Suche:100 records

First-ever vinyl repress of Sheena Easton’s hit 1983 album.
• Remastered from the original master tapes and pressed
on white coloured vinyl with refreshed artwork including
new inner sleeve.
• Includes the US smash singles ‘Almost Over You’ and
Grammy-nominated ‘Telefone (Long Distance Love
Affair)’ as well as her stunning take on the Dusty
Springfield classic ‘Just One Smile’.
Sheena Easton rocketed to overnight fame in 1980 with the BBC
broadcast of The Big Time - arguably the first pop reality show -
subsequently breaking records with her first two singles ‘Modern
Girl’ and ‘9 To 5’ simultaneously hitting the UK Top Ten. Within
a year, she had topped the US Hot 100 with the renamed
‘Morning Train (Nine To Five)’, recorded the Bond theme ‘For
Your Eyes Only’, released two platinum-selling albums and
become an international sensation.
1983 proved a pivotal year for Sheena as she fully embraced her
burgeoning US stardom following a sell-out US tour, hit TV
specials and regular primetime appearances. ‘Best Kept Secret’
was her first album recorded Stateside. Working with red-hot
producer Greg Mathieson (fresh from holding down the top two
slots with Toni Basil and Laura Branigan) and Grammy-winner
Jay Graydon (Earth Wind & Fire, Dionne WarwickJ) the album
repositioned Easton as a youthful new wave stylist - as capable
of rocking hard on cuts like ‘Devil In A Fast Car’ as she was in
nailing a soaring Streisand-style ballad like the top 5 AC smash
‘Almost Over You.’ Lead single ‘Telefone’ was an out of the box
smash - reinstalling Sheena in the US top 10 pop and establishing
her as heavy rotation MTV star and dance chart regular.
This is the fourth in a series of remastered vinyls of her 1980s
albums, and part of Cherry Red’s on-going reissue campaign of
the star’s EMI catalogue in association with RT Industries.

2023 Repress!

DJ Mo Reese excites crowds with his unique brand of House music. A Detroit native, his music is steeped in the tradition of his hometown and blended with his own soulful, funky style.

Influenced by such legends as Dennis Ferrer, Kevin Saunderson, Todd Terry, Derrick May, Roger Sanchez, and Terrence Parker, DJ Mo Reese has entertained around the world for over 25 years. Most recently, he performed at Tresor, in Berlin, Germany and Kitsch in Eindhoven, Netherlands. A crowd of over 100,000 was blown away as he performed his special four turntable set at the Detroit Movement Festival. He banged the box at the Cornerstone Event near Chicago before a crowd of 600+. DJ Mo Reese shined at the Winter Music Conference in Miami, and has been featured on stations WGPR, WJLB and won the Mixidome contest on WHYT. As a performer/producer, DJ Mo Reese inspires audiences with his uplifting and soulful style of House music.

The garage punkrock lieutenants of Sweden are back with a bang!
Formed in 1999, this high energy garage punk outfit is known for their
intense live shows, which have taken them all over Europe and even USA -
Now they're back with their sixth album, 12 brand new tracks, 100% made
for volume levels cranked to the max
It's hard hitting, raw, trashy, primitive yet with a twist of finesse that makes you
wanna hear it over and over again. This album is sure to keep your feet moving
and bring garage rock to the masses. For fans of garage rock of yesterday and
today, Buzzcocks, The Hives, The Nomads,The Marked Men, The Kidnappers, The
Devil Dogs

The garage punkrock lieutenants of Sweden are back with a bang!
Formed in 1999, this high energy garage punk outfit is known for their
intense live shows, which have taken them all over Europe and even USA -
Now they're back with their sixth album, 12 brand new tracks, 100% made
for volume levels cranked to the max
It's hard hitting, raw, trashy, primitive yet with a twist of finesse that makes you
wanna hear it over and over again. This album is sure to keep your feet moving
and bring garage rock to the masses. For fans of garage rock of yesterday and
today, Buzzcocks, The Hives, The Nomads,The Marked Men, The Kidnappers, The
Devil Dogs

Nach 'Another Night' (2011), 'You Are Here' (2014), 'Motivator' (2016) und 'Hard To Stop' (2020) legen High Spirits aus Chicago in Form von 'Safe On The Other Side' endlich ihr lang ersehntes fünftes Studioalbum vor.
Es könnte wohl keine passendere Platte geben, um das 20-jährige Jubiläum von High Roller Records zu feiern. 'Safe On The Other Side' trägt die Katalognummer HRR1000. Ein Umstand, der Chris "The Professor" Black, Multi-Instrumentalist, Sänger und Gründer von High Spirits, mit großem Stolz erfüllt.
Die Band spielt Hardrock mit Einflüssen aus diversen Rock- und Metal-Genres der 1970er- und 1980er-Jahre. Hervorheben muss man die gekonnt eingebetteten Thin-Lizzy-Double-Lead-Attacken, sowie die Kompaktheit und Eingängigkeit der Songs. Die Songs auf 'Another Night' wurden z.B. mit melodischen Bands der NWOBHM wie Tygers Of Pan Tang, Praying Mantis oder den frühen Iron Maiden verglichen.

"Galt MacDermot (1928-2018) was an award-winning Canadian-American composer, pianist, writer of classical music and theatrical pieces. MacDermot also composed music for several film soundtracks (like the 1970 blaxploitation film `Cotton Comes To Harlem') and released several exceptional jazz and funk albums on his own label Kilmarnock Records. He is best known for his work on the Grammy winning 1967 musical Hair (which also produced several number-one singles like "Aquarius/Let The Sunshine In") and Two Gentlemen of Verona (1971) for which he won a Tony Award. In 2009 Galt MacDermot was inducted into the Songwriter's Hall of Fame and in 2010 he received the Lifetime Achievement Award. In 1979, MacDermot formed the New Pulse Jazz Band, which performed and recorded his original music. Galt MacDermot's music is extremely popular with collectors of jazz and funk. Working with jazz and soul musicians such as Bernard Purdie and Idris Muhammad, MacDermot created pieces that used African rhythms (he made the study of African music his speciality). In recent decades, his work has become popular with hip-hop musicians including Busta Rhymes, Ol' Dirty Bastard, Gang Starr, Action Bronson, Public Enemy, MF Doom, Madlib, J Dilla, Obie Trice, Naughty By Nature, Run DMC and Digable Planets_the list is endless. The album "Ghetto Suite" was written in 1970 and released in 1972 and is considered one of the most ground-breaking records ever issued on Galt MacDermot's Killmarnock label and consists out of a selection of songs and poems by Harlem/Bronx school children, set to Galt's music, and sung by vocalist Angela Ortega. Given That Galt's handling the music, you can bet that there's plenty of nicely executed funky touches - supported by rolling bass-work, snapping drums, and organ virtuosity. But the real charm of these groovy tunes comes from the lyrics, which have a simple and to the point way of dealing with issues of racism, poverty and other issues of the time. The story telling is surprisingly gripping even after all these years. The whole album creates an extremely personal direct sensitivity to the environment of Ghetto kids_telling us with defiantly honest intensity what it was like to be young and black, the drugs and the deaths, the topic of incarceration_or simply the fact of being battered by the frustration of Ghetto existence. Ghetto Suite is way more than an entertainment record, it has been used by teachers and counsellors to inspire and motivate the muted voices of the black inner cities_ documenting both their anguish and their triumphs. Tidal Waves Music now proudly presents the FIRST EVER vinyl reissue of this exceptional conceptual album (originally released in 1972 and a highly sought-after pricey collectable ever since) This unique record now comes as a deluxe 180g vinyl edition (strictly limited to 1000 copies) with obi strip and features the original artwork and extensive sleeve notes.

ONLY AVAILABLE ON PREORDER!!

The first-ever LP box set gathering the entire 10 albums collection of Obscure Records produced by Brian Eno’s.
Curated by Gavin Bryars

Originally issued between 1975 and 1978, nearly 50 years on the output of Obscure remains radically forward-thinking - offering glimpses of a future yet to be fully seen - and amounts to one of the most important, influential, and creatively accomplished album series ever conceived.
Co-curated by Eno and the composers Gavin Bryars and Michael Nyman - issuing the recording debuts of Bryars, Nyman, John Adams, Christopher Hobbs, David Toop, Max Eastley, Jan Steele, Simon Jeffes / The Penguin Café Orchestra, and Harold Budd, in addition to important works by John Cage, Tom Phillips, and John White - Obscure’s collective output is a groundbreaking landmark in the histories of Minimalism, modern composition, and Experimental music, and laid much of the groundwork for the soon to emerge movement of Ambient music.

Illuminating the remarkable, and largely otherwise undocumented, creative ferment within and between the British and American scenes of experimental music during the mid to late 1970s, this collection - made in full collaboration with all of the composers or their estates - contains the entire 10 album output of Obscure, the majority of which have been out of print for years, with a number having never received a CD reissue.

Offering each of Obscure’s albums, completely remastered and housed in faithful replicas of their original covers and liner notes, as well as a 80-page book (LP dimension) for LP-BOX SET, filled with rare photos, archival material and texts by - among others - Gavin Bryars, Bradford Bailey, David Toop, Max Eastley, Richard Bernas, and Tom Recchion, this historic collection marks the first time this seminal series has received a complete LP repress.

10th anniversary deluxe edition of Mac Miller's second studio album Watching Movies with the Sound Off on heavyweight galaxy vinyl. Includes a bonus 10" zoetrope picture disc with bonus track "The Star Room (OG Version)" and a never before released vinyl exclusive track "The Quest."

With the release of his sophomore album, Pittsburgh native Mac Miller goes up against some of hip-hop's heavyweights to shatter the public perception and prove that he is a talented lyricist.

Miller made a name for himself several years ago with the release of his popular mixtapes , gaining a following from the party-heavy beats and whimsical rhymes. Miller's first album Blue Slide Park debuted on the charts at the number one spot of Billboard's 100 making it the first indie album to snag the number one spot since Tha Dogg Pound's Dogg Food in 1995. Despite the commercial success of BSP, Miller's debut album received mixed reviews and he was lambasted and accused of being one-dimensional. Determined to prove himself as a serious lyricist, Miller's Watching Movies With The Sound Off goes toe to toe with Cole and West. Picking up where his 2012 mixtape Macadelic left off, Miller continues his psychedelic journey through hip-hop with a more serious undertone to his lyrics.

Miller once again pulls double duty and puts on the producer's hat of his alter ego Larry Fisherman. The 21-year-old handles most of the production on the album but he enlists the help of several others including Pharrelll Williams, Diplo, The Alchemist, Clams Casino, Flying Lotus and more. It's clear Miller has grown just as much as a producer as he has as a rapper. Sonically, WMWTSO is a complex and challenging conglomerate of trippy, acid-laced sounds that mesh well with Miller's laidback flow.

WMWTSO may seem like a far leap from his debut album, but with the several projects released in between the two albums, Miller has been on this path for a while. Accomplishing the goal of proving he's more than a flash in a pan and can make more than party hits, Miller's sophomore album WMWTSO holds its own against his colleagues that share the same release date. A must have on vinyl for any fan!

Written, Produced, and Mixed by Jai Paul.
RECORDED AT HOME IN RAYNERS LANE, LONDON, ENGLAND.

Published by BMG Music Publishing Ltd. Except:

Str8 Outta Mumbai contains a sample of Bala Main Bairagan - Vani Jairam. Banner: Suchitra International Productions “Meera”. Music: Ravi Shankar. Lyrics: Meerabi. Licensing courtesy of UNIVERSAL MUSIC INDIA PVT. LTD.

Crush Written by Berny Cosgrove, Kevin Clark, Clifford Mueller and Andy Goldmark. P ublished by Warner/Chappell North America Ltd., Universal Music Publishing Ltd. and Shapiro Bertstein & Co. Ltd.

Baby Beat contains a sample of “All My Life” performed by K-Ci & JoJo. Courtesy of Geffen Records, A Division of UMG Recordings Inc., under license from Universal Music Enterprises.


Chix contains a sample from “Adagio For Strings, Op11.” as recorded by Leonard Bernstein and The New York Philharmonic, used courtesy of Sony Masterworks, a division of Sony Music Entertainment.

Lacquers cut by Scott Stratton at Bernie Grundman Mastering, Hollywood CA.

30 Jahre Voodoo Rhythm Records wird mit 15 komplett verrückten Bands gefeiert, 15 empörende, ohrenbetäubende Stücke aus aktuellen oder kommenden VVR-Alben auf einer schick animierten Picture Disc oder als Digipack-CD mit Booklet! Flamenco und Blues Trash trifft auf Exotica Space Cumbia und wilden Rock'n'Roll Garage Chainsaw Punk plus Neanderthal Synth... Voodoo Rhythm Records wurde 1992 in Bern Schweiz gegründet, um eine Plattform für unkontrollierten Nicht-Mainstream-Rock'n'Roll zu sein: Voodoo Rhythm steht für eine Hirnexplosion und befasst sich mit den inneren Teufeln (voodoo), um sie mit den Teufeln in deiner Umgebung mit Rock'n'Roll (Rhythm) zu konfrontieren. Und das tun die 15 Bands auf dieser Kompilation alle auf ihre eigene Weise: The Monsters aus Bern in der Schweiz mit einem Song von ihrem kommenden Album 'You're class, I'm trash' oder Degurutieni aus Japan mit seiner Hi Exotic Hymne 'Acme am Nachmittag' und unser brandneuer Stier im Haus Nestter Donuts aus Spanien mit seiner unglaublichen Flamenco Trash One Man Band!!!! und viele viele mehr. Das Label ist nicht nur gegründet worden, um irgendwas zu veröffentlichen, wir wollen etwas anderes, neues kreieren und arbeiten zu 100% an allen Veröffentlichungen mit: vom Artwork bis zu den Aufnahmen usw. Auch bei diesem fünften Sampler hier ist die Moving Picture-Disc vom rumänischen Künstler Andy ,sinboy' Luke (Bad Decisions), der auch für andere großartige Artworks verantwortlich ist, gestaltet worden, das Mastering stammt von Lo Spider aus dem Swamp Land Studio in Toulouse Frankreich. (STILL) SONGS TO RUIN ANY PARTY, AGAIN!

180-gram 45 RPM double LP
Mastered by Ryan K. Smith at Sterling Sound from the original analogue master tape
Pressed at Quality Record Pressings and RTI
Gatefold old-style "tip-on" jacket by Stoughton Printing

In The Right Place is the sixth, and biggest-selling album of the late iconic music legend, six-time Grammy-winner, and Rock And Roll Hall of Fame inductee, Dr. John. Dr. John, the stage name of Malcolm John Rebennack, Jr., was one of the most original, distinctive and influential voices to ever come out of New Orleans. His career spanned six decades as a songwriter, composer, producer and performer. His unique blend of music carried his hometown of New Orleans at its heart.

His colorful musical career began in the 1950s when he wrote and played guitar on some of the greatest records to come out of the Crescent City, including recordings by Professor Longhair, Art Neville, Joe Tex, Frankie Ford and Allen Toussaint. Dr. John headed west in the 1960s, where he continued to be in demand as a session musician, playing keyboards on records by Sonny and Cher, Van Morrison, Aretha Franklin and The Rolling Stones' Exile On Main St. During that time he launched his solo career, developing the charismatic persona of Dr. John The Nite Tripper. A legend was born with his breakthrough 1968 album Gris-Gris, which introduced to the world his unique blend of voodoo mysticism, funk, rhythm & blues, psychedelic rock and Creole roots.

1973's In The Right Place contained the chart hits "Right Place Wrong Time" and "Such A Night." In addition to his six Grammy wins (1989, 1992, 1996, 2000, 2008 and 2013), he has received six other Grammy nominations over the years. In 2007 he was nominated for "Sippiana Hericane," his Hurricane Katrina benefit disc.

AllMusic says that with In The Right Place, Dr. John struck mainstream paydirt, especially with his hit single "Right Place Wrong Time" bounding up the charts and initiating listeners into New Orleans-style rock (the song hit No. 9 in 1973 on the Billboard Hot 100 songs chart).

Also including Allen Toussaint's "Life," and a funky little number entitled "Traveling Mood," which shows off the good doctor's fine piano styling, and with able help from the Meters as backup group, In the Right Place is still a fine collection to own.

With mastering by Sterling Sound's Ryan K. Smith direct from the original tape, and two sides of premium 180-gram vinyl (pressed by the best — Quality Record Pressings and RTI), our 45 RPM edition of In The Right Place emphasizes Dr. John's gravelly bayou drawl and sonically creates the hoodoo-infused stage persona he brought to his performances.

After Hurricane Katrina Dr. John immediately stepped up to the plate with generous relief fund-raising concerts and recordings. In 2007 he was inducted into the Louisiana Music Hall of Fame and Blues Hall of Fame. In 2008 he released City That Care Forgot, winning him a Grammy for Best Contemporary Blues Album.

His numerous other awards included the Louie Award from the Louis Armstrong House Museum and the Jazz Foundation of America's Hank Jones Award, presented in October 2016 at "A Great Night in Harlem" which pleged $1 million to help musicians recovering from the 2016 Louisiana flood.

We are so pleased to bring you this deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic Series) reissue of the timeless Dr. John classic In The Right Place. Cue it up and prepare to be transported.

The earth rotates, seasons change_there is but one long day_ Time is a beguiling, indistinct entity_sometimes standing still, sometimes bending back upon itself with premonitions or memories of the future. Growing out of a pen pal style correspondence that took place over the course of a year, separated by the Atlantic Ocean, Gloria de Oliveira and Dean Hurley passed thoughts and music back and forth that would eventually form their collaborative album, Oceans of Time. The result is an aural tapestry of that exchange: woven from conceptual threads of the celestial within, mortality and the realm beyond stars. The duo's partnership is an effortless merge, yet it's the steady presence of de Oliveira's vocals that endows the record with its sense of potency. Throughout the album, there is an innate understanding of how a lyric across a chordal color can sharpen an emotional truth. Much like a sunbeam that pierces a spiderweb to reveal its intricacy, her lyric and melody are purposely aimed in order to illuminate the truths deep within oneself_a process that ties us all to the universal. The Danish philosopher Soren Kierkegaard, a professed influence, wrote about the truth as something that was inherently subjective, less about the concrete reality of what is believed and more about how it is experienced by the believer. Frequent David Lynch collaborator Dean Hurley sets the tonal and sonic landscape of each track on the album, lending a layered ether that envelops, frames and holds de Oliveira's vocals. With its impressionistic synths, shimmering guitars, and ethereal sonics, Oceans of Time at moments recalls the foundational dreampop of 4AD acts like Cocteau Twins and Lush. The album feels especially attuned to the connections between the physical and transcendental realms, and the best dreampop has a way of making the veil between two worlds feel just a little bit thinner. Oceans of Time is a key that has the power to release its listener from the handcuffs of reality, however briefly_

The earth rotates, seasons change_there is but one long day_ Time is a beguiling, indistinct entity_sometimes standing still, sometimes bending back upon itself with premonitions or memories of the future. Growing out of a pen pal style correspondence that took place over the course of a year, separated by the Atlantic Ocean, Gloria de Oliveira and Dean Hurley passed thoughts and music back and forth that would eventually form their collaborative album, Oceans of Time. The result is an aural tapestry of that exchange: woven from conceptual threads of the celestial within, mortality and the realm beyond stars. The duo's partnership is an effortless merge, yet it's the steady presence of de Oliveira's vocals that endows the record with its sense of potency. Throughout the album, there is an innate understanding of how a lyric across a chordal color can sharpen an emotional truth. Much like a sunbeam that pierces a spiderweb to reveal its intricacy, her lyric and melody are purposely aimed in order to illuminate the truths deep within oneself_a process that ties us all to the universal. The Danish philosopher Soren Kierkegaard, a professed influence, wrote about the truth as something that was inherently subjective, less about the concrete reality of what is believed and more about how it is experienced by the believer. Frequent David Lynch collaborator Dean Hurley sets the tonal and sonic landscape of each track on the album, lending a layered ether that envelops, frames and holds de Oliveira's vocals. With its impressionistic synths, shimmering guitars, and ethereal sonics, Oceans of Time at moments recalls the foundational dreampop of 4AD acts like Cocteau Twins and Lush. The album feels especially attuned to the connections between the physical and transcendental realms, and the best dreampop has a way of making the veil between two worlds feel just a little bit thinner. Oceans of Time is a key that has the power to release its listener from the handcuffs of reality, however briefly_

REPRESSED 2x12" now with bonus download code! Heavy, heavy tunes! Studio One instrumentals are the foundation of Reggae. These rhythm tracks became the basis for all Dancehall as countless artists and producers re-versioned these classic Studio One instrumentals.

REVIEWS: "Sheer volume of output from Studio One is astonishing, combined with the fact that the quality of the recordings never seem to diminish. These instrumentals touch on ska, rocksteady, dub, and begin to hint at the reggae sound of the late '70s. Each instrumental is perfect and has the feel that it could hardly be improved upon. Soul Jazz has once again put together a wonderfully rounded collection of music from Studio One" - All Music.

"I think if a nuclear family could have a soundtrack, ours would be the Soul Jazz comp Studio One: Scorcher. I wouldn't say it's the best record ever made, but if I heard it every single day for the rest of my life, I'd be 100% cool with it." DJ. & "Compilation of essential & rare Studio One instrumentals" - Hard Wax.

"Studio One Scorcher is the latest of these, collecting instrumental tracks spanning the years from the late 60's rocksteady vogue through the onset of dancehall and digital rhythms in the early 80's featuring The Skatalites, trombonist Don Drummond, Pablove Black and others." - Billboard.

South London soul artist Andrew Ashong returns with his first full release since 2014 - an expansive six-track collaboration with Kaidi Tatham, the unrivaled underground virtuoso described as the UK's Herbie Hancock. 'Sankofa Season' takes both artists to new heights as they seamlessly complement each other's musical language, giving voice to productions that criss-cross genre and time to move into their own distinct lane. Expect deep jazz funk, hazy contemporary soul, jazzy broken beat, breezy latin soul, organic deep house and much more.

A defining album of the 90s, Last Splash by The Breeders turns 30 this year. To celebrate, the band have returned to the original tapes to give it its first-ever remaster, and by doing so have also unearthed two lost tracks that will delight fans. Recorded by the "classic" Breeders line-up of Kim Deal, Kelley Deal, Josephine Wiggs and Jim Macpherson and featuring singles "Cannonball" and "Divine Hammer", Last Splash was "an alt-rock classic" (Pitchfork"s Top 100 Records of 1990s) on release; a fast seller too, quickly attaining Platinum status in the US. Despite having had the boxset treatment on its 20th birthday, the album was still left to be remastered so 10 years on, the original y" tapes were taken out of the archives and have been lovingly worked on by Kim Deal, Benjamin Mumphrey and Miles Showell (Abbey Road). Never sounding so good, the album for its 30th anniversary, it"s getting the ultimate vinyl pressing. Entitled Last Splash (the 30th Anniversary Original Analog Edition), this new version has been cut at half speed at Abbey Road by Miles Showell, now spanning two LPs and running at 45rpm. A Japanese cd edition will also be available. This edition contains an exclusive, one-sided etched 12" which features two previously unreleased tracks - "Go Man Go" and "Divine Mascis" ("Go Man Go" is a track that Kim co-wrote with Black Francis while "Divine Mascis" is a different version of "Divine Hammer" with Dinosaur Jr."s J Mascis on lead vocals). Both tracks originate from the original sessions and were left forgotten until the sessions were exhumed to create this new master. The attention to detail continues to the album"s art, which equally celebrates Vaughan Oliver"s iconic sleeve. With Vaughan sadly no longer with us, his long-time design partner Chris Bigg has gloriously reimagined the album"s sleeve for this new version.