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Albums don’t get much more intimate than the ones made by Stina Nordenstam. The Swedish singer layers her delicate voice over minimal, ambient soundscapes, and her lyrics are impressionistic, personal, and poetic. It’s like you’re swimming in her stream of consciousness, which is a pretty nice place to be, especially on this 2001 album, which presents Stina at her dreamiest and poppiest. Long desired by vinyl fans, This Is Stina Nordenstam is here in a clear pressing with a color inner sleeve featuring lyrics. Mitchell Froom co-produces; includes a couple of duets with Suede’s Brett Anderson (on “Trainsurfing” and Keen Yellow Planet”)!

You remember this 1994 album... it’s the one with the hit song “Need You Around,” which was “around” pretty much everywhere back then, including in the movie Clueless (for that matter, “Lucky Day” from this album was in Tommy Boy, “Mrs. You & Me” was in Angus, and “Gotta Know Right Now” in Boys). That led to the Popes opening for acts like Morrissey, whose voice lead singer and songwriter Josh Caterer— one of three Caterer brothers in the band—rather echoes (Moz himself proclaimed this album “extraordinary, the most lovable thing I’d heard in years”). If you like power pop hooks with heart, look no further...our release comes in pink & white “sunburn” vinyl to honor the front cover photo (put a shirt on, man!) inside a gatefold jacket.

It’s a tough call which is the bigger cult classic, the Tank Girl movie or its accompanying soundtrack, but on balance, we’d have to go for the soundtrack. Yeah, the film had a cast composed of some of the most colorful characters (Iggy Pop, Ann Magnuson) and character actors (Malcolm McDowell, Ice-T, and of course the almighty Lori Petty!) in show biz. And, its dystopic, resource-starved desert setting, intense action sequences, and lead female character mark it as a feminist (albeit funnier) precursor to Mad Max: Fury Road. But check out the soundtrack’s bona-fides: assembled by Courtney Love herself, it features a Who’s Who of ‘90s female rock including Hole, Björk, L7, Veruca Salt, and Belly among others. Plus, it even has tracks that were exclusive to its release, like a unique version of Devo’s “Girl U Want,” “Mockingbird Girl” by The Magnificent Bastards (a side project of the late Scott Weiland of Stone Temple Pilots), and a duet of “Let’s Do It, Let’s Fall in Love” between Joan Jett and The Replacements’ Paul Westerberg. In short, if there ever was a score that needs to be on wax, this would be it. We’ve done it right, too, with a gatefold jacket featuring the trademark comic book art and stills from the film, and a neon yellow vinyl pressing limited to 750 copies!

A leading light in the thriving Chicago hip-hop scene, Mick Jenkins has solidified his reputation over the past decade, blending atmospheric vibes, thematic depth, and captivating lyricism. The talented emcee’s remarkable career has included four celebrated studio albums, widespread critical acclaim, and collaborations with artists like Chance The Rapper, Robert Glasper, Freddie Gibbs, JID, Ghostface Killah, Disclosure, Joey Bada$$, Noname, Benny The Butcher, Vic Mensa, and more. Originally released in 2015, the classic project Waves was among the releases that propelled Jenkins’ ascent in the early stages of this journey. With textured instrumentation and chaotic percussion underpinning Mick’s elaborate flows, the collection was championed by outlets like Pitchfork, XXL, Complex, NPR, Spin, and more. Now, years after the initial pressing sold out, Wave

Recorded in Los Angeles in 1982, 13.13 exists as document to the pandemonium of specters and potential serial killers who twisted the California Dream into a waking nightmare as they snaked through the boulevards, back yards and basements of a sun stroked paradise turning into a blood soaked inferno of fear, paranoia, panic and lust killings. Lush musical textures provided by members of seminal art punks The Weirdos - Dix Denney, Cliff Martinez and Greg Williams create a hypnotic backdrop to Lunch’s evocative vocals and terrifying lyrics.

The three howler monkeys of NAG strike back with their new album “Boys Of Europe”. They debuted in 2016 as an exciting breath of basement-smelling air. Their moderately original alternative cement mix of the filthiest of punk, the truest of hardcore, and the evilest of metal was very well received. Then came gigs and tours around Europe before the second album was released in 2018, to raving reviews too, ofcourse. But then there was dead silence. For a long time. Now they’ve finally returned from obscurity with ten perfected and mighty NAG-tunes. Indeed, their hair has become greyer, and their backs hurt more, but there’s no way you can tell. They still sound like raging Norwegian teenagers. NAG has stayed true to their original ‘crust punk black metal’ formula, and the new album is as hard, fast and straightforward as anything they’ve done before.

'Systems Of Substance' is the newest EP from the boss of Renegade Methodz, showcasing his updated style and vision for the future of his music. Establishing what already started with the 'Futur Akustik' release, Endlec's sound is changing and evolving to something more minimal and loopy with a very strong fundamental groove but still keeping intact his distinct raw sound with significant style and class.
This is a four track EP of Proper Techno by one of Greece's most respected contributors to the genre.

he Album „hi“ is an invitation by Dani Scheffels to explore different emotions while listening to his instrumental music.

In his debut album, the Munich based multi-instrumentalist presents music, that is influenced by both his background as an accomplished drummer as well as his love for modern jazz and experimental electronic music.

There is no rule in his writing except one: no lyrics.

That way everyone can tie the emotional music to their own experiences best.
First not sure, if he wanted any features on this album, he decided to collaborate with his sister Amelie Scheffels on the track “this” and his longtime friend Ralph Heidel (known for his brilliant releases on the Kryptox-label, as well as through his work as musical director for artists such as Casper, Tarek K.I.Z, Drangsal, Bazzazian just to name a few..) on the track “finally”. “hi” is the second LP-release on the Munich based label tunnel.visions.

LØLØ has built a rabid following with her heart-on-her-sleeve lyrics and hard-hitting melodies spiked with a pop punk spirit over the course of three EPs. On her debut album, LØLØ “explores what it means to be human these days”. Recorded with producer Mike
Robinson, her single “u turn me on (but u give me depression)” has hit over 18M plays. EUPHORIA writes "LØLØ has become an undeniable presence in the pop-punk genre” evident by her constant touring with everyone from Boys Like Girls to New Found Glory and Against the Current.

Blue Vinyl - After releasing two brilliant albums in 1986 (Born Sandy Devotional and In The Pines, which both were critically acclaimed), The Triffids were finally snapped up by a major label, Island. The Triffids set out to make their most epic sounding album yet, working again with producer Gil Norton (known for his for with Pixies, Echo and The Bunnymen and many others). The result was Calenture, one of the best albums made by anyone, ever! Abandoning the lo-fi sound of their last album, In The Pines, and instead returning and expanding on the lush and majestic sound heard on Born Sandy Devotional, Calenture captures The Triffids on their creative peak, and is also probably their most accessible album, since it really has no weak songs.

GATECREEPER return with their highly anticipated new album Deserted. The new album, a furious mix of snarling guitars and driving, rhythmic pummeling takes death metal from its 80's Floridian roots and 90's Swedish expansion straight into the here and now. In fact, the vanguard of death metal in 2019 can be found under Arizona’s searing sun. That’s where GATECREEPER members—Chase Mason, guitarist Eric Wagner, bassist Sean Mears, drummer Matt Arrebollo and guitarist Nate Garrett—make their homes. Of course, the band nodded to their scorching home state with the title of their 2016 full-length debut, Sonoran Depravation. The theme continues on Deserted, which boasts songs like “Sweltering Madness,” “Boiled Over” and the double-meaning title track. You can hear the results on “From The Ashes,” a crushing cut primed for the European festival circuit. Over on side two, “Boiled Over” fuses classic BOLT THROWER with the pulverizing power grooves of sludge titans CROWBAR. Album closer “Absence Of Light” upholds GATECREEPER's tradition of finishing their records with a deathly doom dirge. Deserted was recorded at Homewrecker Studios in Tucson, where GATECREEPER co-produced the album with engineer Ryan Bram. CONVERGE guitarist Kurt Ballou handled the mix at Godcity in Salem, MA, and Brad Boatright mastered the album at Audiosiege in Portland, OR. Deserted’s hallucinatory cover art was created by Brad Moore (TOMB MOLD, MORPHEUS DESCENDS, and more.)

"Det Foranderlige Instrument" music for 24 Yamaha DX-7 synthesizers by Danish composer, musician and teacher Anders P Jensen. Departing from its iconic 80s pop sound, Anders P Jensen breathes new life into the DX-7, leveraging complex instrument preparations inspired by musical luminaries like Harry Partch and Björk, resulting in mesmerizing electronic symphony across 12 movements, where the instrument evolves autonomously, challenging conventional notions of composition. Besides Anders P Jensen on synthesizers, the album also features Zhang Yu on guzheng. "Study No. 11" is composed by Conlon Nancarrow, here arranged for the DX-7s. "Det Foranderlige Instrument" which translates as "The Ever Changing Instrument" is Anders P Jensen second release on Escho.

Los York's became the epitome of Peruvian garage sound. 'Abrázame' features a beat-influenced go-go twang guitar garage psych tone throughout and the unique voice of the iconic frontman of the band resulting an irresistible Latin garage hipshaker! Set the dance floor on fire with this first time 45 reissue of the Latin garage anthem 'Abrázame'! Los York's became the epitome of Peruvian garage sound, and the kings of the multi-group concerts which teenagers flocked to on Saturday and Sunday mornings in Lima's main movie theaters. The group was in tune with the youth from popular districts who were gradually turning morning concerts into dynamic gigs as the fashion for solo rock-ballads waned and garage sounds by bands like Los Shain's, Los Derbys, Los Juniors, Los Flyers and, of course, Los York's took over. Their supportive fans would follow them to every gig. After releasing their three first singles on MAG, featuring covers of popular hits, it took them a year to turn their ideas into songs for their first LP that was successfully released at Christmas in 1967. The original version of 'Abrázame' was included in this album and also released as a single. Although clearly based on Don Covay & The Goodtimers' r&b classic 'Mercy Mercy', the recording features a beat influenced go-go twang guitar garage psych tone throughout and the unique voice of the iconic frontman of the band, Pablo Luna, resulting an irresistible Latin garage hipshaker! A rawer, fuzzier version of the same song was released one year later and renamed as 'Abrázame baby'. How cool and handy is to have both versions together on one single artifact? Set the dance floor on fire with this first time 45 reissue of the Latin garage anthem 'Abrázame'!

Reissue of this long out of print overlooked gem of Swiss Hardcore, originally recorded in 1983. A great chance to rediscover an obscure masterpiece of primo European Hardcore. Remastered from the original master tapes. Includes a bonus track not included on the original vinyl version and a fold out insert with lyrics and an interview with the band. Remastered reissue of this overlooked gem: a long out of print Euro Hardcore classic made in Switzerland that needs to be heard to be believed. With strong sonic ties to the best American Hardcore (think Black Flag and early SST and Touch & Go bands) it still sounds as fresh, powerful and aggressive as when it was originally recorded in 1983! 15 tracks of pure unaltered anger and frustration. A must!

After a decade-long hiatus, Blake Baxter (Underground Resistance, Tresor) and Marc Romboy (Systematic, Kompakt) have reunited to release their latest track, "Muzik is Love." More than just a song, it represents a philosophy, a mindset, and a tribute to authentic techno music.
The duo previously collaborated on the hit "Freakin'" two decades ago, a track that continues to electrify dance floors. They followed up with several iconic tunes, including "Muzik," "Where Would You Be?" and "House Ya."
This new 12-inch record features special locked grooves on the B-side, catering specifically to vinyl enthusiasts.
With two records, DJs and music lovers can creatively rearrange the track, blending the locked grooves with individual stems from the original to form a unique mix.
Dive into a new realm of vinyl mixing with this innovative release and experience the evolution of techno firsthand

The Primitives return with a new 2 song 7" after last years surprise EP "Don't Know Where to Start". The
band are better than ever with their twee pop meets c86 meets garage pop two track single "I Won't
Care" backed with the sinister "Everybody Needs Somebody to Hate." The Primitives are indiepop royalty
and this single retains their early DIY vibes with being housed in a screen-printed sleeve.

2024 Reissue

Limited Clear w/ Silver Splatter vinyl. 15 years after the band's debut album was release, Sargent House is set to do a special anniversary re-issue with updated artwork and limited-edition clear w/ silver splatter vinyl with Silver/Red foil jacket available. Upcoming tour dates include multiple festival appearances and a UK/EU headline tour in August. 12th Nottingham Rescue Rooms, 13th Manchester Gorilla, 14th London Underworld, 15th Bristol ArcTanGent. For Fans of Fu Manchu / Melvins. This the debut is being repressed. Red Fang is the formation of long time friends and collaborators Bryan Giles (Last of the Juanitas, Party Time), Aaron Beam (Dark Forces, Lachrymator), David Sullivan (Party Time, facedowninshit, Shiny Beast) and John Sherman (Party Time, Bad Wizard, Trumans Water, All Night). Unleashed on New Year's Eve of 2006 in Portland, Oregon, Red Fang stormed out of the gates, introducing a sweaty, seething basement to a new kind of unforgettable fist-pumping, beer-chugging rock music. Since that night, the band has continued with the same intensity, energy, and intimacy to quickly become a touring juggernaut, playing shows all over the US with bands like The Melvins, Big Business, and The Sword, to name just a few. Residing somewhere between Black Flag and Black Sabbath, Red Fang recall a time when rock was more urgent and horrifying. Synthesizing a variety of heavy music influences into their own distinct musical identity, the band easily shifts from barn-burning punk to mid-tempo, hyper-distorted bass destruction all while maintaining a cohesive sound. Red Fang create gigantic rock songs that are easy to listen to (not easy listening, mind you) and qualify the simultaneous usage of both the thinking and the banging head, which are usually mutually exclusive. Their instrumentation is fluid and effortless, and the vocals are delivered melodically and forcefully, with enough rasp and effect saturation to fit nicely within the music. Paired with elemental imagery, the lyrics are immense and satisfying without any pretense.

About 10 years ago I tried to contact Dutch artist and scientist Felix Hess, when he was still alive, but never got a reply. Years later, in 2022, I was talking to Frans de Waard, who told me he was administering the sound archive of the late Hess together with Mark Poysden. Together we started working on an album to celebrate his life and many accomplishments. It includes selections from all the highly collectible Frogs releases from the 80's and 90's, while the artwork is sourced from his Zenga collection, unifying his two greatest passions.

While in Australia conducting research for his PhD thesis on the aerodynamics and motion of returning boomerangs in 1975, Felix Hess heard frog choruses for the first time. The hills, close to Adelaide, generating amazing natural rhythms and waves of spatial sounds. He started traveling to the outback to record similar frog choruses, camping in quit places to enjoy these wonderful nightly concerts.

Mystified by how the waves and rhythms of frog choruses could emerge without a conductor or a score and by the physics of this method of communication, he started to research the phenomenon in 1982 by designing and building small electronic sound creatures that could respond to each other in a similar way. These creatures and his various other installations earned him international acclaim.

During the 1990s, Hess was invited to Japan many times to present his work and he became interested in Zen Buddhism. One summer evening in 2001 he visited a museum in Berlin and saw actual Zen art for the first time. Overwhelmed by the extraordinary power radiating from this and similar artworks he became addicted to Zenga and gradually built up one of the world's most representative collections of hanging Zen scrolls. A collection he named Kaeru-An (Frog Hut) to honor his original teachers, the frogs

Double LP set capturing some of Causa Sui's heaviest, most psychedelic tunes recorded live at Loppen - a legendary Copenhagen venue, located in the famous - and infamous - Freetown Christiania commune. This is the sound of Causa Sui at their home turf, stretching out and exploring eight epic fan-favourites from their entire catalogue in front of a small crowd of 400 people in a packed sold-out venue. The show was recorded the first week that Covid restrictions were lifted on venues in Denmark, which called for an especially buzzing night, even for a band that has exclusively played no more than a handful of shows each year since their 2005 debut. Each Causa Sui show is unique. Here we're offered a different perspective of the band's music - it's looser, more free-flowing, and some tracks are warped into something far from their original versions, bouncing off the wooden beams on the low ceiling of Loppen with renewed energy. At one point you can hear the band calling to take a breather and let some air inside the sauna-like temperature of the show, which just weeks before seemed impossible. Loppen 2021 offers a complete set from start to finish, so since chances that you'll catch the band live in person are slim, this is the next best thing. Mixed and mastered by Jonas Munk. Edition of 1000 copies on coloured ecomix vinyl.

Indie Exclusive Limited Turquoise col vinyl, these were only available on the European tour, we have a final box of 50 which got held up in customs so offering now as an Indie exclusive. Northern California’s punk rock cult favourites, Tsunami Bomb, has risen from the grave and reformed with their third full-length release, The Spine That Binds, and with it they have proven that this chapter of Tsunami Bomb not only embraces their signature style of aggressive pop punk supplemented by a touch of darkness but have taken it even further. Honing their skills of melody while being more in-your-face and more aggressive than ever, they conjure a dark journey of discovery with each track. Originally formed in 1998, and disbanding after many member changes in 2005, Tsunami Bomb reformed at the end of 2015. This new release finds the quintet brought to life with the return of founders Dominic Davi (bass / backing vocals), Oobliette Sparks (keyboards / co-lead vocals), and Gabriel Lindeman (drums). Joined by Kate Jacobi (lead vocals) and Andrew Pohl (guitars/backing vocals), they combine their skills to create a sound that effortlessly mixes dark musings on the search to find one’s place in an increasingly uncaring world, into unforgettable anthems, calling on one to get up and sing-a -long. The Spine That Binds is not asking for your acceptance, it demands it. This album will scratch the itch of all the diehard fans looking for that familiar Tsunami Bomb sound, but also show a new, angrier and brutally honest side of the band. With the support of Jello Biafra’s legendary punk rock label, Alternative Tentacles Records, Tsunami Bomb has not only heard the call, they are ready for the newest chapter to unfold and they are taking everything with them