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Various - YOU'RE NOT FROM AROUND HERE LP

The previously unissued soundtrack to the 1964 noir, You're Not From A round Here, discovered after 55 years in the Louis Wayne Moody archive. A hobo's bindle full of twangy tremolo, reverb-drenched revenge, and existential echo. Songs of a lienation, paranoia, dark alleys, betrayal, prison, prostitution, trains, gun play, feminine betrayal, and the dusty, lonely road of self discovery. A black and white affair trapped under the weight of a post-war technicolor allure, You're Not From Around Here lives in a universe of moral ambiguity.

pre-order now08.03.2024

expected to be published on 08.03.2024

24,79
Various - YOU'RE NOT FROM AROUND HERE LP

The previously unissued soundtrack to the 1964 noir, You're Not From A round Here, discovered after 55 years in the Louis Wayne Moody archive. A hobo's bindle full of twangy tremolo, reverb-drenched revenge, and existential echo. Songs of a lienation, paranoia, dark alleys, betrayal, prison, prostitution, trains, gun play, feminine betrayal, and the dusty, lonely road of self discovery. A black and white affair trapped under the weight of a post-war technicolor allure, You're Not From Around Here lives in a universe of moral ambiguity.

pre-order now08.03.2024

expected to be published on 08.03.2024

26,26
Various - THEY MOVE IN THE NIGHT LP

Discovered after spending 58 years on a dusty shelf in the Louis Wayne Moody Pictures vault, this previously unissued soundtrack contains a backpack's worth of grieving guitars, somber surf, and haunting hiss, zipped tight with the teeth of abandonment, dashed dreams, moral ambiguity, fate, tearful goodbyes, and lukewarm diner coffee. Because the long arm of society nips at their heels... THEY MOVE I N THE NIGHT.

pre-order now08.03.2024

expected to be published on 08.03.2024

24,79
Various - THEY MOVE IN THE NIGHT LP

Discovered after spending 58 years on a dusty shelf in the Louis Wayne Moody Pictures vault, this previously unissued soundtrack contains a backpack's worth of grieving guitars, somber surf, and haunting hiss, zipped tight with the teeth of abandonment, dashed dreams, moral ambiguity, fate, tearful goodbyes, and lukewarm diner coffee. Because the long arm of society nips at their heels... THEY MOVE I N THE NIGHT.

pre-order now08.03.2024

expected to be published on 08.03.2024

26,26
Various - Le Moustache Conspiracy Lp

Born from a virtual encounter in lockdown between two Parisian neighbors, the DJ/producer Prosper and saxophonist Le Marabout, “Le Moustache Conspiracy” is a playful and deeply joyous album, pulling freely from the Afro, Funk, Disco, Hip-Hop, Oriental and Electro influences of the two artists. The iconoclastic DJ Romain “Prosper” Coolen, fervent purveyor of no holds barred euphoria on the dance floor, and the versatile saxophonist, composer and jack-of-all-trades Johann “Le Marabout” Guihard offer us a lavish, eclectic, uninhibited, coherent and furiously groovy album!

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15,34

Last In: 2 years ago
Prince Fatty - Disco Deception LP

With his Disco Deception album, Prince Fatty (who links up with Shniece for the occasion) delivers a captivating blend of disco-infused reggae and soulful grooves. Each track resonates with his signature low-end energy, and is fuelled by Fatty's impeccable production and Shniece's soul-stirring vocals. From funky basslines to shimmering horns, the album captures the essence of classic dub and ska while infusing it with modern flair and plenty of hooky horns and melodies. Shniece's dynamic range and emotive delivery elevate each song to really create a magnetic atmosphere that keeps listeners engaged from start to finish, all with character to spare.

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26,85

Last In: 14 months ago
BACAO RHYTHM & STEEL BAND - BRSB

Bacao Rhythm & Steel Band, die mysteriöse Steel Pan Band aus Hamburg, hat sich weltweit einen Kultstatus erspielt. Mit einer Reihe von klassischen 7" Singles und drei hochgelobten Alben haben sie die Messlatte für sich selbst hoch gelegt, die sie mit diesem neuen Werk noch weiter nach oben schieben wollen. Auf ihrem vierten Album BRSB sind Bacao zurück mit mehr vom Gleichen, aber mehr vom Gleichen ist bei ihnen von Natur aus anders. Sie covern Songs aus verschiedenen Genres, von Megahits bis hin zu Underground-Songs, und machen sie sich mit ihrer einzigartigen Herangehensweise an die traditionellen Steel Pans aus Trinidad und Tobago zu eigen. Während ein Teil des Reizes eines neuen Bacao Rhythm & Steel Band-Albums darin besteht, herauszufinden, welche Songs sie covern, ist es ebenso faszinierend zu sehen, welche originellen Melodien sie ausgeheckt haben – denn dieses Album ist ebenso voller herausragender Originale. Der Opener des Albums, "In The Crosshairs", ist ein rauer und harter Midtempo-Kopfnicker, während "Grilled" und "Treasure Quest" das Tempo mit starken afrikanischen Funk-Einflüssen anziehen. Bacao geht mit "Hazy Memories", einem basslastigen Slowburner, der zwischen Hypnose und Hype wandelt, in die Tiefe. Diese Originale sind ein Beweis dafür, dass der Begriff "Coverband" ein Schuh ist, der niemals zu Bacao passen könnte. Und doch gibt es auch dieses Mal in der Tradition der Steel-Pan-Musik eine Reihe Coverversionen. Der große West Coast Hip Hop Einfluss wird offenbar mit Covers von Game & 50 Cent's "How We Do", Dr. Dre & Snoop Dogg's "Nuthin But A G Thang" und Tupac's "Got My Mind Made Up”, die alle eine neue Energie bekommen und sich für die BRSB Stahlbehandlung eignen. Mit ihrem Covern von Claudja Barrys Disco-Klassiker "Love For The Sake Of Love", die sie in eine synchronisierte Version umwandeln und sogar den Titel in "Love For The Sake Of Dub" ändern, fügen Bacao ihrem Lebenslauf einen weiteren zertifizierten Dance-Floor-Filler hinzu. Aus dem Bereich der zeitgenössischen Smash-Hits covern sie Drakes "Hotline Bling" und "Love$ick" von Mura Masa & A$AP Rocky. Dann gehen sie mit dem "Stranger Things Theme" einen sehr unerwarteten Weg, indem sie den Synthie-lastigen Titelsong der Hit-Show nehmen und ihm einen hypnotischeren Ton geben als dem Original. Wenn BRSB fertig ist, hat die Bacao Rhythm & Steel Band den Hörer auf eine Reise mitgenommen, die eine Vielzahl von Energien, Tempi und Stimmungen umfasst, aber alles unter einem Dach hält.

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22,65

Last In: 2 years ago
Soft Crash - NRG

Soft Crash

NRG

12inchBITE031
BITE Records
06.03.2024

Hot wiring dancefloors with their immersive orchestration of uplifting sonic waves, Soft Crash sets out to soundtrack the unified, euphoric heartbeat of the crowds they foster with their mechanical yet fantastical, Italo Body Music. Presenting their highly anticipated EP ‘NRG’, the Berlin-based collaborative project of Berghain resident and BITE label head Hayden Payne (aka Phase Fatale) and French prolific producer Pablo Bozzi works to forge Soft Crash’s unique vocabulary of post-humanist production with the harmonic grandeur of their rhythmic, machine-made anthems.

Fresh off the back of their 2022 debut album ‘Your Last Everything’, Soft Crash present their latest 4 track EP ‘NRG’, chronicling their synonymous surrealist visuals infused with the contagious punch of Italo and Synth-wave. Geared towards the dancefloor from a fresh perspective, Bozzi and Payne pull from their respective wheelhouses to curate a sound additionally influenced by Wave-Pop, Acid House and Post-Punk sensibilities.

Procuring their cerebral yet zealous indentation of dance music, the EP features sanguine vocals from Kyiv-based singer and musician Ready in LED on the first single ‘Free Yourself’. She comments about the track “I became captivated instantly with the idea of the track that Hayden and Pablo sent me. At that moment, I was a bit tired of carefree disco and wanted to reveal my dark side in music. The demo sounded very daring. This track demands attention to itself from the first seconds. My sources of inspiration were glam rock and grunge. I had a blast in the studio, and I hope the people on the dance floors will feel that energy too.”

While full throttle vitality and booming grooves on the title track ‘NRG’ showcase Soft Crash’s take on 90’s sample-filled techno. Closing the extended play with an updated cut of the bewitching ‘Your Last Everything’, featuring Canadian musician and producer Marie Davidson, Soft Crash breathe a new life into the namesake track from their preceding album, concluding with an additional remix of the track by cult favourite producer Alen Skanner. The intrinsic dance floor vigour emulated in NRG further fleshes-out the pair’s recognisable DNA of nurturing a revitalised techno sound, cementing them as pioneers of the Italo Body genre.

Written and produced by Hayden Payne & Pablo Bozzi
Mastered by Conor Dalton at Glowcast Mastering

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14,50

Last In: 15 months ago
AFRICANISM ALLSTARS - AFRICANISM III LP 2x12"
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28,78

Last In: 22 days ago
Go.Soul.Map. - Peaceful Sound For Broken Minds

The debut album by musician and producer GO.SOUL.MAP. is a little gem in which pop and soul intersect and the clichés between
mainstream and underground leap. A sexy and pensive nocturnal journey, immersed in thirteen songs between soft bass and space disco trips, with the voice of Londonbased Derane Obika of Living Sounds.
The selection of songs in this album were made with the hope to bring the listener to deep thought, the lyrics and melodies seamlessly
married to tracks that drive the listener's emotions.
Produced, written and performed by Derane and Salvo, they came together by chance and were inspired to make the album making
sure to balance the sound between the Lyrics, Melody and Music to insure that not only the songs are heard but the experience
remembered and both spirit and soul are touched.
The album is truly "Music From The Heart"
Behind the alias GO.SOUL.MAP. hides one of the most authentic and purest talents of the current Catania music scene. Of which,
moreover, under other guises and names, he has been an indispensable pillar for over a decade. An artist of immediate sensitivity, not only artistic. His training is fairly canonical: as a child, he studied piano. From there, as if following the movements of concentric circles, the passion for synths, drum machines, the world of samples and the recording studio. Above all, an uncommon ability to breathe in music. Accepted and found without prejudice, but always with the need to reveal a distinctive track, a signature. Touring between bars, streets, concerts and clubbing. An experience very consistent with the subject matter of this disc. Which is, in fact, the debut of a nonrookie. An ambitious record, because it possesses a sound that is as sexy as it is thoughtful and a writing style, exemplary, that lies on that borderline that, in the stereotype, defines underground and mainstream. Fields that instead it crosses naturally and between which it moves without any particular problems. After all, the music comes not from the malice of the intellect but from the nuances, tender or vehement, of naivety.
Peaceful Sound For Broken Minds is a pop record, pop soul, of modern urban pop. Yes, labels, even in the sense of tags, are definitely that. Of course, it is the way in which ideas are rendered that makes the difference. The record is about the need to find one's peace, but it is the fall that it shows and not the landing. With honesty and, above all, style. That is, mastery of means and an important file work with which to decline that therapeutic soul pain in which his songs are immersed.
We wait for hours more, the initial Fall Into The Flame and I Am Believe seem to tell us from there we move on. Hold The Line is where trip hop forgets itself, immersing itself, to the point of blurring, with the retro atmospheres of someone like Curtis Harding. Pushing has a space disco cadence that, more pronounced, we also find in the lunar expedition sound of Watergate. The exotic visions of Back In Underwater, between the stardust of Air and the innocence of Plone, become more jazzy in Cat With Camera. Just as in the urban streaks of Don't You Worry, which in upbeat mode would sound like a great reggae song, or Are U Ready, or in the disco funk of Right Of Me, the soulful accent of Derane Obika of Living Sounds emerges, a Londoner of Nigerian origin who grew up listening to gospel, Prince and Stevie Wonder, whose voice guides us through the songs of Peacefull Sound For Broken Minds. Which is a new point for that work of redefining the standards of pop today that Space Echo is doing. Throwing the clock overboard, because the time it wants to capture is nothing more than the movement of its hands.

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25,63

Last In: 2 years ago
Max Essa / Eddie C - We Live In The Hills EP

Longtime friends and musical collaborators Max Essa and Eddie C join the RNT fold with a 4 tracker of melancholic and exquisitely produced chilled out disco. Begun as a lockdown project, the We Live In The Hills EP explores a vast palette of sonic soundscapes, from the shimmering guitars and acid lines of Melon Stepping, to the insistent rolling bass and whimsical synths of Save Me, the deep funk of the EP’s title track, and the late nite driving soundtrack stylings of Sixth Bridge. This EP tells a hopeful story of emerging from isolation and doubt, like a lovely musical sunrise after a long dark night.

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13,87

Last In: 17 months ago
Jackie Stoudemire, Al Stewart - Dancing

Back In Stock!

Fully remastered reissue with replica artwork of this rare and raw ’83 disco bomb from Jackie Stoudemire & Al Stewart.
Original copies of the 12” release regularly fetch over £300 on the second hard market. Black 12" vinyl

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13,40

Last In: 4 years ago
High Frequency - Summertime

High Frequency

Summertime

7"-VinylN1004
NIA Records
05.03.2024

Repress!

Under their one-off disco moniker, Leroy Burgess & The Fantastic Aleem Brothers produced this 1980 dancefloor wonder that finally gets its first deserved re-issue to celebrate its 40th anniversary.

Remastered with love and respect and pressed on limited 7" vinyl for the true collectors.

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13,40

Last In: 2 years ago
Appleblim - Life In A Laser LP 2x12"

More Than Ten Years Since He First Emerged On Skull Disco, Appleblim Presents His Debut Album. The Label He Co-founded With Shackleton Was The First The World Heard Of His Productions, But Laurie Osborne's Innate Relationship With Electronic Music Culture Reaches Back Much Further Than Those Groundbreaking Early Days Of Dubstep. Early Days Spent Soaking Up Hardcore, Jungle, Techno And Plenty More Besides Were Fundamental Foundations From Which To Spring Into The Then-unknown Realms Of Sub-low Half-step Club Music. At That Time Fwd>> And Dmz Were The Church For This Ritualistic Sound, And Appleblim Was A Regular Fixture At Both.

As Dubstep Matured, Magnified, Mutated And Meandered, So Appleblim Moved Beyond Skull Disco To Explore Different Avenues Of Expression In The New Many- Layered Club Music Landscape. His Own Apple Pips Imprint Was A Natural Vessel On Which To Explore The Emergent Fusions Of Hardcore-derived Sounds And The Us-born House, Techno And Electro, While Labels Such As Aus Music Equally Provided A Home For His Work (often Alongside Komonazmuk). Meanwhile Long-standing Collaborations With Alec Storey (al Tourettes / Second Storey) Finally Manifested In The Hyper-modern Mind-twist Of Also, Captured As An Album On Legendary Rave Label R&s.

More Recently It's Been Possible To Hear Appleblim Delve Into Electro-acoustic And Ambient Production Alongside Bassweight Sounds On Tempa, One Of The Original Bastions Of Dubstep Culture. As The Existing Boundaries Between Genres, Cultures, Eras And Scenes Continue To Dissolve, On His Debut Album Appleblim Offers Up A Fresh Approach That Brings Some Of The Foundational Sound Ethics Of Rave Culture Into A Modern Framework.

Hardcore Breaks Are Still A Regular Sound Source In Contemporary Club Tracks, But On Life In A Laser It's Instantly Apparent That Appleblim Has Moved Beyond Choosing Popular Drum Samples To Truly Tap Into The Elusive Feeling Engendered By The Music Of The Era. It's A Tricky Feat To Manage, But In The Pie-eyed Chords Of ignite', The Subby 808 Tom Basslines On nci' Or The Mr. Fingers Synth Flex On manta Key' The Sonic Finish Sports The Same Understated Grit And Grime That Made Those Early Records So Timeless. There's Still Space For Modernism, Not Least On Snaking 2-step Killer i Think We'll Let The Gas Sort This One Out', But It's Offset By A Layer Of Dust, Not To Mention An Inherent Moodiness That Can't Be Faked.

This Fine Balance Of Rave Romanticism And Future-minded Approaches Binds Together In A Cohesive Conceptual Statement. First And Foremost It's Appleblim's Personal Reflection On The Music That Has Moved Him On Countless Dancefloors Since His First Flirtations With Soundsystem Culture. At The Same Time The Canny Influx Of Modern Ideas Into The Soundworld Of The 90s Genuinely Results In A New Proposition, Making For A Perfect Fit On The Modern-day 'ardcore Fetishists Label Of Choice, Sneaker Social Club. Many May Claim To Draw On Old-skool Influences In Their Modern Trax, But Take One Listen To flows From Within' And You'll Feel The Same Time-slipping Surge Of Future-shock As The Ravers At Lost, Dreamscape, The Dungeons, Clink Street, Blue Note And All Those Other Iconic Spots.

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23,74

Last In: 2 years ago
Ghost Lemurs - Wombs And Alien Spirits LP

If there ever was a monicker apt for describing an artist’s behavior, that is Ghost Lemurs. Manifesting spottily in compilations and limited edition tapes, then returning to the shadows without much fanfare, the project has indeed demonstrated a ghostly behavior and a nature as puzzling as the animal it takes its name from. Wombs And Alien Spirits represents now their most public outing, one in which the duo of visual artist / producer Kareem Lofty and Daniele Guerrini (better known as Heith and as Haunter’s co-founder) are happy to showcase all the discoveries in a process of musical and spiritual research begun in 2019. Described by the artists themselves as an experiment in mediterranean psi-trance, the album makes use of an incredibly diverse number of traditions, sonic sources and techniques of musical experimentation, keeping its psychedelic intentions central to the whole creative endeavor. Moments of meditative relaxation are brought to unsettling new levels by cavernous basses and spaced out drones, while tight polyrhythms bring beautiful granular melodies to a sidereal ceremonial dance. As beautiful and captivating as it is, Wombs And Alien Spirits remains as chimeric and unrestrained as any previous effort by the two artists. It’s a type of folk music devoid of a specific homeland, but resulting from the authors’ heritages, simultaneously divided and united by the mediterranean sea, injected with all the trajectories of their personal journeys. It ends up sounding profoundly human and uncannily inhuman, tapping into the undiscovered alien element at the beginning of the experience of life. Genre: Electronic / Experimental Listen:

pre-order now03.03.2024

expected to be published on 03.03.2024

23,32
Key & Cleary - Love Is The Way LP

Key&Cleary

Love Is The Way LP

12inchNA5171LP
NOW AGAIN
01.03.2024

Drum-machine soul, funk, disco and boogie from Buffalo, NY. Rare 7" singles and previously unreleased tracks presented as a complete album. In the early 70s, Jessie Key and Sylvester Cleary - two passionate idealists living in Buffalo, New York - formed a close friendship based on a mutual mission to better their city. The Attica State Prison Riot of 1971 was a burning memory, and the Arthur vs. Nyquist lawsuit - brought against the City of Buffalo for creating and maintaining a racially segregated school system - was on the docket. Key was once a cotton-laborer in Mississippi, who journeyed north for school where he met his kindred spirit, Cleary. The two struck up an intense friendship, bought a drum machine and recorded their first 45, "A Man," a paean to self-actualization and Black American empowerment, which they custom pressed and issued privately. Dozens of recordings followed over a decade long span, issued on local labels and warehoused on cassette tapes. Perennial optimists, Key & Cleary tried any - perhaps every! - path they could demarcate in hopes of forwarding their agenda of self-effected, positive change. They formed Buffalo’s first minority-owned construction company, opened a health food restaurant in a building previously occupied by a fast food chain, and even concocted a candy bar called "The Buffalo Treat," which they manufactured and sold locally. Eventually they started their own label, Buffalo’s Reflection. On it they released their masterpiece, "What It Takes To Live," a sought-after disco and Northern Soul classic, which previously appeared on Now-Again”s Soul Cal anthology. This album collates the breadth of Key & Cleary’s recordings from 1970 until the mid 1980s, both with songs issued on rare 7" singles and previously unreleased. It presents a conjoined musical vision and tells the story of a duo years ahead of their time, both musically and culturally. Love Is The Way was their ethos - their goal was to enlighten humanity and to bend history in a more loving direction through communion.

pre-order now01.03.2024

expected to be published on 01.03.2024

31,39
Mestizo Beat - She’s A Rose/Lotsapapa

Blending sounds of early 70s Funk & Soul, Latin-Jazz, and Afrobeat, Mestizo Beat kicks the year off with a heavy dose of new material. First up is “She’s A Rose b/w Lotsapapa,” their next 45, offering two sides of masterful instrumental soul music written & produced by The Magaña Brothers out of their hillside studio, Spc 166 in Topanga, CA. Side A’s “She’s A Rose” takes us back to the golden years of the Blaxploitation film genre and the soundtracks we have grown to love. This song was inspired by the compositional and orchestral arrangements from the greats, such as Curtis Mayfield’s “Superbad,” Johnnie Pate’s “Shaft in Africa,” and Bobby Womack’s “Across 110 Street.” Featuring Tim Felten of Surefire Soul Ensemble on keys, with horns written and arranged by Jesse Audelo, Mestizo Beat takes the listener on an evolving journey, exploring the mood and cinematic elements of flute, saxophone, and wha’d-out guitar, topped off with a funky drum and percussion break. On the flip, “Lotsapapa” rounds out the B-Side, blending the musical styles of Latin and Nigerian disco-funk into a track that’s perfect for the dancefloor and those late nights out. Written about Bernard “Lotsapapa” Crowe, a notorious drug dealer who survived an attempted murder by Charles Manson, this side is sure to get the body moving with the afro-disco rhythms and chant vocals, dubbed out around a tightly arranged horn section written and arranged by Jesse Audelo and Jason Cressey. “Lotsapapa” features guests Steve Haney from Jungle Fire on Percussion and Cressey of the True Loves on trombone.

With each side highlighting the various talents of the ensemble, Mestizo Beat always stays true to their sound and recording techniques. Both tracks are mixed by Sergio Rios at Killion Sound and are featured on the forthcoming LP, Jaraguá, coming mid-2024.

pre-order now01.03.2024

expected to be published on 01.03.2024

15,55
Partiboi69 - Call Of The Void

Partiboi69 strikes poses, chords and hot irons. Australia’s spiciest export since INXS’s front man is a sensation on many (meta-)levels. Musically, aesthetically and hedonistically exhilarating, the man’s man shows his sensitive side on Running Back. Four tracks answer the Call of the Void with a showcase of sounds and moods that are as much informed by the rules of old school dance music (Bodies) as they draw inspiration from classic rave closing tracks (Playin’), plangent pop (Feel This) and a former new romantics band that just discovered house music pre-internet (Call of the Void): surprisingly serious and simultaneously not-so-serious. Composed and executed with serious songwriting skills and an uncanny feel for the aural world of Running Back Records. A mutual pleasure, indeed.

Short: Partiboi69 strikes poses, chords and hot irons. Showing his sensitive side for Running Back with four tracks that are as much informed by the rules of old school dance music (Bodies) as they draw inspiration from classic rave closing tracks (Playin’), plangent pop (Feel This) and a former new romantics band that just discovered house music pre-internet (Call of the Void). A sensation on many meta-)levels and a mutual pleasure, indeed.

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11,35

Last In: 5 months ago
TONN3RR3 X BIKAY3 - IT'S A BOMB LP

For a long time, the music of Congo-born Bony Bikaye had to be sought in the purgatory of "world music", where diamonds in the rough cohabited with bland nightmares of white dudes who froze rumba like fish sticks. Worse, they did put it on the menu, when so many longed to move on. Take Bikaye, who grew up listening to modern european music, digs Krautrock, struggles with tradition, obviously looking for trouble in the genre. In Brussels, he recorded a few albums with CY1 (Loizillon/Micheli), and brilliant defectors from Aksak Maboul, produced by Hector Zazou. Now it's up to french trio TONN3RR3 to take up the torch and build this project that proudly brags: "It's a bomb". Thought up at home by Guillaume Gilles (compo/keyboards), the album was finished at One Two Pass It studio, with Olivier Viadero and Gae"lle Salomon on percussion, Yoann Dubaud (machines & bass) and Guillaume Loizillon (synth of CY1 fame, and matchmaker of this affair). It's a deeply musical record, crafted by no-attitude reference players with nothing left to prove, and you can hear it. Floats well above the fray. "Keba na butu", beware. Indeed : beyond the simple pleasures of soukouss, or the rumba guitar riff that spins like a merry-go-round that skipped technical inspection, lie lush orchestrations. Freestyle, synthetic : something old, something new, something what-the- fuck-is-that-now. There's straight, there's syncopated, there's 808 and knee-jerk inducing bass patterns_with a vision. BIKAY3 plays his voice more than ever. His crazy vibrato has improved like hard liquor over the years. In "Zela" and "Balobi" in particular, he puts it to good use with flamboyant, Screamin' Jay Hawkins-style antics. He can also resort to pure storytelling : "La fore^t et les dieux", is a French-spoken excursion into the wild, moving along in grasslands of synths and percussion with TONN3RR3. A tale of gods and spirits, plain and simple. Nicole Mitchell brings the occasional flute in "Akei" for this trip in the bush of ghosts where lingala and kikongo rub with English and French. They saved "It's a bomb" for the end, a bastardized rumba, with rimshots that slap like a cool hand on willing skin. We're living in a golden age of reissues coming out in droves and satisfying our desire to catch up on our neighbors' musical heritage, but let's not miss the boat : it's now or never to listen to the music of the living. - Halory Goerger

pre-order now01.03.2024

expected to be published on 01.03.2024

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