Suche:25

Is the result of an unexpected and powerful connection between Meeks and Jedsa Soundorom.
Both have spent over 25 years immersed in music, coming from very different backgrounds but combining them to create something completely original.
Meeks, an experienced producer and beat-maker, made his mark during the French Touch boom of the early 2000s.
He worked with artists like Hernest Saint Laurent and Scratch Massive, earning respect for his attention to detail and his love of exploring sounds and textures.
Jedsa Soundorom, meanwhile, is a DJ and producer who’s traveled the world, always bringing new influences into his music and growing his unique style.
When they met a year and a half ago, it clicked right away. That connection became BUG DIVIsion, a project that blends Meeks’ careful precision with Jedsa’s raw energy, creating electronic music that feels both deep and natural.

Released in 2002, Games and Hell marked an early chapter in Toxic Twin’s output, capturing the raw, hardware-driven sound of Berlin’s early 2000s electronic underground.

Minimal, direct, and rooted in a time when the scene was still forming.

Nearly 25 years later, Games is reissued and expanded to six tracks, including previously unreleased material from the same era, via Relic.

2 x LP Purple Vinyl in Picture Sleeve

Reissue of the legendary Deep House album While You Wait by Nottingham group, Schmoov! celebrating the 25th Anniversary of the release. Available for the first time since its initial release in 2001 & highly sought after on the second-hand market, with the only copies available selling for £70+. Presented here on special purple vinyl, giving a new generation of vinyl collectors an opportunity to own a piece of UK Deep House history.

Repress
*BRAND NEW ALBUM RELEASED.

"We just wanted a kiss that makes you want to kiss..."

From a sample to the most iconic kiss in music video history… When Demon released "You Are My High" at the end of 1999, it created a frenzy. Nominated at the Victoires de la Musique and the MTV Awards, the track was on everyone’s lips—including the CSA's, which tried to censor it. 25 years later, the "You" shines brighter than ever, captivating each new generation in turn.

A Top 10 hit in France upon release and certified gold within months, "You Are My High" skyrocketed thanks to its video—three minutes of a single-shot French kiss. Briefly banned by the CSA (who quickly realized it’s hard to censor something you see in every film), the clip ended up playing non-stop on music channels, defining an entire era.

Today, the "You"—as its creator fondly calls it—is considered one of the crown jewels of French Touch 1.0 (Daft Punk, Stardust, Cassius, Modjo, The Supermen Lovers...). With nearly 150 million streams across platforms, its legacy holds strong and continues to inspire a new wave of artists. Among the most iconic reinterpretations: a lo-fi cover by Agar Agar, remixes by DJ Snake and Central Cee, the You and Me video by Disclosure and Flume, and even a Jean Paul Gaultier campaign.

Straight from the backseat of a tinted SUV and into the headphones of every die-hard fan from the West Side to the coast, LUCKI returns with Dr*gs R Bad—a title that’s half-ironic, half-exhausted, and 100% Tune. This isn't a PSA; it’s a high-speed, low-pass filtered look at a life where the designer denim is heavy and the heart is even heavier. Drowning in those signature ethereal, space-trap melodies that sound like a 4:00 AM fever dream, LUCKI trades his usual nonchalance for a raw, "out of luck" transparency that reminds his cult following why he’s the undisputed king of the heartbreak flex. It’s the soundtrack for the late-night drives and the "everything’s a movie" lifestyle where the credits are starting to blur, proving once again that nobody captures the beautiful, nihilistic chaos of the climb quite like Neptune.

Sari Jordan ist Sängerin, Songwriterin und Musikerin mit einer Stimme, die durch ihre unverfälschte Ehrlichkeit und verspielte Kühnheit besticht. Ihre Musik ist komplex und ätherisch, funky und fröhlich - ein kontrolliertes Feuerwerk. Die in New Jersey geborene und in New Orleans lebende Künstlerin beschäftigt sich mit den Widersprüchen in Beziehungen, Macht und Liebe. Jordans einzigartige Stimme und ihre introspektiven Songs tanzen am Rande der vierten Wand, die zwischen Künstlerin und Zuhörer schimmert. ,PERFECT BE THE ENEMY" ist ihr Debütalbum. Das Projekt mit 11 Songs kehrt Trauer und Wandel von innen nach außen und schmückt die emotionalen Erdbeben des Lebens mit eklektischen Grooves, hypnotischen Gitarrenlinien und einem warmen, goldenen Licht - wobei Jordans Stimme und Geschichten durchscheinen. Aufgenommen in New Orleans im Lil Squeeze Studio von Ajaï Combelic, wurde das Projekt von Jordan, Comebelic und Robin Sherman koproduziert, der auf der Platte auch Bass spielt. Jeder Song ist wie ein lebhafter Eintrag in einem Sammelalbum - Sari nimmt uns mutig mit auf eine Reise ins Selbst. Sie erinnern uns daran, dass nichts endgültig ist, alles im Fluss liegt.

Cowboy Junkies are set to release Open to Beauty, a collection of songs from their 21st century albums to date. This "Best Of" set will revisit selected tracks from albums "Open", "One Soul Now", "Early 21st Century Blues", "At The End of Paths Taken", "Renmin Park", "Demons", "Sing In My Meadow", "The Wilderness", "All That Reckoning", "Songs of the Recollection" and "Such Ferocious Beauty". Speaking about the new collection, Cowboy Junkies" Michael Timmins said: "We are now 25 years into this century, the beginning of which saw us leave the world of major labels and return to making music as an independent band. We figured this was as good a time as any to look back, reassess, and reflect on the music that we have recorded over these past two and a half decades and, hence, "Open to Beauty - The Best of the 21st Century".

Spiritual World presents: Ashleigh Ball — Center of the Universe, a transcendental flute journey from the singer and flutist of Teal. Center of the Universe is a 32-minute improvisational odyssey recorded inside the Dominion Astrophysical Observatory (DAO), a National Historic Site on Vancouver Island, in British Columbia Canada..

Inspired by the pioneering work of Paul Horn and his Inside series, the recording channels a similar spirit of reverent exploration within a space rich in history and resonance. Completed in 1918, the observatory is home to the Plaskett Telescope - once among the largest and most powerful in the world - playing a key role in mapping the Milky Way.

Following months of coordination, three hours of private access were granted on the morning of August 25, 2025. Beneath the observatory’s towering telescope, Ball performed a wordless meditation, moving between alto flute and soprano concert flute, allowing each note to merge with the chamber’s vast natural reverb. Tones bloom, linger, and return, carried along the massive curved steel walls.

Captured using a minimalist recording approach, Center of the Universe preserves the purity of the moment—its warmth, stillness, and the architecture’s subtle mechanical resonance. Here, the observatory itself becomes an instrument, shaping the sound into something elemental, timeless, and deeply human. Center of the Universe will be released as a limited-edition vinyl LP (300 copies) with a printed insert on May 15, 2026, via Rubadub, Forced Exposure, and HiFi in Sheep’s Clothing.

POEME ELECTRONIQUE was Dave Hewson (synthesisers, production), Sharon Abbott (lyrics, lead and backing vocals), Julie Ruler (backing vocals) and Les Hewson (bass), formed in 1980 by Dave Hewson in South London, UK, in 1980. Dave was studying music and as a rare kind of student species he had a deep fascination for New Wave and electronic music thus also playing and recording electronic music ever since like using the Boss DR-55, Cosmo Sound Super Drum, Elka Rhapsody 610, EMS Synthi AKS, Korg MS-20(X2)/Polysix/Polyphonic Ensemble 1000/VC-10 Vocoder, Linn Electronics LM-1, Octave Kitten, Roland RS-09/VP-330 Vocoder Plus, Simmons SDS-V Kit and Yamaha CS-80 on this retrospective POEME ELECTRONIQUE album with original material from 1981/82 only. Over the period of more than two years, Dave has remastered these tracks using the latest high-end tools making them sound better than ever before. The deluxe 2LP vinyl album comprises 16 tracks of which 14 have never been published before. “The Echoes Fade” and “Voice” are the original versions taken off their original 7” from 1982. The album “The Echoes Fade” cannot be described other than being a masterpiece and one of the best-ever early 80’s electropop records ever, and it surely has to be lined up with Rational Youth or Experimental Products’ cult albums (in terms of being minimal synth/wave scene reference albums), but to be frank, Anna thinks that POEME ELECTRONIQUE were even above their level.

Truly, they had deserved to go on the successful path like Depeche Mode, OMD or Soft Cell, but fate was against them as it seems. The main difference to other electropop groups of the time was definitely that Dave did not only master his synths technically-wise, no, he also knew how to actually play, and when you hear his amazing multi-track ‘manual sequencing’, programming skills, great harmonies and melodies throughout the tracks, along with the two girls’ performances – well they can really sing! – you will agree there is some something remarkably extraordinary in these tracks. You will find minimal electropop super hits like “Rendezvous”, “She’s an Image”, “Fragile”, or “Dilemma”; hauntingly beautiful melancholic tracks like “A Mourner’s Lament”, “This Night” or “It’s in the Atmosphere”; darkest minimal electronics on “Inside his Head”; and even more poppier tracks like “Follow”. This record will hopefully be loved by any electronic music lover and most probably marks the highlight in the growing Anna Logue Records catalogue – therefore Anna did not shy away from any costs and the album is truly an outstanding release in every single aspect including sound and artwork presentation. Apart from the bonus tracks you will find in the 2LP deluxe vinyl edition glossy inner sleeves with lyrics to all songs, as well as individual mini 7” sleeves for each song designed by our dear graphic designer Steve Lippert plus many additional group photos on the gatefold sleeves’ inner. After so many efforts and more than two years passing by, Anna is so over the moon to see this release being ready now and we have done all we could to make this an outstanding release, so now it’s up to you to give the band their final glory, but Anna is in no doubt that – at least after hearing the sound samples – you will.

Chart topping British singer-songwriter Maisie Peters returns with much anticipated third studio album ‘Florescence’, co-produced with 2x Grammy Winner Ian Fitchuck with collaborators including Marcus Mumford and Julia Michaels. Florescence reflects on how the right love can help heal the wrong ones. It’s an album about perspective, self-realisation, healing, and ultimately, learning how to flourish. This lands as Maisie’s first new LP since she became the youngest solo British female artist in almost a decade to land a UK No.1 album with ‘The Good Witch’ back in 2023. Since then, she’s had the A-list co-signs via Phoebe Bridgers, Sam Smith and Olivia Rodrigo. She’s had a fiercely devoted fandom flock to headline tours around the world. And she’s played shows from Wembley Arena, to Glastonbury, to stadium slots with Taylor Swift and Coldplay.


“Florescence means ‘the process of flowering, of developing richly and fully’ and to me, this album describes exactly that. These 15 tracks depict a blossoming of myself from ages 23 to 25 and a blossoming of a true real love that anchors both me and this record. It tells the story of the last few long winters, with all of their villains and thorns, heartbreaks and rains, and it leads you, by the end, into a perfect English spring, into the hope and catharsis that comes when the first wildflower blooms. It’s a true representation of healing, of finding hope and peace and strength not just in somebody else, but in yourself. It is clear skies, cherry pits on the grass, windows flung open - it is Sussex country roads and London corner shop wine that leaves a stain when you kiss. It is the feeling of flying, then falling, then flying again. It is knowing that there was a point to all the sadness of before, and the point is the woman you see in this mirror now, and the person you see by her side. Love is weaved into every strand of every song on this album and for good reason - love is timeless, love is pure, love is organic and simple and effortless and real. I hope you find this album to be that as well.”

Equal Vision Records, Dine Alone Records, and The Flatliners are thrilled to announce the release of Cold World, the Juno-nominated Canadian punk quartet’s brand new studio album, arriving Friday, May 8. The album is available now for pre-order / pre-save / pre-add. Where 2022’s New Ruin wrestled with the inherited damage left behind by the previous generation, Cold World confronts that legacy as something more distant — a ghost, a fading memory. If New Ruin captured the rage of realization, Cold World lives in the aftermath of clarity. Welcome to the future. Leading the charge is first single “Good, You?”, a snotty, tongue-in-cheek anthem that takes aim at toxic masculinity and the all-too-familiar fear of opening up about our feelings. Fans can watch the Jeff Powers-directed music video on YouTube and stream the track now on all platforms. Light Grey Marble available limited to 250 Rude Records Exclusive.

First new album in 6 years along with being their EVR debut album. Brett Romnes (Hot Mulligan, The Front Bottoms, Mom Jeans) produced the record along with being the drummer of the band. I Am The Avalanche features members of The Movielife, Head Automatica, Crime In Stereo, and Such Gold. Vinyl White Swirl LP limited to 250 available, Rude Records Exclusive

Zum 60. Jubiläum des legendären Meisterwerks der Beach Boys enthält The Pet Sounds Sessions Highlights
2CD Auszüge aus dem 1997 für den Grammy nominierten 4CD-Boxset The Pet Sounds Sessions. Sie enthält
25 A-cappella-Aufnahmen von „Pet Sounds“, alternative Versionen und Aufnahmesessions sowie neue Liner
Notes. Pet Sounds wurde am 16. Mai 1966 veröffentlicht und hauptsächlich von Brian Wilson produziert
und komponiert und gilt als Meisterwerk der Popmusik sowie als eines der einflussreichsten Alben der
Geschichte. Es enthält die klassischen Singles ”God Only Knows”, ”Sloop John B” und ”Wouldn’t It Be
Nice”.
Auch erhältlich erstmals auf Vinyl als 2LP (180g) erhältlich.

Chart topping British singer-songwriter Maisie Peters returns with much anticipated third studio album ‘Florescence’, co-produced with 2x Grammy Winner Ian Fitchuck with collaborators including Marcus Mumford and Julia Michaels. Florescence reflects on how the right love can help heal the wrong ones. It’s an album about perspective, self-realisation, healing, and ultimately, learning how to flourish. This lands as Maisie’s first new LP since she became the youngest solo British female artist in almost a decade to land a UK No.1 album with ‘The Good Witch’ back in 2023. Since then, she’s had the A-list co-signs via Phoebe Bridgers, Sam Smith and Olivia Rodrigo. She’s had a fiercely devoted fandom flock to headline tours around the world. And she’s played shows from Wembley Arena, to Glastonbury, to stadium slots with Taylor Swift and Coldplay.


“Florescence means ‘the process of flowering, of developing richly and fully’ and to me, this album describes exactly that. These 15 tracks depict a blossoming of myself from ages 23 to 25 and a blossoming of a true real love that anchors both me and this record. It tells the story of the last few long winters, with all of their villains and thorns, heartbreaks and rains, and it leads you, by the end, into a perfect English spring, into the hope and catharsis that comes when the first wildflower blooms. It’s a true representation of healing, of finding hope and peace and strength not just in somebody else, but in yourself. It is clear skies, cherry pits on the grass, windows flung open - it is Sussex country roads and London corner shop wine that leaves a stain when you kiss. It is the feeling of flying, then falling, then flying again. It is knowing that there was a point to all the sadness of before, and the point is the woman you see in this mirror now, and the person you see by her side. Love is weaved into every strand of every song on this album and for good reason - love is timeless, love is pure, love is organic and simple and effortless and real. I hope you find this album to be that as well.”

2026 REPRESS

COEO are back on Toy Tonics! After uninterrupted touring around the globe, followed by a short creative break the guys come back with an even stronger sound. With the new EP they go more underground again. Its addressed to the clubs and night owls out there, who turn night into day and won't stop dancing!

The sound is based on classic house patterns and includes a lot of cool saxophones, big piano stabs & rhythmic piano solos. They even go tribal, use arpeggios and switch into breakbeat heaven. The four Originals are a great next step in the COEO evolution. The unique warm, catchy atmosphere of the tracks can create that special COEO euphoria which made them a lot of fans. From Moodymann to Disclosure, Mall Grab to Kenny Dope, the list is long.

It’s fantastic to see how popular they became over the last couple of years. The last COEO vinyl sold over 2500 copies and some of their tracks have millions of Spotify plays. It’s DJ FOOD. Pure bliss!

Having played Sold Out tours and supercharged festival appearances across the UK & Europe, It's no wonder that Jim Jones All Stars were personally selected by The Black Crowes on their 'Happiness Bastards' UK & European dates in 2024.The band also recently joined The Wildhearts on their Spring 25' tour dates.The band's debut album, 'Ain't No Peril', was released in September 2023 to universal praise. Their sophomore studio album 'Cat Fight', produced by Chris Robinson (The Black Crowes) is due on April 3rd 2026 via the Black Crowes 'Silver Arrow' Imprint. But, not ones to rest on their laurels, the band just completed a Sold Out tour of the U.K in support of their brand new Live Album 'Get Down - Get With It - Jim Jones All Stars Live (Released October 24th Via Assai Recordings) 'Get Down & Get With It! Is an unvarnished document of a deep, immersive, and mind- bending journey, a transcendent and hypnotic rock and roll experience. It highlights the band's gritty, unapologetic sound, brimming with raw authenticity and attitude. Visceral and uncompromising, it is an electrifying live performance that true believers will never forget

UU014 IS HERE.

NO SALES NOTES NEEDED.

THESE SIX TRACKS SPEAK FOR THEMSELVES.

HEAVYWEIGHT UKG. BY. DESIGN.

SETTING THE TONE RIGHT FOR 2026.

WITH LOVE AS ALWAYS.

Darwin Chamber is a veteran of the prog game, and now that sound is very much back en vogue, it's no wonder new generations are falling for the American's sounds. Back in March, he dropped this EP which was inspired by a San Fran acid trip, and it became an instant classic that meant the initial translucent yellow vinyl edition, limited to 303 copies, soon sold out. Now it reappears on black wax and obviously it still bangs. 'The Acid Test (DJ Spun mix)' is a heavy, raw jam with plenty of trippy details, warped pads and vocals that come and go so subtly you can't really be sure they're there. 'Never Coming Down' is a deep and dark workout with cold analogue hits and paranoid vocals, then '25th Century Acid Cat' is a little brighter with its synths but no less of a mind-fuck. 'Get Down' is gurgling, coruscated, sleazy and mid-tempo acid techno for the freaks. Brilliant.

Alex Webster / Founding Member & Bassist: "With 'Vile', the big story was that it was our first album with George Fisher," he says. "That was the big thing, really — how was the album going to do? And, how are people going to like George and the band, and everything else? That was the story of that album — making the transition from Chris [Barnes] to George. It ended up charting on the Billboard Top 200. That was our first appearance on that chart. So, we were very happy about that as you might imagine. It was a big deal for a death metal band. we were excited and eager to see how people would react to George, and it was overwhelmingly positive."

Ambient-Post-Rock aus San Diego, dem Rückzugsort der Millennials für Post-Hardcore. Aufgenommen zwischen den Tourneen zu "Tristeza", verwebt das zweite Album von The Album Leaf zarte Gitarrenklänge, klimperndes Klavier, nachdenkliche Synthesizer, unheimliche Feldaufnahmen und treibende Percussion zu einer Meditation über das Vergehen der Zeit. Diese remasterte 25-jährige Jubiläumsausgabe entspricht dem Original, mit neuen Anmerkungen des Autors Adam Gnade und bisher unveröffentlichten Fotos. Eine beeindruckende Stunde akustischer Photosynthese.

Crystal Clear Vinyl. Ambient-Post-Rock aus San Diego, dem Rückzugsort der Millennials für Post-Hardcore. Aufgenommen zwischen den Tourneen zu "Tristeza", verwebt das zweite Album von The Album Leaf zarte Gitarrenklänge, klimperndes Klavier, nachdenkliche Synthesizer, unheimliche Feldaufnahmen und treibende Percussion zu einer Meditation über das Vergehen der Zeit. Diese remasterte 25-jährige Jubiläumsausgabe entspricht dem Original, mit neuen Anmerkungen des Autors Adam Gnade und bisher unveröffentlichten Fotos. Eine beeindruckende Stunde akustischer Photosynthese.

Celebrating 30 years of the legendary label, we pick legendary bombs and unreleased gems from Black Vinyl Records rich catalogue. From its inception back in 1996 Black Vinyl Records has always been a label for the serious DJs. Tony Humphries, Paul Trouble Anderson, Ricky Morrison, Justin Berkman, David Morales, Bobby & Steve and most serious Underground DJ’s supported the original vinyl release of Kerri Chandler’s early masterpiece ‘My Old Friend Alan’, dedicated to label founder Alan Russell, and it gained many more supporters following its recent digital re-Master. The David Harness remix of Tedd Patterson’s ‘Roots’ appears on vinyl for the first time here and was featured in no less than 25 Traxsource DJ charts after it’s digital release in 2022, including luminaries such as DJ Pope, Quentin Harris, Kevin Yost, Charles Dockins, and many more. The vocal mix of ‘Fever Tension’ by Fresh & Low has always been a sought after gem, only ever appearing on a ‘Re:Cuts’ release in early noughties, and ‘Rising Into Joy’ by Arnold Jarvis was championed by Danny Rampling, Paul Trouble Anderson, Andy Ward, Deli G and all the 'heads' and is the definition of a Soulful House Classic.

2026 Repress on Yellow Vinyl



Flirty Ghost is an evocative LP by Rachel Kitchlew, a jazz and contemporary harpist known for pushing the boundaries of her instrument. A blend of jazz, ambient, and experimental sounds, the album was crafted in a spontaneous, deeply personal atmosphere, recorded late at night in the cozy, smoky setting of SFJ headquarters

featuring Alexis Taylor (Hot Chip), Dave Bardon, SFJ, Sholto ....



Inspired by everything from Henry Mancini to Dorothy Ashby, this LP captures an eerie, playful essence, like a ‘flirty ghost’, while celebrating exploration and self-expression. The album holds emotional depth, particularly in tracks like ‘Truncate’ and ‘Cyclical’, which were recorded shortly after the passing of Rachel's grandmother, Sheila Horton, whose work is featured on the back cover.



With the collaboration of close friends and talented musicians, ‘Flirty Ghost’ represents a new chapter for Rachel, marking a joyful departure from her solo harp work into a collective, experimental musical journey.

Shaped from fragile, emotionally charged piano motifs that distort, disappear and transform into dense, cinematic textures, 'CANALS' is a debut that's finely matured, the result of years of friendship and growth. Italian artist Vanja Sturno and Montréal-based Belgian-Spanish composer Pablo Geeraert (aka Sanea Ima) have worked together extensively on various projects up until now, but 'CANALS' is their first official release as a duo. Having both studied music academically, the pair were eager to work more intuitively, so applied their well-honed set of skills to sound that, instead of fitting into a conceptual box, reflected more personal experiences.

Back in 2023, Geeraert travelled to Rome to support his friend at a difficult time and, during the trip, received some bad news of his own. The complicated feelings unconsciously surged through a series of delicate Ryuichi Sakamoto-inspired piano improvisations and a new project began to coalesce. They didn't realize it at the time, but once the record was finished, Sturno and Geeraert began to understand that the entire process had been a form a joint catharsis - a release of pressure. They were able to function so effortlessly and swiftly because they had already provided the space for each other to resonate emotionally and the music flowed from that point.

So the album's title, while remaining ambiguous, suggests its formation: a sequence of eight interconnected channels that feed a creative whole. On the first segment, Sturno and Geeraert's initial recordings can be perceived most nakedly, the melancholy, Satie-like phrases floating peacefully for a moment before the tranquility is agitated by stormy distortions and swelled into thick waves of harmony. The piano provides the record with its emotional anchor, offering focus and clarity as multi-dimensional noise wells up around it before inevitably dissipating, leaving gentle, unadorned sounds once again.

And the familiar instrument is reshaped into a wheezing artificial organ on the animated 'CANALS III', punctuated by percussive, tape-warped pitch fluctuations that seem to bite into its very essence. Gauzy acoustic granulations snowball into a powerful, bass-heavy crescendo on the fourth part, setting the tenor for the album's second half. But after the crushing 'CANALS VI', possibly Sturno and Geeraert's heaviest track, a brief tremolo-heavy vignette that ripples through experimental rock and ambient music's braided history, the duo clear the air with a jazzy diversion, introducing soft woodwind blasts as a palate cleanser before an epic, widescreen finale.

It's an album that's best absorbed as a whole, a vortex of ritualistic, rhythmic repetitions that Sturno and Geeraert appropriately refer to as "spiral listening".

Recorded in New York in 1967, Silk & Soul is Nina Simone's second album for RCA. Despite arrangements that don't always best suit her voice, this album does contain classics "I Wish I Knew How It Would Feel To Be Free", which would become a Civil Rights anthem and "It Be's That Way Sometimes", written by her brother Sam Waymon. "The Turning Point"' is a song that seems to be about a child making a new friend, but turns out to question the origins of racism. Ms Simone also takes on Dusty Springfield by covering "The Look Of Love", which was originally featured in the 1966 James Bond spoof Casino Royale.

Silk & Soul is available as a limited edition of 2500 individually numbered copies on red vinyl.

Cory Wong's eagerly awaited new studio album, Lost In The Wonder! The collection spotlights Wong's remarkable gifts as a producer, writer, arranger, band leader, and master of modern pop craftsmanship, while of course never losing sight of his trademark guitar virtuosity. Lost In The Wonder further affirms Wong's enduring love of musical collaboration, boasting a truly eclectic range of guest artists that includes Taylor Hanson, Devon Gilfillian, Stephen Day, Cody Fry, Yam Haus, Louis Cato, Ellis, Elysia Biro, Benny Sings, Theo Katzman, and Magic City Hippies.

2026 Repress

Mountain021.1 is getting repressed on 45, slightly edited and re-mastered. The original record has been a sought-after piece of vinyl with no copies available on Discogs for more than a year. Support by Yamour, Lawrence, Mapache, Prosumer, Denis Kaznacheev and many others. On the A side we have Memorandum - heard at Giegling showcases - and Semper, an exercise in driving bass minimalism.

Nothing Left to Love is Counterparts' sixth studio album following 2017's You're Not You Anymore. Bookended by the powerful lyric “Will you love me when there’s nothing left to love?” — a desperate plea on commitment in the face of both mortality and morality — the album muses on many of the topics vocalist Brendan Murphy has in the past: life’s darkness, self-destructive tendencies and the self-flagellation they beget.

Numbered 150 copies on green vinyl.

The duo Sławek Pezda & Witek Ryć is a project by Krakow-based musicians, a hybrid of ambient, noise, experimental music, jazz, trance, electronica, and ethnic music. The two musicians' musical paths were united by the practice of meditation, which also significantly translates into their musical language and the need to share the peace that flows to the listener through sound.

In their recordings and live performances, the musicians utilize tenor saxophone, modular synthesizers, electronics, drums, flutes, drum pads, Tibetan bowls, gongs, and a wide array of percussion instruments. They have played together in improvised concerts, relaxation concerts, chamber sessions, and even spiritual jazz.

"Kardamon" is the result of one of the live sessions, where the rhythm, based on a simple pulse flowing from a frame drum, accompanied by Ankle Bells (Indian janissary bells played with the foot), is enriched by Sławek's tenor saxophone. In addition to the aforementioned instruments, a synthesizer and a Roland HPD 20 drum machine were also used, accompanied by various percussion instruments (shaker, chimes, bells, etc.), as well as a fragment of Witek's own field recordings from the Polesie National Park.

The remix on the B-side was created by DJ PLASH, who gave the duo's original sounds a completely new dimension. Plash (Marcin Przeplasko) is arguably one of the most sought-after DJs playing for b-girls and b-boys worldwide, a feat culminating in his official performance behind the turntables at the last Summer Olympics. PLASH is Witek's neighbor from Krakow's Nowa Huta district.

The front cover artwork is a painting by Witek Ryć, and the entire album was assembled and framed by Animisiewasz. Mastering was handled by Eprom. The single is limited to 150 copies and is being released by Funky Mamas and Papas Recordings, a label specializing in seven-inch singles since 2008.

The 10,000 strong party drew together DJs, fans, listeners, singers, live acts and MCs together to showcase every shade and style encompassing a 174 heartbeat. As the Finsbury Park fun continues and round two promising even bigger stage takeovers and a myriad of artist weaponry, we present an equally bursting drum & bass double disc, the 'Hospitality In The Park 2017' LP. In the same vein as our all- day summer special, this huge 70 track mash- up spans across a full 360' perspective of the genre; representing the established, up and coming, soulful, obscure, liquid, innovative, dark, techy, neuro, jungle style and everything in between.

Included are over 25 brand new exclusives from reputable drum & bass titans Danny Byrd, S.P.Y, Makoto and Keeno, there are VIPs from Metrik and Nu:Logic, remixes from Hugh Hardie, Total science, Camo & Krooked and Calibre, and a 'Bullet Proof' banger from Krakota. Across two mixed CDs we've drawn for this year's surefire summer weapons with Fred V & Grafix, The Prototypes, 1991, High Contrast, The Upbeats, Breakage in the mix. With this year's Incubator stage pulling artists that are rising through the ranks, up and comers' Whiney, Unglued, GLXY and Kyrist bring exciting new offerings to the compilation.

Both fans and artists came together from all over the globe last year and we expect no less in 2017. Equally, this compilation gives an international perspective covering all corners of the globe from Japan's Mountain, the USA's Flite and Ownglow, the Netherlands Black Sun Empire and New Zealand's Shapeshifter. Drum & bass is stronger than ever and it's here to stay. See you at the park!

On the 2024 Altered Circuits release Tropicana Tracks Rotterdam-based artist Betonkust paid tribute to the former subtropical pool (now a circular entrepreneurship hub) Tropicana of his hometown. ALT025 is the follow-up: the fallen-from-grace swimming paradise again fuels a club-oriented selection, inspired by, in the artist's words, "the electronic music from 1988 up until now", more specifically "the Benelux-sound". Tropicana Tracks Two kicks off in full gear with the zero swing drums and lately bass rhythms of Don't Think I'll Be Here Too Long setting the stage for intense synth stabs. Its counterpart comes by way of Realxing, which nonetheless uses similar patches. If the A1 is the thrill of the slides, this one feels like blissfully floating in the geothermally heated waters afterwards. Will Support on the reverse side takes on Detroit techno. Minimal in its composition, it is carried by tough, loopy minor fifth synth sections and prominently mixed rides. TV For Lonely People features more big bass catchiness and melancholic, silky melodies, glued together by vintage flanger treatment and chlorine-damp reverb. The production revels in what feels like the quintessential Betonkust sound. Innershades then joins for the encore, and, characteristically, the mood turns a bit darker. Letting Go Of The Dream is an emotional New Beat update, fully equipped with thudding drum works, haunting lo-fi vocals and pivotal 303 programming - a fitting reaffirmation of the long-standing ties between two of Low Countries Electronics's finest ambassadors.

Shed makes his first appearance on Dekmantel with Rave Echoes — a supple, mesmerising album of angular techno caught between the heat of peak time and the time-blurred hours after the club.

A combination of dreamlike atmospherics and rugged propulsion takes on many forms across the album. It's submerged and restrained on 'Loot 25', speckled with sharply sliced breaks on 'Everybody' and scattered across a sparse, steppy soundscape on 'Rave Predator'. Emotive, swooning strings collide with tough, squashed breakstep drums on 'Double Scoop' and 'Taking You Home' thrusts with urgency and rave romanticism in equal measure.

Wielding his signature blend of UK-school soundsystem pressure and Berlin-school techno momentum with poise and purpose, on Rave Echoes Shed offers a perfect impression of those wild, indescribable sensory overloads that leave their mark on anyone devoted to the dancefloor.

Ten years ago, Adolph Robert Thornton Jr. planted his flag. Released on February 19, 2016, King of Memphis wasn't just a debut studio album; it was a bold declaration of independence and a flawless blueprint for self-made success. To celebrate a decade of this foundational Southern rap masterpiece, Paper Route Empire is honoring Young Dolph’s legacy with a series of exclusive, limited-edition 10th Anniversary vinyl variants.

Before King of Memphis, Dolph had already built a massive underground following through a relentless run of mixtapes. But this official debut elevated him from a local hero to a national powerhouse.

By bypassing the major label system and releasing the project entirely through his own Paper Route Empire (PRE), Dolph proved that undeniable talent, relentless hustle, and business savvy were all you needed to take the crown. The album peaked in the Top 50 of the Billboard 200, an incredible feat for a fiercely independent artist at the time, and cemented his status as a CEO who called his own shots.

King of Memphis is all killer, no filler. Over 11 tracks, Dolph's signature slow-flow delivery and larger-than-life charisma glide over heavy-hitting, trap-defining production from a legendary lineup of producers, including Mike WiLL Made-It, Zaytoven, TM88, and Cassius Jay.

With zero guest features, the project relies entirely on Dolph’s magnetic presence. From the motivational hustler's anthem "Get Paid" to the menacing confidence of "Let Me See It" and "Royalty," the album plays like a victory lap for a self-made king.

Transamericas reissues Atom™’s Kraftwerk-goes-chachachá classic

After 25 years out of print, El Baile Alemán — the cult album by Señor Coconut (one of Atom™’s many aliases) — returns on vinyl via Transamericas. What began as a half-joke (“The only way I’d cover Kraftwerk is as chachachá or death metal…”) became a fever-born epiphany: Kraftwerk’s electronic minimalism recast through a tropical imagination — where chachachá, mambo, and cumbia intertwine with glitch, breakbeats, and distressed samples.

Long before reggaeton and trap filled stadiums and playlists, Señor Coconut was already mapping the fault lines between Latin rhythm and electronic form.
Originally released in Japan in 2000, El Baile Alemán caught the ear of Kraftwerk’s Florian Schneider, who unexpectedly championed the project. This reissue has been cut from Atom™’s 2022 remasters, preserving the album’s detail for a new generation of listeners. In the second half of 2026,

Transamericas will also reissue El Gran Baile (1997), his first outing — a rawer but equally idiosyncratic fusion of what Atom™ was going to frame as electrolatino.