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Dies ist das erste Release von Saxophonist, DJ und Produzent Marc Spieler auf seinem neu gegründeten Label FLOVE.

Ein wahres Meisterwerk, das seine einzigartige Art elektronische Musik zu produzieren und seinen unverwechselbaren Style präsentiert.

Jeder einzelne Track ist ein wahres Kunstwerk. Gönn dir diese Platte und lass dich von seiner emotionalen und echten Musik treiben und verzaubern.

Hol dir jetzt dein eigenes Exemplar der limitierten Vinyl Auflage inklusive einem im Bleisatz handgefertigten Kunstdruck Cover.



This is the first release from saxophonist, DJ, and producer Marc Spieler on his newly founded label FLOVE.

A true masterpiece that showcases his unique way of producing electronic music and his unmistakable style.

Every single track is a true piece of art. Treat yourself with this record and let yourself be carried away and enchanted by his emotional and authentic music.

Get your own copy of the limited vinyl edition now, including a handcrafted art print cover in lead type.

We are thrilled to present AA005, the latest EP from Jerome.c, set to release in 2025. This captivating collection of four tracks captures the essence of minimalism, inviting listeners to immerse themselves in a rich landscape of nuanced textures and infectious dancefloor rhythms.

Ambroos De Schepper and Pepijn Gyssels became roommates when PiP moved to Brussels in 2021. Both paid close attention to each other’s musical approach and interests. One year later, Ambroos moved out. When he swung by to pick up some boxes, they decided to record something for the fun of it. Between May '23 and November '24 they continued experimenting with textures and improvisations. This collaboration has become the deepening of a friendship and a way to maintain it at the same time.

PiP: “We would have coffee or the occasional beer and everything we recorded came very organically. Ambroos would just bring his saxophone, a clarinet, some FX pedals or a weird flute. Whatever he felt like on that particular day. A few hours later he would usually be on his way again, leaving me with the recordings. I could treat them as I pleased.”

Ambroos: “I liked the idea of working with someone focussing on the physical side of music. Not so much on chords and tonality, but on texture and atmosphere. This gave me a framework with less concrete references, using words like “dark” or “busy”. I could improvise freely and we would try and catch a particular moment."

“l’Esprit de l’Escalier” is meant to be a musical meditation, opening up a continuous and detailed sound palette, aimed for the right mental state to listen with. Ambroos came up with the melody in COVID times and later in PiP’s studio, they recorded it on clarinet.
“Sans Loup” is the first jam the duo did together, after Ambroos and Lou moved out of the apartment they shared. Lou Wéry eventually found her way back to the album, as she can be heard playing the wing piano in this track.

PiP: “We recorded in the apartment we used to rent together. Since the title track and the entire album are named after Lou being absent in this dynamic, it seemed only natural to invite her in a later stage.”

“Spring Whistle” was an attempt to embed Ambroos’ musicality in dreamy textures and “Bring Back Bones” was built around an endlessly evolving krakeb recording that PiP took home from on a trip to Morocco. Both tracks are not aimed to end or evolve drastically, they just make the clock tick slower.

To conclude this release, “Velours de Tendre” is built out of a deconstructed groove and a field recording of the “Ronde van Vlaanderen”, a small reference to the countryside where PiP grew up. The reverberating chords you hear are the echoes Tijn Driessen squeezed out of an old harmonium, in a staircase of De Grote Post in Ostend.

PiP: “During a residency in De Grote Post we recorded in a staircase with a spaced pair of omni microphones. And you can take ‘spaced’ quite serious; one was positioned 5 stories higher and the other 3 stories lower.”

Sans Loup is the first vinyl to release on PiP’s label. They look alike, but none will be identical. The cover is screen printed in various combinations + a risograph insert. A highly personalized object.


credits

Released on Zitstill Records
Recorded in Brussels, Horebeke, Morocco and elsewhere, between September 2021 - November 2024

Music, mixing and production by Pepijn Gyssels
Saxophone, flute and clarinet by Ambroos De Schepper
Grand piano on “Sans Loup” by Lou Wéry
Harmonium on “Velours de Tendre” by Tijn Driessen
Mastering and lacquer cut by Anne Taegert at Dubplates & Mastering
Pressing by Objects Manufacturing
Layout and graphic design by Liselotte Van Daele & Otis Verhoeve
Photography by Willem Mevis

Special thanks to: Stijn Cools, Victor De Greef, De Grote Post

Opsin- the new collaborative alias of longtime friends and producers Keydell and Kincaid - announce their debut LP on wax, Through The Wall, from London-based record label Hypnic Jerks.

Artist Info:

Opsin is the debut project between artists Keydell (Liam Keydell Myers-Cook) and Kincaid (Joe Arthur). The Pair have previously released on the following labels: Well Street Records, Banoffee Pies, Redstone Press & Bliss Print.

Both have extensive work in sound design and collaborated on the soundtrack for Mithridate at London Fashion Week 2024. Kincaid also produced the soundtrack for Alexander Whitley's Anti-Body Ballet.

Release Info:

The album is named after the birthplace of its creation. Sharing files between bedroom walls during COVID-19. Keydell's meticulous Ableton-based resampling of found audio and modular synth racks, and Kincaid's Reaktor-driven synthesis in Logic.

Draws on a wide spectrum of electronic influences the album infuses elements of rave, techno, industrial and ambient sounds, whilst never quite landing in any specific genre.

Second release from London label Hypnic Jerks on 4 sides of 180 gram vinyl, in a gatefold sleeve designed by Jacob Wise and mastered by Rashad Becker.

A followup from their first release - Toumba's debut physical release 'Rosefinch', which saw later releases from Hessle Audio and Nervous Horizon.

Hailing from Stuttgart, Ackermann delivers a no-compromise EP on Safe Space, combining rough-edge techno dynamics with high-tempo house energy and stripped-down hooks. Expect tight, driving drums, textured basslines and raw rhythm-tools built squarely for the dancefloor. Four original cuts, one steady mood: power-packed club action without fluff.

The ever-prolific Mihai Popoviciu returns with a stunning three-tracker on Sublease Music, delivering another masterclass in groove-oriented deep house. Known for his unmistakable precision and subtle emotional touch, the Romanian producer continues to bridge the space between warm underground energy and refined studio craftsmanship.
Over the past two decades, Popoviciu has become one of Eastern Europe’s most respected exports in electronic music, releasing on labels such as Bondage, Poker Flat, and Hudd Traxx, and earning international acclaim for his deep yet functional approach to house. On Sublease, he strips things back to their essential form: hypnotic basslines, crisp percussion, and fluid arrangements that move the dance floor without ever shouting for attention.
Each track radiates Popoviciu’s signature flow, a careful balance between drive and depth, tension and release. Sublease Music, the sister label of Poker Flat, continues its mission to present pure, modern house music from some of the most consistent artists in the scene. This release fits perfectly into that lineage, deep, timeless, and irresistibly groovy. From intimate after-hours sessions to peak-time sets in discerning clubs, these cuts prove once again that Mihai Popoviciu doesn’t follow trends, he defines the standard.

Shurale continues its deep exploration of abstract rhythm and texture with Numina by o.utlier. Four pieces that move between drones, breaks and spacious techno, unfolding slowly and deliberately.
It’s music that feels weightless and intense at the same time, crafted for deep listening and late moments when time starts to dissolve.

Meltdown Deejays Recordings, a long-standing pillar of Finland’s underground scene, continues its beautiful streak with Kitkatone. Known for his stripped yet soulful productions, the Helsinki-based artist delivers four timeless cuts that capture the label’s spirit, honest, functional, and deeply musical.
Four tracks that balance tight drum programming with a dry sense of funk, shaping a sound that’s both stripped and full of motion.
No tricks, no drama, just proper dancefloor tools from start to finish.
Mixners and Slidey Thingys flows effortlessly between house and techno, balancing raw rhythm and subtle groove. A record full of character, made for DJs who appreciate precision, warmth, and that unmistakable Meltdown touch.

From the heart of Tokyo, Kasmisou emerges with its debut vinyl release, Fleur by Taiga Tokunaga. A label built on the pursuit of functional beauty in dance music, Kasmisou embraces subtlety, detail, and emotional precision.
Fleur is a timeless 12″ designed for selectors who value both warmth and clarity. Across its grooves, Tokunaga blends delicate deep-house textures, fluid micro-house rhythms, and elegant breakbeat atmospheres. Each track unfolds like a living space, organic, balanced, and quietly radiant.
This record captures the refined minimalism of Tokyo’s underground scene while carrying a universal pulse that transcends borders. A vinyl built to stay in your bag, adaptable to any time slot, yet always leaving its mark.

MOb return this November with their second album on Veego Records, continuing the adventurous journey they began with their 2023 debut MOb 1. Hailed by the press as one of the boldest and freshest statements in the Greek scene, their first record moved seamlessly between jazz, punk, and electronic forms, creating a sound often described as “an entire orchestra played by just three musicians.”

On their new release, Marios Valinakis (saxophone, effects, synthesizers), Alexandros Delis (bass, double bass), and Panagiotis Kostopoulos (drums) construct an even more intricate and ambitious sonic universe. The compositions range from the explosive energy of “Tipping Point” and the dark atmospheres of “Utu and Sin”, to the radical reimagining of Wayne Shorter’s “Fall” and the polyphonic outburst of “The Listener”, featuring the Kos Choir.

Guest appearances further expand the palette: Phillip “Felipe MC” Manev lends his voice to “Tipping Point” and “Encounters”, while Angelos Polychronou enriches “Encounters” and “The Listener” with his percussions.

The album was produced and recorded by MOb themselves, with Bruno Ellingham handling mixing and mastering for most tracks, while “Utu and Sin” was mixed by Malcolm Catto at the Quatermass Sound Lab. The cover artwork is designed by Apostolos Mitrelis, and the back cover features a photograph by Maciej Moskwa.

If MOb 1 revealed a band capable of fusing free improvisation with rhythm-driven “bangers” that reached audiences beyond Greece, the new album confirms their evolution: more intense, more diverse, and more imaginative. With one foot rooted in tradition and the other firmly in the present, MOb deliver a work that breaks boundaries and builds bridges across genres and audiences, solidifying their reputation as one of the most exciting groups in today’s Greek music scene.

Continuing his refraction of the rave continuum into pointedly dislocated, delicately bruising sound system meditations, Low End Activist returns to Peak Oil with a second instalment in his Airdrop series. This time around, he channels the ghosts of foundational tech-step and the quantum leaps of late-90s D&B to provide the inspirational fuel for his skeletal, astral constructions. A strong stylistic thread continues to weave through the LEA output from his earlier self-released EPs and Sneaker Social Club albums, where haunted atmospherics, blown out subs and snatches of breaks dart around each other in empty dancehalls, but the finer point of the sound design and synthesis makes very specific references to landmark moments in hardcore's evolution.

By weaving his own autobiography into the music, the Activist maintains a fundamental theme of his work to date. 'Colin's Golf', 'Smithy's Porsche,' 'Merv's Lazy Eye' and 'Brillo's Teeth' are all personal codes harking back to the formative Oxford rave scene. With the framework in place, he uses textures, timbres and studio tricks from scene-leading pioneers and local heroes of the era as ingredients in thoroughly modernist concoctions. None of the reference points are deployed as literal callbacks — they're waymarkers for the creative process and faint triggers bedded deep into Airdrop II's strange formations. Fleeting sonics might trigger latent memories for those who were there. For everyone else, Airdrop II is another step further along rave's eternally unspooling odyssey, guided by decades of precedents on a path into the future.

Global Sounds for Modern Dancefloors. Das sechste Album des DJ/Produzenten Captain Planet aus L.A. fängt den globalen Spirit seiner berühmten DJ-Sets ein. Clubs & Festivals rund um den Planeten feiern Captain Plant für seine Fähigkeit, afrikanische, lateinamerikanische und karibische Traditionen mit Hip-Hop, Dancehall und Electro-Funk zu fusionieren. Mit jahrzehntelanger Erfahrung liefert er einen vielseitigen und verbindenden Sound, der die Dancefloors weltweit zum Beben bringt. DIG vereint Sänger aus Brasilien, Kolumbien, Haiti, Nigeria, Ghana und Angola und verwebt ihre Traditionen zu bass- und drumslastigen Tracks mit mitreißender Energie. Die Top-Single "Tony's House" ist eine Neubearbeitung von Tony Allens "Afrodisco Beat", das gefühlvolle Outro "Mi Calor" featuret den langjährigen Koop-Partner Chico Mann.

Produce, arranged and mixed by Visnadi at 77 Studio, Mestre – Venice
X-Static are: Paolo Visnadi, Massimo Artusi, Riccardo Stecca and Cristina Dori (vocals)
A1 Additional Production & Remix by Alex Neri and Marco Baroni For Bass Productions
B1 & B2 Remix & Additional production by Gianni Bini at House of Glass Studio for HOG Productions
℗ ©2025 Undiscovered Recordings Ltd.

"I'm Standing" is a popular 1990s dance and house song by Italian band X-Static, produced by Visnadi. Originally released in 1994, the single was a huge success, spawning multiple remixes and versions, including the "Heavy Organ Mix" and the "Kamasutra Remix" by Alex Neri and Marco Baroni. This vinyl reissue features these two remastered mixes, along with two "2025" versions produced by Gianni Bini for HOG Productions.

MOb return this November with their second album on Veego Records, continuing the adventurous journey they began with their 2023 debut MOb 1. Hailed by the press as one of the boldest and freshest statements in the Greek scene, their first record moved seamlessly between jazz, punk, and electronic forms, creating a sound often described as “an entire orchestra played by just three musicians.”

On their new release, Marios Valinakis (saxophone, effects, synthesizers), Alexandros Delis (bass, double bass), and Panagiotis Kostopoulos (drums) construct an even more intricate and ambitious sonic universe. The compositions range from the explosive energy of “Tipping Point” and the dark atmospheres of “Utu and Sin”, to the radical reimagining of Wayne Shorter’s “Fall” and the polyphonic outburst of “The Listener”, featuring the Kos Choir.

Guest appearances further expand the palette: Phillip “Felipe MC” Manev lends his voice to “Tipping Point” and “Encounters”, while Angelos Polychronou enriches “Encounters” and “The Listener” with his percussions.

The album was produced and recorded by MOb themselves, with Bruno Ellingham handling mixing and mastering for most tracks, while “Utu and Sin” was mixed by Malcolm Catto at the Quatermass Sound Lab. The cover artwork is designed by Apostolos Mitrelis, and the back cover features a photograph by Maciej Moskwa.

If MOb 1 revealed a band capable of fusing free improvisation with rhythm-driven “bangers” that reached audiences beyond Greece, the new album confirms their evolution: more intense, more diverse, and more imaginative. With one foot rooted in tradition and the other firmly in the present, MOb deliver a work that breaks boundaries and builds bridges across genres and audiences, solidifying their reputation as one of the most exciting groups in today’s Greek music scene.

First Contact features CROÍ, Lukey, KAIR, Sahm, and HVSN. Our first release is a compilation of tracks that we’ve been collecting and to seize all the styles and genres which we will deal with in the future.

‘First Contact’ is the first song of the VA, opening with an invitation with a combination of a nostalgic ambience followed by the drums that go along with the vocals pointing to the start for our journey. In Irish, the word "CROÍ" (pronounced KREE) means "heart". ‘Target Lock’ from Lukey, is a track that will definitely surprise you. This song is meant to push you back to the dance floor with a feeling which you don’t get very often from listening to these kinds of songs. Everything is cool with ‘Target Lock’, drums, nice trippy vibes, and how the bass fits there… You should be blown away by this song. In a real old school style! Lukey has previously caught the eye of industry labels like Hot Creations, also his release on Carpet & Snares Records, Into The Wizard's Sleeve, The Void Project was hammered by some of the great DJ’s in the world.

KAIR introduces himself to us in his own way with ‘Let's Get it!’ Because this bomb won’t fail to make you dance and feel good! It’s pure house and joyful music that makes you dance and get lost within the music. Also, ‘Let's Get it!’ is just a preview of the upcoming EP. ‘Rainbown’ is a track which shows us that Sahm knows how to come out with a brilliant house track. A groovy old school house with heavy percussion, comes from a young talented producer from Brazil! This will be the track that you’ll be playing years from now on. And ‘Bust This’, you will hear among the bass, the claps and drums, a high energy that will make you move your body. HVSN presents his vision of how to bring the right emotions of a dance floor full of energy and the connection between the bass, synth, drums and melody is back!

Enjoy, This Is Real Talks Records.

VA – First Contact RTR001 incl CROÍ, Lukey, KAIR, Sahm, HVSN

Lantern in the Woods is the new album from musician and multi-instrumentalist Misha Sultan – a project that marks an important milestone for the artist. It is his first work conceived and realized as a coherent, unified statement, from the earliest ideas and sounds to the final mastering.

The story of the album began back in 2021 in Saint Petersburg, during studio jam sessions with Anton (Mårble), Vova Luchanskiy, and Nikita (Minereed). These live
improvisations eventually led to the formation of the collective Sri Primat and left a significant imprint on Misha Sultan’s solo sound. Some of the instrumental parts on the album were recorded during this period, preserving the spirit of spontaneity and open dialogue between the musicians.

Later, after moving to Thailand, Misha recorded the second half of the material. These tracks absorbed the atmosphere of southern nights, tranquility, and comfort – bringing a distinct “bedroom jazzy vibe”, a touch of sentimentality and gentle melancholy into the music.

The album offers a beautiful blend of jazz and various other influences. At its heart, it’s a search for balance between memories and the present moment, between nature and the city, between the light of the lantern and the darkness of the woods.

“It was especially important to me that my friends and close people were involved in this album. Their presence gave the music that warmth and personal feeling I value so much. My brother Zhenya (Dyad), Anton (Mårble), Vova Luchanskiy — they all contributed a part of themselves to these tracks, as did Nina Livanova, who recorded vocal parts for several songs,” says Misha.

Lantern in the Woods is a soft and sincere work, where all things intertwine naturally.