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Tresydos presents its 12th release, "On Cloud Nine," a captivating EP that marks the first collaboration between the Barcelona-based artists Vince Void and Lis Sarroca, offering a rich blend of electronic sounds, and showcasing the duo's seamless synergy and diverse musical influences.

Side A kicks off with "Translucent Times," a track where house meets Italo disco and sets the perfect tone for the EP. Following this, "Noctis" by Vince Void takes the dancefloor by storm with its powerful beats and infectious energy. On Side B, "Crystalized" delivers a deeper, trancier vibe, blending ethereal melodies with mesmerizing rhythms. Lis Sarroca's "Call Tomorrow" introduces an electro-disco flair, combining retro and modern elements. The EP closes with "Moon Days," a chill breakbeat track that provides a great conclusion to this dynamic release.

Distant Worlds welcomes Gilbert to the roster with an EP possessed by the ghosts of UK techno past. A broad offering of sonic delights echoing the days when the likes of A13, Pure Plastic and GPR were sharing shelf space.

‘Lost Frequency’ kicks off with eager intent aimed directly at the dancefloor, drum machine funk collides with punchy bass and soaring synths. ‘Quantum Echoes’ offers a meditative take on bass weight accompanied by heart-breaking melodies and enriched by a true master’s attention to detail.

Flip over to ‘Earthscapes’ for a breakbeat infused workout resplendent with percussive flair and melodic deep bass. ‘Particle Drift’ takes us home in style with beautiful acidic flourishes atop emotive harmonies that could easily be an undiscovered gem of 90s techno. Timeless music sure to endure.

The Blessed Madonna began with three magic words, scrawled in shoe polish on a broken - down box and hung on the wall at a small sweaty party: We Still Believe. “I think you have to give up completely to really understand what hope is. It was like 2011? I had spectacularly, monumentally failed. I left the label. I wasn’t DJing. I wasn’t putting out records. I was divorced and living on my Dad’s couch so naturally my friends and I decided to throw an illegal rave. We didn’t have any decorations, so I took a box and wrote, ‘We Still Believe’ on it. I needed to believe that something better was possible and that’s how it all started.” After years of $50 gigs, strung together by gas money and surfed couches, The Blessed Madonna cemented her reputation as a sublime technician behind the decks with a legacy of fluent and dynamic sets, spanning from disco to techno to house and back. One room sweatboxes, circus tents, theatres, massive festival stages and entire city blocks have all served as the canvas for her shows. After a jam packed 2023, from Glastonbury to Sonar to Boiler Room Bali, The Blessed Madonna has been filling the dance floor everywhere she goes and is now releasing her debut album.

Clusterx006 is tough London style warehouse techno from Bad Boy Pete. 4 killer trax - including the downright rude and anarchistic 'Is That All You Got?'.... this EP is gonna RIP UP any dancefloor primed and ready for something exhilarating, hard, and F**K YOU!!!

Remastered reissue of this seminal EP by Speedy J originally released on Detroit's Plus 8 records. Taking his inspiration from the early Detroit and Chicago imports that landed on the Dutch coast in the late 80's Speedy J ended up creating a classic that innovated and embodied the raw energy of the then still emerging sound of Techno. After all these years this is the very first repress of this landmark release!

If ever a producer could be hailed as the true heir to New York's storied house music throne, it's undoubtedly Mike Terra—and his new, seriously weighty Rhythm of Love EP on Nat Wendell's Depths imprint is a testament to that in strides.


The EP begins with the peak-time infectiousness of A1 "7th & C," setting the commanding tone for what's to come. The fittingly Big Apple-titled A2 "27th Street (Dub Mix)" follows, a rollicking shuffler whose fat kicks, stabbing synths, and snapping cymbals recall Johnick's steamier cuts. New York in the 90’s is indeed the frame of reference for this EP, and the B-side finds Terra doing what he does best: creating bumping, stomping, and uplifting must-have workouts for the floor. Whether you prefer the swarthy slapping, Todd Terry-esque groove of title track B1 "Rhythm of Love" or the conga-driven, deep-padded chunk of late-night house that is
B2 "City Got You Trippin'," a late-night jam crafted for those still standing, both tracks are bound to find their places in the record bags of DJs—and heads—worldwide.

If you haven’t been living under the rock you certainly know who Marilin is. Marinella is an Italian-born, London-based artist who with her utmost professionalism is no stranger to the powers of light and darkness, that depends on the mood of the party she is performing at. However here we will leave the light alone and focus on the darkness. Favoured by sir Craig Richards himself, Mariiin has toured the globe playing at the most different and unique events that has given her the edge and insightful knowledge she possesses. Whether she takes people on the musical journeys by herself or with her partner in crime Bobby, it is always an experience that is impossible to forget with the burning desire to repeat and repeat infinite number of times.

Her solo EP “La Notte” has a very unique and defined dark character which has landed on the label with absolutely in sync with its vision.

Better Days is the sixth release by Leo James for his own imprint Body Language. The EP weaves together the waveforms of James' evolving sound, from the first tracks he made as a teenager looping samples on an MPC, to the raw, stripped back machine funk of his early Body Language releases, and the deeper, more dubbed and smudged palette of his recent work. A lamentation on the current state of the world, to soundtrack the search for better days.

Long overdue, we are happy to welcome Damiano von Erckert to Cocoon Recordings with his debut single, bringing late summer vibes that were well worth the wait. Damiano's lovely energy shines through in this EP, resulting in music that blends soulful character with his signature house sound.

“Steam (Staub Mix)” lifts your spirits from the very first beat, and the summery vibe of the housey Rhodes piano brings a smile to your face. Yet, the track retains a somewhat wistful and melancholy feel. Skillful intonation gives the break a jazzy feel, it's this friction that makes it special. Von Erckert showcases his skill with this playful arrangement, sure to have dancers' hands reaching skyward. The second track “Das Was Not Around” is a masterclass in purism, where simplicity meets profound emotion. Swirly synth pads unfold to create a dreamy, immersive atmosphere, pulling listeners into its depths. Despite its introspective title, a sense of hopefulness permeates the track, as if reaching for light through the shadows. Damiano’s approach allows every element to shine, making the deep grooves and ethereal sounds feel both intimate and expansive. It’s a journey of reflection yet imbued with a quiet optimism that lingers long after the final beat fades.

The essence of reduced Chicago drumming is brilliantly embodied in “Roh”, channeling a raw, stripped-back rhythm that strikes with precision and purpose. This forms the bedrock of a composition that feels timeless. The track carries an unmistakable grandeur, echoing the majestic hymns of certain legendary French artists. As the beats develop, they evoke a profound sense of reverence and nostalgia, seamlessly blending classic house influences with a modern edge. It's a track that honors the roots while confidently advancing the frontiers of contemporary house music. "Fantazia 93" is a nostalgic dive into a ‘90s House vibe, channeling the essence of that unforgettable era with authenticity. Damiano's signature sounds are front and center, infusing the track with a unique touch that’s fresh while reminiscent of classic house anthems. The track exudes an Ibiza after-hour feeling, transporting listeners to those sun-drenched days where time seems to stand still. It’s a sonic journey that feels like sunbeams warming the skin, bathing the senses in a radiant, feel-good energy that resonates long after.

Equal Audio is a new vinyl imprint for stripped-back and DJ-friendly house music. No matter of the subgenre, the focus is on consistent energy levels and rather simple arrangements. A minimalist approach for maximum sound quality.

The first release, entitled Giseigo EP, is brought to you by Croatian producer Mariano Mateljan - a true master when it comes to reduced yet powerful tools. With 4 originals he shows that no more than a handful of elements are needed to keep the dance floor moving.

The REER collective breaks new ground with its debut 2x12" VA release featuring some of the best established and emerging names the industrial scene has to offer. The revolution starts here.

They still exist, these stories: A fresh newcomer project from Cologne sends their first demo to just one address. An A&R, who has a medically certified autotune allergy, listens to the demo, hears an autotune track and signs the band anyway. ‘Streetpoet’ by Mourad Kehailia & Sebastian Fischer aka 9OASES is as unusual as the genesis of this record. It’s a wild hybrid of raving breakbeats, a chord hook that would have done Underworld proud in their heyday and the aforementioned autotune rap. It is magical. Axel Boman is a remixer who can make the magic even more magical. His 8-minute version of ‘Streetpoet’ establishes a long overdue new genre: trancehall! With ‘New Ballad’, 9OASES show us that they really mean business with their plans for world conquest. This is great techno pop with heart and mind. We are very excited to see what the guys from Cologne will do next.

Es gibt sie noch, diese Geschichten: Ein frisches Kölner Newcomer-Projekt schickt ihr erstes Demo an nur eine Adresse. Ein A&R, der eine ärztlich bescheinigte Autotune Allergie hat, hört sich das Demo an, hört einen Autotune Track und signt die Band trotzdem vom Fleck weg. ‘Streetpoet’ von Mourad Kehailia & Sebastian Fischer aka 9OASES ist so ungewöhnlich, wie die Entstehungsgeschichte dieser Platte. Es ist ein wilder Hybrid aus ravigen Breakbeats, einem Chordhook, der Underworld zu ihren Glanzzeiten alle Ehre gemacht hätte und eben besagtem Autotune Rap. Es ist magisch. Mit Axel Boman wurde ein Remixer verpflichtet, der das Magische noch magischer machen kann. Seine 8 minütige Version von ‘Streetpoet’ begründet ein längst überfälliges, neues Genre: Trancehall! Mit ‘New Ballad’ zeigen uns 9OASES, dass sie es wirklich ernst meinen mit ihren Welteroberungsplänen. Das ist großer Technopop mit Herz und Verstand. Wir sind sehr gespannt, was die Kölschen Jungs als nächstes tun werden.

The Allergies return to their 100% sample-heavy roots, with a reworked slice of dancefloor friendly Southern soul on 'Knock Me Off My Feet'. Flipping a much sought-after 45 from the late-sixties, they take an already pumping Motown-influenced arrangement and bolt on fat drums, beefy bass, percussion and horns, taking it further than the OG band could ever imagine.

'Let Me Hear You Say' on the b-side takes us way back to New York club scene of the early 80s. Re-working old school MC chants over strutting disco loops, this finger-snapping slice of retro realness is packed with sleek and slinky grooves, and a beat that won't quit.

2025 Repress

Delectable Crafty Explosive Headspins

LIMITED 75 COPIES POSTER EDITION (inclusive poster & stickers)
Four talented electro-acid producers who are taking you on a diversity of adventurous musical journeys. Now in a very Limited Poster Edition. Grab your copy!

New on Outta Sight, an official reissue of the Gloria Jones classic “Tainted Love”. The song originates from 1964, then made a household favourite from 1981 when made a hit by Soft Cell. Gloria’s 1965 release in the USA was originally a B-side to a non-hit, and it took ten years for it to be discovered in the UK where it was played on the Northern Soul scene. It’s the Motown-like rhythms and arrangements that made it relevant. Gloria re-recorded it herself in 1976, and while still not a hit, the song in NME’s Top 500 greatest of all time and Gloria dubbted ‘The Queen Of Northern Soul’. She was in a relationship with Marc Bolan at the time of his fatal accident. This single is coupled with another northern soul favourite, the Holland/Dozier/Holland song “There’s A Ghost In My House” by Motown artist R. Dean Taylor. It was originally recorded in 1966 and reached No.3 in the UK Charts (1974)

IGLO debuts on the infamous UKW49b label with an EP which shows his holistic approach on music having an ear for the floor and hedonistic listener.

I Want to Die in New Orleans is the debut studio album by American hip hop duo Suicideboys, which was released on September 7, 2018. The album chronicles semi-autobiographical stories of the duo's encounters with depression, drug addiction and suicidal ideation. Released to critical acclaim in the underground rap scene, the album debuted at number 9 on the US Billboard 200 with 49,000 album-equivalent units in its first week sales. The album also reached the top 10 in Australia and Finland.

'Brat and it’s the same but there’s three more songs so it’s not' is the deluxe album of Charli xcx groundbreaking album 'BRAT' The CD & Vinyl will be out 11th October and available for pre-order from 9th August with the full tracklist available.

‘BRAT’ is shortlisted for the Mercury Prize 2024 and has already reached Gold certified status in the UK with over 100k sales since June 7th. Charli has just landed her first lead #1 single in the UK with ‘Guess’, which features on the deluxe album.

Avant-pop and electronic superstar Charli xcx has become an iconic figure in the arts, having

helped expand the landscape of popular music over the last decade by seamlessly traversing the underground and mainstream with her artistic output. Over the course of a trailblazing career, the multi-hyphenate creative has earned critical acclaim for her innovative style and

entrepreneurial spirit and seen her forward-thinking approach reshape pop culture in the process.

Her lasting impact was cemented last year when Charli was honoured with the Visionary Award at the annual Ivor Novellos in London, while she also received the Powerhouse Award at Billboard’s Women In Music ceremony in Los Angeles in March.