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Blisterhead ist eine der verstecktesten Perlen der europäischen Punkrock-Szene. Die Band wurde 1999 in den kleinen Städten Falköping und Skövde in Schweden gegründet. Im Laufe der Jahre hat sich die Band einen Ruf für Beständigkeit und Leidenschaft aufgebaut und fünf Alben sowie drei EPs über renommierte Indie-Labels wie Kob Records, Mad Butcher Records, Laketown Records und Alleycat Records veröffentlicht. Mit Tourneen durch mehr als 15 Länder in ganz Europa hat Blisterhead die Bühne mit legendären Acts wie Millencolin, Toy Dolls, Mad Sin, GBH und Bombshell Rocks geteilt. Bekannt für ihre energiegeladenen und messerscharfen Live-Auftritte, gelten sie oft als eine der zuverlässigsten und fesselndsten Live-Bands der europäischen Punkszene. Musikalisch liefert Blisterhead eine einzigartige Mischung aus Punkrock und rohem Rock'n'Roll, angetrieben von unglaublich starken Refrains und mitreißenden Melodien, die dem Zuhörer noch lange nach dem Ende der Songs im Gedächtnis bleiben. Blisterhead kehren nun mit ihrem sechsten Album "Where We Belong" auf Sunny Bastards Records zurück und destillieren alles, was die Band ausmacht: große, hymnische Refrains, einen wilden Cocktail aus Punkrock und Rock'n'Roll und eine live aufgenommene Energie, die Ehrlichkeit, Schweiß und Adrenalin direkt aus den Lautsprechern strömen lässt. Mit jedem Hören entfalten sich neue Hooks und Melodien, die zeigen, wie viel Tiefe unter der rohen Kraft steckt. Dieses Mal ließ sich die Band stark von Legenden wie US Bombs, The Humpers und Rancid inspirieren und verband den rohen amerikanischen Punk-Angriff mit der Härte und Melodie des klassischen englischen Punks der 80er Jahre. Das Ergebnis ist ein Sound, der sowohl zeitlos als auch eindringlich wirkt, den Wurzeln des Punk treu bleibt und gleichzeitig mit voller Geschwindigkeit vorwärtsprescht

Medium Rare showcases The Mighty Mighty Bosstones at their finest — a dynamic mix of B-sides, unreleased gems, and three brand-new songs that bridge the band’s early ska-punk roots with their mature, horn-driven sound. Bursting with energy, grit, and heart, this collection captures the spirit of the Bosstones’ Boston-bred attitude and their unmatched ability to blend melody, muscle, and message into timeless ska-core anthems.

Joel Hoekstra’s 13 returns with its fourth studio album, “From the Fade” — a dynamic collection of 10 brand-new tracks that combine soaring melodies, thunderous riffs, and the high-level musicianship fans have come to expect. Once again, guitarist and composer Joel Hoekstra (Whitesnake, Cher, Trans-Siberian Orchestra) is joined by an elite cast of rock veterans: powerhouse drummer Vinny Appice (Black Sabbath, Dio), legendary bassist Tony Franklin (The Firm, Blue Murder), virtuoso keyboardist Derek Sherinian (Dream Theater, Sons of Apollo), and rising vocal sensation Girish Pradhan (Girish and The Chronicles, The Nail). “From the Fade” delivers a blend of classic hard rock and modern melodic metal, characterized by tight arrangements, technical precision, and emotionally charged performances. Each track reflects Hoekstra’s signature songwriting — rooted in tradition but pushing the genre forward with a fresh and contemporary sound. This is more than just a studio project; it’s a statement of intent from one of rock’s most respected guitarists and his band of world-class collaborators.

BlackRain is a French hard rock and glam metal band formed in France in the early 2000s. With explosive energy, virtuosic riffs, and anthemic choruses inspired by bands like Guns N’ Roses and Mötley Crüe, BlackRain has become one of the most prominent names in the French rock scene. Their acclaimed albums and electrifying live performances across Europe and Japan showcase their dedication to keeping the spirit of classic rock alive.

Svarta Havet's sophomore album out in February via Svart Records Hailing from Turku, Finland, SVARTA HAVET are set to release their sophomore album Månen ska lysa din väg for the European market via Svart Records on February 27th, 2026. Originally released by the US based Prosthetic Records in May 2025, Månen ska lysa din väg casts a critical eye over the negative effects of Western colonialism, capital greed and convenience at the cost of sustainability, presenting a rallying cry for change whilst never losing sight of the light that this world has to offer. Formed in 2018, SVARTA HAVET is a self-described dyster (gloomy) post-hardcore group born from the Finnish DIY punk and hardcore scene, with the members bonding over a shared affinity for punk music and community-first ideals with a focus on antifascist, feminist, trans and queer politics.

Where their 2021 debut full-length, JORD/VATTEN, served as an introduction to SVARTA HAVET’s amalgam sound of post-metal, hardcore punk and black metal, Månen ska lysa din väg is a deftly woven together panorama of their respective influences and a captivatingly urgent political and compassionately personal case for humanity’s course correction. With communities residing at the heart of their purpose, on a localised and a broad scale, SVARTA HAVET are not ones to lay idle in their hopes of a better world. 2026 will continue to see the band both touring their home country and beyond, as well as being deeply involved in organizing gigs and events through the collectively-run venue, Kirjakahvila ("Book Cafe") – a queer feminist, anti-capitalist DIY community space in Finland. In addition to hosting local acts, the group’s tireless efforts to support international bands will continue to see SVARTA HAVET helping to foster a vibrant underground scene in the process. SVARTA HAVET is: Lotta (she/her) - vocals Joakim (he/him) - guitar Anders (he/him) - bass Jara (she/her) - drums

Milwaukee's powerhouse Altered Five Blues Band returns with their eighth studio album, Hammer & Chisel, a simmering set of eleven electrifying original songs that showcase why this award-winning group has remained at the forefront of contemporary blues for over two decades. Belted out with gusto by singer Jeff Taylor, each track crackles with the energy of a band firing on all cylinders—tight musicianship, razor-sharp guitar work, and witty lyrics that cut straight to the bone. From the opening salvo of the funky, horn-driven "I Got It Good" through the cautionary "Who Can You Trust" to the empowering closing statement of "The Will of Man," the album demonstrates the kind of top-notch performance that can only come from five musicians who've spent 24 years honing their collective sound. Produced by multi-GRAMMY winner Tom Hambridge and featuring guest harmonica ace Jason Ricci on three tracks, Hammer & Chisel captures the band at their peak.

Pioen is the second album by Elisabeth Klinck & Nils Vermeulen, released on blickwinkel. It was recorded in a small chapel of a monastery in the city center of Ghent. A chapel by nature is a place of contemplation and meditation, which automatically had influence on the music. Movements slow down, attention is sharpened and the overwhelming silence of the space becomes part of the music. Sound and silence are meticulously woven into each other. Even when the music grows at times dense and heavy, there is an ever-present sense of closeness and intimacy. This is reinforced by the use of the voice, which naturally appears throughout the album, not as a separate layer but as an extension of the instruments.

The pieces – this time more curated than on their previous album Pair, Paire – arose from hours-long improvisations where sound became space and space became sound. Bringing together violin, double bass and voice, Pioen unfolds as a serene and honest journey, inviting the listener into a state of contemplation.

Elisabeth Klinck is a contemporary violinist, composer and performer based in Brussels, known or her timeless, deep-listening sound worlds. Her album Picture a Frame (2023) and Chronotopia - selected by The Quietus as one of the best albums of 2025 - were released on the Swiss label Hallow Ground. A big part of her work revolves around tactility, fragility, and a very physical approaches to sound.

Nils Vermeulen is a Belgian double bass player active in all varieties of adventurous music. He has played with Paul Lytton, Martin Küchen, Seppe Gebruers, William Parker, John Dikeman, Luis Vicente, among others. He works across many scenes, from free improv to jazz to contemporary classical music, and in many distinct constellations, such as his own groups Kabas and Jukwaa, a Norwegian free jazz trio with Tollef Østvang and Heidi Kvelvane, a string duo with Elisabeth Klinck, and as the double bassplayer of Nemo ensemble. In 2023, he released his debut solo album on Aspen Edities.

The buzz about the Crystal Teardrop that has been growing for the past two years looks set to reach fever pitch with the release of their debut album _IS FORMING. Featuring a dozen memorable compositions by the bands Alexandra Rose and Leon Jones, the album more than lives up to the promise of their 2024 single releases and their ecstatic live performances on stages across the UK and Europe. The band formed in Stoke-on-Trent in early 2023, "inspired," explains Alexandra Rose, "by a mutual passion for the sights, sounds and creative experimentation of the late 1960s." In addition to Alexandra on lead vocals on guitar, the band comprises Leon Jones (guitar, sitar), Stuart Gray (keyboards, Mellotron), Ed Quigley (bass, vocals), and Huw Woodward (drums, percussion). Intuitively blending elements of garage rock, folk-rock, power pop and psychedelia, the band have created an appealing concoction infused with their own perspectives and personalities. To best capture their sound, they recorded at an all-analogue facility, Tilehouse studio in North London, working closely with White Stripes producer Liam Watson of Toe Rag Studios fame.

After decades spent shaping the sound of southern Madagascar and becoming one of the defining voices of tsapiky, Damily returns with Fanjiry, his most intimate and focused record to date. Known for electrifying village ceremonies and carrying the fever of Toliara across continents, he takes a sharp turn - not away from trance, but deeper into its core. Recorded in just three days at Studio Black Box with analog wizard Peter Deimel, Fanjiry strips the tsapiky band down to a single guitar and a single heartbeat. Damily plays alone, yet fills the space completely - bass, rhythm, melody, pulse, and breath merging into a dense and vibrating sound. Every riff is architecture, every harmonic a door opening onto memory, childhood landscapes, and nights where music heals, binds, and exhausts the dark. There is no nostalgia here, no museum of tradition. Fanjiry is a new frontier for tsapiky: raw, precise, suspended between earth and sky, born from craft and necessity. The title - the last star before dawn - captures its essence: a quiet moment before the world awakens, where a single guitar can hold an entire history and still point forward.

This is Jah Wobble"s first post punk LP in recent years following travel and dub records. The brash guitar driven tracks reflect his continuing preoccupation with the declining state of the nation. Driven by his experience working each week at a music based community project in Merton, with Jon Klein, it is reminiscent of Mark Stewart. Angry in an empathetic, constructive way it resolved with the beautiful instrumental "Brockwell Lido". Like much of his work these days, much of the lyrical content comes while traversing London"s transport system. Jah Wobble, is an English bass guitarist and singer. He became known to a wider audience as the original bass player in Public Image Ltd (PiL) in the late 1970s and early 1980s; he left the band after two albums. Following his departure from PiL, he developed a solo career. In 2012, he reunited with fellow PiL guitarist Keith Levene for Metal Box in Dub and the album Yin & Yang. Since 2013, he has been one of the featured pundits on Sunday morning"s The Virtual Jukebox segment of BBC Radio 5 Live"s Up All Night with Dotun Adebayo. His autobiography, Memoirs of a Geezer, was published in 2009. Jon Klein Is an English guitarist and producer, best known for being a member of Siouxsie and the Banshees for seven years, from 1987 until 1994. He also founded Specimen and The Batcave nightclub. Klein has worked for other artists including Talvin Singh and Sinéad O"Connor. More recently he has worked as a co-producer and guitarist with Jah Wobble.

repress Start 2026!

Celebrating 30 Years of Cherry Moon with this 5x12" vinyl box set, a collection of some of the most iconic tracks of the club. Dive into the history of one of Belgium's most iconic venues, the "House of House".

"And what about you? What are you looking for?" - René Daumal

This musical journey pays tribute to René Daumal and his enchanting world of mysteries and magic. The album shares its title with Daumal's novel, Mount Analogue: A Novel of Symbolically Authentic Non-Euclidean Adventures in Mountain Climbing, published posthumously in 1952, eight years after the author's untimely death.

Mount Analogue is a classic allegorical adventure novel. The novel describes an expedition undertaken by a group of mountaineers to travel to and climb the titular Mount Analogue an enormous mountain on a surreal continent, that is invisible and inaccessible to the outside world and can be perceived only by the application of obscure knowledge. The central theme of mountaineering is extensively explored through literary and philosophical lenses. Daumal died before the novel was completed, providing an uncanny one-way quality to the story, which ends abruptly in the middle of a sentence.

The first disc features a fifty-minute composition divided into six chapters: Introduction, Meeting, Supposition, Crossing, Arrival, and Conclusion. This album weavestogether a rich tapestry of diverse instruments, sounds, and voices that collectively tell the story of this conceptual work, loaded with a synesthetic multitude of colors, aromas, meanings, textures, and moods.

Contributors to this musical poem include Bill Laswell (bass), Henry Kaiser (guitar), Anna Clementi (vocals), Percy Howard (voice), Hideo Yamaki (percussion), Graham Haynes (cornet), Dorian Cheah (violin), Nils Petter Molvaer (trumpet), Peter Apfelbaum (keyboard), and P.ST (concept, electronics), who all lend their talents to a series of excerpts from Daumal's text.

A truly global project, the recordings took place across various locations in Europe, North America, and South America, culminating at Orange Music Studio in New York, thanks to the collaborative efforts of Bill Laswell, James Dellatacoma, and Michael Fossenkemper.

The second disc presents five improvisations for solo electric guitar by Henry Kaiser. The first solo, Jodorowsky's Peradam, draws its inspiration from Alejandro Jodorowsky's 1973 film The Holy Mountain, which was inspired by the Daumal novel. Kaiser's initial forty-eight-minute guitar solo serves as a foundational guide for his four subsequent, Rashomon-esque, solo musical interpretations of Mount Analogue, as seen through the psychedelic labyrinth of Jorodrowsky's cinematic masterpiece.

"And what about you? What are you looking for?" - René Daumal

This musical journey pays tribute to René Daumal and his enchanting world of mysteries and magic. The album shares its title with Daumal's novel, Mount Analogue: A Novel of Symbolically Authentic Non-Euclidean Adventures in Mountain Climbing, published posthumously in 1952, eight years after the author's untimely death.

Mount Analogue is a classic allegorical adventure novel. The novel describes an expedition undertaken by a group of mountaineers to travel to and climb the titular Mount Analogue an enormous mountain on a surreal continent, that is invisible and inaccessible to the outside world and can be perceived only by the application of obscure knowledge. The central theme of mountaineering is extensively explored through literary and philosophical lenses. Daumal died before the novel was completed, providing an uncanny one-way quality to the story, which ends abruptly in the middle of a sentence.

The first disc features a fifty-minute composition divided into six chapters: Introduction, Meeting, Supposition, Crossing, Arrival, and Conclusion. This album weavestogether a rich tapestry of diverse instruments, sounds, and voices that collectively tell the story of this conceptual work, loaded with a synesthetic multitude of colors, aromas, meanings, textures, and moods.

Contributors to this musical poem include Bill Laswell (bass), Henry Kaiser (guitar), Anna Clementi (vocals), Percy Howard (voice), Hideo Yamaki (percussion), Graham Haynes (cornet), Dorian Cheah (violin), Nils Petter Molvaer (trumpet), Peter Apfelbaum (keyboard), and P.ST (concept, electronics), who all lend their talents to a series of excerpts from Daumal's text.

A truly global project, the recordings took place across various locations in Europe, North America, and South America, culminating at Orange Music Studio in New York, thanks to the collaborative efforts of Bill Laswell, James Dellatacoma, and Michael Fossenkemper.

The second disc presents five improvisations for solo electric guitar by Henry Kaiser. The first solo, Jodorowsky's Peradam, draws its inspiration from Alejandro Jodorowsky's 1973 film The Holy Mountain, which was inspired by the Daumal novel. Kaiser's initial forty-eight-minute guitar solo serves as a foundational guide for his four subsequent, Rashomon-esque, solo musical interpretations of Mount Analogue, as seen through the psychedelic labyrinth of Jorodrowsky's cinematic masterpiece.

With `The devil's door' And Also The Trees, one true original Post-Punk/New Wave band, presents a quiet storm of an album. At times filmic, poetic and intense with an undercurrent of dark psychedelia. It completes a trilogy of works `The Bone Carver', `Mother-of-pearl Moon' and now `The devil's door' created by the current line-up. Here there are signature `And also the trees' poetic lyrics, orchestral guitar and soundtrack influenced songs inspired by newsreel, oil paintings and folklore. But with this work we have the addition of some surprising instruments that skew the album towards a world where John Barry meets Bela Bartok. And also the trees (AATT) formed during the original post-punk era in rural Worcestershire, an environment that has provided a constant inspiration to a group whose music has often explored the dark underbelly as well as the beauty of the British countryside. They are renowned for their captivating live performances, a unique style of mandolin-like electric guitar, evocative lyrics and dark jazz rhythms - not to mention a creative independence fiercely preserved for over four decades. Back then AATT immediately caught the attention of Robert Smith of The Cure, who invited them to tour with his group on several occasions. Smith was also involved with their early recordings alongside his bandmate Lol Tolhurst, who produced their first records. This longterm friendship and mutual respect was further solidified when AATT were invited to perform at the Robert Smith curated 2018 Meltdown festival in London. This July AATT appear as The Cure's special guests at the Nimes festival. Founded by singer Simon Jones and his guitarist brother Justin, AATT have maintained a continuous presence on the post-punk, and alternative rock scenes worldwide, with a solid fanbase e.g. in Germany.

Recorded during lockdown and previously only available as a CDr self-released in an edition of 99 in 2022, 'The Sympathy Portal' collects four tracks (one of which is divided into three parts) that make full use of Edward Ka-Spel’s command of melodies, cosmic churn, subtle field recordings, percolated vocals, hypno-rhythms, tempered noise, broken clocks, atmospheric keyboards, uncoiling springs and carefully hewn dynamics. Coupled to often despairing or melancholic lyrics, the album ultimately forms a fantastic addition to a body of work from this hardworking artist usually found at home fronting The Legendary Pink Dots and apparently barely able to rest when not engaged in commitments to them. Here is what he says himself about 'The Sympathy Portal': “'The Sympathy Portal' was created as 2020 drifted into 2021 with the world in the grip of a pandemic. He studied charts on TV, horrified by statistics, temporarily free from a lockdown but well aware that we'd be back in our cubicles soon enough. It was hard to be positive in such an environment and this album reflects much of the fear and tension of the time. But the last song, 'Angel Trail ( Slight Return)', was intended to offer some genuine hope, having been revived for the release after first appearing in a different form on The Legendary Pink Dots' '9 Lives to Wonder' back in 1994.” The album pays testament to a troubled and troubling time that now, a mere few years on, strangely appears like the grand entrance to a series of heavily dark periods we are still desperate to crawl from. It could be argued that the angel trail Edward so eloquently refers to is something that needs to be found more than ever and that, thankfully, his music helps to illuminate this despites its mostly distressed overtones.
Away from the confines of a now hard-to-find and long sold out CDr, Lumberton Trading Company brings this album back as a vinyl release that’s limited to 300 and is scheduled to appear in February 2026.

This double LP of instrumental Hindustani, Carnatic and folk 78rpm shellac records from India comes with a full color 12-page insert of gramophone record ephemera, shops, labels, manufacturing details and graphics. The LPs feature over 25 artists recorded between 1904 and 1959 playing a panoply of instruments: jalatarang, dilruba, sarod, clarionet, pakhawaj, violin, been, kazoo, shehnai, tabla, sarangi, sitar, vina and more.
Artists include Imdad Khan (the first sitarist ever recorded), Ahmedjan Thirkhawa, Bundu Khan, Amir Hussain, Allauddin Khan (who taught Ravi Shankar), and others both forgotten and revered.
The Indian classical instrumental tradition is one of incredible proficiency and expressiveness using instruments and techniques created over generations that seem to perfectly and uniquely compliment Indian culture, landscape and tradition. Sympathetic strings resonate inside sitars and sarangis to manifest shimmering reverberant spiritual spaces; horns, reeds and flutes extend the range, volume and melodic inventiveness of the voice; a mind-boggling array of elaborately turned percussion instruments allow for rhythms as complex or as simple as the flowing Ganges river. Classical music in India was perhaps at its height during the 78rpm period as the Raj era was ending and the world was globalizing.
2-LP gatefold with 12 page full-color booklet insert - features never reissued recordings and is the long-anticipated follow up to the Indian Talking Machine book/CD (Sublime Frequencies 099), which was also produced by Robert Millis from his collection of 78rpm records and ephemera.

Carlos Alberto García Moreno, better known by his stage name Charly García, is an Argentine singer-songwriter, multi-instrumentalist, composer and record producer, considered one of the most important rock musicians in Argentine and Latin American music.
Named "the father of rock nacional", he is known for the complexity of his compositions covering genres like folk rock, progressive rock, symphonic rock, jazz, new wave and many others.

a conceptual rock opera featuring experimental passages and two big hits, "Chipi Chipi" and "La Sal No Sala".

La Hija De La Lágrima is available as a limited edition of 1000 individually numbered copies on silver coloured vinyl.







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