Buscar:108

Upstairs P. (aka Garrett Rowley) is a DJ and producer based in Los Angeles. He has released 2 tracks on Germany's Public Possession alongside good friend and collaborator Baba Stiltz (who is also credited on PART 2 of this 12 Inch). This is his first solo 12 Inch. CHUG!

Die Musik ist tief in der DNA der Buddha-Bar verwurzelt und hat schon immer eine Schlüsselrolle in unserem Universum gespielt. Unsere musikalische Handschrift, die 1996 in Paris entstand, spiegelt die traumhafte Atmosphäre unserer Restaurants perfekt wider. Subtile und hypnotisierende Mixe, eine perfekte Mischung aus mystischen House- und elektronischen Rhythmen mit afrikanischen, asiatischen, indischen, lateinamerikanischen oder orientalischen Klängen... Buddha-Bar Music verbreitet seit 1996 seine guten Vibes in der ganzen Welt. Dieses dreifache Best Of zeichnet unsere Geschichte von 2014 bis 2024 nach und versammelt von Ravin sorgfältig ausgewählte Titel und Künstler, darunter Buscemi, Sahalé, Desert Dwellers, Kenneth Bager, Ali Kuru, Santi & Tugçe, El Bùho, Troels Hammer, ...

The Soul Pirate album was the result of Italian reggae star Alborosie's six years at Geejam studios in Jamaica and in partnership with local artists. Featuring some of Alborosie's most popular tracks like "Kingston Town" and Herbalist", this is part of the evosound 20th Anniversary special re- release collection.
The album will be available on 180g vinyl Transparent Yellow LP.

Foundation reggae artist Dennis Walks' much in demand Waste Time in Babylon becomes the latest 1980s digital masterpiece to be reissued on 45 from Death Is Not The End's 333 series. Produced by Prince Jazzbo for his Ujama label in 1987, the singer who first came through voicing tracks for producers Harry Mudie and Joe Gibbs in the early 1970s lends his vocals to the "Racecourse Rock" rhythm played here by the legendary keyboardist Winston Wright.

how do we live in times when nothing seems safe, how do we listen to music when rockets and bullets make the air scream, how do we produce music when the building with our studio is simply no longer there?

over the last 2 years, AMAS and KONSTANTIN KOST have been trying to produce a techno EP across the borders of the war in ukraine. KONSTANTIN KOST was never able to leave ukraine for this, while we were able to move freely through europe.

this ambivalence is part of this album, it is part of every note and every line of the poems that can be heard here. we all associate techno with bass-heavy and dancing through the night, but ODESSA is more, it is a journey without being able to travel, an experience without being able to experience, an escape without being able to escape and a life without really being able to live ...

neither AMAS was able to travel to odessa during this time, nor KONSTANTIN KOST to europe, neither was able to experience the other personally. however, the exchange of music and lyrics has built up a relationship to a country at war, as well as to its people, musicians, women and children.

while we were dealing with our everyday problems in germany, the situation in ODESSA became increasingly confusing. the constant fear of being drafted and producing videos and images for the album at the same time were extremely ambivalent moments.

how do you deal with your counterpart in such moments and what do you say to someone in a situation that we can hardly imagine? we often talked about friends simply disappearing and corrupt officials and soldiers embezzling money and in the next sentence it was straight back to the vinyl production. these conversations were very rational and at the same time extremely surreal.

this EP is not meant to be a political EP, it is meant to be a human album and to take away the feeling of powerlessness from the people who were and are involved. this production and its music is a triumph over the destructive and dark side of war, it is meant to show that art is boundless and that people are connected all over the world even in the darkest times.

in the first track RED GLOW our guest TANYA (musician and djane from Odessa) stoically repeats the words LOVE and FEAR, followed by the words: “i meet you with red glow, in your eyes i quickly dissolve!” the track is part of everyday life, everywhere you meet this red glow and yet everything has to flow on and yet people still live and dance ...

in NIGHTCALL we walk through the streets and follow the call of darkness. the words “through the night” are used here repetitively like a percussion. but the highs and lows also give us hope and the belief that we will wake up again tomorrow and start a new day. in the dark there is always light, which must be preserved and found.
OLD KINGS is also the title of the poem we have written, based on the poem OZYMANDIAS by percy bysshe shelley. OLD KINGS determine our times and our political systems, seemingly unteachable old men hold the world in a stranglehold and it seems as if there are an infinite number of them. yet we continue to fight against these people, we cannot and do not want to do otherwise ...

in TALK TO GOD, KONSTANTIN KOST reads from the well-known ukrainian poem “a cloud floating behind the sun” by TARAS SHEVCHENKO, a famous ukrainian poet and writer. he is considered the founder of modern ukrainian literature and, in part, of the ukrainian language. it is about red fields, the fog and its darkness, as well as the sea and the calmness of the heart in nature, the longing for peace and peace with god.

in addition to poetry and music, all photographs and videos are original recordings by KONSTANTIN KOST of his city ODESSA. although we cannot visit each other, we still share strong visual impressions of a city that, in all its beauty and resilience, will hopefully soon be open to the world again. the cover is therefore also a picture of the port of odessa, a place where people and goods from all parts oft he world will soon be able to sail in and out again.

2025 Repress

2025 Repress

Official re-issue of Andy Vaz's 2012 “Imaginary Beings” EP originally released on Chiwax + Bonus track. Serge from Clone called this the best authentic Chicago Acid House heard in a long time – sounding like something Jack Frost (aka Adonis) would had made.

We don't have much to add to this. If you are looking for some real Chi-Style rough and raw acid house. THIS IS THE CLOSEST IT CAN GET. Comes as strictly 150 copies limited HANDSTAMPED EP.

Coduality was created in 2022 as a result of two neighborhood friends from Minsk, Tsyd and Kayssych, having the a®nity in making music that was wholly inspired by surrounding nature. The release was born amidst the series of collaborative music-making experiments, all of which took place in the countryside. Thus the symbiosis of environmental soundscapes and synthesized electronics became the living manifestation of their common interests.

The fourth studio album „Pain Matters“ by Rico Friebe came totally unexpected to him as well as it comes to you now!

Deeply affected from personal occurences within the further realms that already spawned „Anthems For A Lost Generation“, Rico fell into an abyss where anything became possible – anything raw, spell-binding, meditative and bold as „Pain Matters“!

Blue Vinyl reissue of OMD's 13th studio album The Punishment of Luxury - back on vinyl for the first time in 7 years on limited blue vinyl, each copy will be individually numbered.

Featuring the singles Isotype & The Punishment of Luxury

Austrian powerhouse Demuja debuts on Permanent Vacation with a deep four-tracker. A name long in the spotlight of the global house and disco scenes, Demuja has previously releasedhis deep, soulful sounds on the likes of Aus Music, Shall Not Fade, Nervous, and his own MUJA label. On his latest EP, he turns to Benjamin Frohlich and Tom Bioly’s revered Permanent Vacation imprint, showcasing four tracks of deep sonic bliss across the ‘Bring Back Love’ EP, which has already garnered support from Laurent Garnier, Stacey Pullen, Alinka, and more.

Beat machine freak duo Bill Converse and Patricia (Max Ravitz) present 380/750, a new EP on Acid Test that blends the two producers’ singular styles to form an emotive “introspection on the dance floor” experience over the course of 4 tracks.

Recorded at Ravitz’s Brooklyn studio over the course of two days, 380/750 features raw, no-multitrack, no-edit live recordings that showcase the duo’s intuition for expressive rhythm tracks. Considering Converse’s roots in the 90’s Michigan rave scene, and Ravitz’s Chicago upbringing, the midwestern strains really shine through. With rhythm-composer mutations, acid dripping over atmospheric synth textures, and the ever-present jack throughout, 380/750 offers a deep sound to get lost in that feels both new and classic at the same time.

Roi, a rapidly emerging and highly talented Spanish techno producer, is making his debut on Nachtstrom with this dark, quirky and psychedelic 4-tracker.

The vinyl is strictly limited to 100 copies and will not be repressed!