Suche:willie parker
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- A1: Barrett Strong Take A Journey
- A2: Jimmy Chuch My Faith In You
- A3: Roscoe Shelton You’re The Dream
- A4: Willie Parker So Glad
- A5: Syl Johnson I’ve Been Talked About
- A6: The Ringleaders I’d Like To Win You Over
- A7: Ruby Winters A Last Minute Miracle
- A8: Liz Lands Seventh Hour
- B1: Maurice Williams What Can A Man Do?
- B2: The Sharpees Take Me To Your Leader
- B3: Willie Harper Here Comes The Hurt Again
- B4: The Du-Ettes If You Need Me
- B5: Otis Clay I Got Problems
- B6: Mill Evans Just Like The Weather
- B7: Warren Lee A Love For All Seasons
- B8: Ted Ford And Jimmy Church And The O’jahs Know Your Own Heart
Northern Soul’s most loved and hardest working DJ looks back at his pioneering Rare Soul Uncovered album series that shook the scene in 1984. Compiled and researched by Dave shortly after Wigan Casino had closed its doors where he was a main-stage DJ for eight years. At the time Dave hosted a weekly Northern Soul show on Signal Radio and was the Midlands regional sales manager for Charly Records. Now, forty years on, Dave Evison is reunited with Charly to present the ultimate in Rare Soul Vinyl – 16 unreleased at the time recordings – some of which have never been heard before.
- A1: T.m.c.p
- A2: Heart Of Gold (With Mighty Mo Rodgers)
- A3: Bon Ton Cafe
- B1: The Change Has Yet To Come (With Mighty Sam Mcclain)
- B2: Memphis
- B3: If You Love Somebody Set Them Free (With Little Milton)
- B4: Junior Parker
- C1: City Of Angels To The City Of Lights (With Mighty Mo Rodgers)
- C2: Royal Shuffle
- C3: Master Lester
- C4: Things Are Gonna Change (With Little Milton)
- D1: Poppa Willie
- D2: At Last, On Time (With Mighty Sam Mcclain)
- D3: The Feeling Is Real (With William C Brown Iii)
Ein europäischer Jazzklassiker - zum ersten Mal auf LP!
Jean-Jacques Milteau gilt seit den 1980er Jahren als der beste Blues Harp-Spieler Frankreichs. 2001 reiste er in die oft als Wiege des Blues bezeichnete Stadt Memphis in Tennessee, um dort mit international bekannten Größen der lokalen Szene dieses erstaunliche Album einzuspielen. Neben eigenen Stücken und Songs seiner Mitspieler erfahren hier auch Neil Youngs “Heart Of Gold” und Stings “If You Love Somebody Set Them Free” soulig-bluesige Überarbeitungen.
- 1: Clifford Brown & Max Roach Quintet - Yesterdays
- 1: 2 Bob James - Sign Of The Times
- 1: 3 Herb Alpert & The Tijuana Brass - The Lonely Bull (El S
- 1: 4 Doris Day - Que Sera, Sera (Whatever Will Be, Will Be)
- 1: 5 Nina Simone - Rags And Old Iron
- 1: 6 Billie Holiday - God Bless The Child
- 1: 7 Ella Fitzgerald With Paul Weston & His Orchestra - Russ
- 1: 8 Burners Feat. Kylie Auldist - This Girl
- 1: 9 Little Willie John - I'm Shakin
- 1: 0 Dinah Washington With Quincy Jones & His Orchestra - Is
- 1: Harry Belfonte - Jump In The Line
- 1: 2 Frank Sinatra - High Hopes
- 1: 3 Chris Connor - Time Out For Tears
- 1: 4 Thelonious Monk - Black And Tan Fantasy
- 2: 1 Ella Fitzgerald - All Through The Night
- 2: Johnny Mathis - Someone
- 2: 3 Cal Tjader - Walk On By
- 2: 4 Gil Scott-Heron - Home Is Where The Hatred Is
- 2: 5 Mongo Santamaria - Watermelon Man
- 2: 6 Peggy Lee - I'ts A Good Day
- 2: 7 Ferrante & Teicher - Theme From Exodus
- 2: 8 Quincy Jones - Soul Bossa Nova
- 2: 9 Ahmad Jamal - Angel Eyes (Live At The Alhambra)
- 2: 10 Charlie Parker & Miles Davis - A Night In Tunisia
- 2: 11 Les Brown Feat. Doris Day - You Won't Be Satisfied (Unt
- 2: 1 Cab Calloway - The Hi-De-Ho Man (That's Me)
- 2: 13 Glenn Miller - Doin' The Jive
- 2: 14 Louis Armstrong & His Hot Seven - Weary Blues
A1. Clifford Brown & Max Roach Quintet - Yesterdays
A2. Bob James - Sign Of The Times
A3. Herb Alpert & The Tijuana Brass - The Lonely Bull (El Solo Toro)
A4. Doris Day - Que Sera, Sera (Whatever Will Be, Will Be)
A5. Nina Simone - Rags And Old Iron
A6. Billie Holiday - God Bless The Child
A7. Ella Fitzgerald With Paul Weston & His Orchestra - Russian Lullaby
B1. Cookin' On 3 Burners Feat. Kylie Auldist - This Girl
B2. Little Willie John - I'm Shakin'
B3. Dinah Washington With Quincy Jones & His Orchestra - Is You Is Or Is You Ain't My Baby
B4. Harry Belfonte - Jump In The Line
B5. Frank Sinatra - High Hopes
B6. Chris Connor - Time Out For Tears
B7. Thelonious Monk - Black And Tan Fantasy
C1. Ella Fitzgerald - All Through The Night
C2. Johnny Mathis - Someone
C3. Cal Tjader - Walk On By
C4. Gil Scott-Heron - Home Is Where The Hatred Is
C5. Mongo Santamaria - Watermelon Man
C6. Peggy Lee - I'ts A Good Day
C7. Ferrante & Teicher - Theme From Exodus
D1. Quincy Jones - Soul Bossa Nova
D2. Ahmad Jamal - Angel Eyes (Live At The Alhambra)
D3. Charlie Parker & Miles Davis - A Night In Tunisia
D4. Les Brown Feat. Doris Day - You Won'T Be Satisfied (Until You Break My Heart)
D5. Cab Calloway - The Hi-De-Ho Man (That's Me)
D6. Glenn Miller - Doin' The Jive
"Sonny Stitt & The Top Brass" - Sonny Stitt (as); Jimmy Cleveland, Matthew Gee (tb); Blue Mitchell, Dick Vance, Reunald Jones (tp); Willie Ruff (frh); Duke Jordan (p); Perri Lee (org); Joe Benjamin (b); Philly Joe Jones, Frank Brown (dr)
General opinion has it that Sonny Stitt always stood in Charlie Parker’s shadow. That, however, is unjustifiable. The legendary jazz critic Nat Hentoff wrote, for example: »Sonny has been one of the wholly involved players, well known and admired for his soul and the earthiness of his message only by musicians who feel and play like he does and by that part of the jazz audience that is most moved by naked, open emotion. He has made his mark with them as an honest yea-sayer who can’t help but play what he knows and feels.« The present recording is proof of this – a session which shouldn’t really have worked out so well. Sonny Stitt’s alto saxophone presides over a seven-man-strong brass group, and although the prospect of a Sonny Stitt big band does not sound too promising initially, this rendezvous is really enjoyable, thanks in part to Stitt’s superb solos. At this time he was on the top of his form and he plays freely over the basis provided by the brass section consisting of Blue Mitchell, Jimmy Cleveland and Willie Ruff. The arrangements by Tadd Dameron and Jimmy Mundy are closely-knit yet offer enough room for swing and a generous pinch of soul. Special highlights are contributed by the unknown, female organist Perri Lee –, little groovy additions that are really successful and infuse the arrangements with a slender sound and sparkle. Although "Sonny Stitt & The Top Brass" may not stand in the limelight like "Boss Tenors" or "Salt And Pepper", it is certainly on a par with these from an artistic point of view.
- A1: Leroy Sibbles - Express Yourself
- A2: Norma Fraser - Respect
- A3: Leroy Sibbles - Groove Me
- A4: Sound Dimension - Time Is Tight
- A5: The Heptones - Message From A Black Man
- B1: Otis Gayle - I'll Be Around
- B2: Jerry Jones - Still Water
- B3: Sound Dimension - Soulful Strut
- B4: Richard Ace - Can't Get Enough
- B5: The Chosen Few - Don't Break Your Promise
- C1: Eternals - Queen Of The Minstrels
- C2: Norma Fraser - The First Cut Is The Deepest
- C3: Ken Parker - How Strong
- C4: Ken Boothe - Set Me Free
- D1: Senior Soul - Is It Because I'm Black
- D2: Jackie Mittoo - Deeper & Deeper
- D3: Alton Ellis - I Don't Want To Be Right
- D4: Willie Williams - No One Can Stop Us
Soul Jazz Records are releasing this 20th anniversary edition of their classic Studio One Soul on unique Record Store Day EXCLUSIVE coloured vinyl + download code. This new edition is a one-off special pressing exclusively for Record Store Day 2021.
Owned and founded by Clement "Coxsone" Dodd, Studio One's output serves as a comprehensive guide to the history of Reggae music.
Studio One Soul tracks the link between American Funk and Soul and Jamaican Reggae at the legendary Studio One Records.
Curtis Mayfield, Aretha Franklin, Otis Redding, The Temptations, King Floyd, Booker T and The MGs - all these artists had a huge influence on Jamaican artists and this album contains versions of songs by all of them. Featuring classic and rare Reggae Funk and Soul cuts from the Reggae giants alongside rarer cuts, Studio One Soul spans over 20 years of classic Reggae from the Rocksteady Funk through to the deep Roots music.
This was Charles Tolliver's first album as a leader. The setting is unique only because his second Freedom-Black Lion album 'The Ringer' and all of his subsequent albums on Strata-East featured his quartet Music Inc. with pianist Stanley Cowell. Here he is surrounded in quartet and quintet formats with a truly stellar cast of the leading players on the New York jazz scene.
Charles plays the role of leader, composer and trumpeter. But it is surely that last role that deserves the most attention. The trumpet is a brass instrument that leans toward a hard sound and staccato phrasing. Yet Tolliver is the quintessence of fluidity. While it may be undeniable that he has learned from his musical heritage and past trumpet masters, a trumpeter of such flow, tone, control, lyricism and creativity is, by definition, a major musician.
Charles Tolliver first came to the professional jazz scene in the mid-sixties, when he first met Jackie McLean. Under McLean's leadership, he played on a number of Blue Note record sessions, some of which have yet to be released. He contributed original tunes to many of those sessions.
Within a couple of years, Tolliver was a well known figure in New York circles, playing and/or recording with Booker Ervin, Archie Shepp, Andrew Hill, Roy Ayers, Art Blakey, Sonny Rollins, Willie Bobo, Gerald Wilson, McCoy Tyner, Hank Mobley, and many others. His compositions were getting recorded by many artists. He gained his greatest recognition during a two year stint with the Max Roach quintet that also included Gary Bartz and Stanley Cowell.
There is also a previously unreleased bonus track of the song, "Repetition", recorded by Charles for this LP which will be included on this new release of the album. This song was originally made famous by Charlie Parker's LP With Strings.
This album is certainly an important and lasting document in light of the musicians involved and in light of its unique context for Charles Tolliver. But basically, it is just a great album to listen to. Michael Cuscuna
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