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Past collaborators of Decosimo include indie/folk artists Jake Xerxes Fussell, Wye Oak, and Hiss Golden Messenger. Past collaborators of Schrey include experimental/sound artists Alvin Lucier, Gordon Mumma and Yasunao Tone. In April 2021, Joseph Decosimo, Luke Richardson, and Cleek Schrey three of the most compelling interpreters in the American traditional music scene gathered at a cabin in Tennessee to explore their collective repertoire of Old-time fiddle and banjo tunes, gleaned from visits with older players, field recordings, and vintage 78s. Working with fiddle, hardanger d’amore (a fiddle with sympathetic strings), banjos, and a 19th-century pump organ, the trio captured both the sonic details of their instruments and a generous musical interplay rooted in a dozen years of collaboration. Their debut album, Beehive Cathedral, presents resonant, thoughtful, and expansive explorations of Appalachian and American music. The results showcase deep Details study and enveloping, exhilarating performances. A rich vein of stories and relationships to people and places underpin Beehive Cathedral. Much of the album draws on Decosimo’s experiences learning the music of Tennessee’s Cumberland Plateau, where he grew up and worked as a folklorist. A key source of inspiration was fiddler Clyde Davenport (1921-2020), “Clyde was a social and musical trickster who knew hundreds of old tunes and had an uncanny ability to recall each piece in exquisite detail,” says Decosimo. “During my visits, he’d play breathtaking local pieces from his father Will, who was born in 1868. His father had learned some of them from a neighbor who was born in 1829.” "This record expresses some of what we hear in Southern traditional music: the ring of the strings, the buzz of the tunings, the hum of the organ,” explains Schrey. Spending time listening to old recordings and imagining how those sounds were made has made the trio keenly interested in the relationship between physical motion and sound in their source material. The result is a dense layering of sounds and interaction. Of this sonic interplay, Irish fiddle luminary Martin Hayes observes, “The sound of a beehive conveys the idea of a unified harmonious soundscape which is how this recording sounds. Beehive Cathedral is a sonic delight, a beautiful blend of Old-time soundscapes and more. This is a hypnotic recording that is grounded, subtle and refined

Bristol royalty YOKEL lands on AM with four unique sketches that have serious attitude!

Accidental Meetings continue their stellar year with YOKEL debuting on the label with a slice of wax, an artist who has quietly been putting out fantastic record after fantastic record over the last few years. This EP follows his stand out releases on Avon Terror Corps, Bokeh Versions & the Noods Radio's imprint.

4 A.M sees four headsy skits, teetering between the dance floor and home listening abyss. It's a diverse selection of tracks that all stand out in their own right with YOKEL's trademark G style at the forefront throughout.

Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration.

Blueprints For A Blackout, The Ex's fifth album and first double LP, combines caustic studio experimentations and loose songs from their gripping live-set at the time. The band consisted of singer G.W. Sok, guitarist Terrie Ex, two new recruits on bass, Luc and Yoke, and drummer Sabien Witteman, along with a plethora of guests including Mekons' Jon Langford and long-serving sound engineer Dolf Planteijdt, among others.

Originally released in 1984 on the band's own Pig Brother Productions, Blueprints veers from jagged punk explosions to sharply focused improvisations featuring field recordings that would become a hallmark of their subsequent forays into free jazz and experimental music. The overall effect is not unlike the menace of a slowly building winter storm.

Tracks like "Rabble With A Cause," "U.S. Hole" and "Scrub That Scum" stand out as exemplars of this phase of The Ex. Comparisons can be made to contemporaries Einstürzende Neubauten, NoMeansNo and Svätsox as well as later Crass label bands.

Mit der Kombination der klassischen Jazz-Crooner-Eleganz von Frank Sinatra und Nat 'King' Cole mit der erdigen Raffinesse der Soul-Legenden Stevie Wonder und Donny Hathaway setzt 'Merry Christmas from José James' die Messlatte für ein modernes Weihnachtsalbum höher. Auf 10 Songs, darunter zwei Eigenkompositionen, haucht James beliebten Weihnachtsklassikern wie 'The Christmas Song', 'White Christmas' und 'Let It Snow' neues Leben ein. Darüber hinaus erkundet der '50 Shades Darker'-Sänger auch seine Jazz-Seite mit einer fröhlichen Interpretation von John Coltranes 'My Favorite Things'. Begleitet von Grammy-Preisträgern/Nominierten wie Ben Williams (bass), Aaron Parks (piano), Marcus Strickland (sax) und dem aufstrebenden Jharis Yokely (drums) ist das Album ein Festtagserlebnis der Weltklasse mit einer der grössten lebenden Stimmen des Jazz auf schwarzem 180g Vinyl.

Following the previous 1996 and 1997 beat tapes released in 2017 and 2019, DJ Spinna is back with another collection of all unreleased beats from 1998 created during his final days of using the SP-1200 and Akai Combination before moving on to the MPC 3000. Still fresh after 20 + years!