- A1: All Right 02:25:00
- A2: Never Forget 03:19:00
- A3: Inside The Mattress 03:30:00
- A4: Drippin (How U Luv That) 03:10:00
- A5: Hater Shit 03:04:00
- A6: Salute 03:45:00
- B1: Bye Bye 02:55:00
- B2: No Charge 02:42:00
- B3: Run Up 03:17:00
- B4: Perkys Calling 04:06:00
- B5: Purple Reign 04:01:00
- B6: News Or Something 03:33:00
Search:17
Bringing together Johannesburg’s two saxophone titans for a supergroup recording project was a
visionary move by Jo’Burg Records in 1976. Following the success of Makhalemele’s debut The
Peacemaker and Mankunku’s long-awaited sophomore release Alex Express, which both appeared in
1975, the bar had been set very high. Enamoured by their jazz contemporaries, the session was
concocted by members of an exciting new South African rock group called Rabbit, who formed a
backing group consisting of guitarist Trevor Rabin, bassist Ronnie Robot and drummer Neil Cloud
alongside jazz pianist Tete Mbambisa. Recorded at the state-of-the-art Satbel Music Recording
Studios, the inspired performances of this diverse cast of young South African artists at the height of
their powers was captured with exquisite fidelity. Packaged as The Bull and the Lion, the album title
references Mankunku’s signature composition “Yakhal’ Inkomo” (which means “the bellow of the
bull”) and Makhalemele’s stage name “Ratau” (meaning "lion"). The pairing of Mankunku and
Makhalemele stands with Moeketsi/Matshikisa and Pillay/Coetzee as one of the epic collaborations of
South African jazz in the 1970s.
- 1: Believe
- 2: The Power
- 3: Runaway
- 4: All Or Nothing
- 5: Strong Enough
- 6: Dov'e L'amore
- 7: Takin' Back My Heart
- 8: Taxi Taxi
- 9: Love Is The Groove
- 10: We All Sleep Alone
- 11: Believe (Almighty Definitive Mix)
- 12: Believe (Club 69 Future Anthem Mix)
- 13: Believe (Phat ?N' Funky Club Mix)
- 14: Strong Enough (Club 69 Phunk Mix)
- 15: Strong Enough (Male Version)
- 16: Strong Enough (Pumpin' Dolls Radio Edit)
- 17: All Or Nothing (Almighty Radio Edit)
- 18: All Or Nothing (Austrian Version Metro Mix)
- 19: All Or Nothing (Danny Tenaglias Inchermental)
- 20: Dov'e L'amore (Emilio Estefan Jr. Extended Mix)
- 21: Dov'e L'amore (Tony Moran's Anthem 7? Mix)
- 22: Dov'e L'amore (Tee's Radio One Instrumental)
- 23: Dov'e L'amore (Ray Roc's Latin Soul Instrumental)
Cher celebrates 25 years of "Believe" : On November 3, the Grammy Award-winning masterpiece will be released in a new, expanded " BELIEVE (Deluxe Edition) " that adds a whopping 13 remastered remixes to the mega-seller's original track listing (11 million worldwide!). The deluxe edition will be released in 3LP/2CD/Download & stream formats via Warner Records. "Believe" was an album full of dancefloor perennials - a fact that the assembled remixes in the new mastering underline once again.
"Tee's Radio One Instrumental? & "Ray Roc's Latin Soul Instrumental" from "Dov'e l'Amore?" are included here in one package for the first time, for example, along with remixes of the empowerment anthem "Strong Enough," "All or Nothing," "Dov'è l'amore" and the title track "Believe," a worldwide smash hit that sold over 10 million copies and reached #1 in 23 countries, including Germany, where it now has 5x gold status.
Cher is one of the most successful artists in history, selling over 100 million records during her unparalleled career. To date, she is the only artist:in to record a #1 single on the Billboard charts in six consecutive decades.
- 1: Ángel Cabral (Sung By Edith Piaf) La Foule
- 2: Georges Bizet Carmen: "Habanera
- 3: Mike Wilsh Et Mike Deighan (Sung By Joe Dassin)
- Waterloo Road (Les Champs-Elysées)
- 4: Franz Lehár La Veuve Joyeuse: "Heure Exquise
- 5: Joseph Kosma Les Feuilles Mortes
- 6: Jean- Philippe Rameau Les Indes Galantes: Danse Des
- Sauvages
- 7: Michel Legrand Un Été 42
- 8: Georges Brassens Les Copains D'abord
- 9: Charles Gounod Romeo Et Juliette: "Ah, Je Veux Vivre!
- 10: Francis Lai Un Homme Et Une Femme
- 11: Jean-Jacques Goldman , Arr. Gautier Capuçon/Jérôme
- Ducros Pense À Nous
- 12: Ennio Morriconne Chi Mai
- 13: Maurice Ravel Pavane Pour Un Infante Défunte
- 14: Charles Aznavour La Bohème
- 15: Claude Debussy , Arr. Jérôme Ducros After Jascha
- Heifetz Beau Soir
- 16: Richard Cocciante Belle (Notre Dame De Paris)
- 17: Jean-Jacques Goldman Envole Moi
- 18: Philippe Sarde La Chanson D'hélène, From "Les Choses
- De La Vie" Soundtrack
- 19: Jacques Offenbach Les Contes D'hoffmann: Barcarolle
- 20: Georges Delerue Le Mépris
- 21: Gabriel Fauré Sicilienne
- 22: Vladimir Cosma , Arr. V. Cosma La Boum
Place of longing Paris - with the cellist Gautier Capuçon "Gautier Capuçon is like a diamond in a ring and sparkles on its setting", with enthusiasm the New York Times resorted to figurative comparisons. With such effusive praise, it is no wonder that the famous cellist's albums are also absolute bestsellers.
Intuition, Emotions and Sensations are now followed by his next album with a ravishing program: Destination Paris is dedicated to atmospheric evergreens and ranges from popular film music to French chansons and classical works.
With a familiar 1, 2, 3…Elliott BROOD count in a new album cycle, Town & Country, that explores the people and places that shape our lives, wherever we call home. On part one, Town, Elliott BROOD rumble and rock over a map of the towns and cities that populate their experiences and imaginations. With their brand of nitty gritty city folk mixed with retro nods, be it classic country or 60s surf, Elliott BROOD take us on a highly entertaining trip. Who better to write an ode to Windsor, ON (“Rose City”) than the band that has become the city’s unofficial ambassadors. Over bridges and into barrooms, lose your way to find yourself in Elliott BROOD’s "Town".
"The Melancholy Masters" Maustetytöt are releasing their newest album March 17th, titled "Maailman onnellisin kansa" The album has been produced by the pioneer of experimental music, Vladislav Delay, and features unique artwork by the painter Anna-Liisa Kankaanmäki.
It’s been a little over ten years since Hailu Mergia re- emerged on the international music scene. Following the first in a series of his classic recordings reissued in collaboration with Awesome Tapes From Africa, Mergia assembled a band and began performing live again after many years driving a cab in Washington, DC. His first show back appeared on the front page of the
New York Times along with a stellar review and he took off from there performing his flavor of Ethiopian jazz all over the world in the years since, including Radio City Music Hall and Montreal Jazz Festival.
Finally, we have a recorded document of the keyboard player’s powerful DC-based trio—which practices each weekend in his basement—featuring Kenneth Joseph on drums and Alemseged Kebede on bass. Beautifully captured at one of their fiery live shows at the venerable Brooklyn non-profit cultural center Pioneer Works on July 1, 2016, the concert was recorded by PW staff and mixed by Ted Young with mastering by ATFA’s expert audio extraction collaborator Jessica Thompson. The performance clarifies what many people across the globe already know: in his fifth decade of music-making Hailu Mergia continues to push the boundaries of his remarkable abilities.
Mergia and his veteran band energetically and playfully unpeel layer after layer of harmonic and rhythmic interest out of a spectrum of Ethiopian repertoire. Modern jazz demands constant reinvention and improvisation, night after night creating new works out of known modes and classic standards. This band is unstoppable when it comes to turning age-old melodies (like “Tizita” or “Anchihoye Lene”) upside down and inside out until they emerge as molten new works, often spontaneously. Mergia’s original compositions (like “Yegle Nesh”) shine brighter than ever here as well. Moving from keyboard to organ to accordion to melodica, he deftly switches instruments—often during the same song. Mergia at 77 years old seems to be working harder than musicians half his age.
Pioneer Works Swing (Live) brings into focus the kind of onstage group improvisation and deadly solo passages that reach for places Mergia and the band have never gone, on festival and club stages across four continents.
Now that Mergia has released two new recordings along with four classic reissues, he is eager to let everyone hear what he’s been doing on the road since he re-took the global stage for his victory laps. So much more than an old act from yesteryear, Mergia balances his legendary Ethiopian recordings with good old fashioned sweat-soaked live concert triumphs such as the one we have here.
- 1: Glory Nights
- 1: 2In Trouble
- 1: 3My Life
- 1: 4Has Lo Que Quieras Hacer
- 1: 5Carry On
- 1: 6Perdiendo El Tiempo
- 1: 7Generation
- 1: 8Tough Guys
- 1: 9Do Anything You Wanna Do
- 1: 0Glory Nights
- 1: In Trouble
- 1: 2My Life
- 1: 3Has Lo Que Quieras Hacer
- 1: 4Carry On
- 1: 5Perdiendo El Tiempo
- 1: 6Generation
- 1: 7Tough Guys
- 1: 8Do Anything You Wanna Do
UK Oi! hecho en Mexico! Das Cover-Artwork (schöner ,Sound of Oi!" Rip Off) weist den Weg: Die drei Herberts aus Mexico City, bekannt vom Demo und dem ,A split of Oi!" 7"Split mit HIMNOS, greifen ihre Eckdaten bei den Altmeistern von der Insel ab, liefern ein Frischblut-Update von THE BUSINESS, SPARRER oder SECTION 5 mit lokaler Note. Trouble on the terraces! 9 Songs, darunter das EDDIE & THE HOT RODS Cover ,Do anything you wanna do" in doppelter Ausführung (1x spanish, 1x englisch), überwiegend englisch und spanisch (2 Stück) besungen. Raumfüllende Singalongs, heiser-melodische Gesänge, rockiger Beat. ,Glory nights!" Eco vinyl inkl. CD!
Repress!
First ever reissue of "A la memoria del muerto" (1972), Fruko y sus Tesos' second album, featuring the soaring and soulful vocals of Cali native Edulfamid Molina Díaz, aka "Píper Pimienta". Produced by Fruko's uncle Mario "Pachanga" Rincón, the LP has an uncompromisingly stark, hard sound that is appealing to today's collectors of 'salsa brava' just as it was impactful on the Colombian scene when it was made. Unlike the first Tesos album, with a two-trumpet line-up and fairly simple arrangements, this more mature recording added another trumpet and two trombones for a more robust brass attack. Additionally, instead of basic salsa, there are many different rhythms - guaguancó, bomba, plena, oriza, bolero, cha-cha-chá, descarga and Latin soul. Includes the bonus track 'Tihuanaco' (a cover of Peruvian pianist Alfredito Linares), which appeared on the US edition of the LP. Presented in facsimile artwork and pressed on 180g vinyl.
- 1: My Beach
- 2: My Wave
- 3: Teenage Girls
- 4: Shoulder Hopper
- 5: The Dummies
- 6: Beer Can Beach
- 7: Surfer's Nitemare
- 8: I Live For The Sun
- 9: Meet Me At The Beach
- 10: Big Top
- 11: Somebody Ripped My Stick
- 12: Letter From Hawaii
- 13: The Surfmen
- 14: Can’t Get A Tan
- 15: The Surf Instructor
- 16: Punch Out At Malibu
- 17: Bird Bathroom
Remastered Reissue des 1980er Klassikers 'My Beach' der 'verwöhnten Gören aus Malibu', den widerwärtigen und respektlosen Surf Punks. Ein Sommer-Soundtrack aus Surf-Rock, New Wave und SoCal-Punk, für Fans von Descendents, Ramones, Agent Orange und Devo. Streng limitierte Auflage auf 'Kook Juice' farbigem Vinyl im Hochglanzcover mit Redux-Artwork und farbiger Innenhülle, samt Faltposter mit Lyrics und Surfbegriffsglossar und einem Surfbrettaufkleber.
Multi-instrumentalist Oscar Browne's roots lie in the foundational intricacy of golden-age songwriting A founding member of the London based folk- collective Broadside Hacks (amongst other banded- ventures), Oscar Browne's debut solo endeavour 'Never Quite Right' was released in 2022 to critical acclaim; an established inauguration which saw him eventually signing to So Young Records in the spring of 2023. Following a six-month spree in which Browne found himself tirelessly writing in order to process the changes taking place around him, the five songs which would eventually go on to form his debut EP 'If Only', are a deep- dive into the heart and soul of an artist who masterfully captures all the joys and heartaches of life in your early-twenties. Recorded over one week at Bristol's The Playpen, home to producer Ali Chant (Aldous Harding, Katy J Pearson), 'If Only' was all-in-all, a long time coming. Selfaccustomed to doubling things up and hiding imperfections, it was through the art of collaboration, and Ali's teachings in the power of emotional transparency that the pairing of Browne and Chant really shined. "Ali was a massive part in keeping the recordings minimal" notes Browne "he kept the rawness". Oscar Browne's creative- capability is a limitless array of captivating delights. These aren't simply re-interpretations of eras gone by. Browne channels as much Ben Howard or Kurt Vile as he does Nick Drake and John Martyn. Rather, it's through his ear for musical- lucidity, highlighted throughout the course of these selected songs, that enables Browne to transport his love of traditional folk and folklore, into a uniquely contemporary realm. His fearlessness in baring- all to those who'll listen creates an artistic magnitude will only keep growing with fine prowess, as Browne continues to cut his teeth as a beguiling 'one to watch'
Echolocation is the astonishing debut album from Mendoza Hoff Revels,
an electric & formidable new unit led by Ava Mendoza (electric guitar,
compositions) &Devin Hoff (electric bass, compositions) and featuring
James Brandon Lewis(tenor sax) & Ches Smith (drums)
A super-group of our time, all profound creative artists in their own right, rocking
mightily together, in their prime. 21st Century progressive rock played by punk
rockers with serious improv skills & jazz feel. And non-stop wicked catchy tunes,
riffs & grooves.
Strong sonic references are The Stooges' Funhouse, rendered by a band readily
adept at rapidly swinging rhythmic & harmonic shifts, (plus tenor sax on every
track!) and also Minutemen, both their whole body of music & their fundamental
egalitarian punk ethos.
Dropped Balls is the debut 12” vinyl release for Galway’s Belacqua. After previous releases on Unscene Music and Wherethetimegoes, Dropped Balls sees the Galweigan channelling his inner Sound Hack and travelling back in time to early 80’s NYC for a riotous collage of off kilter sampling, propellent drums, weeping acid and a general air of barely-controlled chaos.
Gunnish kicks things off with jagged piano riffs before charging full steam ahead into the wall of a dank basement in the Meatpacking District before Davish jumps into life with its supercharged, rolling drums. The A-side then slowly but surely descends into the washes of distorted synths and booming kicks of Youngish
On the flipside Marshall Applewhite (Yo Sucka! Detroit) drowns the stuttering funk of Gunnish in his trademark sludged out techno before the 12” takes a turn to the emotive with the transcending, slo-mo acid of release closer, Tennish.
- 1: Feel
- 2: Disease
- 3: Bright Lights
- 4: Unwell
- 5: Cold
- 6: All I Need
- 7: Hand Me Down
- 8: Could I Be You
- 9: Downfall
- 10: Soul
- 11: You're So Real
- 12: The Difference
- 13: So Sad, So Lonely
- 14: Disease (Acoustic)
- 15: All I Need (Live)
- 16: Unwell (Live In Seattle)
- 17: Bright Lights (Live From Aol Session)
- 18: Disease (Live From Aol Session)
More Than You Think You Are war das dritte Album der Band, das ursprünglich 2002 veröffentlicht wurde. Das US-Top-Ten-Album war ein Novum für die Band, da die Platte einen stärkeren Hardrock-Fokus hatte als die beiden vorherigen Veröffentlichungen der Band. More Than You Think You Are erreichte eine große Radio-Präsenz, produzierte drei aufeinanderfolgende Top-40-Singles in den USA und wurde für den Grammy als bestes Rockalbum nominiert. Dieses 2-LP-Set - die erste eigenständige Vinyl-Pressung des Albums - enthält
die Hits "Unwell" und "Disease" sowie fünf seltene Bonustracks.
- A1: The Man Made Of Stone 07:01:00
- A2: Window To The World 03:58:00
- A3: What Awaits Me 05:22:00
- B1: He Once Was 12:17:00
- B2: Underneath The Orphan Moon 03:53:00
- B3: Clouds That Never Rain 05:17:00
- C1: Bulletproof 04:17:00
- C2: Somewhere North Of Nowhere 06:46:00
- C3: Summoned From Afar 07:33:00
- C4: Love Is Still The Light 04:42:00
- D1: There Goes My Baby 03:50:00
- D2: Orphans Of The Universe 10:39:00
- D3: Elegant Vampires 04:27:00
Pattern-Seeking Animals sind eine bahnbrechende Prog-Rock-Band, die die Grenzen der musikalischen Erkundung immer mehr erweitert. Bestehend aus John Boegehold, Ted Leonard, Dave Meros und Jimmy Keegan, fesselt die Band mit komplexen Kompositionen. Auf ihrem 4. Album nähern sie sich neuen Klangwelten und Themen, die sie mit der DNA ihrer bisherigen Arbeit zu ihrem bisher einprägsamsten und stärksten Album kombinieren. Boegehold erklärt: "Da dies unsere vierte Veröffentlichung in weniger als 5 Jahren ist, war es meine Absicht, nicht über bereits bekanntes Terrain zu gehen. Wir haben andere Sounds, Texturen und Musikstile verwendet und sind auch ganz anders an den Gesang herangegangen." Der neue Ansatz macht sich nicht nur in Produktion und Sound bemerkbar, sondern auch bei den Texten. "Die Themen umfassen einen nordischen König, der über das Leben nachdenkt, während er erobert wird, einen alternden Sucher auf dem Weg zur Erleuchtung, Außerirdische, die Menschen jagen und sich der Gefangennahme entziehen, einen konfliktbeladenen Soldaten vor und nach dem Ersten Weltkrieg, eine schwangere Teenagerin, die eine schlimme Situation zu Hause hinter sich lässt, einen widerwilligen Helden, der in seiner letzten Schlacht siegt, und die Freundin eines Mannes, die ihn wegen seiner Verschwörungstheorien verlässt." Die Fans werden mit der ersten Single "Window to the World", einem energiegeladenen Up-Tempo-Art-Rock mit einem Hauch von Ska und Reggae, etwas Neues erleben. "Somewhere North of Nowhere" ist ein geradliniger Prog-Song mit einzigartigem Bridge-Teil. "Underneath the Orphan Moon" ist eine düstere Ballade über ein Teenager-Mädchen, das einer schlimmen Situation entflieht. Der stimmungsvolle und cineastische Song erinnert an einen klassischen Elton-John-Song, mit echter Streichergruppe. Das Album ist erhältlich als Ltd. 2CD Digipak und Digitalalbum (inkl. 3 Live-Bonustracks von ProgStock 2022) und als 2LP Gatefold 180g (inkl. 2 Live-Bonustracks von ProgStock 2022).
- 1: Enter The Ring (Feat. Dj Yoda)
- 2: Let It All Out (Feat Wax & Herbal T)
- 3: All Night (Feat. Jack Tyson-Charles)
- 4: Loving Arms (Feat. Greg Blackman)
- 5: Least Favourite Wonder (Feat. Dare Club)
- 6: Wide Open
- 7: Amigos (Feat. Too Many T's)
- 8: Looking At The Love (Feat. Greg Blackman)
- 9: Automatic Lovin' (Feat. Holmes)
- 10: Not For You (Feat. Alyssa Marie & Jack Tyson-Charles)
- 11: Browsing Youtube
- 12: Go Free
pink splatter LP[44,16 €]
Adam Gibbons meldet sich mit Volldampf mit seinem achten Lack Of Afro-Studioalbum zurück. Es ist ein Album voller Hoffnung, Optimismus und guter Zeiten, inspiriert von seiner US-Reise zu den legendären FAME Aufnahmestudios in Muscle Shoals. In einer über 17-jährigen Karriere, in der seine Musik in Filmen und TV-Shows auf der ganzen Welt zu sehen/hören war und millionenfach gestreamt wurde, musste Adam viele Herausforderungen überwinden und kehrt nun auf SQUARE ONE, den Anfangspunkt, zurück. Dabei liefert er seine bisher beste Arbeit ab und geht auf seine erste US-Tour. Mit einem erneuerten Sinn für Inspiration und Energie ist Adam entschlossen, den Funk am Leben zu erhalten.
stillness, softness... erkundet eine neue Soundpalette in Omoris Welt analoger Synthesizer: ihren Prophet '08, den Moog Voyager und UDO Super 6, einen analogen Hybrid-Synthesizer, der binauralen, 3D-simulierenden Klang erzeugt. stillness, softness... 'eine Collage aus Experimenten', die sie dann 'wie ein Puzzle' zusammensetzt, wobei jedes Lied einen Erinnerungsraum darstellt. Das Endergebnis ist nahtlos, ein kontinuierlicher Zyklus von 13 ineinander fließenden Vignetten, die zwischen ihrem Schlafzimmer in London und dem Haus ihrer Großmutter in Yokohama, Japan, entstanden. Das Album ist generell Omoris bisher zugänglichstes Werk und zeigt ihre wahre Bandbreite als Komponistin, Künstlerin, Arrangeurin, Sängerin und Synthesizer-Virtuosin.




















