Black Vinyl[29,62 €]
Konformer are a band from Nuremberg in Germany.
Their members are;
Andreas Berg (Drums)
Kristian Krauß (Synthesizer)
Rainer Ruder (Bass)
Initially Konformer was not a project for the public, far away from expectations their sound was developed, with focus on only the essential, but that takes time.
The creation of their minimalist, rhythmic and repetitive groove patterns commence with bass loops and develop into modified strophic form.
Comparison with the likes of Early Kraftwerk and the output of cult German labels such as Brain and Sky are inevitable but Konformer sound a little bit like none of the above.
The record was produced and mastered by the 'Franconian Conny Plank' Frank Mollena at his Lonestar Studios in Nuremberg, Bavaria.
Favorite Recordings proudly presents its new series of 7" reissues with the following concept: each side dedicated to one Funky French track coming with its original artwork. You just have to flip it!
On the first side comes "Givin’ It Up" by Belgian funk band Charms. Compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original vinyl 7inch was released in 1982 on famous Biram label and is now a very hard to find gem for reasonable prices. Not really surprising considering the immediate power of this Disco track, filled catchy synths lines, sweet vocals and fateful chorus.
On the other side comes another French Disco underground hit with “Pour moi ça va” by France-Lise. It takes only a few seconds to get driven on the dancefloor by the heavily funky guitar and bassline and the immediate energy of this song. Also compiled by Charles Maurice on French Disco Boogie Sounds Vol. 1, this is also a quite hard to find OG. With its charming French vocals and bouncing percussions, it should delight any Disco player.
New Parisian label, Disques Messager, presents its first release and not the least. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which begins rather well, with the official reissue of these two stirring titles by Brazilian singer and composer Cristina Camargo.
Native of Rio De Janeiro, Cristina Camargo had quite a short career, releasing only 2 albums in 1980 and 1981, but still enough to collaborate with some of the best composers, musicians and producers at that time. Her first self-titled album was therefore produced by Robson Jorge & Lincoln Oliveti and recorded with some of the finest musicians.
“Moral Tem Hora” comes from this same LP and is a perfect example of the unique alchemy that emerged when the Disco and Boogie invaded the Brazilian music scene. A quite hard to find Boogie killer, composed by famous brothers, Marcos and Paulo Sérgio Valle.
On B side comes “Minas Do Rei Salomão”, a more chilled-out title extracted from Cristina’s 2nd album, Santa Maravilha. With its funky slapped bass, airy keyboards and the sweet vocals of Cristina, the song seems made to sip a nice cocktail at Ipanema.
Alison Goldfrapp has set a towering bar for British synth-pop in the 21st century and she’s only just getting started. The magnetic London-born singer, songwriter and producer’s seven albums with Goldfrapp were fuelled by an unfailing modernity and a sixth sense for sounds that were more timeless than any trend. With the release of her debut solo album The Love Invention—an electrifying dance-pop suite—her multi-faceted musicianship reaches a new peak.
The Love Invention marks Alison’s reawakening as a dancefloor priestess, in an intoxicating showcase of the disco and house influences that have always been at the heart of her musical DNA. “So Hard So Hot” bottles the ephemeral joy of a dancefloor with its anthemic house beat, disco handclaps, and an exquisitely alluring vocal from Alison. The sense of uninhibited liberation courses through album highlights like “In Electric Blue,” a yearning synth-pop confection with a chorus as blissful as love’s first butterflies. On “Never Stop,” she is flooded with the rush of an all-encompassing love over a buoyant, rubberised beat; the sublime synth-pop of “Fever” is an ode to the intoxicating majesty of the dancefloor, with a chorus that explodes as if setting off a glitter cannon.
Mental old school progressive pumpin Tribe, in a never too much aera.
Splendid little pearl !
TAPR Last autoproduction. Sadly.
OL Peace. respect. We had wars ! Big up ! We did them. And yes... you did passed away and yes you infected a whole movement ! RECPECT ! You infected me :)
Ethernal is Daydream’s sublabel focused on the micro side of house music. This fifth volume unveils a rising talent from UK: Dotwish. The brilliant producer have crafted three minimalistic tunes with dark mesmerizing grooves and raw classy sounds. To conclude the EP, the one and only MJOG delivers a powerful dreamy remix.
The 5th release from Drifted comes through featuring Anna Wall & Corbi who have collaborated for DR005 and it’s a banger.
The release opens with the title track, "Satellite", a thumping 4x4 style club cut that immediately sets the tone for the rest of the EP. This track has a relentless beat that will keep the club jumping. "XTC" follows on the A2, a composition that showcases true rave textures. On the flip side, "Mind Sweeper" is a real bad boy that is sure to melt the dance floor. Rounding off this latest output on the London based imprint is "Basement Damage", a beautiful atmospheric design with fierce break drums.
This EP is a true testament to the power of collaboration and creativity in the
In den 25 Jahren ihres Bestehens haben Atmosphere ein Vermächtnis aufgebaut, das Ehrlichkeit, Demut und Verletzlichkeit in den Vordergrund ihrer Musik stellt. Das aus Minneapolis stammende Alt-Rap-Duo prägte mit Songs über das Leben, die Liebe, Stress und Rückschläge den Begriff "Emo Rap", lange bevor der Ausdruck zum Genre-Tag wurde. Nach Zusammenarbeit mit u.a. Rick Rubin, El-P ("Run The Jewels"), Tom Waits und Tunde Adebimpe ("TV on the Radio") ist "So Many Other Realities Exist Simultaneously" das 13. Studioalbum von Rapper Slug und Produzent Ant. Das Album erforscht unterschiedliche Formen der Paranoia. Inspiriert ist es vom allgemeinen Unwohlsein einer pandemiemüden Gesellschaft voller ziviler Unruhen. Das Cover stammt vom renommierten bildenden New Yorker Künstler Michael Alan Alien.
Comin Tru Records back at you with another rare gem!!
Ace SL from Brooklyn NY meets the legendary Tru Comers for a brand new and slammin' EP!! "Piece of Mine" combines the outstanding lyricism of Ace SL, with the distinctive Comin Tru sound you are looking for.
Be sure to secure your vinyl copy NOW, as they will move fast!! Don't sleep
The »Icol Diston« compilation, released in 2002 on DIN, comprised the three first EPs released by Uwe Zahn under his Arovane moniker. Following up on vinyl reissues of his path-breaking debut album »Atol Scrap« as well as 2000’s »Tides,« the German Keplar label finally makes »Icol Diston« available in its entirety on vinyl for the first time in a remastered version with new artwork. This expansive reissue sheds a new light on Zahn’s first two outings as a producer on the »I.O.« and »Icol Diston« EPs on Torsten ›T++‹ Pröfrock’s legendary label as well as highlighting his radical inventiveness as a remixer with the two renditions of Pröfrock-produced material offered on »AMX.« Taken together, these musically complex and emotionally rich electronic compositions form the prologue to an artistic story like none other while also documenting a very specific era in cultural history.
The energy running through Berlin and its boundaryless electronic music scene at the end of the 1990s is reflected by and refined through these eleven tracks. »There was an overwhelming dynamic of liberation reverberating through the city—through the clubs, the arts, the people,« says Zahn today. At this early stage in his career, he had a head full of ideas and slowly started filling up his studio with samplers, synthesizers, and sequencers to put them into practice. »I would compose percussive structures in my mind during long metro rides and record them once I was back at the studio as well as composing melodies spontaneously on my sequencer.« The Yamaha QY700 would become his sketchbook that allowed him to experiment with different patterns, creating polymetric figures out of discrete musical elements.
Zahn’s sessions, recorded live in stereo and straight to DAT, resulted in two very different EPs of original material. His debut »I.O.« showcases a playful and gentle, albeit dubby and at times moody aesthetic. The four tracks are exercises in sonic worldbuilding, creating vast spaces and filling them with a plethora of intertwining melodies and rhythms. Its successor »Icol Diston« drew on similar parameters, but painted a very different picture in terms of atmosphere and mood. »Berlin’s history felt still so tangible and yet somewhat ghostly during the 1990s, and it is a reflection of all that,« explains Zahn. »The weight of its past, starting with World War II up to the end of the GDR, clashed with an atmosphere of departure, a new zest for life among the people in the city.« It is perhaps no surprise then that the five tracks put a firmer focus on beats, at times even approximating techno or electro grooves despite never eschewing the complexity that is so central to Zahn’s work.
The »AMX« EP features two remixes of tracks originally produced by Pröfrock under two different guises. »Außen vor« had been released under his Dynamo moniker and was reworked by Zahn after having been introduced to his label owner’s Studio 440 sampler, sequencer and drum machine. By leaving the groove at the core of the original track mostly intact but infusing it with more dub as well as anthemic synth drones, Zahn gave it more depth both sonically and emotionally. With his remix of »No. 8,« released under Pröfrock’s tongue-in-cheek pseudonym Various Artists, Zahn followed a more radical approach which led him even deeper into dub territory. »I used a relatively short sample as the tonal foundation and then added an incredibly deep bass and percussive elements,« he explains. Widely different from the original version, it perfectly translated the spirit of this singular masterpiece into another stylistic idiom.
The »Icol Diston« compilation is imbued with a forward-thinking spirit that remains exhilarating until today. It captures the sound of one unique artist, but also electronic music during that time more broadly. This is the sound of opening a new chapter, the willingness to venture into the unknown.
All tracks composed and recorded by Uwe Zahn in 1998/99.
D1 is a remix based on the track by Dynamo. D2 is a remix based on the track by Various Artists.
Originally released on three 12inches by DIN in 1998/99 and on CD in 2002.
Remaster and cut by Kassian Troyer @ D&M.
Cover art by Jim Kühnel based on a photograph by Uwe Zahn.
Text by Kristoffer Cornils.
Arovane's acclaimed 2004 album »Lilies« has been out of print on vinyl for nearly 2 decades now. It finally gets a well-deserved reissue through the Berlin based Keplar label. The new version has been remastered by Kassian Troyer at Dubplates & Mastering and comes with a brand new cover artwork.
»Lilies« was a follow-up to »Tides« in every sense, exploring a trip to Japan and drawing on shimmering textures and the sort of melodies that you might need some time to recover from. There's a hugely evocative sense to these tracks, emotionally driven, free of complexity or conceit, piano melodies providing the central focus for a twilight cascade of light that seems perfect for the Tokyo skyline - just as the sun sets. It's an album that radiates warmth and vulnerability, fusing the technological might at the heart of each track (and at the heart of the city) with an age-old understanding that certain echoes of sound, small melodic changes and cushioned lullabies can imprint sounds on your mind like childhood memories - remembered forever. Like a dreamlike score, or maybe even an alternate soundtrack to »Lost in Translation« - the sort of music that intertwines with images and stays in your mind indefinately.
After coming back from Tokyo and completing the production of »Lilies«, Uwe Zahn disassembled his studio in the big flat in an old building in Berlin's Prenzlauerberg district and stored it away in boxes. He needed a break from making music. »Lilies« was the last album prior to a nine-year hiatus for Arovane, ending in 2013 with the release of »Ve Palor«.
Ancient A&O is a selection of unreleased tracks and dubs we like from our old DAT tapes all created during our early years between 1989 and 1993. It includes Here For A Reason, a rare unreleased track featuring Nishka. We're very pleased the great Lantern Rec are releasing the vinyl and we hope you like it, many thanks... A&O"
Montel Palmer jump out of the plane with only a HVW8 parachute for company and land squarely on Chlodwig roundabout. Nod to Roy Ayers, nod to secret ingredients, nod to all the auntys and uncles who know where to go when the sun goes down...and then comes back up again…
"Inner Eye" and "That Voodoo You Do" originally released in digital as "Every Dog Has Its Day vol.12" (2020)
"Nocturnal Moves" originally released in digital as "Every Dog Has Its Day vol.9" (2020)
Axis Expressionist Series:
A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project as well as new unreleased works.
Vernacular creations that fall off from the "other side" of the Electronic Music tree, this project is designed for the experienced Techno music listener, and its goal is to reflect upon the pure artistry of the craft of storytelling. A realization between music and life.
Whereas "dancing" is the goal of Dance Music, the goal of this music is about "reflecting on the complexity and simplification of life". Soundtracks for people in their evolutionary process.
Following in the footsteps of 'L'Espròva', a record released in 2018 by and 'Mantras', a body of long instrumental pieces, Ernest Bergez joins Jacques Puech, Elisa Trebouville and Loup Uberto to explore the possibilities of a collective energy. L'Herbe De Détourne achieved to catch the vivid energy of the band playing live and combined it with all the sonic explorations the musicians had in mind for a long time, in a completly free state of mind. Themes and songs are wound up in complex rhythmic gears and follow one another in a continuous momentum. Freely digested, the traditional repertoire from the Massif Central mutates and hybridises with invented forms, inspired by traditional Greek, Persian and North African music... The result is music that is as much for the ears, the feet, as for the guts and perhaps the heart.
It can be a ball, a concert, or a spontaneous ceremony. The Occitan language takes a central place, both as musical material and as a poetic and emotional springboard. Inspired by traditional canvases, a poetic form emerges and makes its way through the old words, passed from mouth to mouth.
This Armour Gomez is something. From Vietnam to work 5 years in a coal mine to going underground in Las Vegas to found his own band The Accent, then up to New York to play his wildcard in the main business (to no success, as many other great artists like him), then back to Vegas and hit the road for many years as a musician. Now well in his seventies, threee marriages later (and two divorces, remembers me of someone I know very well), the man's still playing everywhere day in day out.
