Technics' SL-1200 turntable is back! This beautiful, matte black MK7 version is a direct-drive turntable with a 'coreless' motor that is lighter and more powerful than before. Thanks to its design, not only is it extremely reliable, but cogging issues should now be a thing of past. That means you can concentrate fully on doing what you do best.
SL-1210 MK7: Classic turntable with a modern look
Apart from its colour, the MK7 SL-1210 may look familiar, but it has a few new additions on board. This includes a microchip that comes from Blu-Ray technology and makes the turntable more accurate, also when scratching. It's possible to adjust the power as well as the braking time of the motor and, if you have a stylus that supports it, you can make use of 'reverse platter play'. Another change is the use of removable cables instead of fixed ones.
Die Technics 1200-Serie
Der originale SL-1200 wurde im Jahr 1972 als direktgetriebener Plattenspieler vorgestellt und erfreute sich sehr schnell einer außerordentlichen Beliebtheit. Er wurde weltweit ungefähr 3,5 Millionen Mal verkauft. Charakteristisch waren von Anfang an das hohe Antriebsmoment, die einfache Bedienung und die hohe Langlebigkeit. Er wurde sowohl von Audio-Enthusiasten als auch von DJs hochgeschätzt. Letztere verhalfen dem SL-1210 zum Kultstatus, gerade im Bereich der elektronischen Dance Music. Auch heute noch wird diese Modellreihe von DJs in aller Welt außerordentlich geschätzt.
Höchste Klangqualität getreu den Maßstäben der Technics Philosophie
Eisenkernloser Direktantriebsmotor für eine stabile Rotation und kräftiges Antriebsmoment
In einem direktangetriebenen Plattenspieler wird ein langsam rotierender Motor verwendet, der direkt mit dem Plattenteller verbunden ist und die Bewegung unmittelbar an diesen weitergibt. Das bringt zahlreiche Vorteile mit sich: Das Gerät erreicht eine beeindruckende Umdrehungspräzision, ein extrem kraftvolles Antriebsmoment, eine hohe Zuverlässigkeit über die gesamte Lebensdauer und ist wartungsfrei. Lange Zeit wurden dem Direktantrieb kleine Unregelmäßigkeiten in der Rotation durch das sogenannte Rastmoment nachgesagt. Für den neuen SL-1210MK7 wurde daher ein neuer Direktantriebsmotor entwickelt, der mit einem eisenkernlosen Stator arbeitet und damit die Ursache für das Rastmoment vollständig behebt. Gleichzeitig erreicht die Antriebskraft der Rotormagnete im SL-1210MK7 ihr Optimum. Der Spalt zwischen dem eisenkernlosen Stator und den Rotormagneten wurde so verbessert, dass es dem Drehmoment des früheren Modells SL-1200MK5 ähnelt. Das gleichmäßige Rotationsverhalten und kräftige Antriebsmoment ermöglichen eine präzise und originalgetreue Klangqualität bei allen Schallplatten.
Der empfindliche Tonarm sorgt für eine hochpräzise Abtastung des Schallplattensignals
Der Tonarm, der die in der Schallplattenrille enthaltenen Musikinformation ausliest, ist eine statisch ausbalancierte Konstruktion in S-Form – typisch für Technics Modelle. Das Tonarmrohr besteht aus leichtem, hochfestem Aluminium, während die Lagersektion der kardanischen Aufhängung über ein gefrästes Gehäuse sowie hochpräzise Lagerelemente verfügt. Dies sorgt für einen hervorragenden Abtastvorgang mit einem Minimum an unerwünschten Nadelbewegungen selbst unter rauen Bedingungen, wie z.B. beim Scratching.
Zweischichtiger Plattentelleraufbau mit verbesserter Vibrationsdämpfung
Der Plattenteller des SL-1210MK7 besteht aus einer zweischichtigen Konstruktion. Vibrationsabsorbierender Kautschuk überzieht die gesamte Unterseite des Tellers, der aus einem Aluminium-Spritzguss gefertigt ist. Diese Verbundkonstruktion verhindert unerwünschte Resonanzen und bietet hohe Stabilität bei überragender Vibrationsdämpfung, wodurch die Schallplatte vor schädlichen Vibrationen gestützt wird. Das Ergebnis ist ein ungestörter, authentischer Klang.
Hochstabiles Gehäuse und effektive Dämpfungsfüße für umfassenden Vibrationsschutz
Das Chassis des SL-1210MK7 besteht aus einem sehr stabilen, extrem vibrationsarmen Gehäuse. Das Aluminium-Spritzguss-Chassis ist fest an einer Konstruktion aus ABS(Acrylnitril-Butadien-Styrol-Copolymer)-Kunststoff befestigt, das mit Glasfasern verstärkt ist. Die somit erreichte Zweischichtkonstruktion bietet eine Festigkeit und Vibrationsdämpfung auf höchstem Niveau und garantiert somit eine originalgetreue, dynamische Soundreproduktion.
Für eine optimale Dämpfung sorgen die Dämpfungsfüße aus einer Feder-Gummi-Konstruktion. Der hohen vertikalen Dämpfung steht ein sehr steifes Verhalten in der horizontalen Bewegung gegenüber. Diese Kombination sorgt für eine unkomplizierte Handhabung besonders beim Scratchen und für eine sehr gute Störfestigkeit – auch bei sehr hohen Schallpegeln.
Abnehmbares Netz- und Signalkabel für höhere Flexibilität
Die Netz- und Phonokabel des SL-1210MK7 sind abnehmbar, sodass sie, z.B. im Falle eines Defektes, schnell ausgetauscht werden können. Die vergoldeten Phono-Anschlussbuchsen sichern dabei beste Klangqualität und Kontakteigenschaften.
Hoher Bedienkomfort trifft auf innovative Funktionen
Anpassung des Start-/Abbremsmoments
Der SL-1210MK7 überzeugt mit innovativen Motorregelungstechnologien, die vor allem bei der neuesten Generation von Blu-ray-Spielern eingesetzt und perfektioniert wurden. Durch einen Microcomputer hält der Regler sowohl dem normalen Abspielvorgang als auch anspruchsvolleren DJ-Anwendungen wie z.B. dem Scratching problemlos stand. Zudem kann der Nutzer das Startmoment und die Abbremsgeschwindigkeit an seine individuellen Vorlieben anpassen.
Pitch-Funktion für eine präzise und stabile Feinregulierung der Geschwindigkeit
Die Umdrehungsgeschwindigkeit des SL-1210MK7 kann auf 33-1/3, 45 oder 78 U/min eingestellt werden.* Der Pitch-Einstellbereich liegt bei ±8%/±16%. Dies ermöglicht eine hochpräzise und stabile Feinanpassung der Geschwindigkeit sowie das perfekte Matchen z.B. zweier SL-1210MK7 Einheiten im DJ-Betrieb.
* Die Verwendung von 78 U/min wird über den Haupt-Ein-/Ausschalter aktiviert.
„Reverse Play” für maximale Kreativität
Werden die Geschwindigkeitstaste und die Start-/Stop-Taste gleichzeitig gedrückt, dreht sich der Plattenteller in die Gegenrichtung. Die Reverse Play-Funktion wird über den Haupt-Ein-/Ausschalter aktiviert. Dies eröffnet dem DJ neue, kreative Möglichkeiten. Dafür muss das Tonabnehmersystem allerdings für den Scratch-Betrieb ausgelegt sein.
Traditionelles Design – perfekt für den DJ-Einsatz
Nadelbeleuchtung dank heller, langlebiger LED
Bei der Teleskop-Nadelbeleuchtung kommen ein neuer Druckmechanismus sowie eine helle, langlebige weiße LED zum Einsatz. Zudem wurden der Beleuchtungsbereich sowie die Belichtungsintensität angepasst. Verglichen mit den Vorgängermodellen ist somit eine bessere Sichtbarkeit der Nadel gewährleistet – selbst in sehr dunklen Umgebungen.
Durchgängig schwarzes Design
Die Bedienelemente sowie der Tonarm des SL-1210MK7 sind in Schwarz gehalten. Gleichzeitig wurde die Form der Bedienelemente der früheren Modelle beibehalten. In Kombination mit der matten Textur des schwarzen Gehäuses strahlt der Plattenspieler einen coolen Chic aus. Die LED-Tastenhinterleuchtung kann individuell in blau oder rot angepasst werden.
Technische Daten SL-1210MK7:
Technologie zur Umdrehungskonstanz
Eisenkernloser Direktantriebsmotor
Hochpräzise Motorregelung
Konstruktion zur Vibrationsentkopplung
Vibrationsdämpfender Plattenteller
Steife Gehäusekonstruktion
Dämpfungsfüße mit Feder-Gummi-Verbund
Hochwertige Bauteile
Tonarm hoher Empfindlichkeit
Vergoldete Anschlussbuchsen
Technics Definitive Design
Aus der SL-1200 Serie entwickelt
Plattenlaufwerks-Sektion
Typ: Direktgetriebener Plattenteller
Umdrehungsgeschwindigkeiten: 33 1/3, 45, 78 U/min
Pitchbereich: ±8%, ±16%
Anlauf-Drehmoment: 2.2 kg・cm
Anlaufzeit: 0.7 s. aus dem Stand auf 33 1/3 U/min
Gleichlaufschwankungen: 0.025% W.R.M.S.
Rumpeln: 78dB (IEC 98A-bewertet)
Plattenteller: Aluminium-Druckguss
Durchmesser:332mm
Gewicht:ca. 1,5 kg (inkl. Gummi-Auflagematte)
Tonarm-Sektion
Typ: Universell, statisch ausbalanciert
Effektive Länge: 230mm
Überhang: 15mm
Spurfehlwinkel:
Innerhalb 2° 32' (an der äußeren Rille einer Langspielplatte (30cm/12")
Innerhalb 0° 32' (an der inneren Rille einer Langspielplatte (30cm/12")
Kröpfungswinkel: 22°
Tonarm-Höhenverstellung: 0 - 6mm
Bereich der Auflagekraft: 0 - 4g (Direkte Abtastung)
Gewicht des Headshells: Ca. 7.6g
Tonabnehmer-Gewichtsbereich:
ohne Zusatzgewicht 5.6 - 12.0g (14.3 - 20.7g (einschließlich Headshell))
mit Zusatzgewicht 10.0 - 16.4g (18.7 - 25.1g (einschließlich Headshell))
Bohrungsabstand der Tonabnehmermontage: JIS 12.7mm
Headshell-Kabelanschlüsse: 1.2mmφ 4-Pin
Anschlüsse
PHONO (RCA) x 1, Erdungs-Schraubklemme x 1
Allgemein
Netzspannung: AC230 V, 50 Hz
Leistungsaufnahme: 11 W (Ca. 0.2W Standby)
Abmessungen (B x H x T): 453 x 173 x 372 mm
Gewicht: Ca. 11.2kg
Zubehör:
Plattenteller, Gummi-Auflagematte, Staubschutzhaube, Single-Adapter, Gegengewicht, Hilfsgewicht, Headshell, Überhangschablone, Schraubensatz f. Tonabnehmer-Befestigung, Phono-Anschlusskabel, Erdungskabel, Netzkabel, Bedienungsanleitung
Поиск:2 djs
Все
Nightclub E Replacement stylus
Nightclub E is equipped with Special Elliptical diamond. Perfect for usage in clubs. Superb sound quality.
Club DJs and studio workers believe the Nightclub E to be an absolute high-end cartridge. It is indeed a no-nonsence performer with fascinating musical resources.
It's output is superb with a frequency responce rating high enough to compare the Nightclub E to any audiophile cartridge.
The special elliptical stylus guarantees sound with insignificant scratching.
Nightclub E Stylus Technical Data
Output voltage at 1000Hz, 5cm/sec. - 8 mV
Channel balance at 1kHz - 1,5 dB
Channel separation at 1kHz - 23 dB
Channel separation at 15 kHz - 15 dB
Frequency response - 20-20.000 Hz +/- 1.5 dB
Tracking ability at 315 Hz at recommended tracking force - 65 μm
Compliance, dynamic lateral - 20 μm/m N
Stylus type - Elliptical
Stylus tip radius - r/R 8/18 μm
Tracking force range - 2.0-5.0 g (20-50 mN)
Tracking force recommended - 3.0 g (30 mN)
Tracking angle - 20°
Internal impedance, DC resistance - 1000 Ohm
Internal inductance - 580 mH
Recommended load resistance - 47 kOhm
Recommended load capacitance - 200-600 pF
Concorde cartridge weight - 18.5 g
Repress!
Early spins from James Holroyd and Ruff Dug.
Pyramid Stage Specials, wrong-speed 3rd wave Koln tekkers, Priceless Zouk & totally unknown Stockport Psych all bunch up on this debut record from Manchester’s OPEN SECRET crew - 2 of the city’s most esteemed DJs who joined forces to put on the best underground night anyone’s seen in years… here come 4 of their secret weapons, from an undisclosed Miles Platting location to ur ears.
Early spins from James Holroyd and Ruff Dug.
Locked-In is back in the game with its sixth release, The Amigos EP. This four-track exploration sees rising producers Andy Somoza and Juaan take the helm, crafting an EP destined for the crates of discerning DJs.
Leading the charge is "Disperso," a cheeky and extroverted anthem that injects chopped-up rave stabs and nostalgic vocal breaks into a tight rhythm section. It's a classic Locked-In opener with a fresh twist, sure to get bodies moving.
"5am" dials up the intensity with driving, compressed kicks and dry snares, exuding edgy confidence – perfect for those late-night warehouse sessions where the energy is pumping.
A left turn on the B-side. "Waita" ushers in a spooky atmosphere. Ghostly bells and wet synths dance around an electro snare and airy, galloping hi-hats, creating an intriguing and unsettling soundscape.
The EP closes with "Mi Partner," a masterfully woven tapestry featuring silky vocal samples, driving snares, and a killer bassline. This introspective track beautifully counterpoints the playful energy of the A-side.
With Australia‘s dance music scene being more prolific than ever, it‘s only fitting that one of the continent‘s hottest tickets appears in the Running Back universe. Sam Alfred‘s debut on it’s subsidiary Misfit Melodies melts the old with the new, swings the hips with the hits and unites the past with the future. The man with the adorable underground white label mp3 Shine II Dawn under his belt, is not only a DJ to die for, but also a witty, interesting and most of all enchanting studio talent. Aptly titled Roadblocks, this 5-track-EP once more underlines his appeal: his-speed house and sprinkles of retro rave meet the melodies of tomorrow.
While My Heart and Back To sound like Strictly Rhythm tracks played by UK Garage DJs, Drift and Fortune are prime examples of Sam‘s production powers. last, but not least the title track is the result of a trip to Dekmantel and a nod to the proggy bounce of the 90s. Built with love and made to last.
- A1: Coco / Fabert - Ban Di Fwan
- A2: Wach'da Star De La Rue - Confrontation (Instrumental)
- A3: Michel Alibo - Fou, Jaloux
- B1: Osmose - Melodi
- B2: Juliane - Blanc E Noir (Instrumental)
- B3: Champagn' Cocktail Lavaxn - L Anmou Aw
- C1: Jo Star - Demare Moin
- C2: Alex Rosa - Sistem
- C3: Patrick Nuissier - Pou Qui A
- D1: Vik In - Tension La Ka Monte
- D2: Joyeux De Cocotier - Pina Colada Coco Loco
- D3: Djeminay - Sun Plash
Repress.
The follow up of the acclaimed first volume of this compilation, a real discovery for many DJs and music lovers worldwide who didn't know that much about Zouk or DIY electronic music of the french west indies.
.
The selectors Julien Achard and Nicolas Skliris continue the excavation of French Antillas vinyl from the 80's and the 90's and for this second volume, they found some really exciting new references which should be soon « classics » on the dancefloors.
Italian producer Gemil returns with Planet X on Deep Down Space Records, marking the label's second release. 'Dance Phobia' immediately grabs your attention with its serious bass groove while the energy builds. A mid-tempo minimalistic house track enriched with vocal samples that add a house appeal, while the track’s tension mounts through the break before cruising smoothly to its end. "Reaction" dives even deeper, presenting a creative, addictive rhythm track with a tech appeal. Swirling chords and airy, euphoric elements blend seamlessly over a classy 90s house feel, leading into a moody alien melody in the second half—perfect for late-night dancefloors and growing more impressive with every listen.
On Side-2, the title track 'Planet X' is an exciting and creative blend of sounds, even earning an approval nod from HAL 9000 in the mix. Italy is known for their wonderful history of ambient house. This piece has that legendary sound and appeal to be a classic while providing many smiles on the dancefloor. Lastly, 'Soul Killers' delivers an addictive house mantra that everyone can get behind. It's perhaps the most underrated track on the EP but is sure to find its way into the sets of classy house music DJs. Don't be a Soul Killer!
Planet X by Gemil is a splendid EP, capturing the essence of house music with a touch of techno sophistication, ideal for both connoisseurs and late-night revelers alike. Welcome to Planet X!
Warriors Of The Dystotheque begann als Onlineprojekt des irischen DJs Jonny Mac gestartet und ist nun zur vollständigen Band gereift, die sich zum ersten Mal im wirklichen Leben traf und ein Album mit kontrastierenden Sounds, Ideen und Einflüssen aufnahm. Aufwachsen in Nordirland, die 90er Rave-Tage, Leben im sonnigen Florida, ein Mashup aus Live- und elektronischer Musik, Freundschaft und Verlust, Ibizas Sonnenlicht und dunkle Wolkennächte, Verzweiflung und Erleuchtung, die Kraft der Musik, sich aufzurichten und Freude und Harmonie zu schaffen. Jonny Mac: "Es fühlt sich an, als hätten wir die Punkte auf diesem Album verbunden, es klingt mehr nach einem Zusammenkommen der Band als nach einem Onlineprojekt. It's a beautiful thing." Lp mit 12x12" Artprint.
After his highly publicized breakup with Taylor Swift at LA’s Viper Room ,Iain Howie returned to Vancouver.
Taylor released “Bad Blonde Boy”, a breakup song about Iain and Iain quickly rebutted with “ Patterns” about Taylor.
He began working on his solo album and got a remix of Patterns by his shady neighbour “Jay Tripwire”. Partly because of the fact Taylor could never stand Tripwire.
Over the course of a year Tripwire churned out 10 different remixes for an alternative vinyl only release. Jay would have his friend Anton play various remixes from his hot dog cart in Bucharest.
One early morning it caught the ear from Cally. Cally had only intended to buy a foot long Frankenfurter after Guesthouse, but he was so captivated, that he asked Anton for a cassette tape of the song. Most Romanian DJs often look to Anton’s hot dog cart to find obscure unreleased gems.
Cally began his closed door ritual of compiling songs for closing Sunwaves that year. When getting his tea leaves read, his spirit guide advised him on using “Patterns” as the closing song to the festival.
Whether it was the come down from drugs or low serotonin, SW attendees could be seen crying on the dance floor during the song.
The tears were then collected and drank by Raresh
Ersatznadel für das System Ortofon Gold Concorde und Ortofon Nightclub MK II OM.
Das Ortofon Gold wurde von den limitierten Technics SL-1200 LTD inspiriert. Das Ziel: Den exklusivsten DJ-Tonabnehmer zu entwickeln, den es bisher gegeben hat. Das Gold-System ist ausschließlich als Concorde-Version mit elliptischem Schliff erhältlich, um den besten Sound zu garantieren, der mit einer Nadel möglich ist. Für DJs, die sich nur mit dem Maximum zufrieden geben.
Features
* Nadelschliff elliptisch
* herausragende Klangqualität
* sehr gut zum Mixen geeignet
technische Daten
* Frequenzgang: 20 Hz - 20 kHz
* Ausgangsspannung: 6 mV
* Auflagekraftbereich: 2,0 - 5,0 g
* empfohlene Auflagekraft: 3,0 g
Maria Rita is a musical pioneer that was ahead of her time. On first hearing her song, 'Cântico Brasileiro No.3 (Kamaiurá)’, we thought it sounded like a contemporary remix that an artist such as Carl Craig could have produced. In fact, it came out in 1988 and was taken from Maria's 'Brasileira' album, released on the Brazilian, independent Acorde imprint. The song would go on to gain cult status with its inclusion on John Gomez's superb 'Outro Tempo' compilation, released on the Music From Memory label in 2017.
The album fuses new-age electronics with indigenous vocals and Amazonian rhythms. It is beautiful and unique and takes you on a journey through different moods, textures and ethereal planes. Through the sounds Maria created, you join her on a timeless voyage gazing into the future whilst embracing her powerful roots.
Maria Rita Stumpf was born in the southern inland of Brazil, in the mountains of Aparados da Serra. She started writing music at the age of 14, and through participation in festivals and song contests, she developed her material and sound. A move to Rio de Janeiro in 1985 furthered her career and led to the release of the 'Brasileira' album. The record features the legendary pianist Luiz Eça, alongside the group Uaktí and Ricardo Bordini.
1993 saw the release of 'Mapa das Nuvens (Map of the Clouds)' on CD via the Leblon label, but soon after, Maria would have a hiatus from the music industry, dedicating herself to her cultural and arts agency, Acorde. She left the stage and recordings behind, but quality always shines through and years after its original release, international diggers, producers and DJs rediscovered the greatness of Maria's music. This would lead to a re-issue of the ‘Brasileira’ LP, and later Optimo Music/Selva Discos released a 12” EP of ‘Brasileira’ remixes by Selvagem, Carrot Green and Joakim. Maria also spoke at the Red Bull Music Academy Festival in São Paulo, performed at both the Kino Beat Festival and the Brazilian leg of the Dutch festival, Dekmantel. Her two latest albums received critical acclaim, ’Inkiri Om’ in 2020 and ‘Ver Tente’ in 2022. At last, Maria has got the credit and kudos she deserves, inspiring new and future generations of producers and music lovers.
Though previously re-issued, it was after a conversation with Maria that we learned that she wanted to keep this sublime record in press, and this was something that we couldn’t wait to put into action. So here it is, the Mr Bongo pressing of ‘Brasileira’, housed in a gatefold cover.
Can't Stop .There seems no better way to describe the work, party and music ethic of Solomun. Carrying the mirror ball on his shoulders like Atlas, it is impossible to imagine the modern disco world without his dynamics. While his countless DJ sets give fresh impetus to the many shades of house, techno and their siblings, conversely they are a driving force behind his studio and remix excursions. Can't Stop provides an impressive insight into his musical universe.
Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.
While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!
Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop!
Bliss Point is proud to present the long awaited reissue of lost italo house gem Soft Keys – Bubbles.
Recorded in Trieste in 1993 by Edoardo Milani and Tullio Battisti, “Bubbles (Soap Mix)” is a slice of colorful, sun-soaked euphoria, a track delightfully leftfield and playful in a way so rarely found in club music. Originally released on Italy’s Promo Music label, it was quickly lost to time, a masterpiece locked away on an extremely hard to find 12”, soon growing in notoriety among DJs and collectors.
Bliss Point’s reissue of this classic includes two remixes from contemporary luminaries, each interpreting the timeless sound of Bubbles for the 21st century. Tokyo’s boys be kko explores the soaring complexity of the original, and New Yorker Olive T offers a thumping take on its deep and tender heart. The original “Acapella” version is also included.
This reimagining of Soft Keys – Bubbles is remastered and recut by Dubplates & Mastering, and features an homage to the original 12” sleeve designed by Brandon Oxendine.
% discount from 3x %
10" Cover in black with hole, fits no inner sleeve
% Rabatt ab 3x %
10" Leerhüllen / Stecktasche in schwarz mit Loch
passend für Platten ohne Innenhülle
- A1: Srirajah Sound System - Si Phan Don Lovers Rock
- A2: Perikas - Laberinto
- A3: Mac Thornhill - No Way To Control It
- A4: King B. - Love Is Crazy
- B1: L'innovateur Djoe Ahmed Et Le Zoukabyle - Amek Amek
- B2: Champagn’ - Bel Ti Négress
- B3: Androo - Lyriso
- B4: Hidrogenesse - La Carta Era Muy Larga (Dub)
- C1: Kajou - Tet Chajé
- C2: Conjunto Baluartes - Nira Gongo
- C3: Landshark - Tie Me Up - The Nas T Version Instrumental
- C4: Pellegrin El Kady - Selva De Carnaval
- D1: Lee Jackson - Call On Me
- D2: Lta - What Comes To Ya?
- D3: Urban Volcano - Ame No Uta (Rain Song)
Cream[27,31 €]
To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.
Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).
In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.
Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.
Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.
This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.
Dustin Zahn & Z.I.P.P.O team up for a brand new EP entitled “Tools for Levitation.” Looking for a party record? Wrong EP. These tracks are designed to bend reality to your will. The record focuses on 4 esoteric Techno tracks with a strong emphasis on sound design, with each track being as heavy as they are mental.
Written during the depths of lock down, the finished results have a darker and more nihilistic approach than one would normally find on their solo productions. Since then, these tracks have been road tested over the years by our close friends and favorite DJs. Now, they’re finally available to the public
TRM-202MK3 ROTARY MIXER
Back to the roots For some time now, rotary mixers have been making a big comeback in the world of electronic dance music. The TRM-202 MK3 from Omnitronic offers the DJ all the classic features of a rotary mixer with its ALPS knobs (Blue Velvet RK27) and the built-in 3-band frequency isolator.
Smooth transitions
The high-quality components provide a good and appealing sound. The large knobs of both channels allow very smooth transitions, which are difficult to set with a conventional mixer (with faders). For both channels, you can switch between 2 x line & phono inputs or sources. A microphone input is also available. The isolator's kill characteristics completely eliminate bass, midrange, and treble for creative mixing
Classic Rotary Mixer With 2 Input Channels And Integrated 3-band Frequency Isolator For Djs
Gain Control, 2-way Equalizer (highs/lows) And Phono/line Switching Per Channel
Dedicated Boost And Kill Cut
Kill Cut Feature Allows Djs To Completely Remove Low, Mid And High Frequencies For Amazing Mixing
Vintage Alps Potentiometers (blue Velvet Rk27)
High-grade Components Ensure Long Life And Excellent Sound Quality
Dj Microphone Input With Separate Level Control
Prefader Listening To Input Channels And The Master Output Via Adjustable Headphones Output, With Cue Mix/split Function
12-digit Stereo Led Level Meter And Master Level Control
Booth Output With Separate Level Control
Inputs: 4 X Line And 2 X Phono (rca L/r), Dj Microphone (xlr) And Headphones (jack)
Outputs: Master And Booth (xlr/rca L/r), Record (stereo Rca)
Technical Specifications
Power Supply: 100-240 V Ac, 50/60 Hz
Gain:
Line: 20 Db
Phono: 60-75 Db
Mic: 44 Db
Max. Output Level: 22 Dbu
Frequency Range:
Line: 20-20000 Hz
Phono: 40-18000 Hz
Mic: 20-20000 Hz
S/r Ratio:
Line: 85 Db
Phono: 77 Db
Mic: 80 Db
Thd:
Line: <0.03 %
Phono: <0.1 %
Frequency Isolator: - To +9 Db
Lows: 20 Hz To 300 Hz
Mids: 300 Hz To 4 Khz
Highs: 4 Khz To 20 Khz
Inputs:
Line: Rca L/r
Phono: Rca L/r
Dj Microphone: Xlr
Outputs:
Master: Xlr/rca L/r
Booth: Xlr/rca L/r
Rec: Rca L/r
Headphones Output: 6.3 Mm Jack (min. 32 Ohms)
Dimensions (w X D X H): 190 X 250 X 107 Mm
Weight: 2,7 Kg
Power Consumption: 6,5 W
Height: 10,7 Cm
Depths: 25 Cm
Width: 19 Cm
Prepare to groove with the freshest release from Pa’volar - the PAV004 Inner Glow EP by Neoser!
Neoser's versatility as a producer shines through in this record, showcasing his ability to create captivating music across multiple styles.
Crafted with DJs in mind, Inner Glow EP is the perfect tool for setting the mood in any situation. Whether you're looking for upbeat energy or laid-back vibes, this EP has got you covered.
Don't miss out - let the Inner Glow EP light up your record bag today!
Turntable section
Type
Direct Drive Manual Turntable
Turntable Speeds
33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque
0.18 N・m / 1.8 kg・cm
Build-up Characteristics
0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter
0.025 % W.R.M.S.
Turntable Platter
Aluminium diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)
Tonearm Section
Type
Universal Static Balance
Effective Length
230 mm
Overhang
15 mm
Tracking Error Angle
Within 2° 32' (at the outer groove of 30 cm record)
Within 0° 32' (at the inner groove of 30 cm record)
Offset Angle
22°
Arm-height Adjustment Range
0 - 6 mm
Stylus Pressure Adjustment Range
0 - 4 g (Direct Reading)
Head Shell Weight
Approx. 7.6 g
Applicable Cartridge Weight Range
(without auxiliary weight)
5.6 - 12.0 g
14.3 - 20.7 g (including head shell)
Head Shell Terminal Lug
1.2 mmφ 4-pin terminal lug
Terminals
Audio Output
PHONO (Pin Jack) x 1, EARTH TERMINAL x 1
General
Power Supply
AC 110 - 240 V, 50 / 60 Hz
Power Consumption
8 W
Approx. 0.2 W (Standby)
Dimensions (W x H x D)
453 x 169 x 353 mm
Weight
Approx. 9.6 kg
Accessories
Turntable, Slipmat, Slipsheet, Dust cover, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Owner's Manual
Mit dem SL-1200MK7 erweitert Technics sein erfolgreiches Sortiment an DJ-Plattenspielern nun um ein Modell in Silber. Der neue SL-1200MK7 verfügt über die gleichen technischen Merkmale und den gleichen Bedienkomfort wie der SL-1210MK7, der sich seit Verkaufsstart im Januar 2019 zum Liebling der Vinyl-DJ-Community weltweit entwickelt hat.
„In den letzten Jahren wurde von DJs, internationalen Musikveranstaltern und unseren Vertriebspartnern vermehrt der Wunsch an uns herangetragen, das Technics Plattenspieler-Line-up zu erweitern und weiterzuentwickeln. Auch eine Silberversion des DJ-Plattenspielers, der für so viele Anwender auf der ganzen Welt die erste Wahl ist, stand auf der Wunschliste ganz oben“, sagt Frank Balzuweit, Produkt-Manager von Technics Europa. „Diesem Wunsch sind wir gerne nachgekommen und bieten mit dem SL-1200MK7 jetzt allen Interessenten ihr geliebtes Arbeitsgerät in der Optik ihrer Wahl an“, so Balzuweit.
Der SL-1200MK7 in Silber verfügt über dieselben technologischen und funktionalen Merkmale wie der SL-1210MK7 in Schwarz:
- Eisenkernloser Direktantriebsmotor mit leistungsstarkem Drehmoment und einer stabilen Rotation
- Präziser und robuster Tonarm, der die Musikinformationen der Schallplatte präzise wiedergibt
- Zweilagiges Chassis mit verbesserter Schwingungsdämpfung
- Stabiles Gehäuse und schalldämpfende Isolationsfüße zur Eliminierung von Vibrationen, auch unter erschwerten Bedingungen
- Anlaufdrehmoment / Bremsgeschwindigkeit-Einstellfunktion
- Pitch-Regler-Funktion für genaue und stabile Pitch-Anpassung
- Reverse-Play-Funktion erweitert die Flexibilität von DJ-Stilen
- Stylus Illuminator mit hoher Helligkeit und langlebigen LED-Leuchten
Acid House is a genre most DJs love, play and sometimes produce. As an all-time acid aficianado, Ten Fingerz has already produced several tracks in the genre. This time he has decided to invite other friend producers to come and toy with the 303 sound. This is how the "Acid Friendz" EP is born : 4 acid tracks, each one made in collaboration with a different producer, bringing his own flavour to the record and the "acid sound". The guests are well known dancefloor agitators, in the persons of James Curd & Mr. Flip, S3A, Brooklyn Baby and the Tomasi Brothers.
Each track expresses the desire to collaborate on the project and just make acid tracks, the way House producers have for decades now, from Chicago and the world over.
Frappé says be ready to Jack!




















