Pressed on 140g Black Vinyl Including a signed print from Eddie Piller, limited to 750.
Demon are proud to release “Eddie Piller Presents British Mod Sounds Of the 1960s”, the follow up the “The
Mod Revival”. Featuring 100 original tracks across 6LPs, its a deep dive into the Mod scene in '60s Britain.
Including a selection of classic and rare tracks, tracing the scene from its R&B rootsto a soulful finale
Curated by Acid Jazz Records and Modcast founder Eddie Piller, and featuring new sleeve notes from
respected author and broadcaster Paul 'Smiler' Anderson.
As Eddie Piller points out in the forward to the extensive sleeve notes that accompany this collection, he
chose the word 'Sounds' carefully, reflecting the variety of talent contained here, from uncool session
musicians without an ounce of style in them, acts who saw an opportunity to jump on the Mod bandwagon
and bands who whole heartedly embraced Mod way of life.
And so this new collection mixes the Mod mainstays (Small Faces, The High Numbers The Action, The Fleur
De Lys), with a generous selection of future superstars (David Bowie, Rod Stewart, Elton John, Marc Bolan,
Jeff Beck and Graham Gouldman of 10cc are all represented here), and a few artists so obscure, so rare, that
they never got to release a record in the '60s, but Eddie has tracked down the tapes nonetheless.
"Be in with the In Crowd once more."
Every great youth cult deserves a great soundtrack, and when the '60s Mods adopted classic American R&B,
with a side order of hip Jazz, they undoubtedly found the right music for their exuberant and stylish way of
life. And yet, buying expensive imports, hoping for a local release or praying for a rare visit from overseas
talent was never going to be enough to satisfy British youth with a thirst for the latest sounds. Certainly not
those on the dancefloor and definitely not those with their own musical ambitions.
It was a music scene that began with imitation, before skill and imagination lead curious minds to innovation,
a scene that evolved from average (at best) copies of releases on the Chess, Motown and Stax labels, to
become something more sophisticated,something quite unique, something very British.
All formats are stylishly packaged (of course) and include new sleeve notes by Paul 'Smiler' Anderson, author
of the best-selling and highly regarded books'Mods: The New Religion' and 'Mod Art'.
quête:yardbirds
What's the connection between one of the rarest and most in-demand gargae rock records of the 1960s and Christina Aguilera, and why is it coming to Acid Jazz?
For many years and many a bootleg the snarling imperious Stones or Yardbirds influenced groove of The Illusions 'City Of People' has been sought after and coveted by garage rock collectors. The Illusions released one single, on the tiny Michelle label and today any copies that appear easily sell for North of £1000.
So far, so typically Garage. However there is a backstory to the release that explains why the record never sold at the time of release. The record was produced by Bobby Marin, a Nuyorican, who at the time was stationed in Michigan on his National Service, and who would later go on to record some of the biggest names in Latin Music, first for the cult Speed label and then for United Artists and various of his own labels. In the early 2000s his 'I'll Be A Happy Man' was sampled by Christina Aguilera on her smash hit 'Ain't No Other Man'.
At the end of 2020 Bobby found the master tape of The Illusions single - including the Byrdsian B-side. This legal reissue a fresh mastering from those tapes, bringing out the intensity of the recording, and we have released it on a look-a-like Michelle label.
- A1: Baby What’s Wrong
- A2: Mr You’re A Better Man Than I
- A3: Choker (W/ Jimmy Page)
- A4: Honey Your Hips
- A5: West Coast Idea
- A6: I Wish You Would
- A7: Freight Loader (W/ Jimmy Page)
- B1: Snake Drive
- B2: Jeff’s Blues
- B3: Smokestack Lightning
- B4: Bye-Bye Bird
- C1: Take It Easy Baby
- C2: Out On The Water Coast
- C3: Pontiac Blues
- C4: Twenty-Three Hours
- D1: Do The Weston
- D2: The River Rhine
- D3: Mister Downchild
- A1: For Your Love
- A2: Good Morning Little Schoolgirl
- A3: Shapes Of Thing
- A4: Draggin' My Tail (With Jimmy Page)
- A5: Evil Hearted You
- B1: I Ain't Got You
- B2: A Certain Girl
- B3: Got To Hurry
- B4: Too Much Monkey Business
- B5: Got Love If You Want It
- C1: Smokestack Lightning
- C2: Louise
- C3: Good Morning Little Schoolgirl
- C4: Five Long Years
- D1: Here 'Tis
- D2: Pretty Girl
- D3: I'm A Man
- D4: She's So Respectable
- A1: Reeves Gabrels - You've Been Around
- A2: Ian Hunter & Mick Ronson - All The Young Dudes
- A3: Dana Gillespie & By Mick Ronson & David Bowie - Andy Warhol
- A4: Mick Ronson - Growing Up & I'm Fine
- A5: Iggy Pop & David Bowie - Funtime
- B1: The Spiders From Mars - Ziggy Stardust
- B2: Mick Ronson - Pleasure Man/Hey Ma Get Papa
- B3: Ava Cherry & The Astronettes - I Am Divine
- B4: Angie Bowie - I Just Want To Have Something To Do
- B5: Ian Hunter & Mick Ronson - All The Way From Memphis
- C1: Reeves Gabrels - The King Of Stamford Hill
- C2: The Spiders From Mars - Moonage Daydream
- C3: Carmen - Lonely House
- C4: Iggy Pop & David Bowie - Sister Midnight
- C5: Ava Cherry & The Astronettes - I Am A Laser
- D1: The Yardbirds - I'm A Man
- D2: The Velvet Underground - Waiting For The Man
- D3: The Mccoys - Sorrow
- D4: Chuck Berry - Around & Around
- D5: Jacques Brel - La Mort (My Death) (My Death)
Following the 2 previous sell out singles on Reed Records Mohawkestra return with a third salvo of the British Invasion flavour Funk! 'Heart Full of Soul b/w West Coast Boogaloo' available on 7' vinyl and download.
Heart Full of Soul was originally recorded by legendary British group The Yardbirds at a point when Jeff Beck joined and introduced Fuzz peddles and Guitar effects to their recordings. Mohawkestra's arrangement is an instrumental burst of heavy Organ and Guitar driven Funk that we've come to expect for their version and again they don't disappoint!
The flip side is a Mohawkestra original titled West Coast Boogaloo which would be right at home in a Jazzy lounge in California in the 60's, perfectly capturing the West Coast Jazz sound filtered through musicians playing in a British basement studio with a 50 year delay.






