem Engineer und Freund David R. Williams zeichnet sich ELTS durch den wunderbaren Klang des Fender Rhodes Pianos von Phillip Woo sowie die kraftvolle Energie der restlichen Band aus, wodurch eine unverwechselbare Authentizität und Frische erreicht wird. Zu den bekanntesten Songs gehören der Titeltrack, "The Golden Rod" und "The Third Eye", die schnell zu Klassikern des Jazz-Funk und Soul wurden. Dieses Album ist für Roy Ayers' Karriere von entscheidender Bedeutung, da es seine Fähigkeit unter Beweis stellt, in einer sich ständig verändernden Musikindustrie relevant und kreativ zu bleiben. Im Laufe der Jahre wurde "Everybody Loves the Sunshine" zu einem Kultalbum, das häufig in DJ-Sets von Künstlern wie Gilles Peterson, Theo Parrish und Lefto gespielt Verwendung findet. Der Sommer-Soul-Klassiker jetzt wieder auf klassischem schwarzem 180g-Vinyl!
- A1: Jumpscare
- A2: Star87
- A3: Misery
- A4: Blk Xmas Feat Bruiser Wolf
- A5: Waterproof Mascara
- A6: Counterclockwise
- B1: Corinthians Feat Despot
- B2: Pitchforks & Halos
- B3: All These Worlds Are Yours Feat Elucid
- B4: Maquiladoras Feat Al.divino
- B5: A Doll Fulla Pins Feat Yolanda Watson
- C1: Golgotha
- C2: Cold Sweat
- C3: Blk Zmby
- C4: Make No Mistake
- D1: Born Alone
- D2: Lead Paint Test Feat Elucid & Cavalier
- D3: Dislocated Feat Elucid
- D4: House In The Woods
Cassette[15,92 €]
GOLLIWOG is billy woods' first album in two years, preceded by 2023's Maps, his second collaboration with producer Kenny Segal. That nimble travelogue has little in common with woods' newest work, despite the fact that Segal shows up a couple times in the credits. GOLLIWOG is a haunting collection that weaves horror, humor, surrealism and Afropessimism into a cinematic tapestry, aided and abetted by a murderer's row of producers. African zombies, time traveling trap cars, malevolent ragdolls and a dying Frantz Fanon are just a few of the revelers in woods' danse macabre. GOLLIWOG features production from The Alchemist, Kenny Segal, EL-P, Conductor Williams, Preservation, Messiah Musik, Sadhugold, Ant (Atmosphere), Shabaka Hutchings, Steel Tipped Dove, DJ Haram, Willie Green, Jeff Markey, Saint Abdullah, and LA-based experimental jazz trio Human Error Club. Meanwhile, woods is joined on the mic by Backwoodz labelmates ELUCID and Cavalier, along with rappers Bruiser Wolf, Despot, Al.Divino, and singer-songwriter Yolanda Watson. GOLLIWOG is another triumph in the woods oeuvre, as layered and compelling as anything he has ever done. A black carnival pitched in a muddy field overnight, empty rides whirring and clattering in the dark.
Adeen Records is back with its The Bird series and this time Cad73 is the one at the buttons. First up he flips the age old classic 'Love and Happiness' into a smooth and seductive sound with lush chords and warming melodies. Flop it over and you will find a rework of 'How Can I Forget You' which becomes a Northern Soul great with big hooks and driving rhythms that will get big reactions in the club. Two different but equally effective and cultured cuts.
Hackney Electronica come to Dark Entries with the Synaptic Shadows EP, featuring 5 cuts of acidic rave-inflected wave. Quinn Whalley (Paranoid London), Unai Trotti (Cartulis Music), and Margo Broom (Hermitage Working Studios) formed Hackney Electronica during COVID era. Trotti and Whalley were spending countless hours digging through records and making music during lockdown. As their sound took shape - heavy and hypnotic - they invited Broom to join, cementing the motley trio. The five pieces on Synaptic Shadows explore themes of altered states, late-night cityscapes, and the fine line between pleasure and paranoia. Each track pulses like a memory from the backstreets of Hackney, where the night transforms the city into an electrified maze of fleeting highs and inevitable crashes. The anxious grooves on “H.E. Nuestro Circuito” and “Whispers from the Depths” channel 1980s DIY electronics onto the contemporary dancefloor, while “Efecto Perfecto,” “The One”, and “Nueva Ola” offer breakbeat-laced electro that will keep you dancing until dawn. Housed in a sleeve designed by German Bardo, Synaptic Shadows is more than just a debut release, it’s a journey through the flickering alleys of the mind, where tension and transcendence intertwine.
Senselessness 1/2 is the very first solo issue of the Swiss electronic composer Robin Félix, on his own label De l’Aube (Of Dawn), the occasion for him to prove that field recordings can be (or should be?) an integral part of the global matter, when so often they are just something hovering in the background because it’s “nice” or reminds the artist of a place he loves.
Throughout the length of these four tracks, they are litterally central; moreover, they are electronically transformed, manipulated, skewed and twisted in order to form some sort of framework, a backbone on to which sounds and genres intertwine. On Cluster, violins and cellos (recorded in the gardens of the Venice Biennale) are soon transmuted into the abrasions of the electroacoustic realm, until the pulse of a relentless bass introduces a pure and pristine electronic music that knows and uses the roots of dub, drum’n’bass and the meticulousness of Jan Jelinek’s Glitch aesthetics. A tad “housy”, Chi comes as a second pulse where a modified didgeridoo and African percussions (recorded in a Swiss forest) lead the listener to a sort of tribal mode, as suited to dancers than to those who prefer inner journeys; here, the spatial dub of King Tubby moves from background to foreground.
The more abstract Boiler verges on the IDM and the heady, elegant and spartan Detroit techno – headphones reveal its numerous minute and delicate details. Based on the recording of insects, of which one can hear the actual rubbing of elytras, the closing Swarm ends the record with and intricate blend of ambient, which in some way winks to the Aphex Twin and The Future Sound Of London. Overall Senselessness 1/2 is a mesmerising and concise update of the famous Deutsche elektronische musik of old, that gathered on its way the other genres that made Robin Félix tick. Since field recordings have hardly been that meaningful, one wonders where Senselessness 2/2 will lead us to
- A1: Love Special Delivery, Drums – Aaron Ballesteros, Keyboards – Phil Parlapiano, Trombone – Dannie Ramirez*, Written-By – Espinoza*, Garcia*
- A2: Misery, Backing Vocals – Barrence Whitfield, Drums – Jason Lozano (2), Percussion – Camilo Quinones, Written-By – Don Juan Mancha
- A3: Bluebird / For What It's Worth, Drums – David Hidalgo Jr., Percussion – Camilo Quinones, Written-By – Stephen Stills
- A4: Los Chucos Suaves, Drums – David Hidalgo Jr., Percussion – Camilo Quinones, Written-By – Lalo Guerrero
- B1: Jamaica Say You Will, Drums – David Hidalgo Jr., Keyboards – Phil Parlapiano, Written-By – Jackson Browne
- B2: Never No More, Drums – Jason Lozano (2), Keyboards – Phil Parlapiano, Written-By – Don Malone*, Percy Mayfield
- B3: Native Son, Drums – David Hidalgo Jr., Keyboards – Phil Parlapiano, Written-By – David Hidalgo, Louie Pérez*
- B4: Farmer John, Drums – David Hidalgo Jr., Written-By – Dewey Terry, Don Harris*
- B5: Dichoso, Percussion – Camilo Quinones, Trombone – Dannie Ramirez*, Written-By – Giménez*
- C1: Sail On, Sailor, Backing Vocals – Enrique "Bugs" Gonzalez*, Drums – David Hidalgo Jr., Keyboards – Phil Parlapiano, Percussion – Camilo Quinones, Written-By – B. Wilson*, J. Rieley*, R. Kennedy*, T. Almer*, V. Parks*
- C2: The World Is A Ghetto, Backing Vocals – Barrence Whitfield, Little Willie G., Drums – Jason Lozano (2), Percussion – Camilo Quinones, Vocals – Little Willie G., Written-By – M. Dickerson*, C. Miller*, H. Brown*, H. Scott*, L. Oskar*, L. Jordan*, S. Allen*
- C3: Flat Top Joint, Drums – Jason Lozano (2), Written-By – Dave Alvin
- C4: Where Lovers Go, Drums – David Hidalgo Jr., Written-By – Mario Paniagua
- 1: Roberto Múkaro Borrero– Direcciones Taino
- 2: Nahko– 4Th Door, Featuring
- 3: Nahko– Lifeguard, Songwriter – Adam Korbesmeyer, Jerry "Jl" Lang Ii*, Nahko
- 4: Nahko– Slow Down, Songwriter – Nahko
- 5: Doug Good Feather– Healing Song (Interlude)
- 6: Nahko– Is What It Is (The Coyote Burial), Songwriter – Adam Korbesmeyer, Jerry "Jl" Lang Ii*, Nahko
- 7: Nahko– Give It All, Songwriter – Nahko
- 8: Nahko– Garden, Songwriter – Nahko
- 9: Dion Montero– Defend The Sacred (Ilocano Welcome Chant)
- 10: Nahko– Dear Brother, Featuring
- 11: Nahko– Part Problem, Songwriter – Nahko
- 12: Dianne Bell– Music Was His Medicine (Interlude)
- 13: Nahko– Twisted, Songwriter – Adam Korbesmeyer, Jerry "Jl" Lang Ii*, Max Ribner, Nahko
- 14: Nahko– Bend Like The Willow, Songwriter – Jose Patricio Zuniga Labarca, Justin Chittams, Max Ribner, Michael Joseph Hall Ii, Nahko, Tj Schaper, Timothy Michael Snider*
- 15: Nahko– Take Your Power Back, Songwriter – Jose Patricio Zuniga Labarca, Justin Chittams, Max Ribner, Michael Joseph Hall Ii, Nahko, Tj Schaper, Timothy Michael Snider*
- 16: Pua Case– Oli Kūkulu
- 17: Nahko– Honor The Earth, Songwriter – Adam Korbesmeyer, Jerry "Jl" Lang Ii*, Nahko
- 18: Nahko– Skin In The Game, Songwriter – Nahko
[b] 2 Nahko– 4th Door, Featuring [Feat] – Natalie Schepman, Songwriter – Jose Patricio Zuniga Labarca, Justin Chittams, Max Ribner, Michael Joseph Hall II, Nahko, Timothy Michael Snider*, Tj Schaper
[j] 10 Nahko– Dear Brother, Featuring [Feat] – Xiuhtezcatl, Songwriter – Jose Patricio Zuniga Labarca, Justin Chittams, Max Ribner, Michael Joseph Hall II, Nahko, TJ Schaper, Timothy Michael Snider*, Xiuhtezcatl
- A1: Trompe Le Monde
- A2: Planet Of Sound
- A3: Alec Eiffel
- A4: The Sad Punk
- A5: Head On; Written-By – Jim Reid, William Reid
- A6: U-Mass
- A7: Palace Of The Brine
- A8: Letter To Memphis
- B1: Bird Dream Of The Olympus Mons
- B2: Space (I Believe In)
- B3: Subbacultcha
- B4: Distance Equals Rate Times Time
- B5: Lovely Day
- B6: Motorway To Roswell
- B7: The Navajo Know
- A1: Big Chief; Written-By – Gaines*, Quezerque*
- A2: Her Mind Is Gone; Written-By – Byrd*
- A3: Something On Your Mind; Written-By – Mcneely*
- A4: You're Driving Me Crazy; Written-By – Byrd*
- A5: Red Beans; Written-By – Morgenfield*
- A6: Willie Fugal's Blues; Written-By – Byrd*
- B1: It's My Fault, Darling; Written-By – Horton*, Grayson*
- B2: In The Wee Wee Hours; Written-By – Byrd*
- B3: Cry To Me; Written-By – Russell*
- B4: Bald Head; Written-By – Byrd*
- B5: Whole Lotta Loving; Written-By – Domino & Bartholomew
- B6: Crawfish Fiesta; Written-By – Byrd*




















