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Vibes Addikt is proud to unveil its latest EP, brought to you by N.O.B.A, an artist whose tracks have consistently made their way into Beatport's Top 100, with support from major figures like Amelie Lens, Mark Sherry, Nusha, Klaudia Gawlas, Charlotte De Witte, Mha Iri, and many more. N.O.B.A continues to captivate the scene with powerful, emotional productions, and this new release on his label is no exception.

This EP, with its powerhouse tracks, is a true collection of sonic bombs. "Shadows From The Darkness" is a masterpiece of intensity and emotion, featuring a remix by INIGMA, the Orlando-based artist now residing in Spain, who brings a hypnotic tech-trance touch to the track.

The track "The Unit" is a techno-trance gem, built on a bed of acid basslines, with an irresistible groove and punchy sounds that sweep the listener into a whirlwind of energy. Meanwhile, "Sunset" takes us back to the golden days of the 90s, with a pure trance vibe and uplifting melodies that evoke the nostalgia of the scene’s finest moments.

An unmissable EP, available in an exclusive purple vinyl edition, reflecting N.O.B.A's artistic vision. A release that will delight fans of techno, trance, and everything in between.

Early support from Mha Iri (Drumcode, Filth On Acid), Charlotte De Witte (KNTXT), M.I.K.E. Push (Bonzai), DJ Fire (Bonzai), Dave Davis (Laark, Cherry Moon), CP Cedric Piret (Bedrock), Tom Leclercq (Versuz)…

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Vibes Addikt est fier de dévoiler son dernier EP, porté par N.O.B.A, un artiste dont les tracks ont régulièrement figuré dans le Top 100 de Beatport, avec le soutien de figures majeures comme Amelie Lens, Mark Sherry, Nusha, Klaudia Gawlas, Charlotte De Witte, Mha Iri, et bien d’autres. N.O.B.A continue de captiver la scène avec des productions puissantes et émotionnelles, et cette nouvelle sortie sur son label ne fait pas exception.

Cet EP, avec ses morceaux explosifs, est une véritable collection de bombes sonores. "Shadows From The Darkness" est un chef-d'œuvre d’intensité et d’émotion, sublimé par un remix de INIGMA, l'artiste originaire d'Orlando, maintenant basé en Espagne, qui apporte une touche hypnotique et tech-trance à la composition.

Le titre "The Unit" est une perle techno-trance, construite sur un lit de basses acides, avec un groove irrésistible et des sonorités percutantes qui emportent l’auditeur dans un tourbillon d’énergie. Quant à "Sunset", il nous plonge dans les années dorées des 90s, avec une vibe trance pure et des mélodies exaltantes qui ravivent la nostalgie des plus belles heures de la scène.

Un EP incontournable, disponible en édition exclusive sur vinyle pourpre, à l’image de la vision artistique de N.O.B.A. Une sortie qui ravira les fans de techno, trance et tout ce qui se trouve entre les deux.

Support de Mha Iri (Drumcode, Filth On Acid), Charlotte De Witte (KNTXT), M.I.K.E. Push (Bonzai), DJ Fire (Bonzai), Dave Davis (Laark, Cherry Moon), CP Cedric Piret (Bedrock), Tom Leclercq (Versuz)…

OCTOTRAX comes to life through a double LP. A debut that lays the foundation for a catalogue driven by exploration and evolution, revealing a snapshot of what has and will be.

A collection of works, each a facet of the same stone, expressed with progressive arrangements and trance essences.

Emerging from a time of rediscovery, this is the result of a pursuit to birth something enduring. More than a definitive statement, it captures a moment of clarity and renewal, a step toward the future with purpose.

octobo is to be written ALL IN SMALL!
Mastered and Cut by Graeme "Grazz" Durham at The Exchange

With Roza Terenzi and Sleep D on the remix, Alfred Czital & Ayu summon divine frequencies across a debut recalling the finest turn-of-the-millennium trance.

Spirits are high as we strive for utopia. Like relics of times passed – a bygone era where the free party reigned supreme – this is a union forged out of a mutual affinity for trippy dancefloor dynamics and live performance.

Rapturous and ecstatic, both originals evoke pure club hedonism. Sensual, sultry gear made of euphoric melodrama, close sweat and lysergic throb. Wide-eyed optimism coursing throughout, but like any good proggy majick, it’s not without a decent dose of shadow and ritual.

Coming in hottt with the remixes and both are befitting a release bent on traversing the wormhole interior. Oyster Cult acolyte Roza Terenzi keeps it taught and tightly-coiled on her rugged, propulsive re-fit, and not to be outdone, Butter Sessions founders Sleep D let atmosphere pull focus with a sprawling, dubby workout.

Preparing your debut full length record is no small undertaking for any artist. The format itself deserves a certain frame of mind and approach – it’s different, and with Sarah Wild’s debut LP she embraces the idea. Expanding her artistic vision to offer something different, making use of the format and bringing new ideas and musical pathways to her established sound. Releasing on her imprint Midnight Operators in early 2025 – My Body Flows In Gravity constitutes a sophisticated homage to the early 2000s trance movement, integrating nostalgic motifs with her ultra-on point production that sits perfect in todays scene.

From the dreamy proto-house vibes of the opener, establishing a foundation with its understated beats, to the Orbital-esk serenity of the title track My Body Flows In Gravity the album works at evoking the emotive resonance of a golden era of music reborn. This trip is backed up by the Early-Balearic styled tracks such as “Fly With Me To The Moon” and “Visit To Mars” which pull you into hazy smoked filled dancefloor territory, hypnotic melodic progressions effectively capture the essence of Trance’s peak cultural moment.

At the mid point “I Don’t Wanna Go” introduces a different dimension, exploring a more Euro sound that is at the peak of the contemporary scene, but infused with Sarah’s unique edge, hyper pumping beats work alongside spoken word to really up the tempo. Following this the journey returns to a more progressive feel, “Floating Around” and ” On My Way Home” take things into deeper territory, bringing the focus’s of the record back the groove after the blurry eyed highs. Bringing the record in for a perfect landing. There is an emotional duality to this record, a movement through a juxtaposition of yearning and almost frantic emotions alongside more uplifting harmonics through to more introspective moments. The final track “Landing” gracefully closes this arc.

Sarah Wild delivers a sonic journey as much concerned with the process as with the destination itself. My Body Flows In Gravity shows Wild’s capacity to synthesize the deeply personal with the universally resonant, a set of tracks that equally speak to the introspective solitude as they do to the collective euphoria of the dancefloor.

Boys Noize presents ONES and ZEROS OAZ, a new experimental record label with the mission of breaking open the space of possibilities for techno and beyond. Reflecting new modes of subcultural circulation and integrating music,
objects, and a pluralistic network of artists, OAZ debuts with the 22-track Bo compilation, including two Boys Noize solo tracks, one of them “Bvrning” (Vinyl Only), as well as tracks by Locked Club, Safety Trance & umru, DJ Babatr, Slim Soledad, Schacke, KFR, TINKERHELL, David Löhlein, MarcelDune, and more.

2025 Repress

Following releases from Dublin’s Fio Fa & naive label head Violet, LA-based Cromie & Timedance affiliate rRoxymore and various artists compilation Visions Vol. 1, Holly Lester prepares the next chapter of dualistic bleeps, bloops and blends from Utrecht producer Tifra on Duality Trax. Re-imagining vintage club sounds through a contemporary lens, Tifra is no stranger to stretching the electronic music template into new forms and ideas. His left-field house and old-school breaks have found their way onto Gestalt Records and Rough Recordings, and here the producer turns in three cuts of blissed-out electronica, hedonistic progressive and jungle-run club with its sights firmly fixated front left, complete with a wicked remix from one of modern dance music's most reliable names Roza Terenzi. ‘Plastic Replicant’ is a vocal-laced electro-house roller that takes inspiration from the golden-era of 90s electronic music and fuses it with the organic, multi-genre blends of the current gen. The ravey continuum is laced with high-frequency vocal stabs and deep basslines designed for a heads-down approach on the dancefloor, before ‘Entomology’ captures the playful side of the club with its shape-shifting acid-lines, trance-licked melodies and kaleidoscopic blend of colour, feeling and mood. Out of the club and onto the beach, ‘International Waters’ is a trip-hop inspired, downtempo dub that will delight ambient and laid-back electronic-revellers with its chirpsing birds and aqua-like aesthetic, before Roza keeps the dualism alive with a stripped-back jungle flip of the original; the perfect score for the perfect daydream.

This album represents a significant evolution in the musical journey of Nick Viola, transitioning from the powernoise and heavy industrial sounds of his previous project, Fractured Transmission, into a techno-framed landscape. Spanning seven tracks, including remixes, the album features recurring sounds sourced from machinery, field recordings, and personal travels. These elements create an uneasy atmosphere oscillating between slight discomfort and absolute dread, offering a dystopian sonic experience fitting for the times we unfortunately live in.

The opening track, ‘A Ghost in Your World,’ sets an intense tone with distorted atmospheres and ‘It’s Still Real’ follows with a relentless pulse and swirling mechanical sounds, seamlessly flowing into Kenny Campbell’s remix of ‘A Ghost In Your World’, providing a cathartic release for the A side.

‘Drop Out,’ guides listeners on a psychedelic journey into the B side of the record, while ‘Negative Nancy’ ramps up the energy with an aggressive industrial techno assault offering an antagonistic jab at the current trend within the genre. Substencia’s remix of “Drop Out” delves deeper into psychedelia, offering an immersive trance-like experience relieving the tension of “Negative Nancy”.

The digital-only bonus track, ‘Tensor,’ maintains the album’s heavy industrial techno feel of a well-oiled machine, ready to pummel any underground sound system.

About Artist:
Nick Viola is a versatile electronic music producer known for his distinctive blend of industrial and techno music, drawing inspiration from a wide range of influences spanning from the gritty sounds of powernoise to the pulsating energy of techno.

Born and raised in Los Angeles, Nick began his musical journey immersed in the industrial club scene, where he cut his teeth performing at the legendary Los Angeles industrial club Das Bunker. Here, he honed his craft and developed a deep appreciation for the raw, aggressive textures of industrial music. As the driving force behind the project Fractured Transmission, he made a name for himself with his uncompromising approach to power and rhythmic noise, earning recognition for his intense live performances and relentless sonic assaults.

However, Nick was always drawn to the rhythms and sounds of techno, and in a bold move, he embarked on a new chapter in his musical career, transitioning from the abrasive sounds and rhythms of powernoise to recontextualizing those sounds into a more techno landscape. With this album, “A Ghost In your World”, he showcases his evolution as an artist, seamlessly blending the industrial aesthetics of his past with the pulsating energy and frame of techno.

Spanning six tracks, “A Ghost In Your World” is a sonic journey through dark, dystopian landscapes and pulsating dance floors, where distorted atmospheres and mechanical rhythms collide to create a mesmerizing and immersive experience. From the haunting textures of “A Ghost in Your World” to the relentless energy of “Negative Nancy,” each track offers a unique glimpse into Nick’s sonic universe, inviting listeners to explore new depths with each listen.

Written + Produced by: Nick Viola

Mastered by: Tim Vitek

Artwork: Permian Designs

Design by: Elaine Stam

J.Wiltshire returns to MUSAR with Sunflower At Day EP — a deep, atmospheric excursion across four tightly woven dance-floor tracks.
Marking MUSAR’s 20th release, this EP showcases some of Wiltshire’s most club- ready work yet, blending outsider house, ambient trance, and Cornish electronic influences.

The title track ‘Sunflower At Day’ is a shoegaze-infused chugger that nods to the ethereal haze of My Bloody Valentine and has a rave energy reminiscent of Future Sound of London. Track two, ‘Cosmic Slap’, takes over with its deep, dub- heavy sounds and off-kilter rhythms, playing to Wiltshire's more experimental side under a techno beat.

On the B side, we dive deeper into Wiltshire's intricate melodic world.
‘Traversing’ unfolds with enveloping, pastoral harmonic patterns, balancing surging intensity with an organic flow.
Finally, the EP closes with the cinematic ‘Rush Point 9’, a late-night noir groove that offers a perfect, reflective finale to this sonic journey.

With Sunflower At Day, Wiltshire fuses intricate textures and melodies with dance- floor intensity, offering another great soundscape from the artist for both club and home listeners.

Forgotten in the mists of Dutch electronics, when Anacalypto Records began their quest for Fairytails, they uncovered more than they bargained for. Dusting off a 1994 DAT, lettering began to reveal itself—four tracks from the original release and two unheard, unreleased works! A decision was made: two tracks from the original 12” for Side A, and the two new discoveries for Side B.

The spellbinding Fairytail Track 3 opens the record. Rich basslines and ruffled beats dance as strings soar and swoop in this fantastical floor-filler. That touch of fantasy twinkles throughout the entire EP, with dreamy mellowness weaving through key shifts and stepping grooves. This dreamy atmosphere carries into Fairytail Track 4, where snares rasp and snap above delicate notes and mischievous pads.

The flip is dedicated to the DAT discoveries. Fairytail Track 5 is a joyous romp through twilight woodlands and sweaty basements, with cascading chords and lively piano lines reveling over earthy patterns of percussion. The journey concludes with Fairytail Track 6, a bright and magical finale. Overtones of rave energy glow in this ageless, tongue-in-cheek melody, infusing the EP with a timeless vibrancy.

Four trance-dipped house treasures returned to the faithful on this remastered gem that will sprinkle happiness on any floor.

Parade Ground has always been the duo of brothers Jean-Marc and Pierre Pauly from Brussels, Belgium formed in 1981. Taking cues from Post-Punk, Coldwave, Dada and Surrealism, Parade Ground channeled suffering, tension and rage through pulsing synthesizers, skeletal guitar, severe bass and Jean-Marc’s expressive vocals as the most melodic and emotional instrument. The Golden Years is an 11-song, career-spanning collection of Parade Ground’s long out-of-print 7” and 12” singles as well as rare compilation tracks from the pioneers of electronic body music created during 1982-1988.

Parade Ground first appeared on the Nationale Rockmeeting LP in 1982, striking straight to the heart with the passionate plea “I Shut My Eyes.” Later that year the brothers met Daniel B. and Patrick Codenys of Front 242 beginning a collaborative partnership that continues to present day. In 1983 they released their debut 3-song 7” EP Moan On The Sly on the New Dance label, musically a hybrid of Joy Division and Fad Gadget. 1984 brought further explorations into the world of electronic body music with the 3-song Man In A Trance EP and 2 tracks on the live concert compilation Mask Promotion both records released on Front 242's Mask Music label. The following year the single Took Advantage/Moral Support 12” was released incorporating then, state-of-the-art modular synthesizers programmed by Daniel B. and back-up vocals from Flo Sullivan (A Formal Sigh, Shiny Two Shiny). Then in 1987 the brothers collaborated with Colin Newman of British post-punk band Wire, who produced and lent his vocals, guitars and keyboards to two songs ("Moans"/"Action Replay") while Daniel B. produced flipside "Gold Rush" on the Dual Perspective EP that stands alongside 80s anthems from Tears for Fears, Modern English, Echo & The Bunnymen. Finally in 1988 their debut album Cut Up was released on Play It Again Sam Records and featured the singles Strange World and Hollywood. In 1993 the brothers wrote and composed the vocals on two Front 242 albums Up Evil and Off. After 15 years of silence the boys released their second album Rosary in 2007 and continue to write new material and tour with their extensive catalog of dark dance classics. Each LP includes a 6-page press kit with lyrics, discography, photos and liner notes by Daniel B. of Front 242. The history of Belgian electronic music would not be complete without a trip through “The Golden Years” of Parade Ground.

The Legacy lives on.
While on Belgian Bootlegs 3 one could find “a track that would never be re-released, Maybe Tomorrow” Belgian Bootlegs 4 features another track “that will never be re-released”
FRED & MAX’ “Good Way” is one of the most sought-after Belgian trance-classics. Hard to find copies fetch up to 300€ on Discogs.

Add to this amazing gem a sniff of PAT KRIMSON & OLIVER ADAMS in the form of ULTRA SHOCK (“The Sound Of “E”), another hard to find one, “Pat’s Birthday” by LA BUSH TEAM and an almost forgotten early techno-gem by legends 2 FLYING STONES (“L.F.O. Cookies”) and you know BELGIAN BOOTLEGS 4 is another bestseller.

Repress!

Techno phenomenon Charlotte de Witte today announces her brand-new EP “Power Of Thought”, out October 19 on her own KNTXT label. The trio begins with the title track “Power Of Thought” - which immediately erupts into a hypnotic techno beat interspersed with spoken mantras of mindfulness. This is followed by “Pria”, a pulsating journey featuring hypnotic, mantra-like vocals. The EP ends with ambient track “Abada”, punctuated with the occasional drum and chanting vocals before it quickly strips away to silence.

“For ‘Power Of Thought’, I wanted to create an EP that touches deeper emotions and captivating the meditative trance you have when you let go on the dance floor,” says de Witte. “‘Pria’ has already brought me a lot of joy over the last few months when I have played it during my sets. It offers a moment of reflection and a chance to catch your breath during the rougher, more peak time tracks I play. ‘Abada’ is a track that I really enjoyed making. I discovered these magical chanting vocals and I just knew I wanted to use them in a track. Though this track is maybe less playable in one of my sets, I feel that Abada found its home on this EP and completes the ‘Power Of Thought’ circle.”

Best known for her “dark and stripped-back” brand of techno and crossover to other sounds of the underground, Charlotte de Witte pushes the boundaries of the electronic genre with music that has a distinct and unforgettable sound that is uniquely her own. De Witte’s innovative ability allows her to seamlessly blend genres and styles that
have won her a dedicated fan base and critical acclaim.

“Power Of Thought” is the followup EP to de Witte’s “Overdrive” EP, campaign and tour, which recently wrapped with a Los Angeles takeover last month and included performances at Brooklyn Mirage, Primavera Sound, Rock Werchter, Super Bock Super Rock, Lowlands and Rock En Seine. The “Power Of Thought” release will include an exclusive apparel drop as well and will coincide with the opening day of KNTXT Turbo Club, de Witte’s epic 3-day pop-up event series taking over Amsterdam Dance Event (ADE) from October 19 - 21, 2023.

With a different “KNTXT” each day, the turbo-charged pop-up will feature a massive lineup of performances, a dedicated KNTXT shop, immersive music experiences and other surprises at an undisclosed location in Amsterdam. Capacity will be very limited and tickets can be purchased now at https://kntxt.be/events/ade.

Following ADE, de Witte will embark upon the KNTXT Latin America Tour on October 26, which will take her to Mexico City, Buenos Aires and São Paulo.

Those who possess BARBATUS001 have already read the first chapter of Captain Barbatus D. Wreckords’ journey. The odyssey continues with the second episode, as the pirate voyages across The New World.

In the sophomore album of the Barbatus tales, the story delves into the mystery of the “Void Century”. The epic is musically deciphered by two young, yet seasoned Napolitan sailors Luigi and Andrea, better known as Two Opposites.

The duo delivers an episode of Barbatus' interpretation through the lens of Italian romanticism. You will hear trance-infused electro, you will hear sirens calling, you will hear the secret government’s conversations.

Find the next poneglyph on Valentine's day, February 14th at your favorite record stores around the world.

Flaming Star – einer der brilliantesten Trance Klassiker der 90er Jahre von DJ Little Jam, der in 2023 von Talla 2XLC und Para X neu aufgelegt wurde, gibt es jetzt als farbige 12“ Maxi Vinyl.

Auf Seite A liefern Talla 2XLC und Para X ein euphorisches, energiegeladenes und unaufhaltsames Remake, mit einer geheimnisvollen Synthie-Melodie und den Stimmen der amerikanischen Ureinwohner, die man so schnell nicht vergessen wird. Auf Seite B präsentiert Talla 2XLC eine fast 7,30 Minuten lange Version von BLACK HILL.

Hymnischer Uplifting-Trance zum Wohlfühlen, vollgepackt mit ethnischen Stimmen, Sirenen im Hoover-Stil und intensiven Uplifting-Synths. Diese limitierte, farbige Vinyl-Edition ist ein echtes Highlight und Sammlerstück.

***** AUGMENTED REALITY COVER *****

For the third release on Dust In Grooves, Olivia Mendez curates a compilation EP that honours the boundary pushing spirit of the vinyl-only imprint and presents a collection of mind bending tracks by emerging and established techno producers. The first VA instalment on DIG showcases adventurous, challenging, and dynamic cuts while maintaining the groovy and raw signature sound of the label. Bridging the analog format with a forward thinking design is the animated cover created by visual artist Deniz Bicer, she is also known as Ojelibalon.

LKY - Bitter
Bitter by Manchester based producer LKY is a direct immersion in the atmospheric depths conveyed within a minimalistic tool track. With trippy loops and changing beats, this opener leaves a bitter taste of the sweaty, trance-infused 90s.

Deluka - R.A.W
R.A.W glistens with a mind-bending sound design, produced by the No Signal Records founder Deluka. He delivers a visceral, hypnotising track with quirky highs and stomping, rhythmic lows, captivating the attention all throughout the end.

Metapattern - Tamakotuma
On the B side, the relentlessly driving and layered Tamakotuma by Metapattern, beams with melting synths, intense rhythm and skewed melodies. After joining the Mord and HAYES families, Metapattern contributes a dynamic track with evolving retro-futuristic design, journeying across dimensions.

Dotdat - Take me to Detroit
An homage to the roots of timeless sound and community, Take me to Detroit by Dot Dat is a soothing dance-floor energy tamer, filled with melodic arpeggios and spacious drums. After his release on Truncate records, Dot Dat closes out the DIG VA with a slower-paced track, laced with classic synths.

Words by Lora Mateeva

Animation - Deniz Bicer
Master - Nihad Tule
Graphist - Ferdinand Prat

After the big success of Call Edan , Sounds Better collective comes back with 4 banger tracks from the crew Pop Panic , Aut Zebel , DJ GLC and G PUNX. Mix of 2000's vibes with electro and uk tech house , absolutely don't miss limited copies!

PulciPerla will unveil “Tatekieto”, their new album, on its release, January 04, 2025, on Prado Records / Cie Pulcinella / The Pusher. This opus will be presented on Wednesday, February 05, 2025, on the stage of FGO - Barbara, Paris (France) during an exceptional launch concert. The eponymous single “Tatequieto” was released on all platforms on November 22, 2024.

Take an iconoclastic and energetic quartet from Toulouse, combine it with a female power trio from Bogotá, shake it up, and you will get Pulciperla!
After an explosive encounter in Colombia in 2019, the fiery trio La Perla and the unclassifiable Pulcinella decided to create an original repertoire: a hybrid, swaying, and sensual music where vocals, saxophone, keyboards, double bass, and percussion blend generously, driving a powerful trance-like pulse. A quirky and striking repertoire infused with bullerengue, reggaeton, funk, and champeta influences, which stirs the fire and gets you moving. The tribal music of La Perla’s percussionist singers merges with Pulcinella’s explosive groove to electrify the audience and awaken their primal instincts!

PulciPerla is composed of :
La Perla: Diana Sanmiguel: vocals, maracas, guacharaca;
Giovanna Mogollón ‘’Roberta Leono’’: vocals, tambor alegre;
Karen Forero:vocals, gaïta, tambora
Pulcinella: Ferdinand Doumerc : saxophones, flutes, keyboards;
Jean-Marc Serpin: double bass;
Bastien Andrieu: keyboards ;
Pierre Pollet: drums

DJ Normal 4 lands on Fantastic Planet with his highly anticipated solo release, Spore Clouds EP. This sonic journey channels the raw, hypnotic energy of ’90s underground Goa trance while weaving in fresh, modern textures.

More than just music, this release carries a purpose: proceeds will be donated to support the Georgian resistance movement in their fight against an emerging far-right authoritarian regime.

Join us. Experience the music. Support the cause.

Oyster ass is back with their Italian brothers for the 3rd round.
Sea correction is a retreat into alter worlds—rigidly organized, timeless, often inescapable trancelike states of mind-body dislocation.
Hope your mind and body are ready because Public Request and WAS will take care of the correction.
Salty kisses and happy correction!

Mind Against and Sideral join forces for the latest Afterlife intermission.
A new drama unfolds as ‘Colossal’ lands on Afterlife. Punchy beats drive the momentum on this powerful cut while deep pulsating frequencies occupy the low end. This is all complemented by jagged synth stabs and soaring trance-esque pads.