Die Boomtown Rats waren eine der erfolgreichsten Bands der 1970er Jahre in Großbritannien. Ihr erwachsener Ihre realistischen Geschichten beflügelten die Fantasie des Massenpublikums. Als Anführer der Rats
führte Bob Geldof seine Band aus Dubliner Post-Punkern mit den britischen Nummer-1-Hits ”Rat Trap”
und ”I Don’t Like Monday’s” direkt an die Spitze der britischen Charts . ”THE FIRST 50 YEARS: SONGS
OF BOOMTOWN GLORY” auf Vinyl feiert die Höhepunkte der geschichtsträchtigen Karriere der Gruppe.
In der Klappcover-Hülle mit brandneuem Artwork und Kommentar wurden alle Titel von der Band selbst
ausgewählt. Dies wurde zeitgleich mit ihrer 50. Jubiläumstour veröffentlicht und ist das Allerbeste von
den Boomtown Rats und eine Zusammenstellung ihrer Texte und Melodien aus eigener Hand.
Erhältlich ab dem 19. September!
Suche:50
- A1: Looking After No 1
- A2: Kiss
- A3: Me & Howard Hughes
- A4: Here's A Postcard
- A5: Dave
- A6: Drag Me Down
- B1: Rat Trap
- B2: Someone's Looking At You
- B3: Banana Republic
- B4: Diamond Smiles
- B5: When The Night Comes
- B6: Mary Of The Fourth Form
- C1: There's No Tomorrow Like Today
- C2: The Elephant's Graveyard
- C3: She' So Modern
- C4: (I Never Loved) Eva Braun
- C5: Trash Glam Baby
- C6: The Boomtown Rats!
- D1: Like Clockwork
- D2: Neon Hear
- D3: Up All Night
- D4: Monster Monkeys
- D5: I Don't Like Mondays
- D6: Joey's On The Street Again
- A1: Bobby Rush & Jimmie Vaughan– Going Down
- A2: Benny Turner– Reconsider Baby
- A3: Jivin' Gene– Flip, Flop And Fly
- A4: Kam Franklin– You'll Lose A Good Thing
- A5: Lil' Ed Williams– If You Change Your Mind
- B1: Kim Wilson & The Fabulous Thunderbirds– Talkin' Bout My Friends
- B2: Mckinlley James– Those Lonely, Lonely Nights
- B3: Lurrie Bell– The Sky Is Crying
- B4: Ruthie Foster– Lead Me On
- C1: Doyle Bramhall Ii– Bad Boy
- C2: Big Bill Morganfield– Just Like A Bird Without A Feather
- C3: John Primer– Honest I Do
- C4: Eve Monsees– Lookin' Good
- C5: Lynn August– The Things That I Used To Do
- D1: C.j. Chenier– Willie The Wimp
- D2: Sue Foley– You Got Me Where You Want Me
- D3: Kam Franklin– If (I Could Be With You)
- D4: Lavelle White– Message From Miss Lavelle
- A1: Pinetop Perkins– Chicken Shack/Sugar Bear Intro
- A2: Jimmy Rogers– Walking By Myself
- A3: Sunnyland Slim– Built Up From The Ground
- A4: Otis Rush– Double Trouble
- A5: Eddie Taylor (2)– Bigtown Playboy
- A6: Buddy Guy– Look On Yonders Wall
- B1: Angela Strehli– What It Takes To Get A Good Woman
- B2: Albert Collins– Cold, Cold, Feeling
- B3: Gary Clark Jr.– Catfish Blues
- B4: James Cotton– Midnight Creeper
- A1: Lou Ann Barton– Sugar Coated Love
- A2: Snooky Pryor– I'm So Glad
- A3: Angela Strehli– It Hurts Me, Too
- A4: Lazy Lester– No Special Rider
- A5: Lavelle White– You're Gonna Make Me Cry
- A6: Doug Sahm– I Won't Cry
- B1: Marcia Ball, Lou Ann Barton, Angela Strehli– A Fool In Love
- B2: Doyle Bramhall– Too Sorry
- B3: Sue Foley– Gone Blind
- B4: Barbara Lynn– Hear From My Daddy
- B5: Kim Wilson– Don't Touch Me
- B6: Pinetop Perkins– Going Down Slow
- A1: Los Lobos– 300 Pounds Of Joy Pt. 1
- B1: Los Lobos– 300 Pounds Of Joy Pt. 2
The label is back with release number 11. A split EP that brings together two unique and complimentary styles of Bucharests finest producers, built on raw, underground old school grooves, refined with a present-day edge.
On the A-side, Elia Nafzger delivers two fluid and dynamic cuts with his signature bounce and warmth, a reflection of his deep roots and evolving presence on the scene.
On the flip, Guy From Downstairs strips things down to the essentials: groove-heavy, punchy and dancefloor-tested tracks, shaped by countless late nights and a trademark analog spirit.
Different shades, same dedication to the craft.
2025 repress. Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation's ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. The event gained international acclaim for its adventurous architectural design, visual art and electronic music. Some of Japan's most renowned composers were involved, but also present were the now-legendary rockers, the Flower Travellin' Band. A series of performances, billed as "Night Events" were held at the Expo; the most radical of these was "Beam Penetration and Mad Computer, plus the Minimal Sound of Motorcycles", but its anti-establishment feel and general madness took the Expo organizers by surprise and it was cancelled after only one night, despite being scheduled for a longer run. An air of myth developed around the event, but a recording of the event has been discovered and this release is the result. And what an event it was: a night-time sound-bomb with a fabled band, electronic sound and 50 motorcycles with horns blaring,spotlights, electronic billboards and a robot ― all flashing, roaring andhowling at the night sky. This release comprises a CD, a 10-inch record with fold-out sleeve and large obi, plus fascinating notes in Japanese and English by Kenichi Yasuda, an expert on Japanese rock music, and Koji Kawasaki, a renowned researcher of Japanese electronic music, as well as rare photos.
- A1: Intro
- A2: In My Hood
- A3: This Is 50
- A4: I'm Supposed To Die Tonight
- A5: Piggy Bank
- A6: Gatman And Robbin
- B1: Candy Shop
- B2: Outta Control
- B3: Get In My Car
- B4: Ski Mask Way
- B5: A Baltimore Love Thing
- C1: Ryder Music
- C2: Disco Inferno
- C3: Just A Lil Bit
- C4: Gunz Come Out
- C5: My Toy Soldier
- D1: Position Of Power
- D2: Build You Up
- D3: God Gave Me Style
- D4: So Amazing
- D5: I Don't Need 'Em
- D6: Hate It Or Love It (G-Unit Remix)
- A1: 車に乗って, Mixed By – Brian Mctear, Matthew Poirier
- A2: Idea01, Mixed By – Brian Mctear, Matt Schimelfenig
- A3: 墓場の蝶, Mixed By – Phil Ek
- A4: ウォールフラワー, Mixed By – Brian Mctear, Matt Schimelfenig
- B1: トレインは光へと向かう, Mixed By – Phil Ek
- B2: Lights, Mixed By – Brian Mctear, Matthew Poirier
- B3: 罪の国, Mixed By – Phil Ek
- C1: ダイヤモンド, Mixed By – Brian Mctear, Matt Schimelfenig
- C2: 掴めない, Mixed By – Brian Mctear, Matt Schimelfenig
- C3: わからないんだ, Mixed By – Brian Mctear, Matt Schimelfenig
- C4: 灰の下から, Mixed By – Brian Mctear, Matt Schimelfenig
- D1 19: 91, Mixed By – Brian Mctear, Matthew Poirier
- D2 27: Mixed By – Brian Mctear, Matthew Poirier
- D3: 落ちていく, Mixed By – Phil Ek
Die Rockikonen Rush feiern ihr 50-jähriges Jubiläum und präsentieren der Welt die erste vollständige RushAnthologie, die die gesamte Karriere der Band umspannt, mit 50 Titeln, darunter 7 unveröffentlichte, auf 4
CDs und 7 LPs. Den Auftakt der Sammlung bildet die allererste offzielle CD- und LP-Wiederveröffentlichung
der allerersten Singles der Band, „Not Fade Away“ und „You Can’t Fight It”. Abgerundet wird die Anthologie durch Auszüge aus jedem Studio-, Live- und Deluxe-Wiederveröffentlichungsalbum, das die Band
offziell veröffentlicht hat und Vault Editions von „Working Man“ und „The Trees“, die beide alternative
Gitarrensoli enthalten. Als nächstes folgen 5 unveröffentlichte Live-Songs aus dem Jahr 1974 und den
Abschluss der Feier bildet die feurige letzte Aufführung von „What You’re Doing / Working Man / Garden
Road“ mit Neil Peart am 1. August 2015 in Los Angeles.
Hugh Syme, der langjährige Kreativdirektor der Band entwarf brandneue Grafiken zum 50. Jubiläum
sowie neue Illustrationen. Die Rockjournalisten David Fricke und Phillip Wilding berichten in einem 100-
seitigen Hardcover-Buch, das in allen drei physischen Formaten erhältlich ist, anhand unglaublicher Fotos
der Band über ihre persönlichen Erfahrungen mit der Band und ihre größten Erfolge. Exklusiv für die Super
Deluxe Edition hat Fantoons als zweites gebundenes Buch einen 100-seitigen Graphic Novel erstellt
Celebrate 50 years of RUSH with their first-ever complete career anthology. . Igniting the experience are the very first two singles “Not Fade Away” and “You Can’t Fight It” remastered & reissued for the first time ever. The collection showcases 7 unreleased tracks including five 1974 live selections with the non-album songs “Bad Boy” and “Garden Road,” a Vault Edition of “The Trees” with an alternate guitar solo, and the very last performance with Neil Peart in Los Angeles on August 1, 2015 of “What You’re Doing / Working Man / Garden Road.” The 104-page hardcover book features new Hugh Syme 50th anniversary artwork along with stunning new song illustrations, photos and liner notes by renowned rock journalists David Fricke and Philip Wilding..
50 tracks on 7 180g LPs featuring selections from every studio, live and deluxe reissue album
50 frequency and amplitude modulated sine waves describing a landscape / Trigram for Earth. Trigram for Earth, by Flora Yin Wong, is inspired by traditional eight-sided Pakua mirrors and the trigrams inscribed on each of their edges. The function of the mirrors is to show the nature of reality as being composed of mutually opposing forces and modulate them. Here, energies seem to be manipulated to guide and direct our listening, lost in a maze of sound, diffracted to the point of merging with the artist's own listening, through her memories, her obsessions, the fragments she carries within her. Flora Yin Wong invites us to embark on a multi-faceted investigation of sound, a journey through the meanders of liberated sonic forces, an auscultation of her own listening and a portal, at last, ajar to a fragmented and forever mysterious inner world.In his work '50 frequency and amplitude modulated sine waves describing a landscape,' Sébastien Roux applies his approach to algorithmic composition to the observation of the natural world, bringing the sound of the sea and the song of birds into the electronic domain, transmuting them into each other through a slow process of gradual modulation. Exploring the abstract space of pure sounds between two naturalistic tableaux, Sébastien Roux offers us a fascinating meditation on the world of synthesis, revealing, with an economy of means and great formal elegance, the magic of sonic simulacrum (deepl propose simulacra, mais là je suis pas assez calé_) and the strange beauty of the artificial, in a gesture that is ultimately as poetic as it is musical.
- Bakerste Benk - Bjorn Eidsvag
- Langt Innpa Ville Heii - Sondre Bratland
- Lektie Fra Alle Helgens Messe - Nordstrand Kirkekor
- Een Dobbel Deylighed - Erik Bye
- Akk Mon Min Vei Til Kanaan - Skruk/Varsog
- Kilden - Ragnar Vigdal
- Pa Karl Johan - Det Norske Kammerkor Og Ytre Suloens Ja
- En Salme Fra Fordomte
- Haveprat Bjorn Eidsvag
- Da Barna Forsvant - Sigvart Dagsland
- Mitt Hjerte Hamrer Og Hamrer - Kari Bremnes
- Han Rakk Ikke A Elske - Jorn Simen Overli
- Slipp Mine Floyter Fri - Skruk Og Altiplano
- Nærmere Deg, Min Gud - Ole Paus
- Festung Europa - Sigvart Dagsland
- Min Dod Er Mig Til Gode - Iver Kleive Og Knut Reiersrud
- Scene I Skogen - Kari Bremnes
- Dilelol - Amel Kthyer, Halla Bassam/Eva Dahlgren
- Weakness (Is A Thing Called Man) - Knut Reiersrud
- The Carmel Of My Soul - Rim Banna
- Earth - Mahsa Vahdat Og Mighty Sam Mcclain
- Kyrie
- Summer Came With You - Maria Solheim
- Vær Her For Meg - Ellen Sofie Hovland
- Grat Og Dans - Solveig Slettahjell/Tord Gustavsen
- My Ruthless Companion - Mahsa/Marjan Vahdat/Kronos Quar
- Every Child Is A Prophet - Haneen Ayoub/Marthe Valle
- Hjerterota - Sarah Camille
- Me Va Samen - Randi Tytingvag Trio
- Inst Inni Meg - Tuva Syvertsen/Andreas Utnem
- Uprovde Friheter - Maria Mohn
Die Club Series 50/50 Cases in der Slanted-Version bieten durch das schräg abfallende Design der beiden Kofferhälften größtmöglichen Bedienkomfort beim Durchblättern. Im geteilten Betrieb sind so die vorderen Platten besser sichtbar und greifbar, während der hintere Teil der Scheiben besser gestützt und geschützt ist als bei einer herkömmlichen 50/50-Teilung. Die Case-Innovation von Reloop.
Features
klassisches Plattencase
robuste Konstruktion aus alubeschichtetem Holz
schräg geschnittenes Gehäuse mit abfallender 50/50-Teilung
abschließbare Low-Profile Butterfly-Verschlüsse
Schaumstoffpolsterung
einklappbarer Tragegriff
Deckel abnehmbar
runde Schutzecken
schützende Gummifüße an Deckel und Boden
technische Daten
für ca. 80 Platten - Maße: 360 x 275 x 350 mm
Gewicht: 4 kg
Following floor shaking four trackers on Bliss Point and his own Professional Music imprint, SPF 50 continues his roll on Amsterdam’s Dzungla label with the Terrarium Trek EP.
Terrarium Trek finds SPF 50 exploring the vanishing space between electronic and organic, returning to us with four sonic ecosystems encased in no-frills club melters. Each track thumps with life, conjuring the beauty, mystery and terror of the natural world, stomping and wriggling out of the sound system and immersing the dancefloor.
Composed using modular synthesis, sampling, and a process that eschews the rational for something deeper, with Terrarium Trek SPF 50 has once again gripped the unknown and pulled it into us, turning the club up, inside and out.
Der neue extra-kompakte RIOT LP-Trolley 50 ermöglicht den bequemen Transport von bis zu 50 12 Platten und entspricht den vorgegebenen Handgepäckabmessungen der meisten Airlines. Besonders vielreisende DJs, die wöchentlich auf Flughäfen oder Bahnhöfen unterwegs sind, werden sowohl die hochwertige, robuste Konstruktion des Trolleys, als auch die komfortablen und leicht laufenden Inlinerrollen zu schätzen wissen.
Kapazität für 50 12''Platten
Robuste und wasserdichte Tarpaulin-Oberfläche
PVC-beschichtete (wasserabweisende) #10 Zipper
Stabilisierender PVC-Korpus, 3 cm Bodenpolsterung und 1,5 cm starke Rundumpolsterung
Kugelgelagerte und leise laufende PU-Inlinerrollen
Robuster und im Inneren komplett versenkbarer Teleskop-Griff
Integrierter Regenschutz unterhalb der Trolley-Öffnung
Zipper des Hauptfachs ist abschließbar
Separates Frontfach für Kopfhörer und DJ-Nadeln oder 7''Singles
Abnehmbarer Schultergurt
Handgepäcktauglich bei den meisten Airlines
Außenmaße (H/B/T): 41 x 35,5 x 20 cm / Innenmaße: 31 x 32,5 x 16 cm
- A1: Touch And D-Stroy Feat. D-Stroy
- A2: Ladies First Freestyle Feat. Rah Digga & Angie Martinez
- A3: Double A Feat. Ag & Masta Ace
- A4: Hold That Feat. Busta Rhymes, J Doe, Reek Da Villain & Roc Marciano
- A5: You Know You Love This Feat. Lil Fame & Billy Danze
- B1: V.i.p. Feat. Too Short, Xzibit, Kurupt
- B2: Hit This Freestyle Feat. B-Real
- B3: Brooklyn's The Borough Feat. Papoose & Uncle Murda
- B4: Random Feat. Sean Price & Guilty Simpson
- B5: Thought Process Feat. Black Thought
- B6: Bars Feat. Styles P, Sheek Louch, Jadakiss
- B7: World Premier Feat. Liknuts
- C1: Unorthodox Feat. Raekwon, Jd Era, Ghostface Killah, Rza
- C2: Symphony In H Feat. Eminem
- C3: Bounce Feat. Twista & Bun B
- C4: One Person Thirstin Feat. Thirstin Howl Iii
- C5: Power Cypha Feat. Willie The Kid
- C6: A Queen's Thing Feat. Action Bronson & Kool G Rap
- C7: Take It To The Bronx Feat. Krs-One, Fat Joe & Sadat X
- D1: Aw Sux Feat. Termanology
- D2: Street Corner Freestyle Feat. Prodigy
- D3: Slaughter Session Feat. Joel Ortiz, Royce Da 5’9” & Crooked I
- D4: Let's Go Feat. Redman, Method Man & Erick Sermon
- D5: Questions Feat. Nore, Al Joseph, Reek Da Villain
- D6: Gmi Freestyle Feat. Gob Goblin, Starvin B & Spit Gemz
Originally released in 2013 and previously unreleased on vinyl, we are proud to present the 3rd volume in the Piece Maker series by legendary DJ Tony Touch. Featuring an incredible line up of MC's that includes Busta Rhymes, Reek da Villain, Roc Marciano, Lil' Fame, Too Short, Xzibit, Kurupt, B-Real, Papoose, Uncle Murda, Black Thought, Styles P, Sheek Louch, Jadakiss, Raekwon, Ghostface Killah, RZA, Eminem, Twista, Bun B, Action Bronson, Prodigy, Joell Ortiz, Royce da 5'9", KRS-One, Crooked I, Redman, Method Man, N.O.R.E. and Erick Sermon among others.



















