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1/2 of seminal electronic act The Knife, Olof Dreijer will be releasing his debut album 'Loud Bloom' via dh2 this May following years of drip feeding solo music under various aliases and lending his production talents across the scene. The 14 track (double vinyl) album consists of equal parts dancefloor ready bangers (some of which have been previously released) and more still, ambient moments that highlight Olof's versatility as a producer as well as the sounds from around the globe that he takes inspiration from.


In a burst of colour and rhythm that cuts a distinctive path through modern club music, Olof Dreijer crystallises his solo work around a gleaming debut solo album, Loud Bloom, out 8 May via dh2.

Across the album, Dreijer toys with the tension between pure pleasure music and his tireless thirst for the new. You might hear the structure of a Chicago house beat or a classic drum machine hit, but at every turn these tropes are remoulded into dazzling new forms. Taking inspiration from Nigerian author Akwaeke Emezi and their ability to deliver bold, progressive themes and visionary sci-fi through the accessible lens of romantic fiction, Dreijer makes vividly unconventional dance music utterly instinctive and easy to love.

Drumcode returns with its flagship A-Sides series, led by a huge new Adam Beyer single that highlights the 20-track compilation.

If you want a snapshot of techno in any given year, look no further than Drumcode’s annual A-Sides compilation. The release broadly charts the evolution of the genre, while giving a platform to standout demo’s Adam Beyer has received across the course of the year with many emerging artists finding their music on Drumcode for the first time. Case in point – Wehbba, Charles D and Raxon who all debuted on the label via a track on the A-Sides series and have gone on to become regular contributors to Beyer’s influential labels.

This year’s compilation features an exciting mix of established heavy-hitters, alongside a slew of new faces set to make their mark on the genre. ‘We Don’t Say Please’ – is emblematic of Adam Beyer’s sound in 2025 – fresh, experimental and thriving on cross-genre pollinations, as elements of bass music, rap and techno collide, underpinned by a distinctive UK vocal. The results are inspiring.

Elsewhere, the 20-track compilation brims with highlights. HI-LO’s ‘NYC to Amsterdam’ has inflections of New York house fused with driving techno elements. Nicole Moudaber returns to DC in cahoots with the rising ZLATA for the super-charged ‘Report to the Dancefloor’. Oscar L & Charles D mint a new collaborative partnership with the immersive, spacey cut ‘Lift Me Up’. LUSU continue their red-hot run following the recent ‘Move 2 the Groove’ EP, and craft a straight-up mind-mashing single ‘LIKE THIS’. Mark Reeve is in trademark strong form with hypnotic ‘My Mind’, which comes to life via a massive synth led. The fantastic Kaufmann shares her ‘People are Strange’, a nod to a classic vox, re-contextualised for a modern techno audience.

As is tradition, a troupe of ascendant producers land on Drumcode for the first time. They include Uruguay’s Enzo Monza, who delivers the crisp ‘Late Night’ – a favourite of Beyer’s; Mattia Saviola, whose ‘Parallel Dimension’ is a powerful cut with fantastic sound design; Romanian artist Tao Andra, who shares the celestial ‘Unity’; and long-time industry stalwart AdamK, who makes a richly deserved Drumcode debut in partnership with Vikthor feat. MC Stretch on the stunning ‘Silence + The Sound’.

Lately, it feels like the world is one endless bad news cycle. Joshua Idehen isn’t here to pretend otherwise – but on the spoken word artist’s new album, I Know You’re Hurting, Everyone Is Hurting, Everyone Is Trying, You Have Got To Try, he provides a phenomenal sonic, poetic space. Made with his creative partner, musician Ludvig Parment, the album (out 6 March 2026) is an urgent but transcendent collection that holds you through it all, filled with grief, euphoria and hope.

I Know You’re Hurting… comes after the virality of Idehen’s track Mum Does The Washing, a wry and whipsmart poem examining how the world works (which started life as a Twitter thread), set to Parment’s spacious beats. The song has seen the pair propelled beyond Idehen’s wildest dreams this past year.

Across the album, that means uplifting choirs, cozy samples and exuberant, sometimes house-tinged beats. “I am personally drawn to music that transports you to a place, or scene or mindset,” says Parment. This is topped with ruminative musings on morality and human connection; about the longer loves in life – like friendships, family – that sustain us. These come from Idehen and Parment, along with a host of friends and collaborators, including writers Leone Ross and Charlotte Manning, and vocalist Amanda Bergman, to help expand on the topics of the record without sounding preachy. Similarly, there are musical guests including saxophonist Pete Fraser and Shabaka Hutchings on flute, each helping to imbue the album with a rich warmth.

Santamaria Brothers are the latest incarnation of a lifelong musical journey rooted in rhythm, rebellion, and reinvention. The children of Peruvian and Ecuadorian immigrants to Australia, brothers Pat and Andrew Santamaria grew up steeped in the sounds and culture of Latin America - a deep inheritance that coloured everything they did, even as they moved through scenes and styles far from home.

In their youth, the brothers sharpened their first musical swords playing in globally touring indie bands. As the rhythm section of cult outfit Lost Valentinos, they had the opportunity to see the world and learn from the best; touring with, working alongside, and releasing music through the likes of Soulwax, Ewan Pearson, and Kitsuné. Taking those experiences home, they dove deep into the rave underground, co-founding of the crucial Sydney-centric techno label, warehouse party collective, and long-running radio show Motorik! In that guise,they helped shape the city’s electronic music scene over the past decade from the booth, the studio, the airwaves, and the street.

Now, after years behind the decks and on both sides of the mixing board, Santamaria Brothers return to their roots - releasing music under the family name for the first time. With We Got Latin Soul, they bring it all together on a 4-track EP of club-ready edits (via Sosilly Records). Reworking four towering figures of Latin soul; Mongo Santamaria, Ray Barretto, Pucho & The Latin Soul Brothers, and Joe Bataan — the brothers inject each cut with tasteful touches of Balearic haze and chugging acid house pressure, honouring the originals while making them sing on today’s dancefloors.

This is Latin soul filtered through a unique blend of antipodean rave culture, crate-digging, and relentless reinvention. It’s joyful, percussive, and made for the club - a full-circle moment from two lifers forever finding new ways to move bodies.

DJ Support: Carl Cox, Gorgon City, SethTroxler, BLOND:ISH, Noizu, Sam Feldt, Armin VanBuuren, ALOK, MistaJam, Judge Jules, Martin Garrix,MK, Wax Motif, Dombresky, Danny Howard, Afrojack,Oliver Heldens, MK, Lucas & Steve, ACRAZE & more

Toolroom’s next Sampler showcases 4 big releases from Low Steppa, Rue Jay, Reza, Chuck Roberts, Fedde LeGrand, Crusy, Jem Cooke, Martin Ikin & Hayley May.

Absentia marks the powerful return of Belgium's Splendidula with a deeply immersive journey into atmospheric black doom metal. Massive slow burning riffs, reverberating guitars and layered vocal textures create a dense and haunting soundscape where crushing doom weight meets the cold, ethereal edge of black metal. The album unfolds through dark, hypnotic atmospheres and emotionally charged passages, balancing melancholy, intensity and cinematic depth.
Two outstanding special guests add further impact to the record: Aaron Stainthorpe of My Dying Bride and High Parasite, and Tim Yatras known for Austere and Germ. Their distinctive voices add depth and intensity, further enhancing the dramatic and evocative atmosphere of this powerful and immersive album.

For fans of: Alcest, My Dying Bride, Amenra, Sylvaine, Austere

Two rare recordings from the archives of legendary producer Richard Hewson.

Rising Star (Cosmix) began life in 1984 as a vocal single performed by Debbie Sharp. Hewson reworked the original track into a percussive cosmic disco interpretation, aptly titled the “Cosmix”, experimenting with his newly acquired Bel Delay effects unit, which became central to his studio explorations at the time.

Deep Song dates back even further, to the late-70s Richard Hewson Orchestra period - the creative blueprint that would later evolve into Hewson’s cult studio project, The RAH Band. Written, produced and assembled by Hewson in his home studio before additional strings and vocals were layered in, the track was inspired by his deep admiration for Miles Davis, particularly the landmark album Kind of Blue. Deep Song was originally released as a B-side under a mysterious alias in 1979.

Bruno Berle is a singer, songwriter, producer, multi-instrumentalist and figurehead of a contemporary Brazilian music movement. With a quiet mastery of songwriting and an astonishing voice, his music has won hearts around the world. Since the release of his debut album No Reino Dos Afetos (2022), Berle has performed across the UK, Europe, Japan, South Korea, and China, only leaving his home country for the first time in 2023. Shaped by these journeys, Berle’s third studio album, Sem Fronteiras (Without Borders), reflects a utopian vision of a unified world.

Recorded across London, São Paulo, Minas Gerais, Germany, and Maceió, the album–co-produced alongside his longstanding musical partner Batata Boy–is the most expansive canvas Berle has worked on to date. Shot through with the imagery that has always animated his songwriting: open skies, morning light, vivid colours and the magic of human connection, Berle’s carefully crafted poetics and warm, delicate instrumentation drive this vivid body of work.

“I came from nothing”–Berle doesn’t take his rise to global prominence for granted.

Born to a working class family from Brazil’s northeastern Alagoas state, one of Brazil’s most economically deprived, Bruno moved frequently in his youth to follow any job opportunities his parents could find, before eventually settling in the coastal capital of Maceió. “I used to travel to Caruaru, Santa Cruz, Recife, Garanhuns, Arapiraca, which I loved and feel it made me ready to be in this rhythm i’, but at the same time I think not having friends from childhood and being in constant change made me a little numb to the constant upheaval”. On Sem Fronteiras, there is a similar duality at play. The album celebrates the collective joy and human connection that live touring brings, but it also sits with the darker realities of crossing borders. While music moves more freely around the world than ever before, our bodies are not granted the same privilege.

Though he’s never lacked self-belief, Berle recognises that talent alone doesn’t guarantee opportunity. “Before my second album No Reino Dos Afetos 2 everything I had ever recorded was made with the help and kindness of people who believed in my ability”. Determined to pay that kindness forward and help others from the sharp end of Brazil’s desperately unequal society, Berle produced and featured on the recent self-titled albums by his northeast Brazilian compatriots, Nyron Higor and Phylipe Nunes Araújo (both 2025), helping propel both onto the international stage. In turn, following the successes of Nyron & Phylipe’s albums alongside his own, Bruno finds himself at the forefront of a thriving community of artists now based in São Paulo, but primarily originating from northeastern states like Alagoas and Pernambuco.

Much like the famed Clube Da Esquina movement that spawned in 1970’s Minas Gerais, they operate with a free-exchange of ideas, writing songs with and for each other, performing on each other’s albums and on the live circuit together. Lead single ‘Manha’ flows from this ethos. It was written by Berle’s friend and fellow Alagoan João Menezes (writer of ‘Ate Meu Violao’ and ‘Te Amar Eterno’ from Bruno’s previous albums) and Marvin Viera, and originally recorded on their 2018 album Areia e Mar.

Sem Fronteiras opens with ‘Você Já Sabe Que Eu Te Amo’, just six beats of one nylon guitar chord ring out before changing key, paving the way for the gentle strike of fender rhodes and the arresting call & response duet between Berle and Higor. On ‘Amor Inteiro’, the album reaches a celebratory burst of catharsis, with the punch-packing drums of Pedro Lacerda and Nina Maia’s joyous backing vocals encapsulating the live energy that Berle and his band bring to the stage.

With the abundant talents of this musical community at its heart, Sem Fronteiras releases 10th July 2026 via Far Out Recordings, supported by a summer tour across Europe. Bruno Berle will perform in a four-piece band alongside Nyron Higor, Phylipe Nunes, and Batata Boy, culminating in an appearance at Roskilde festival, Berle’s biggest live show to date. He’ll continue to carry a hopeful vision of a world where artists and musicians can move as freely as their music flows.

Tracklist:

A1 “Você Já Sabe Que Eu Te Amo”
(Nyron Higor / Bruno Berle)
Nyron Higor – drums, bass, acoustic guitar, electric piano, synthesizers, vocals
Bruno Berle – piano, vocals
Batata Boy – piano
Jorik Bergman – score preparation and conducting
Klara Gronet – violin
Ségolène de Beaufond – violin
Cristina Ardelean Montelongo – viola
Ilektra Stevi – cello

A2 “Não Posso Viver Sem Você”
(Batata Boy / Bruno Berle)
Batata Boy – electric piano, organ, synthesizer
Bruno Berle – drums, bass, synthesizer, vocals
Jorik Bergman – score preparation and conducting
Klara Gronet – violin
Ségolène de Beaufond – violin
Cristina Ardelean Montelongo – viola
Ilektra Stevi – cello

A3 “A Noite de Estrelas”
(Nyron Higor / Bruno Berle)
Nyron Higor – synthesizers
Bruno Berle – bass, drums, vocals

A4 “Outra Noite”
(Bruno Berle)
Nyron Higor – drums
Bruno Berle – acoustic guitar, bass
Felipe Berle – congas
Lucca Francisco – guitar, vocals

B1 “Amor Inteiro”
(Bruno Berle)
Pedro Lacerda – drums, choir
Nyron Higor – bass, choir
Batata Boy – guitars, organ, electric piano, choir
Nina Maia – choir
Bruno Berle – guitars, acoustic guitar, congas, vocals

B2 “Ideias Mágicas”
(Batata Boy / Bruno Berle)
Heloisa Alvino – trombone
Batata Boy – synthesizers, beats, electric piano, organ, bass
Bruno Berle – synthesizer, vocals

B3 “Vim Dizer”
(Batata Boy / Bruno Berle)
Batata Boy – electric piano, organ, synthesizer
Thomas Stankiewicz – synthesizer
Nyron Higor – synthesizer
Bruno Berle – acoustic guitar, bass, vocals

B4 “Tô Assim”
(Bruno Berle)
Bruno Berle – acoustic guitars
Batata Boy – synthesizer
Nyron Higor – bass, synthesizer

B5 “Manhã”
(João Menezes / Marvin Silva)
Bruno Berle – acoustic guitar, vocals, congas, shaker
Batata Boy – piano, shaker, electric piano, vibraphone, synthesizers
Nyron Higor – drums, bass

B6 “Sem Fronteiras”
(Bruno Berle)
Filipe Mariz – guitar
Bruno Berle – acoustic guitar, vocals, bass
Jennifer Souza – vocals, acoustic guitar
Rudson França – drums

Credits:

Produced by Bruno Berle and Batata Boy
Mixed and mastered by Bruno Berle, Batata Boy and Felipe Berle

Audio engineering:
Nyron Higor (track 1 – production; track 4 with Felipe Berle)
Joe Osborne (tracks 7 and 9)
Victor Gelling (strings on tracks 1 and 2)
Filipe Mariz (track 10)

Photography: Claudio Virgínio
Design: Minchai

Recorded in:
Maceió, Alagoas, Brazil
Tamandaré, Pernambuco, Brazil
Belo Horizonte, Minas Gerais, Brazil
São Paulo, São Paulo, Brazil
London, England
Cologne, Germany

Alton Miller’s Still Purpose EP sounds positioned squarely in the zone he’s refined for decades: deep, spiritual Detroit-rooted house with jazz warmth, restrained groove architecture, and soulful musicality.

*Originally pressed in 2021 - this is a brand new master and cut.**

In partnership with Analogue Foundation, Oshu Records is proud to present the exclusive vinyl repress of "Laroyê" in a thick cardboard tip-on gatefold jacket on 2x 180g vinyl.

Acclaimed Hungarian, Berlin-based producer, composer and pianist Àbáse (AKA Szabolcs Bognár) returns, sharing a special, 5 anniversary remaster of his breakthrough project 'Laroyê'. Releasing on Friday 1 May via Bridge The Gap & Oshu Records, this sensitive exploration of Afro-Brazilian culture originally began as an audio diary, documenting Szabolcs’ travels and collaborations in Brazil through a collection of voice memos, fragmented beats, sketches and field recordings. As his journey progressed, and his collaborations and research deepened, the music project started to take on its own life:

"Laroyê evolved through weeks and months of research and collaborations into the album that it is now. That means that all the sessions were done in different apartments, small studios, often with borrowed equipment, which all adds to the character, but makes the creation of a coherent sound a challenge. Benjamin Tierney, Erik Breuer and Analogue Foundation did an incredible job with the mixes and with this new remaster. I truly believe that we are able to hear the tracks in a new light, with even more depth and clarity."

Coming from the West African Yoruban language, Àbáse stands for "collaboration" – a key element of the music perfectly encapsulated on 'Laroyê'. Recorded in Rio de Janeiro and Salvador, Àbáse spent five months working with diverse artists, from young talents to veterans of the Brazilian scene including Letieres Leite, Luciane Dom, Dofono d'Omolu, Afrojazz and more. The album explores the rich heritage of afro-brasilian culture through samba, MPB and Candomblé, mixing these with broken beat, hip hop and afrobeat, creating a contemporary homage to the classic Brazilian sound. Szabolcs shares:

"Despite already leading and managing musical projects that are close to my hearth, I always felt that one day I would like to start a solo project, where I could take full responsibility for the artistic direction and the music would reflect a truly personal vision. In 2017, I decided to take five months to fulfil a childhood dream and travel to Brazil to expand my creative horizon and expose myself to new influences."

An album standout is the bass-heavy, afro-brazilian ‘Agangatolú, which Àbáse describes as "best exemplifying the story and concept of Laroye as a collaborative effort - a research project exploring the rich heritage of Afro Brazilian culture through my own lens." The track features singers and percussion players Jadson Xabla and Gabriel Santana - two artists based out of one of the oldest terreiros (houses of worship) in Bahia, whilst drummer Jorge Dubman is an integral part of one of the most famous afrobeat bands from Salvador IFA. The contributions of one of Szabolcsoldest collaborators - Hungarian flautist Fanni Zahar - also made the track a full-circle moment.

On a quest for cosmic grooves of unity, Àbáses music pulls from an eclectic blend of global reference points, including modal jazz, Hungarian folk, West African, Brazilian, hiphop and underground electronic music. His work has drawn widespread critical acclaim from the likes of MOJO, Songlines, Soulection and The Guardian, and been supported by key tastemakers including Gilles Peterson, Jamz Supernova and BAMBII. As a keyboard player, Szabolcs has also collaborated with the likes of Wayne Snow, Dele Sosimi, Patti Smith, Emmanuel Wilkins, Gulty Simpson and Zeitgeist Freedom Energy Exchange.

'Laroyê' (2026 Remaster) will release on Friday 1st May via Bridge The Gap & Oshu Records.

Lello Di Franco aka L.D.F. leans fully into his curatorial instincts here, and the result is less a traditional “producer ep” and more a cohesive, late-night DJ narrative. World Beats Vol. 2 doesn’t try to grab you instantly it unfolds, patiently, like a deep set in a small, packed club where the focus is on groove rather than spectacle. The collaborations are the real backbone: Byron the Aquarius injects looseness and jazz DNA his touch is immediately recognizable in the swung rhythms and slightly off-grid keys. These moments feel alive, almost jam-session-like. Tilman brings polish and restraint. His contributions tend to be more hypnotic, smoothing transitions and keeping the flow meditative. Trinidadian Deep adds emotional weight his Afro-deep sensibility introduces warmth and a sense of space that elevates the project beyond pure club functionality. Fire Drums II close the ep, an electronic/percussive track with a tribal and hypnotic feel. It combines intense drum rhythms with dance and worldbeat sounds, creating an energetic and ritualistic atmosphere. World Beats Vol. 2 is a refined, deeply musical project aimed at listeners who value texture, groove, and atmosphere over instant hooks. It’s less about standout singles and more about immersion.

This is the first 12" Vinyl Ep within the ANAOH physical catalog. A perfectly balanced release in every sense, with strong power and a production level of the highest range.

Dig-it is one of the most talented and respected artists in Mexico. Co-founder of ANAOH, mixing and mastering engineer, expert sound designer, DJ and producer. Paths is the clear result of a career based on learning and artistic development, raw and powerful techno, with complex

synthesizer lines and an elaborate rhythm, nourished by organic and forceful elementsAs the first remixer we have Bailey Ibbs, a serious protagonist of the new Berlin techno scene, resident of the Tresor club and a fundamental piece in the development of a sonic evolution in contemporaryGermantechno.Hehasaddedagrooveandfreshness to the track Unheard Path.

On the other hand, Fixon and Gene Richards Jr are back home, a duo that has managed to fit perfectly into their joint productions. A percussive version of Untrodden Path, with a dirty texture designed to tear up any dance floor.

From México with love.
Fixon & Dig-it

2026 Repress
The ocean- the infinity, the beauty, the colour, the sound: a truly seductive place. With the sound of ocean waves Smallville's beloved artist Moomin invites us to enter his second full length album A Minor Thought". A selection of wonderful tracks initiate some exciting house music moments at our favorite clubs, improved at Panorama Bar, Robert Johnson and of course the Golden Pudel among many others.. Engaged with a fantastic collection of analogue synths and drum machines, Moomin is always on a hunt of the most delicate samples. After his big first album The Story About You' and a number of beautiful works on his own imprint Closer", he was already back on Smallville's new little baby Fuck Reality' to deliver a 12 for the 2015 summertime. Of course Moomin was also part of the Smallville 10 years Compilation Smallville Ways' and delivered again for Smallville 46. Now he appears with another string of beauty- A Minor Thought. There will be a lovely fullcover artwork package with printed Inlays for the vinyl version by Smallville's one and only Stefan Marx.

Lemon Vinyl. Black Screen Records and Kaizen Game Works have once again teamed up for the vinyl repress of About That_ Paradise Killer B-Sides, the follow-up release to Barry "Epoch" Topping's vibrant funky city pop/vaporwave soundtrack to the open world adventure game Paradise Killer, which has proven to be a true essential release for itself. The record is featuring three new songs, vocal tracks, instrumental versions, remixes and piano arrangements along with a number of amazing guests, which are Fiona Lynch, Kyle Murray-Dickson, Fabian Hernandez, Ged Cartwright, Thomas Temple, MEEBEE and Okumura. Now available on lemon coloured vinyl with gorgeous cover art by José Salot. The sounds of Paradise. The music of a cosmic dream. Tunes from another reality. The tempo of the crime to end all crimes. The beat of long dead alien gods. The playlist of the investigation freak. Let the music take you away to Paradise. Feel the sun scorching your skin. Smell unbearably hot concrete. Savour the sweet taste of crime committed on a tropical island in another reality. Remember when we danced along the beach? Along the streets of Paradise? You made me this mix tape on the roof of your apartment block. We stared at the moon. You said you'd kill the moon. I didn't believe you. I was wrong.





e 5TO THE HEART [VOCAL VERSION]
[f] 6HOUSE OF BLISS [VOCAL VERSION]

[h] 8LEAVING [PIANO ARR.]
[i] 9LADY BLUE [MEEBEE & OKUMURA. REMIX]

[k] 11ABOUT THAT... [INSTRUMENTAL]
[l] 12PARADISE (STAY FOREVER) [INSTRUMENTAL]





[e] 5TO THE HEART [VOCAL VERSION]
[f] 6HOUSE OF BLISS [VOCAL VERSION]

[h] 8LEAVING [PIANO ARR.]
[i] 9LADY BLUE [MEEBEE & OKUMURA. REMIX]

[k] 11ABOUT THAT... [INSTRUMENTAL]
[l] 12PARADISE (STAY FOREVER) [INSTRUMENTAL]

Picture disc, artwork by C. Bedford Black Screen Records and Kaizen Game Works have teamed up for two new vinyl editions of Barry "Epoch" Topping's vibrant funky city pop/vaporwave soundtrack to the open world adventure game Paradise Killer. Topping's incredible soundtrack will be available on brand new picture discs as well as rosé & crystal clear with white marbled vinyl. The LPs are housed in a gatefold sleeve with beautiful 80s anime- & city pop-inspired artwork by Mizucat - additional art and layout by Kaizen Game Works, Barry Topping and Dane Baudoin. The picture disc artwork was crafted by C. Bedford as well as the one for the included folded A2 Crimson Acid poster. The sounds of Paradise. The music of a cosmic dream. Tunes from another reality. The tempo of the crime to end all crimes. The beat of long dead alien gods. The playlist of the investigation freak. Let the music take you away to Paradise. Feel the sun scorching your skin. Smell unbearably hot concrete. Savour the sweet taste of crime committed on a tropical island in another reality. Remember when we danced along the beach? Along the streets of Paradise? You made me this mix tape on the roof of your apartment block. We stared at the moon. You said you'd kill the moon. I didn't believe you. I was wrong.

Whether you’re cheering for Montreal or Boston, Hollanov always comes out on top. Relive every beat of Shane and Ilya’s yearslong rivalry--turned--romance with the official Heated Rivalry soundtrack on vinyl, featuring a curated selection of needle--d-rops from the series by Wolf Parade, Feist, t.A.T.u, Harrison and more, alongside selections from Peter Peter’s pulse-pounding, heart-m-elting original score, from the Vegas penthouse all the way to the cottage.

Pressed on two striking block-c-olored discs (Montreal Metros Blue/Red and Boston Raiders Black/Yellow), the deluxe gatefold edition includes printed sleeves, two trading cards, a fold-out poster, and liner notes by show creator Jacob Tierney.

2026 Repress

WRWTFWW Records is extremely excited to announce the first ever vinyl release for Pizza Hotline’s brilliant 2022 full-length Level Select, originally only released on cassette and digital. The liquid drum & bass meets Y2K era video gaming aesthetics monster is now available in a limited edition transparent vinyl double LP with a glorious 45rpm cut, packaged in a heavyweight 350gsm sleeve.

Entirely written and composed by UK producer Pizza Hotline (apart from "GLACIER ZONE", a collaboration between Pizza Hotline and DJ Total 90), the stellar 8-song album was initially released as a limited cassette in January 2022 and quickly gained cult status - making a full-on vinyl release quite the necessity. It’s here now with the the previously unreleased track "POLYGON DREAMSCAPE" (which sounds as magical as its title) and 45rpm cut for louder, bigger, deeper bass rumbling.

Spellbinding, atmospheric, and beautifully melodic, Level Select is a large scope dreamy adventure of liquid DnB filled with ambient escapades, ethereal jungle, high vibe breaks, and a heavy loving dose of late 90s / early 2000s video game influences. Hypnotic late night hype and pensive chill moods mesh with ease in a cinematic soundscape that re-contextualizes and gives a new life to a beloved music genre - LTJ Bukem, Peshay, the Wipeout OST or Soichi Terada's Ape Escape come to mind, and sounds and soundtracks from the Sony Playstation, the Nintendo 64, and the Sega Saturn resonate from the speakers. It’s all fresh with a subtle nostalgia and so much heart. An instant classic.

I Never Knew Love sees Detroit house mainstay Chez Damier return to the iconic KMS catalogue with a timeless house classic, now available again on fresh 12” vinyl.

A staple of the deeper side of Detroit house, the release combines soulful vocals, warm grooves and refined production, reflecting the signature sound that has defined Chez Damier’s work across decades.

This edition features standout versions including the MK Extended Club Mix from Marc Kinchen, alongside additional extended mixes and a reconstructed version of Help Myself by Carl Craig, offering strong depth and versatility for DJs.

As a key release from the KMS catalogue, this record continues to hold lasting appeal across both classic house collectors and DJs seeking authentic Detroit-rooted material.

Back on fresh 12" vinyl, this repress brings an essential Chez Damier release back into circulation for a new generation of listeners.

An essential catalogue piece for stores supporting classic house and Detroit heritage releases.