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LP Gold Galaxy Vinyl in Picture Sleeve

A Balearic holy grail reborn — Miguel Tur’s Junto Al Mar captures Mediterranean sunshine through a lens of synth-pop, jazz, and gentle soul. Originally released in Venezuela in 1981, it’s become a favourite among collectors of breezy, coastal grooves but selling for over £150 for an original. For Record Store Day 2026, Deja Vu Kid presents a Deluxe Edition, Remastered with archival photos and liner notes from Micky Browne. Pure escapism and emotional warmth — the perfect soundtrack to RSD digging adventures. "Galaxy" Gold Vinyl, Remastered, Reimagined Sleeve.

LP Butter Popcorn Vinyl in Picture Sleeve

A rare modern soul masterpiece finally returns, fully remastered and expanded with the 12” mixes for this Deluxe Edition. Originally released in 1982 and now fetching decent money among collectors, Amuzement Park fuses smooth vocals, slick musicianship, and a rich soulful sensibility. For RSD 2026, this reissue adds the extended mixes, making it the most complete version to date. Extended mixes, Remastered, Redesigned Sleeve, "Butter Popcorn" Yellow Vinyl.

For more than two decades alto saxophonist Marshall Allen has carried
on the legacy and sound of the Sun Ra Arkestra - He turned 98 in 2022
and as evidenced by Living Sky, his influence and leadership remain
undiminished
On the group's first recording since the pandemic and their Grammy nomination,
bandleader Marshall Allen and company give us something we can hold onto, an
instrumental album rich in spirituality to guide us through the unknown yet again.
The album includes the first studio recording of Sun Ra's elaboration of Frederic
Chopin's "Prelude in A Major", first instrumental recording of Ra's "Somebody
Else's Idea". Features Allen's "Day of the Living Sky", a meditative work that is a
belated response to Sun Ra's composition "Night of the Living Sky" which is also
featured in the album.
Cover art by Damon Locks. Mixed & mastered by two time Grammy winner Dave
Darlington.

TCHDWN, the former DMC Vice World Champion and Barcelona based artist, returns with the highly anticipated second chapter of his vinyl-only series: "BCN City Of Mind Summer Collection." Following the success of the Spring Collection, which garnered support from artists like Gabbs and Velasco, this new volume elevates the journey. Still calling Barcelona his creative home since 2018, TCHDWN continues his sonic exploration of the city, capturing the heat, the late night energy, and the relentless pulse of a Mediterranean summer!

Outer packaging like a book with a hardcover 321x321 mm glossy coated
Inside 2 cardboard printed inner sleeves glued to the inside of the packaging
On the left, the inner sleeve will contain the vinyl
On the right, 4 out of 15 lobby cards (250 gr) will be inserted randomly (like pic of a movie)
A16 pages printed booklet will be included and glued inside in the center of the packaging
Limited edition numbered

Her New Knife ist eine Shoegaze-/Alternative-Band aus Philadelphia, Pennsylvania. Zu den Mitgliedern der Gruppe gehören Edgar Atencio (Gitarre und Gesang), Ben Kachler (Gitarre), Carolina Schooley (Bass) und Elijah Ford (Schlagzeug). Die Band veröffentlichte letztes Jahr ,chrome is lullaby" über das einflussreiche Label Julia's War Recordings. Die EP besticht durch ihren rohen, verletzlichen Charme und bietet Fans von Shoegaze und Post-Punk eine tiefe Verbindung zu ihrem einzigartigen Sound. Nach einer einmaligen Björk-Coverversion (,Pagan Poetry") kehrt die Band nun mit einer 6-Song-Remix-EP zurück, die Remixe von TAGABOW, Sword II, Frost Children und anderen. Die physische Version der Veröffentlichung ,Chrome is Lullaby Deluxe" enthält auf Seite A die EP ,Chrome is Lullaby" und auf Seite B die entsprechenden Remixe.

It began with a cassette tape entitled 'Pleased To Meet You' gifted to us at Sessa's Fasching, Stockholm show by Yann Dardenne, the multi-tasking tour manager/sound engineer/producer/merch stall worker and co-owner of Seloki Records. On first listen, the selection of underground Brazilian artists from the Seloki's roster was superb, however, one song stopped us in our tracks. The hauntingly captivating ' GOSTO MEIO DOCE' by Nina Maia and Francisca Barreto, gave us a taste of Nina's ethereal, addictive voice and we knew we needed to hear more. Born in Minas Gerais but now based in Sao Paulo, the 22-year-old has already packed a lot into a relatively short space of time. The singer, songwriter, instrumentalist, and producer, has already collaborated on the soundtracks for six Brazilian feature films, including a track with the vocalists Maria Gadu, Iza, and Liniker. But things enter a new exciting era with this, her remarkable debut album entitled 'INTEIRA', which translates to English as 'whole'.

As much inspired by Billie Eilish and Rosalia, as Milton Nascimento and Toninho Horta and not sounding like other records coming out of Brazil, 'INTEIRA' is unique. Though rich in its Brazilian heritage, inspired by samba cancao, MPB, and the Clube da Esquina movement, it also channels influence from bands such as Portishead and Massive Attack, mixed with jazz, contemporary leftfield and electronic pop artists. Musically, it is not easily pigeonholed, with beautiful, well-crafted songs, sophisticated arrangements, eloquent vocals and intimate lyrics. Each track reflects different moments and stories from Nina's youth but with dialogues, feelings, and questions that span generations and resonate with all. This ambitious debut album is Nina's vision and sound, expressing herself without constraints and making music with her friends. Featuring a lineup of Thalin (drums), Valentim Frateschi (bass), Francisca Barreto (cello and vocals), Thales Hashiguti (viola and violin), Yann Dardenne (acoustic guitar and co-producer) and Nina on piano, Rhodes, guitar and production. The album led to a nomination in Paulista Association of Art Critics (APCA) award's 'Breakthrough Artist' category, who also listed 'INTEIRA' as one of the 50 best albums of 2024.

It also received support from Bandcamp Weekly and Jamz Supernova on BBC 6 Music. Released digitally by Seloki Records in Brazil in 2024, Mr Bongo in partnership with Seloki Records now present this new, deluxe worldwide edition that includes four additional songs. These comprise the brand-new exquisite 'MANHA', as well as an original twist on Vinicius de Moraes' classic 'Serenata Do Adeus'. Elsewhere you'll find a live recording showcasing Nina's remarkable energy on stage courtesy of 'DE DENTRO' and 'GOSTO MEIO DOCE' with the amazing musician/vocalist Francisca Barreto, where our whole story began. Here at Mr Bongo, we are honoured to release music by such a remarkable new talent - one whose musical trajectory is most certainly about to soar.

2025 marks the 50th anniversary of Led Zeppelin’s iconic sixth album, and their first double LP, Physical Graffiti.

To celebrate this landmark, Led Zeppelin will release an updated 50th Anniversary edition of 2015’s Physical Graffiti Deluxe Edition 3LP vinyl set, on 180g black vinyl, still featuring the Companion Audio disc, and now including a new bonus replica Physical Graffiti promotional poster (sized 443mm x 610mm).

Released on February 24, 1975 in the US (and four days later in the UK), Physical Graffiti immediately achieved platinum sales status and has recently been certified 17x platinum in the United States.

TCHDWN — former DMC Vice World Champion and Barcelona-based artist — makes his vinyl debut on Track Deluxe with BCN City Of Mind Spring Collection, a sonic tribute to the city that shaped his journey.

The EP includes five original tracks, an intro, interlude, outro, and a unique scratch bank sourced from the project itself. A locked groove nods to TCHDWN’s turntablism roots, making this a treat for vinyl heads.

“Every beat is infused with the energy and inspiration I’ve found here,” says the artist. The result is a fresh, timeless soundtrack that captures the essence of a Barcelona spring.

Early support from: Velasco, Gabbs, Lukas...

Gladstone Deluxe is one of the most exciting musicians in the US right now. They make futuristic, deep, percussive yet smooth techno, deep house and electro. They also play timbales in NYC queer and trans salsa band Las Mariquitas, and are a frequent collaborator with fellow East Coast sonic trailblazers Kiernan Laveaux, Johnny Zoloft, and Mira Mira. They have released on Black Techno Matters, Data Disk, Misc, Innocent Music, How Things Are Made, and now Fixed Rhythms is excited to add to the Gladstone lore with their new offering, “No Haterade EP”.

A1 “Cleanse” is zippy tech-y house…think groovy, up-beat, sexy, like something you’d hear in a Titonton Duvante set. A2 is a remix, “Teakup – Where’s My Snare (Gladstone Deluxe Remix)”. Now the EP takes a turn towards psychedelic electro. Spacey trippy vocal manipulations, swelling deep space gravitational waves swelling and resolving. The B side opens with the “No Haterade” track. Arpeggiated electro that slaps with swagger. The final track is a longer, 9 minute driving deep housey techno tune. A bass line that you never want to stop, luscious pads, brain-tingling pings, melodic percussive synth runs, and a touch of acid.

If Gladstone is not already on your radar, take heed! Big tunes here!

RAWAX proudly presents the 9th release by Fresh & Low on their own „TREASURES" series!
This time we have the honor to re-issue "Love Capsule Deluxe“ formerly released on Guidance Recordings in 1998!
Our vinyl only edition includes the 4 strongest (in our opinion) tracks.

Thirteen years, four months and twenty-seven days after the shock wave caused by their first EP "Polishing Peanuts", the irreducible moustachus of Deluxe return with their seventh album: "It’s a pleasure", to be released on April 25, 2025. Like the band that never stops evolving, this record is a real emotional and musical kaleidoscope, oscillating between overflowing energy and melancholic introspection.

This album is distinguished by a vertiginous stylistic richness: a classical fugue for saxophone sneaks into the heart of a whirlwind of pop-rocky-pop songs, while varied inspirations like the Brazilian variety (with Luizga on " Windows Open "), nostalgic punk (" Where the f*ck is Jason? " featuring Mr. J Medeiros) or reggae hip-hop (" Caliente " featuring Twan Tee) shake up the codes. True to themselves, the six Southerners ...

Fünf Monate arbeitete David Gilmour in Brighton und London an »Luck And Strange«, dem ersten neuen Longplayer, den er seit neun Jahren veröffentlicht. Die LP wurde von David und Charlie Andrew produziert, den man für seine Zusammenarbeit mit ALT-J und Marika Hackman kennt. Der Großteil der Lyrics stammt von Gilmours Co-Autorin Polly Samson, mit der er schon seit 30 Jahren zusammenarbeitet. Auf dem Album sind acht neue Tracks zu hören, dazu kommt eine Coverversion von Between Two Points (Originalinterpreten: The Montgolfier Brothers), auf der Romany Gilmour Harfe spielt und singt. Auf anderen Songs der LP war Gilmours Tochter für die Backing-Vocals zuständig. Zu den Musikern, die an der Entstehung von »Luck And Strange« beteiligt waren, gehören: Guy Pratt & Tom Herbert am Bass, Adam Betts, Steve Gadd und Steve DiStanislao am Schlagzeug sowie Rob Gentry & Roger Eno an den Keyboards. Für die Streicher- und Chor-Arrangements war Will Gardner verantwortlich. Auf dem Titeltrack, der 2007 während eines Jams in David Gilmours Scheune entstand, ist der verstorbene Pink Floyd Keyboarder Richard Wright zu hören. Das Cover-Foto von Anton Corbijn wurde durch den Text von »Scattered«, dem letzten Song des Albums, inspiriert.

Glockoma 2 is the third studio album from Memphis rapper Key Glock, and follow-up to the wildly successful mixtape, Glockoma. The deluxe physical release sees the addition of 8 new tracks, and includes 3 singles released shortly after the digital deluxe release. As we’ve grown accustomed to with Key Glock’s solo albums, Glockoma 2 features all material written and performed by Key Glock, and only Key Glock. Standout tracks from the album include “Work,” “Dirt,” “Chromosomes,” “Presidential Rolex,” & the explosive single, “Let’s Go,” which saw its own moment of virality upon its cinematic music video release and was recently Certified Gold by the RIAA. The 2xLP deluxe vinyl release is pressed on Cobalt marbled vinyl with Red Splatter, and housed in a gatefold jacket with poly-lined sleeves.

The story of Ultrasonic Grand Prix is one of two vintage 60s guitars and their owners. I love my 1967 Vox Grand Prix guitar,” declares multi-instrumentalist/producer Shawn Lee - creator, among other feats, of the soundtrack for Rockstar video game classic Bully, and one half of Ultrasonic Grand Prix. “It is a serious beast and an important part of my arsenal. Every tone you need…’For guitar maestro Barrie Cadogan - of Nottingham Freakbeaters Little Barrie, best known for the main title theme of ‘Better Call Saul’, The The, Liam Gallagher and playing on the soundtrack for Baz Luhrmann’s ‘Elvis’ - it was the Vox Ultrasonic, also from the same period, that caught his eye. “I first became interested in Vox guitars because of people who used them like Spacemen 3 and the James Brown band of the late 60’s”, he explains, “but it was when I was part of a recording session at Anton Newcombe’s studio in Berlin that I had chance to get to know the Vox gear better. I was borrowing an Ultrasonic from a friend for a while and Shawn already had his Grand Prix. I thought it would be a good name for our project whenever we got it going.’ It was with this shared passion for these weapons of vintage, psychedelic gold that the suave, velvety, and off-kilter cool of INSTAFUZZ was born. While a project born of recent times, the flames of INSTAFUZZ were first ignited all the way back in 2010, where the two met during mixing sessions for Little Barrie’s 2011 LP King of the Waves. Snap forward a decade and we find Cadogan ripping guitar licks on Instagram, the workaholic Lee using these as inspiration to lay down rhythm tracks on analogue drum machines. And not long after that, cut to the two trading files back and forth furiously online, birthing music together in ever more completed forms. And the music that did emerge was weird, startling, and insatiably groovy. With one foot dipped in the organ-warbling garage of 60s psych, and the other vibrating in the mind-expanding fractals of the British Acid House boom, INSTAFUZZ plies the earthly quintessence’s of blues, rock, soul and jazz, against the preternatural discomforts of programmed drums and unhinged synthesisers to produce something distinctly and nostalgically futuristic