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Patricia Kaas - Je Te Dis Vous LP 2x12"

Je Te Dis Vous is Patricia Kaas' third studio album, which she released in 1993. After the huge success of her first two albums, Kaas turned to producer Robin Millar, who had worked with Sade and Fine Young Cannibals, for production at Pete Townshend's Eel Pie Studio in London. It established her status as an international star, selling three million copies in over 47 countries. The album features three tracks in English, including a cover of the James Brown song ""It's A Man's World"". Kaas was accompanied by Chris Rea on guitar on the tracks ""Out Of The Rain"" and ""Ceux Qui N'Ont Rien"". The album spawned two singles, including ""Il Me Dit Que Je Suis Belle"", which remains one of her most successful and popular tracks. Je Te Dis Vous is available as a limited edition of 1000(?) individually numbered copies on green coloured vinyl and includes an insert.

Сделать предзаказ01.11.2024

он должен быть опубликован на 01.11.2024

36,35
Elvis Costello - King of America

Elvis Costello

King of America

12inch6575590
UMe
01.11.2024

Elvis Costello: King of America & Other Realms umfasst 6 CDs und erforscht das karrierebestimmende
Album von 1986, das von T-Bone Burnett produziert wurde: von den Solo-Demoversionen der Songs auf
King of America bis hin zu den von Memphis und New Orleans inspirierten Aufnahmen und Kollaborationen
der letzten vier Jahrzehnte.
Die Reise durch die Musik wird von Costellos neuem, selbst verfassten 35-seitigen Essay und zahlreichen
seltenen und nie zuvor gesehenen Fotos begleitet. Den Kern der Sammlung bildet CD1, ein neues Remaster
des Albums aus dem Jahr 2024 von den Original-Masterbändern. CD2 versammelt die 1985 aufgenommenen Solo-Demos und enthält nun 6 nie zuvor gehörte Aufnahmen der Red Bus Session. CD3 ist ein nie
gehörtes, von den Mehrspurbändern abgemischtes 17-Song-Konzert, aufgenommen in London, UK am 27.
Januar 1987. Hören Sie Elvis im Konzert, begleitet von James Burton, Jim Keltner, Jerry Scheff, Belmont
Tench & T-Bone Wolk. Das Set schließt mit 3 Compilation-CDs, die Costellos Studioaufnahmen, bisher
unveröffentlichte Demos, Outtakes und Live-Aufnahmen zusammenfassen.

Сделать предзаказ01.11.2024

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25,63
Various - Kerry Lee Crabbe Memorial Album: Songs With Daryl Runswick LP 2x12"

The 24 songs on this double album are in some ways a completion. Together with Young Man Songs here are nearly all the songs Kerry Lee Crabbe and Daryl Runswick wrote (and Daryl sang) which are good enough to be issued. The subject matter here is wider ranging than on Young Man Songs:love songs, but also family, heroes and antiheroes, zen, celebration, nostalgia, philosophy, life and death.

Daryl Runswick writes: "I first set Kerry Lee Crabbe's words to music in 1967; for the last time in 2010. Our most prolific period was 1970-1980 during which time we had considerable success as a songwriting team, though we didn't have big hits. The pinnacle for us was when Cleo Laine recorded a whole album of our songs (One More Day: well worth looking out for on vinyl or CD). There are a number of reasons for our lack of hits: songwriting was for neither of us our main job - not 'the principal source of his revenue' as Paul Simon put it (One Trick Pony) - we did it in our spare time. Also, neither of us had any interest in being an entrepreneur, nor did we employ a manager to push the songs; also, perhaps we were snobs who disdained moneygrubbing; but perhaps the main reason was that these are art songs: art songs in the style of pop music, yes, but not aimed (other than tangentially) at the commercial market.

We'd have loved to have hits but that's not why we did it and we didn't bother overmuch flogging our wares around. Kerry and I were introduced to one another as undergraduates at Cambridge University. Kerry had written the book and lyrics for a musical (Someone is Squeaking) and I was instructed by Clive James, then President of the Footlights Club where I was Musical Director, to compose the songs. It was put on at the Edinburgh Festival Fringe in 1967 with Julie Covington in the lead role. Kerry directed and I was musical director, playing piano in the accompanying trio. After that summer I went down to London to be a jazz bass player while Kerry had a further year at Trinity College, Cambridge. After he came down, we got together again and continued making songs."

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26,68
AS FRIENDS RUST - LIGHTLESS

Solid Yellow Vinyl, limited to 150 copies. Comes with a sticker sheet. The 'Lightless' EP sees AS FRIENDS RUST confronting existential and cosmic loneliness with intensity, imagination and, of course, hooks. Picking up where 2023's Any Joy LP left off, and now joined permanently by bassist Andrew Seward (Against Me!), the band presents five urgent rockers that rage through both inner and outer space, leaving only earworms in their wake. Writing for Lightless began immediately upon the band's return from their tour of Europe in support of 2023's Any Joy LP. Picking up where the album left off, the Lightless EP is a massive, catchy work focusing largely on cosmic loneliness -- a theme echoed in its airbrushed, 70s/80s sci-fi artwork. The EP was mixed by long-time collaborator James Paul Wisner (Further Seems Forever, Paramore, Dashboard Confessional), and mastered by Will Killingsworth at Dead Air, and will be released on November 1st, just days ahead of the band's tour supporting QUICKSAND and HOT WATER MUSIC. 'Lightless' will be strictly limited to 500 copies across five vinyl variants, each including a sci-fi/spaced travel sticker sheet. The exclusive END HITS RECORDS/EVIL GREED variant will feature a limited patch, perfect for your 80s satin bomber jacket or heavy metal jeans vest.

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24,58
Various - The Best of evosound Audiophile
  • A1: Love Will Keep Us Alive
  • A2: Between The Sheets
  • A3: True Colours
  • A4: We're In This Love Together
  • A5: Temptation
  • B1: Rocket Man
  • B2: Basically Speaking
  • B3: The Way We Were
  • B4: Maputo

Renowned for its hi-res audio and video releases, the Hong Kong-based Evolution Music Group is celebrating its 20th Anniversary. “The Best of evosound Audiophile” features the best releases evosound has distributed through out the years from their wide range of diverse recording artists, including “Between the Sheets” by the smooth jazz super group Fourplay, “The Way We Were” by Tsuyoshi Yamamoto Trio, the highly acclaimed “Maputo” by Bob James and the late David Sanborn, and more. The album will be available on 180g Transparent Green Vinyl LP, Hybrid Stereo SACD and MQA-CD.

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42,82
Ryan James Ford - Fuzz Gathering

Ryan James Ford

Fuzz Gathering

12inchPLUR003
PLUR
31.10.2024

Ryan James Ford's Fuzz Gathering is a five-tracker that delves into the artist's personal exploration of sound and texture. Centered around the concept of ''fuzz gathering,'' Ford collects, analyses, and manipulates various sonic elements using innovative techniques and processes. Each track offers a fresh perspective of his sound, blending intricacies with experiments to create a unique auditory experience. Complementing the music is Ford's own artwork, which visually mirrors the EP's theme of exploring and deconstructing textures, adding another dimension to this creative expression.

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12,56

Последний логин: 7 мес. назад
Automatic Tasty - One Foot In the Rave

''One Foot in the Rave'' is a vibrant collection that showcases Jonny's signature style--a blend of melodic, melancholic acid jams, bleepy funk, and warm analog electronics. Whether for the stereo or the sound system, the LP moves from the upfront bounce of ''The Apocalypse is Now'' and ''Raymond Tuesday's Big Day Out'' to the shimmering reverb of ''Starry Night'' and the birdsong-infused ''Ringfort.'' Listeners will find themselves in familiar Automatic Tasty terrain, rich with psychedelic exploration. According to Jonny, ''What to say about this record? I don't really know and it hardly matters. I wrote them on different bits of gear; ye olde faithful Roland SH101, my MC202 (pencil and paper de rigeur), a battered x0xb0x 1.0 (thx Daniel!), a beloved Yamaha Cs-5, a similarly beloved Roland SH5, a truly hammered Juno106, a Roland JX3P, a Nord something or other, an MPC2500, my TR606, and a Vermona DRM1 MKII being sequenced via a bedraggled TR626. Also Jay's TR808 is on there (thx Jay!) and a TR8 being squashed through a Mutronics Mutator (wheee Damo!) and a Zoom H4n recorder. I edited them on a dilapidated laptop, with no headphones or monitors, steering by the tiny speakers on the computer and playing them in my car, twiddling the mix as I went. But these are frivolous and unimportant details. All that matters is that these songs were made out of love. Cheerio, Jonny. P.S.: This record is dedicated to Jay 'Winthorpe' Kelly.'' ''One Foot in the Rave'' will be available on vinyl and digital platforms starting October 14th.

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18,45

Последний логин: 14 мес. назад
DJ Woody - Scratch Sounds No.4

Dj Woody

Scratch Sounds No.4

12inchWWSS004
WoodWurk
31.10.2024
также имеющийся в продаже

Smokey Grey 7"[18,07 €]


DJ Woody returns with the 4th instalment of Scratch Sounds, the only scratch library collection made with 100% original recordings tailored specifically for turntablists and scratch DJ’s.

Scratch Sounds No 4 (Rock Box), this time concentrates on the sound of hard rock. It features an extensive collection of killer vocals, electric guitar riffs and solos, electric bass as well as a large selection of live drum grooves, perfect for beat juggling and scratch drumming.

So, whether it’s a DJ battle, freestyle scratch practice, beat-juggling, jamming with other DJ’s or musicians, creating scratch music or sampling the sounds for your beats. Scratch Sounds 4 is an absolute must for all discerning scratch heads.

100% original recordings made specifically for turntablists.
Extensive collection of skip proof vocals, electric guitar riffs and solos, electric bass and live drums grooves.

Great for beat juggling and scratch drumming.

Side one programmed at 133.33bpm and side two at 100bpm

2 lock groove hi hat phrases for building tracks and keeping time

Smokey grey vinyl in a full colour reverse board sleeve

Сделать предзаказ31.10.2024

он должен быть опубликован на 31.10.2024

23,11
DJ Woody - Scratch Sounds No.4

Dj Woody

Scratch Sounds No.4

7"-VinylWWSS7004
WoodWurk
31.10.2024
также имеющийся в продаже

Smokey Grey 12"[23,11 €]


DJ Woody returns with the 4th instalment of Scratch Sounds, the only scratch library collection made with 100% original recordings tailored specifically for turntablists and scratch DJ’s.

Scratch Sounds No 4 (Rock Box), this time concentrates on the sound of hard rock. It features an extensive collection of killer vocals, electric guitar riffs and solos, electric bass as well as a large selection of live drum grooves, perfect for beat juggling and scratch drumming.

So, whether it’s a DJ battle, freestyle scratch practice, beat-juggling, jamming with other DJ’s or musicians, creating scratch music or sampling the sounds for your beats. Scratch Sounds 4 is an absolute must for all discerning scratch heads.

100% original recordings made specifically for turntablists.
Extensive collection of skip proof vocals, electric guitar riffs and solos, electric bass and live drums grooves.

Great for beat juggling and scratch drumming.

Side one programmed at 133.33bpm and side two at 100bpm

2 lock groove hi hat phrases for building tracks and keeping time

Smokey grey vinyl in a full colour reverse board sleeve

Сделать предзаказ31.10.2024

он должен быть опубликован на 31.10.2024

18,07
SLY & ROBBIE - MEET BUNNY LEE AT DUB STATION
  • A1: Dub Takeover
  • A2: Nobodies Dub
  • A3: A Dub Tribulation
  • A4: Liquidator Dub
  • A5: African Dub Child ( Part 1)
  • A6: None Shall Escape The House Of Dub
  • B1: Legalise The Dub
  • B2: Satta Massa Dub
  • B3: A Bad Way To Dub
  • B4: Dub To The Roots
  • B5: Zion Gates Of Dub

Sly Dunbar and Robbie Shakespeare or Sly and Robbie as they are affectionately known are the drum and bass backbone of Reggae Music, they have played on, produced, invented, reinvented more records then many of their contemporaries put together.

Sly Dunbar born Lowell Charles Dunbar on 10 May 1952, Kingston, Jamaica, drummed his first session for Mr Lee Perry which included a Jamaican hit ,a track called 'Night Doctor', before moving on to the group Skin, Flesh & Bones who had a residency at Kingston's famous 'Tit for Tat' club. This band would evolve into the Channel One house band The Revolutionaries where Sly named after his fondness of the band Sly and the Family Stone would begin to play alongside a bass player who would become his long standing partner in music, namely one Robbie Shakespeare.

Robbie Shakespeare born 27 September 1953, Kingston, Jamaica, had worked his way through session bands including the legendary Aggrovators before uniting with Sly Dunbar in The Revolutionaries. Both musicians had worked with other respective bass / drum players including such figures as Lloyd Parks bass, Carlton 'Santa' Davis drums, but everything seemed to fall into place when they worked together.

They also both had a quest to push the boundaries of reggae music, which they would do throughout their careers, over many sessions to numerous to mention. But highlights would include the groundbreaking Mighty Diamonds 1976 set 'Right Time' with its fresh rockers rhythms which lead the way in the 1970's. Also their work with the bands Culture and Black Uhuru the later of which they toured extensively with, spreading the reggae vibes across Europe and America. Not to forget to mention their Taxi label / productions which are always inventitive whether its in the reggae field or outside where their playing / production skills are much in demand.

The third piece of this jigsaw is the mighty Mr Bunny 'Striker' Lee who brought these legends together. Born Edward O'Sullivan Lee 23 August 1941, he must be one of reggae's most underrated producers. Leading the way in the 1970's especially in the dub field and being one of the early exponents of a King Tubby remix ,which would see nearly all his 7'' releases carrying a Tubby reworking on its flip side. Bunny started his musical career in 1962 working for Duke Reid's Treasure Isle label and soon moved into the world of production gaining his first hit in 1967 with 'Musical Field' by Roy Shirley for the WIRL label. The 1970's was a very productive time for Bunny Lee and saw the launch of his LEE'S label which was producing hits in Jamaica. Not having a studio of his own and renting studio time from the existing establishments like Randy's Studio 17 and Channel One he had to have a crack team of session players to carry out this task, fast and efficiently. This happened firstly under the guise of THE AGGROVATORS see The Aggrovators dubbing it studio 1 style JRCD005 and then with the group of musicians THE REVOLUTIONARIES[ see The Revolutionaries at Channel 1 dub plate specials JRCDOO3]. It’s here in the latter of these groups that Bunny matched Sly and Robbie together for the first time and it’s this match made in heaven that these tracks on this release are culled from. Sessions that Bunny Lee produced with Sly and Robbie during this magical 70's period. These rare dubs are taken from the original master tapes, you may have heard the tune before but not these versions. So sit back and enjoy Reggae Musical History in the making....

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13,40

Последний логин: 18 мес. назад
YAEJI - With A Hammer

Yaeji

With A Hammer

12inchXLLP1291
XL/Beggars Group
30.10.2024

Die Wahl-New-Yorkerin Yaeji hat sich in den letzten Jahren als Produzentin, Sängerin und DJ mit ihren introspektiven Dance-Floor-Hymnen eine ganz eigene Nische geschaffen. Nach der Veröffentlichung ihrer Debüt-EPs, sowie den Singles "Raingurl" und "Drink I"m Sippin On" in 2017, war sie auf Charli XCXs 2019er Album "Charli" zu hören, remixte Songs für Dua Lipa oder Robyn, kollaborierte mit dem Seouler-Künstler OHHYUK, verkaufte weltweite Headline-Touren aus und eröffnete ihren eigenen Lifestyle Webstore JI-MART. Ihr Sound und ihre Einflüsse sind dabei so vielschichtig wie ihre Herkunft. Geboren im Jahr 1993 in New York reicht ihr Stammbaum von Seoul über Tokyo bis nach Atlanta - Einflüsse die sich in ihrer Musik in Form von koreanischem Indie-Rock und Electronica, 2000er Hip-Hop, sowie Leftfield Bass und Techno wiederfinden. Mit ihrem 2020er Mixtape "WHAT WE DREW“ schärfte Yaeji noch mal ihre Vision als Musikerin, die kreativ losgelöst von Sprachen Genre-Grenzen zu sprengen vermag - kein Wunder, dass sie daraufhin von Pitchfork 2022 zu einer der "25 Artists Shaping the Future of Music" ernannt wurde. Die nahe Zukunft wird sie ebenfalls prägen. Schließlich erscheint am 7. April nun endlich das Debütalbum "With A Hammer" bei XL Recordings. Entstanden innerhalb von zwei Jahren in New York, Seoul und London kurz nach der Veröffentlichung des Mixtapes und während den Lockdowns ist es eine Ode an die Erforschung ihrer selbst, setzte sie sich doch dabei mit ihren eigenen Emotionen auseinander - besonders mit ihrer eigenen, in ihr brodelnden Wut. Während sie textlich zwischen englisch und koreanisch springt, nutzt sie erstmals auch Live-Instrumente, sei es in Form von einem Ensemble an Musikern oder auch zum ersten Mal sie selbst an der Gitarre. "With A Hammer" beinhaltet darüber hinaus auch Features der Produzenten und engen Verbündeten K Wata und Enayet, sowie Gast-Vocals der Londonerin Loraine James und von Nourished by Time aus Baltimore.

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23,32

Последний логин: 15 мес. назад
Creation Stepper & Disciples Riddim Section - True Nazarite

* Classic heavyweight speaker-distressing digital roots `n’ dub business from The Disciples with vocals courtesy of the late great Jamaican singer Creation Stepper aka Willy Stepper, whose voice graced many a 70’s roots reggae classic such as `Kill Nebuchadnezzar’ and `Homeward Bound’.
* Mixed and produced by Russ D in the Disciples studio in 1991 but only getting a release in 2013 on the Disciples Vintage label, which promptly sold out

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13,03

Последний логин: 18 мес. назад
Tapper Zukie & Friends - A Soulful i& LP

This follow up album to Tapper Zukies `Bunker Buster’ set, sees Tapper again rally calling his fellow reggae singers to work up some great songs. This group of tunes lean towards a more soulful sound, yet still holding that reggae feel we know and expect from Mr Zukie. The title itself `A Soulful Chant I’ we felt suited this set of songs perfectly .

The roll call of great singers starts with Prince Alla adding his distinctive feel to the opening track `Children Don’t Cry’. `Heaven On Earth’ features Junior Ross on vocal duties. `Poverty’ is richly enhanced by one of Jamaica’s greatest vocal bands, Silvertones. Tapper himself follows with the thoughtful `Man-A-Man’ and another great reggae trio the Viceroys counter with `Help Me’. Dennis Walks guides us with `I Wanna Go’ and Junior Ross appears again with the timeless `Be On The Right Track’. Mr Zukie points the way on `People of Love’ and Prince Alla insures us that right will always overcome wrong doing with `Good Over Evil’. A favourite of ours `That Was The Day’ again song so majestically by the Viceroys leads us into the Silvertones `Magic Touch’. Little Roy leads us out with `Youth In The Ghetto’.

Hope you enjoy the set.

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13,40

Последний логин: 18 мес. назад
THE WINSTON BROTHERS - STRAIGHT SHOOTER / ISLAND TRAVEL
 
2
также имеющийся в продаже

Black Vinyl[9,87 €]


Die Rückkehr der Winston Brothers nach der Veröffentlichung ihres Debütalbums ,Drift" (2022)! Zwei neue Songs, gepresst auf eine perfekte 45rpm 7" Single. Die A-Seite, ,Straight Shooter", ist nichts anderes als das und wurde komplett analog mit einem Fostex 8 Track aufgenommen. Eine rollende Funk-Eskapade, mit Gitarren, Bläsern und Drum-Breaks. Die Energie ist hoch, kantig und von der Rolle. Die B-Seite, ,Island Travel", ist eine dramatische und kinematische Flucht. Dieser chillige Afro-Beat-Jam lässt den Kopf zum hypnotischen Groove mitwippen. Durchdrungen von Elementen des Ethno-Funk und Spiritual Jazz enthält "Island Travel" ein verträumtes Flötensolo von Kimo Eiserbeck und bietet den perfekten Kontrast zu "Straight Shooter".

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9,87

Последний логин: 18 мес. назад
TERRY TESTER  / JAY SOUND - RHYTHMS FROM WORLD VOL. 1 EP

Series of taboo records present its third release a split EP featuring two artists. The first artist is the established Copenhagen producer Terry Tester, two-decade long career as a turntablist and beatmaker his eminent take on house, hip hop and soul has been commissioned by artists such as Gilles Petterson for his ‘Bubblers’ compilation series on Brownswood or for the BBE remix together with DJ Jazzy Jeff.

Terry’s latest outings has yielded spins from influential selectors such as Soulection, Carista, Alexander Nut (NTS), Mr. Beatnick (NTS), Marina Trench, EVM 128, James Rudie and Sassy J (Red light Radio).

The second artist is the talented producer Jay Sound, keyboardist and composer based in Detroit, known in the scene with productions played by artists of the caliber of Funkineven, Benedek and many others.

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14,50

Последний логин: 17 мес. назад
Various - Tokyo Riddim Vol. 2 1979-1986 (LP)

Diving deeper into the story of Japanese reggae pop, Tokyo Riddim Vol. 2 explores an electronic, new wave and often experimental sound unlike anything Japan or Jamaica had ever heard before.

The first time Ryuichi Sakamoto left Japan, he did not go to the United States or Europe - he went to Jamaica. It was 1978, YMO were about to release their debut album, but Sakamoto was in Kingston, invited to play synths for Japanese idol singer Teresa Noda at Dynamic Sound Studios in a band alongside Neville Hinds and none other than Rita Marley. It’s not a story many know, but one which would spark Sakamoto’s fascination with dub and mark a new chapter in the ongoing Japanese love affair with reggae.

The Teresa Noda tracks they cut - ‘Tropical Love’ and ‘Yellow Moon’ - bookend this second volume of Time Capsule’s Tokyo Riddim compilation, which tells the wider story of how a fascination with Jamrock swept Japan, adding a dash of lime to that sweet city pop sound, embracing a globalised musical palette and creating a whole new genre in the process.

For some, like Sakamoto, a diversion into reggae was part of broader fascination with new sounds and styles, tipped into the global disco of homage and appropriation that made Japanese music of the late ‘70s and early ‘80s some of the most creative and undefinable in the world.

You had iconic shape-shifter Yosui Inoue, who toyed with reggae, afro-beat and electro-Balearic, (and whose For Life Records released several tracks on this comp), and Kay Ishiguro, who enlisted J-reggae originator Pecker on the ambitious Stevie Wonder-esque ‘Red Drip’.

Then there were the Compass Point devotees - producers and musicians alike who were enthralled by the sound of the Bahamas studio and drew on the detached cool of Grace Jones - as heard in the music of Juicy Fruits, and the disco noir of Casablanca-signed femme fatale Yuki Nakayamate. Sometimes, as was the case with Risa Minami, the J-reggae influence said more about Japan than it did about Jamaica.

But where Tokyo Riddim Vol. 1 focused on the city pop sound, this compilation goes further, digging out the more experimental collaborations and hybrids exemplified by Tomoko Aran, who in working with Yusuaki Shimizu and Mariah emphasised just how far reggae had travelled to be recast into something entirely new on the other side of the world.

Perhaps more than anything, in connecting the dots between Tokyo and Kingston, between Jamaica and Japan, the Japanese reggae was building a musical language that existed outside of the paradigms of US and European cultural hegemony - an encounter shaped by commerce, capital and creativity that is now being recognised more broadly for the first time.

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26,68

Последний логин: 11 мес. назад
James Blake, Lil Yachty - BAD CAMEO
также имеющийся в продаже

Magenta Vinyl[25,63 €]


Lil Yachty und James Black veröffentlichen ihr kollaboratives Album ”Bad Cameo”!
Yachty und Blake beschreiben das Album als ambient, experimentell und anders als alles, was die beiden
zuvor gemacht haben. Yachty sagt,” ich glaube, James hat mit einer ganzen Reihe von Hip-Hop-Künstlern
zusammengearbeitet. Aber dieses Projekt ist für uns beide so einzigartig.“

Сделать предзаказ25.10.2024

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25,63
James Blake, Lil Yachty - BAD CAMEO
также имеющийся в продаже

Black Vinyl[25,63 €]


Lil Yachty und James Black veröffentlichen ihr kollaboratives Album ”Bad Cameo”!
Yachty und Blake beschreiben das Album als ambient, experimentell und anders als alles, was die beiden
zuvor gemacht haben. Yachty sagt,” ich glaube, James hat mit einer ganzen Reihe von Hip-Hop-Künstlern
zusammengearbeitet. Aber dieses Projekt ist für uns beide so einzigartig.“

Сделать предзаказ25.10.2024

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25,63
Razorlight - Planet Nowhere

Razorlight

Planet Nowhere

12inchCOOKLP927
V2
25.10.2024
  • Zombie Love
  • U Can Call Me
  • Taylor Swift = Us Soft Propaganda
  • Dirty Luck
  • Scared Of Nothing
  • F.o.b.f
  • Empire Service
  • Cyclops
  • Cool People
  • April Ends

Razorlight were at the forefront of the indie-rock resurgence of the early 2000s, their biggest moments - ‘Golden Touch’, ‘Somewhere Else’, ‘In The Morning’, ‘America’ and ‘Wire To Wire’ - driving three Top 5 albums, nine Platinum album certifications, an NME Award, and live highlights including headlining the Reading Festival and performing at Live 8. After reuniting for live shows in 2021, the classic line-up - Johnny Borrell (vocals/guitar), Björn Ågren (guitar), Carl Dalemo (bass) and Andy Burrows (drums) - will release the new album ‘Planet Nowhere’ on October 25th, their first together since 2008. Razorlight preview the set by sharing its first single, ‘Scared Of Nothing’. Since reuniting, Razorlight have sold-out a headline tour which included a London show at the Eventim Apollo, and played shows as guests to Muse, Kaiser Chiefs and James. But as the ever ambitious Johnny challenged himself, “Who wants to be a greatest hits band?” So he hatched a plan, and late in 2023 booked a five-day session with the legendary producer Youth (The Verve, James) at his Space Mountain studio in Spain. Youth knew what they had to achieve, telling the band, “Razorlight’s quite simple isn’t it? Just a driving bassline, driving drums and a story.” For whatever reason, things weren’t that simple. After four days they had a stack of ideas, but nothing really worth pursuing. And then, as Johnny recalls, something remarkable emerged from out of nowhere. “I’d been down in the barranca, and came back up to find the studio empty. So I picked up this weird six-string bass/guitar hybrid I'd never seen before and wrote this thing. On our last night, I started playing it with the guys. The drums came in hard, the bass pounded. It sounded like shit. Absolute shit. But Youth was there, saying 'Can, Velvets, see where it takes you’ and 'Why don’t you try it like that?' But still, the track just wouldn't budge, locked in its own inertia. Youth says, 'You're getting there, just one more' and almost instantly the song came out, from nothing to something, like a statue coming up out of marble.” That song was ‘Scared of Nothing’ and listening back to the finished track, it’s easy to see why it resparked Razorlight’s mojo. Exuding taut, spiky post-punk energy in a way that’s instantly infectious - the very traits that attracted highfalutin praise from NME back when they started out (“More tunes than Franz, more spirit than The Strokes, and more balls than nearly every band out there”). And as ever, Johnny demonstrates the swaggering, high-intensity charisma that took him from being a figurehead of the Camden scene to rise to become a Vogue cover star. It was also the track which unlocked Razorlight’s creativity, leading the band to return to Spain with Youth for a second session earlier this year, during which they crafted an extensive catalogue of songs for the upcoming album. Other titles vying for inclusion include ‘Zombie Love’, ‘U Can Call Me’, ‘Dirty Luck’ and ‘Cool People’. Since returning, Razorlight have also looked back on their initial achievements, first releasing ‘Razorwhat? The Best of Razorlight’ (complete with the new song ‘You Are Entering The Human Heart’) and then last month issuing the 20th Anniversary Deluxe Edition of their breakthrough debut album ‘Up All Night’. Never a dull moment. Writing a new ending for themselves, Razorlight are back to cast out the boring in your life.

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