il devrait être publié sur 23.02.2024
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il devrait être publié sur 23.02.2024
Building friendship through joint sonic exploration, Khang & Elias basically started having long Sunday jams right from the start when they first met in Oakland. Recorded in two live sessions, one in May 2023 in Oakland and the other in July in San Francisco using a scattered array of little boxes of synthesis and audio manipulation. "Reflecting on the recording process it felt like we had a completely nonjudgemental mindset to the sound created and discovered sonics through kind of a lens of a child entering a playground."
il devrait être publié sur 23.02.2024
"I Am a Dancer," a track from Marc Romboy and C.A.R., initially featured on Kompakt's renowned "Total 21" album, is now reimagined with three fresh mixes. Voiced by C.A.R., also known as Chloé Raunet, renowned for her work with Kill The DJ and Ransom Note, the track carries a straightforward message: she is a dancer. This declaration serves as a testament to one's love for electronic music.
This collection introduces three novel interpretations. The A-side showcases the first-ever collaboration between Marc Romboy and London's Sinisa Tamamovic (known for Sci + Tec, Yoshitoshi), offering a dynamic remix that flawlessly blends their distinctive sounds. On the B-side, Innervisions' standout artist of the year, Skatman, presents his remix, offering a fresh take on house music that navigates the realms of hip house, techy house,
and minimal grooves. Accompanying this is another remix by Dense & Pika, setting a new standard for futuristic techno tracks with their exceptional production.
This powerful vinyl release is a must-have for enthusiasts of cutting-edge electronic music.
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Derniere entrée: 18 jours
Taking on Medal Headz G.B.D.F., lifted from the recent Brainwaltzera LP Itsame, British drum & bass producer Peshay turns in a driving remix in a classic UK style. Rolling breaks meet a heady reese bassline and wide-angle atmospherics, put together with all the aplomb of a skilled craftsman doing what he does best. It’s music made for the dancefloor, delivered in a timeless style by one of the heads of the early Good Looking Records & Metalheadz years.
On the B1, Brainwaltzera takes the reigns with an extended version of the original album piece – a valuable reminder of the impressive source material, reimagined in a new context. For the B2, the artist offers a previously interconnected phase of Medal Headz G.B.D.F. up as a track in its own right. A spellbinding IDM reduction, it’s wrought with all manner of synth flourishes, elegant drum machine rhythms, and warping synths – a neat closer that offers a new and intriguing approach to an LP highlight.
a Medal Headz G.B.D.F Peshay Remix
b Medal Headz G.B.D.F Extended
[separated]
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Last In: 2 years ago
il devrait être publié sur 23.02.2024
Inimitable post-rock outsiders A Burial At Sea return with `Close To Home', a soaring sonic love letter to the places and people that shaped them, the collective's first new music since the eponymous debut full-length in 2020, `Close To Home' is a breathtaking evolution of their unique, brass-led blend of shoegaze, math-metal and blissed out afro-jazz that draws inspiration, influence and insight from the rich Gaelic cultural heritage of their Irish homeland. First making waves in 2018 with unbridled bombastic creativity of `_And The Sum Of Its Parts' EP, A Burial At Sea turned the traditionally austere post-rock frown upside down. Quickly catching the attention of like-minded, international genre-benders And So I Watch You From Afar (ASIWYFA), This Will Destroy You ,Caspian and Some Become Hollow Tubes (Godspeed You! Black Emperor), the band subsequently spent months on tour in support, honing their incendiary craft and gaining a loyal fan base across Europe in the process. Despite being landlocked by forces outside of their control, A Burial At Sea continued their adventure by looking inwards to produce `Close To Home': a staggering refinement of the band's already singular instrumental sound. The confidence, experience and sheer musical assuredness behind this album renders any generic labels of post rock immediately obsolete. `Close To Home' proves without a doubt that A Burial At Sea are indeed more than the sum of their parts; positioning the band on the crest of a truly progressive wave of uplifting, anthemic post-rock. Everything you are NOT edition (single coloured vinyl)!
il devrait être publié sur 23.02.2024
A new name in the Dutch rock scene. Old acquaintances, new songs, a new album, a new adventure... the past ten years have been dominated by 4 full albums in a row, numerous performances (see selection below), rave reviews in the (inter)national press and all under the name BYT (aka BloYaTop).
The switch to a new band name was obvious when the band entered into collaboration with producer MARIO GOOSSENS (Triggerfinger) and the choice was made to return to the roots of rock music, resulting in a week of live and analog recordings in the already
legendary TRYPOUL RECORDING STUDIOS, allowing the band to capture the live energy for which they are known. Mastering took place in New York by none other than Fred Kevorkian, where greats such as Iggy Pop, Maroon 5 and many others had already found
their way.
il devrait être publié sur 23.02.2024
The Snuts präsentieren "Millennials": einen scharfen, knurrenden 10-Track-Kracher. Von Anfang bis Ende, von oben bis unten, wurde Millennials komplett nach dem Skript von The Snuts produziert. Das Ergebnis: eine knackige, straffe, fettfreie Meisterklasse in Sachen Songwriting und Produktion. The Snuts haben ein Chartstürmer- und ein Top-3-Album in der Tasche, Songs, die Themen angreifen, die die Jugend von heute betreffen.
The Snuts wollen etwas riskieren. Und mit Millennials haben The Snuts dieses Versprechen eingelöst und drehen zu Höchstform auf!
il devrait être publié sur 23.02.2024
Introducing the anticipated 7" re-release of the Equasions single 'It's So Hard To Say "So Long"' & 'World Of Lonliness'. A timeless soul/funk single recorded in San Antonio in 1971, revered by sweet soul collectors internationally, has now become available for the first time in over 50 years through Symphonical Records, in partnership with band leader/songwriter, Robert Williams.
This limited repress is a testament to the sound of San Antonio. The Equasions were immersed in the city's defining impression, performing alongside other local acts Royal Jestors, Sunny & The Sunliners, The Primes, Joe Jama plus many more, all of whom worked to carve out the Alamo sound, one that resonates continues to inspire today.
The 5-piece vocal group, led by Robert Williams, consisted of Vernon Shannon, James Hartfield, Ricky Cotton, and Lamar Sumter. Brackenridge High School graduates, the group were formerly known as 'The Volumes', with their first single being released on Manny Guerra's imprint, 'Garu'. Two years later, the group switched members and formed their new name, recording their single at Joey Internationals studio.
Robert remarks that both songs were written as a universal message; for no one in particular but everyone can relate to. 'It's So Hard To Say "So Long"', is a poignant sentiment to lost love, yet hope created through beautiful harmonies, whereas 'World Of Lonliness' is a psychedelic reflection of society of the era, which Robert mentions remains true today.
il devrait être publié sur 23.02.2024
il devrait être publié sur 23.02.2024
Causa Sui's three volumes of Summer Sessions are back in print! This time on the band's own label, on individual LPs for the first time since they were first released in 2008 and 2009. Re-packaged in El Paraiso's signature style. Originally the Summer Sessions were intended as a side project for the band - a chance to explore their love for other genres such as American free jazz, krautrock, 1970s soundtracks, as well as the psychedelia and detuned stoner-rock that characterized Causa Sui's first two albums. But these three albums came to define the band, and have become modern classics of psychedelia and progressive rock since their initial release ten years ago. In a scene often characterized by loyalty to a specific period, there's something refreshing about Causa Sui's eclectic approach. With several guest appearances by Coltrane-devotee Johan Riedenlow on sax and electronics wiz Rasmus Rasmussen, Causa Sui venture far beyond stoner-rock platitudes. Take the grandiose opening statement for example - the 24 minute "Visions of Summer" taking up the entire A-side: here new and old sounds dissolve in a mindbending excursion that recalls Future Days-era Can, breezy tropicalia or Herbie Hancocks Mwandishi group, as much as it sparks associations to Kyuss or Hendrix. Other tracks, such as the frenetic Rip Tide (vol. 2), heads into straight up free jazz territory with Riedenlow going absolutely bonkers on the sax. But this set also allows plenty of room for atmospheric pieces such as the sun-drenched "Venice by the Sea" (vol. 3) or the Morricone-esque "Cinecitta" (vol. 2).
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Last In: 18 months ago
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Last In: 8 months ago
Adeen Records is on a roll right now and this time out they welcome the Detroit hero that is Marcellus Pittman for a new and beguiling four-track 12". Known for his work with The 3 Chairs collective as well as his solo jams, this Motor City mainstay opens up with 'You Always Hank Bank One Time' which is a real mental maze of rickety loops and blurts of degraded synth. 'Another Spring Lover' is another rusty and lo-fi piece of archetypal Detroit house that is very clearly machine music but with a unique sense of human soul. 'I'm Gonna Be The Everything' is a raw drum track with sparse, heartwarming chords and 'Slick Nickle Pladium Investment' is a knackered downbeat hip-hop closer. Magnificent.
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Last In: 2 years ago
RAWAX proudly welcomes legendary Fresh & Low to the family!
Rawax are very happy to present you in future most of their amazing
past productions on the new "Treasures" series.
Starting with groundbreaking LITTE "i" EP from 1997!
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Derniere entrée: 55 jours
Devon made her musical debut earlier this year, releasing her first ever recorded single, ‘Swim’ to swooning fans in September, and has decided to follow it up next week with a sultry and high energy tune entitled ‘Killer’. ‘Killer’ is the second song to be released by Actress/Model/ — and, now —Musician, Singer/Songwriter: Devon Ross. ‘Killer’ hits all digital platforms worldwide on the next ‘Bandcamp Friday’ (1-December -2023) in advance of her very first concert taking place at London’s legendary 100 CLUB on December 13, 2023. Inspired by Sixties and Seventies legends, such as The Beatles, Rolling Stones, Patti Smith, Bob Dylan, The Stooges and Television, Devon Ross is finally debuting her first recordings on the forthcoming EP, entitled Oxford Gardens. Oxford Gardens was recorded in Paris and mixed & mastered at Abbey Road Studios in London and set for release on Thurston & Eva Moore’s indie record label, The Daydream Library Series. TRACKLIST: 1/I Don’t Wanna 2/Swim 3/Killer 4/Mine Not Yours. Bio: Model-actress-guitarist, 23-year-old recording artist was raised in Los Angeles and moved to London in 2020. British Vogue cited Ross as “the coolest model currently climbing up the ranks”. During 2019, Gucci recruited her for a Rome runway show before casting her in the launch of the Gucci x Disney Collection (notably shot at Disneyland). It opened up the floodgates as she went on to walk for Valentino, Erdem, Gauchere, Sies Marjan, and Simone Rocha and lead campaigns for Vivienne Westwood and Mulberry. Her career would be chronicled by L’Officiel, 10 Magazine, W, and many more. In 2021, she joined the cast of HBO and A24’s Irma Vep - The Serial (2021) alongside Academy® Award Winner Alicia Vikander, Adria Arjona, Carrie Brownstein, Byron Bowers, and others. Eva & Thurston met Devon at Cannes Film Festival in France in 2021 and started going to shows and kicking around London together. After witnessing her guitar playing and hearing her music the couple invited her to release music on their independent record label. This month November 2023, The Daydream Library Series independent record label will celebrate five years in operation. Thurston & Eva founded the label in 2018 to release the debut album Sistahs by London’s black, feminist, punk band Big Joanie.
il devrait être publié sur 20.02.2024
Dean McPhee’s fifth full length album 'Astral Gold' sees the Yorkshire-based electric guitarist's music continue to evolve beyond the spacious folk-inspired fingerpicking that typified his earlier releases into a heavier sound combining deep bass, textured reverbs and waves of saturated delay. 'Astral Gold' brings together several now out-of-print tracks that were originally released on the Reverb Worship and Folklore Tapes labels, along with two brand new pieces – all recorded live in single takes. There is a cosmic theme throughout, including a track based on the local lore of The Ilkley Alien (The Second Message), a trance-inducing drone piece inspired by the orbit of the 'doomed moon' Triton (Neptune) and a meditation on lunar volcanism combining baroque melodies, EBow bass and found recordings of a crackling fire played through guitar pickups (Lunar Fire). Throughout this intricately layered and beautifully crafted album McPhee draws on a wide range of influences from Kosmische Muzik and Dub to Stoner/Doom Rock, British Folk and underground electronic music, and the result is both intoxicatingly atmospheric and sonically inventive. ‘Astral Gold’ was mastered and cut by Anne Taegert at Dubplates & Mastering in Berlin and is pressed on 180g heavyweight vinyl. ‘Astral Gold’ follows Dean McPhee’s recent appearances this year on several well received compilation albums ‘I Thought I Told You: A Yorkshire Tribute to Michael Chapman’ on the Tompkins Square label, ‘Ballads of Seduction, Fertility & Ritual Slaughter’ released by Wasistdas, and Folklore Tapes’ limited edition cassette ‘A Web of Braided Willow (The Folklore of the Wickerman)’. "His take on the late folk guitarist’s ‘Caddo Lake’ could have you believing the pinch of callous on string was birdsong – a meditative gem" (Noel Gardner, The Quietus) "Magpahi's synth-drizzled Maypole, Dean McPhee's Sunset and Meg Baird's Willow's Song are particularly gorgeous" (Jude Rogers. The Guardian) "An excellent new single from UK guitarist Dean McPhee...the A-side is an echo-laden slice of smoldering instrumental guitar, pulling at the mind like taffy and living up to its cosmic title" (Raven Sings the Blues) "Absolutely lovely stuff; shimmering, gorgeous, delicate electric guitar playing of the very highest quality
il devrait être publié sur 20.02.2024
Black vinyl LP. Debut album by striking experimental duo featuring Aboriginal songman Fred Leone. Mixed by Jake Miller (Björk, Arca), mastered by Alex Wharton (The Beatles, MBV). RIYL: Autechre, Arca, Björk. Yirinda means 'Now' in Butchulla language. Australian duo Yirinda combine ancient Aboriginal language with sublime modern production. Fred Leone and Samuel Pankhurst's music invokes thousands of generations of story and culture, while emerging as something entirely new. Fred is one of three Butchulla songmen - a song and language custodian for the Butchulla people from the Fraser Coast region of Queensland, including K’gari (formerly known as Fraser Island). He sings the songs on this album in the endangered Butchulla language, now spoken by only a handful of people. Samuel is an internationally acclaimed contrabassist / producer known for his kaleidoscopic harmonies and polyrhythmic mastery. Their self-titled debut album was recorded in Brisbane by Samuel, then mixed in London by Jake Miller (Björk, Arca, Yves Tumor) and mastered at Abbey Road by Alex Wharton (The Beatles, My Bloody Valentine). The album sets Fred’s powerful vocals against striking experimental soundscapes, rich with strings, horns, double bass, synthesizer, piano and percussion. Every arrangement began with Fred's voice alone and from there sounds and systems were constructed. The result is otherworldly, a timeless art music outside Western convention. Yirinda have performed at the Australian Art Music Awards, Vivid Festival, Golden Plains, Dark Mofo, Supersense and elsewhere, and been covered by ABC Radio and NME Australia. Fred has toured Europe as a member of The Black Arm Band, and as a solo artist supporting Ash Grunwald. He founded Australia’s first Aboriginal hip hop label Impossible Odds in the late 2000s. Samuel has performed with the Brodsky Quartet and is a member of the Australian Art Orchestra. He has scored extensively for contemporary dance, and his studio work covers everything from the Bluey TV show to Hiatus Kaiyote
il devrait être publié sur 20.02.2024
The Fire Theft was an alternative rock band from Seattle, formed in 2001 from the ashes of legendary emo band Sunny Day Real Estate. The lineup consisted of vocalist/guitarist Jeremy Enigk, bassist Nate Mendel and drummer William Goldsmith. Mendel is also famous for being the full-time bassist in the Foo Fighters and Goldsmith was also Foo Fighters’ drummer between 1995 and 1997. This is the 20th anniversary reissue of the band's only album which was originally released on Rykodisc in 2003. A 2019 vinyl reissue of this record currently goes for very silly money on the second-hand market…Features reconstructed artwork for vinyl by Nathan Shumaker, on a gatefold cover with embossed print, 12" insert, 180 gram coloured double vinyl.
il devrait être publié sur 20.02.2024
Sony Masterworks Broadway, along with producers Sonia Friedman, David Babani and Patrick Catullo release the New Broadway Cast Recording of Stephen Sondheim and George Furth’s MERRILY WE ROLL ALONG which is now available on double LP Vinyl (CD was released mid-Jan). Produced by David Caddick, David Lai, Joel Fram and Maria Friedman and starring Daniel Radcliffe, Jonathan Groff, and Lindsay Mendez, the album was recorded and mixed by Ian Kagey at Berklee at PowerStationNYC and Renaissance Recording NY. The New Broadway Cast Recording includes new liner notes from Director and Album Producer Maria Friedman as well as former New York Times Chief Theater Critic, Ben Brantley.
il devrait être publié sur 20.02.2024




















