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- A1: Main Theme
- A2: Walking Music
- A3: Dragon's Tale
- A4: Happy Music
- A5: Jungle Music
- A6: Walk To The Castle
- A7: The Feast
- A8: Hurry Music
- A9: Balloon Music
- A10: Laughing Music
- A11: Underwater Music
- A12: Cowboy Music
- A13: Circus Music
- A14: Circus Play-Off
- A15: Landscape
- A16: Gloomy Pirate
- A17: Shanty
- A18: Street Scene
- B1: Main Theme
- B2: Walk To The Shop
- B3: Road Activity
- B4: Mr Benn
- B5: Rome
- B6: Gladiator Prison
- B7: Panther
- B8: Slow Benn
- B9: Chase
- B10: Chariot Walk
- B11: Before The Contest
- B12: Emperor's Arrival
- B13: The Arena
- B14: The Arena V2
- B15: Chariot Walk V2
- B16: Emperor's Departure
- B17: Hurry Music
- B18: Walking Home
- B19: Thoughtful Benn
All the music from the iconic Mr Benn cartoons, available for the only time. Recorded in two sessions - Olympic Studios in 1969, and Gateway Studios in 2004. All the music was written by Duncan Lamont, and featured some iconic session musicians including
Kenny Wheeler, Ray Swinfield and Duncan Lamont himself. Ray Swinfield used the same instruments as he used on The Beatles Penny Lane on these recordings. Mr Benn has an enduring popularity, and was shown on The BBC every year from 1971 - 1999, then on Nick Jnr till 2010. The sessions have ben fully remastered, and sound fabulous! It was due to Nick Jnr that a 14th Mr Benn cartoon was made, and the second session features re-working of some of the original tunes as well as lots of new tunes for Gladiator.
The packaging features an insert with Mr Benn dressed in all his adventure outfits, and a game to match all the souvenirs to each adventure. Not to be missed. A must for everybody that grew up with Mr Benn. All the sleeve notes have been written by The Mr Benn cartoon producer Clive Juster, and are full of insights from the recording sessions.
- A1: Part I ( Work Song')
- A2: Part Ii ( Come Sunday')
- A3: Part Iii (Aka Light')
- B1: Part Iv ( Come Sunday') Featuring Mahalia Jackson
- B2: Part V ( Come Sunday Interlude') Featuring Ray Nance
- B3: Part Vi (23Rd Psalm) Featuring Mahalia Jackson
- B4: Part Iv ( Come Sunday') Featuring Mahalia Jackson (Alt Tk)
- B5: Part V ( Come Sunday Interlude') Featuring Ray Nance (Alt Tk)
- B6: Part Vi (23Rd Psalm) Featuring Mahalia Jackson (Alt Tk)
The history of Black, Brown & Beige began on June 23, 1943, when Duke Ellington premiered this extended work at Carnegie Hall. It wasn't Ellington's first attempt to create an extended work, which was longer than a typical jazz song and more related to the classical forms than to popular music.
While the soundtrack he made for the short 1929 movie Black & Tan Fantasy included works from a number of previously recorded songs, it was presented in a kind of suite form, with the themes from these songs coming and going and presenting a dialogue with the images on screen. His 1931 Creole Rhapsody' was a composition that went beyond the usual three-and -a-half-minute duration of a standard 78 r.p.m disc, and thus had to be divided onto two sides. A few years later, in 1935, his Reminiscing in Tempo' would occupy four sides and had to be divided onto two discs.
However, those were never his best selling records, and the reception of his 1943 suite Black, Brown & Beige was cold at best. This is due to the fact that apart from being an ambitious extended composition, it was thematically related to racial issues regarding the history of Afro-American people. Most critics could not accept the idea of Ellington composing long musical works
and preferred to confine him to simple jazz songs (even though Ellington's songs were never simple).
Limited release.
After “The Legend of Kaspar Hauser” directed by Davide Manulli, Vitalic is once again putting his music to moving images with “Disco Boy” by Giacomo Abbruzzese (awarded a Silver Bear at the 2023 Berlinale). Electronic, intense and navigating between a variety of different atmospheres, the soundtrack - much like the film it accompanies - is full of promise and mystery. “The Swamps”, “La Guerre” and “Helicopter” are reminiscent of the intense, dark and foreboding productions of Thomas Bangalter for “Irreversible” by director Gaspar Noé. In contrast, “Winter is Coming” and “Lost Time” are places of melancholy and sweetness where all bass has completely disappeared. As for the eponymous theme for the film, “Disco Boy”, it pays true electronic homage to the sound of disco. The retro-futurist soundtrack to “Disco Boy” oscillates between devastating kick drums, moist ambient and dreamlike swathes. Vitalic has created uncharted sonic landscapes that invite us on a voyage of initiation and self-discovery.
2x12"[23,11 €]
On July 20, 1993, Los Angeles hip-hop legends Cypress Hill unleashed their sophomore opus Black Sunday on the unsuspecting masses. The record changed rap music with its dark undercurrent, Latin inflection, no-holds-barred storytelling, and the inimitable interplay between B-Real and Sen Dog cast over psychedelically spun rap soundscapes courtesy of DJ Muggs.
Now to mark the 30th anniversary, two new remixes are available for fans on 12” black vinyl; “Insane in the Brain” from the esteemed DJ/Producer Statik Selektah, and “Hits From The Bong” crafted by the album’s original producer himself, DJ Muggs.

















