Neu bei Blue Note Records ist mit Saxofonist Branford Marsalis einer der bedeutendsten Jazzkünstler
unserer Zeit. Neben seinen Alben unter eigenem Namen hat er mit Jazz-Legenden wie Miles Davis und
Dizzy Gillespie gespielt sowie wichtige Pop-Alben mitgeprägt. Speziell seine Zusammenarbeit mit Sting ist
legendär.
Marsalis’ Blue-Note-Debüt „Belonging“ ist nicht nur, wie man es von dem Künstler kennt, ein meisterhaftes Modern-Jazz-Album geworden, sondern auch eine echte Überraschung: zusammen mit seinem
Quartett hat er eine vollständige Neuinterpretation von Keith Jarretts gleichnamigem ECM-Album von
1974 aufgenommen.
„Belonging“ ist Branford Marsalis‘ erste Neuveröffentlichung seit 2019 mit seinem Quartett mit Pianist
Joey Calderazzo, Bassist Eric Revis und Schlagzeuger Justin Faulkner. Die vier Musiker beweisen mit „Belonging“, wie die Auseinandersetzung mit einem bewunderten Werk und die Freiheit des Jazz ein neues,
ebenso eindrucksvolles Werk schaffen können.
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- A1: Black Strength
- A2: Who Said You're Not Our Man
- A3: Pasadena
- A4: Chief Wells Redux
- A5: Bayard Bush Flashback
- A6: Show Me Your Ideas
- A7: Rustin Walks Home
- A8: Makes You Want To Believe
- A9: Bayard Breaks Down The Meeting
- A10: I Ne'r Didst Dream
- A11: King To March
- A12: Work As One, Move As One
- A13: Dinner Music Cha-Cha
- A14: Louis Reads The Pledge
- A15: Bayard Cruising
- A16: The Day Of, Part Iii
- A17: Meeting At The Mall
- B1: How I Got Over
- B2: Fingertips Redux
- B3: King To March, Version 2
- B4: The Day Of, Part I
- B5: The Day Of, Part Ii
- B6: Moving To Utopia
- B7: Elias' Song
- B8: Press Conference
- B9: Roy Has Issues With Me
- B10: Bayard Breaks Down The Meeting, Version 1
- B11: Bayard Goes To See Martin
- B12: Didn't It Rain
- B13: The Knowing
Der Soundtrack zum Netflix-Film "Rustin" über den afroamerikanischen Bürgerrechtler Bayard Rustin, dem 1963 die Organisation des Marsches auf Washington mit über 200.000 Menschen gelang, einem Höhepunkt der US-Bürgerrechtsbewegung, auf dem Martin Luther King seine legendäre "I Have A Dream" Rede hielt. Komponist ist der renommierte Saxophonist, Dirigent und Jazzkomponist Branford Marsalis aus der weltberühmten Marsalis-Dynastie von Jazzmusikern, eine hoch angesehene Persönlichkeit der Jazzwelt mit einer beeindruckenden Liste von Auszeichnungen, darunter drei Grammys.
- A1: Black Strength
- A2: Who Said You're Not Our Man
- A3: Pasadena
- A4: Chief Wells Redux
- A5: Bayard Bush Flashback
- A6: Show Me Your Ideas
- A7: Rustin Walks Home
- A8: Makes You Want To Believe
- A9: Bayard Breaks Down The Meeting
- A10: I Ne'r Didst Dream
- A11: King To March
- A12: Work As One, Move As One
- A13: Dinner Music Cha-Cha
- A14: Louis Reads The Pledge
- A15: Bayard Cruising
- A16: The Day Of, Part Iii
- A17: Meeting At The Mall
- B1: How I Got Over
- B2: Fingertips Redux
- B3: King To March, Version 2
- B4: The Day Of, Part I
- B5: The Day Of, Part Ii
- B6: Moving To Utopia
- B7: Elias' Song
- B8: Press Conference
- B9: Roy Has Issues With Me
- B10: Bayard Breaks Down The Meeting, Version 1
- B11: Bayard Goes To See Martin
- B12: Didn't It Rain
- B13: The Knowing
We are excited to present you with the soundtrack from the Netflix film Rustin, composed by the renowned saxophonist, conductor, and jazz composer Branford Marsalis. Branford is a highly respected figure in the jazz world, with an impressive list of accolades including three Grammy Awards, one Tony Award, and one Emmy. He is also a member of the illustrious Marsalis family, a dynasty of jazz musicians.
„Twio“ hieß das fünfte Studioalbum des US-amerikanischen Tenorsaxofonisten Walter Smith III, das im
Februar 2018 bei Whirlwind Recordings veröffentlicht wurde. Der Titel war eine spielerische Wortschöpfung
aus „Trio“ und „Two“. Downbeat schrieb damals: „‘Twio‘ präsentiert den großartigen Tenorsaxophonisten in einem kompakten Trio-Setting. Sein Ton und seine Melodik sind umwerfend, gepaart mit reichem,
packendem Ideenreichtum“.
Für sein drittes Blue-Note-Album greift der Musiker jetzt das Konzept wieder auf und präsentiert mit
„Twio Vol. 2“ ein äußerst gelungenes Album mit klassischen Jazzstücken voll swingender Spielfreude. Das
Album besticht durch eine neue, wechselnde Besetzung mit Bassist Joe Sanders und Schlagzeuger Kendrick
Scott sowie Gastauftritten der Jazzlegenden Ron Carter am Bass und Branford Marsalis am Tenorsaxofon.
- A1: Funk Formula 1 (Intro) 0:32
- A2: The Power Of The One Featuring – George Benson, Williams Singers 4:58
- A3: Slide Eazy Featuring – Ellis Hall, Rod Castro 3:43
- A4: Creepin' Featuring – Christone "Kingfish" Ingram 4:53
- B1: Jam On Featuring – Brandon "Taz" Niederauer*, Snoop Dogg 5:02
- B2: Lips Turn Blue Featuring – Emmaline 4:10
- B3: Funkship Area-51 Featuring – Brother Nature, Christian Mcbride 3:59
- B4: Bewise Featuring – Robert "Bewise" Harding* 4:08
- C1: Soul Not 4 Sale Featuring – Hollywood Anderson 5:35
- C2: Club Funkateers Featuring – Branford Marsalis, Danielle René Withers*, Victor Wooten 3:32
- C3: Wantme2Stay Featuring – Branford Marsalis, Larry Graham, Uché 4:03
- C4: Funktropolis Featuring – Brother Nature, Johnny Davis 4:59
- D1: Wishing Well Featuring – Ellis Hall 5:35
- D2: Bootsy Off Broadway Featuring – Christian Mcbride, Emmaline, Frankie "Kash" Waddy* 3:22
- D3: Stargate Featuring – Dr. Cornel West*, Ellis Hall, Emisunshine, Victor Wooten 6:12
- D4: Stolen Dreams Featuring – Brother Nature, Henry Invisible*, Rod Castro (2) 3:52
- A1: Don't Want You No More; Written-By – Edward Hardin (2), Spencer Davis
- A2: It's Not My Cross To Bear; Written-By – Gregg Allman
- A3: Rocking Horse; Written-By – Allen Woody, Gregg Allman, Jack Pearson, Warren Haynes
- A4: Hot 'Lanta; Written-By – Berry Oakley, Butch Trucks, Dickey Betts, Duane Allman, Gregg Allman, Jai Johanny Johanson
- B1: Old Before My Time; Written-By – Gregg Allman, Warren Haynes
- B2: Come And Go Blues; Written-By – Gregg Allman
- B3: Desdemona; Written-By – Gregg Allman, Warren Haynes
- C1: Trouble No More; Written-By – Mckinley Morganfield
- C2: Midnight Rider; Written-By – Gregg Allman, Robert Payne
- C3: In Memory Of Elizabeth Reed (Part 1); Written-By – Dickey Betts
- D1: In Memory Of Elizabeth Reed (Part 2); Written-By – Dickey Betts
- E1: Statesboro Blues; Written-By – Bill Mctell*
- E2: Don't Keep Me Wonderin'; Written-By – Gregg Allman
- E3: The High Cost Of Low Living; Written-By – Gregg Allman, Jeff Anders, Ronnie Burgin, Warren Haynes
- E4: Melissa; Written-By – Gregg Allman
- F1: Soulshine; Written-By – Warren Haynes
- F2: Whipping Post; Saxophone – Branford Marsalis; Written-By – Gregg Allman
- A1: St Thomas 7 32
- A2: There Will Never Be Another You 5 52
- A3: Stay As Sweet As You Are 4 41
- A4: I've Told Ev'ry Little Star 4 52
- B1: How High The Moon 10 46
- B2: Oleo 6 00
- B3: Paul's Pal 9 30
- C1: Sonny Rollins Interview 1 54
- C2: It Don't Mean A Thing 4 54
- C3: Paul's Pal #2 7 00
- C4: Love Letters 5 34
- D1: I Remember You 6 50
- D2: I've Told Ev'ry Little Star #2 6 33
- D3: It Could Happen To You 3 27
- D4: Oleo #2 3 15
- D5: Will You Still Be Mine? 4 16
- D6: I've Told Ev'ry Little Star #3 4 26
- E1: I Want To Be Happy 4 08
- E2: A Weaver Of Dreams 4 12
- E3: It Don't Mean A Thing #2 4 31
- E4: Cocktails For Two 4 58
- E5: I've Told Ev'ry Little Star #4 5 54
- E6: I Want To Be Happy #2 5 15
- F1: Woody 'N' You 15 54
- G1: But Not For Me 17 39
- H1: Lady Bird 18 49
Freedom Weaver: The 1959 European Tour Recordings is the first official release of the 'Saxophone Colossus' Sonny Rollins’ European tour in 1959 with bassist Henry Grimes, and drummers Pete La Roca, Kenny Clarke and Joe Harris. Available previously only as a bootleg release, this is the first official release in cooperation with Sonny Rollins and released as a 3-CD set. Freedom Weaver includes an elaborate booklet with rare photos by Ed van der Elsken, Jean-Pierre Leloir, Bob Parent and many others; lead liners by jazz scholar Bob Blumenthal, and new interviews with Rollins himself, Branford Marsalis, James Carter, Joe Lovano, James Brandon Lewis and Peter Brötzmann. Mastered by the legendary mastering engineer Bernie Grundman.
Pressed on crystal clear vinyl housed in a gatefold jacket with Japanese stylized insert and deluxe obi strip. Remastered from the original analog tapes. This record is self produced by Miles himself! Without long time production collaborator Teo Macero, Miles chases new directions with this 1984 recording. Miles allowed keyboardist Robert Irving and guitar legend John Scofield to write most of the material on the LP. The record is dripping with some of the new sounds of synths which makes this a very unique entry in the Miles catalog. Decoy features John Scofield on guitar, Robert Irving on synths and programming, Darryl Jones on bass, Al Foster on drums, Mino Cinelu on percussion, Bill Evans on sax, and guest appearances from Branford Marsalis. Tracks: A1 Decoy A2 Robot 415 A3 Code M.D. A4 Freaky Deaky B1 What It Is B2 That's Right B3 That's What Happened
This record is self produced by Miles himself! Without long time production collaborator Teo Macero, Miles chases new directions with this 1984 recording. Miles allows keyboardist Robert Irving and guitar legend John Scofield to write most of the material on the LP. This record is dripping with some of the new sounds of synths which makes this a very unique entry in the Miles catalog. This album features John Scofield on guitar, Robert Irving on synths and programming, Darryl Jones on bass, Al Foster on drums, Mino Cinelu on percussion, Bill Evans on sax, and a guest appearance from Branford Marsalis.
- A1: Deep Moaning Blues (Feat. Maxayn Lewis)
- A2: El Train
- A3: Lazy Mama
- A4: Chicago Sun
- A5: Those Dogs Of Mine (Feat. Viola Davis)
- A6: Hear Me Talking To You (Instrumental)
- B1: The Story Of Memphis Green
- B2: Jump Song
- B3: Leftovers
- B4: Shoe Shopping
- B5: Deep Henderson
- C1: Reverend Gates
- C2: Ma Rainey’s Black Bottom (Feat. Maxayn Lewis)
- C3: Levee’s Song
- C4: Sweet Lil’ Baby Of Mine (Feat. Clint Johnson)
- C5: In The Shadow Of Joe Oliver
- C6: Hear Me Talking To You (Feat. Maxayn Lewis)
- D1: Levee And Dussie
- D2: Levee Confronts God
- D3: Sandman
- D4: Baby, Let Me Have It All (Feat. Clint Johnson)
- D5: Toledo’s Song
- D6: Chicago At Sunset
- D7: Skip, Skat, Doodle-Do (Feat. Cedric Watson)
Ma Rainey’s Black Bottom is the official soundtrack to the 2020 Netflix original film of the same name about “Mother of the Blues” Ma Rainey. The album features score music by critically-acclaimed saxophonist, instrumentalist, composer, bandleader and educator Branford Marsalis, as well as newly-recorded covers of both popular Ma Rainey tracks and blues and jazz standards from the era. The multi-GRAMMY Award® winner brings over four decades of experience across stylistic boundaries to the project, imbuing the film with an authentic 1920s Chicago soundscape. The film was directed by George C. Wolfe and stars Viola Davis and Chadwick Boseman. It is lauded by critics and moviegoers alike, and it is expected that Ma Rainey’s Black Bottom will be a favorite at many 2021 award ceremonies. Ma Rainey’s Black Bottom is available to watch on Netflix now.
- A1: Yes We Can Can – Allen Toussaint
- A2: World I Never Made – Dr. John
- A3: Back Water Blues – Irma Thomas
- A4: Gather By The River – Davell Crawford
- A5: Cryin' In The Streets – Buckwheat Zydeco
- B1: Canal Street Blues – Dr. Michael White
- B2: Brother John Is Gone / Herc-Jolly-John – Wild Magnolias
- B3: When The Saints Go Marching In – Eddie Bo
- B4: My Feet Can't Fail Me Now – Dirty Dozen Brass Band
- B5: Tou' Les Jours C'est Pas La Meme (Every Day Is Not The Same) – Carol Fran
- C1: L'ouragon (The Hurricane) – Beausoleil
- C2: Do You Know What It Means To Miss New Orleans –Preservation Hall Jazz Band
- C3: Prayer For New Orleans – Charlie Miller
- C4: What A Wonderful World (Feat. Donald Harrison) – The Wardell Quezergue Orchestra
- C5: Tipitina And Me – Allen Toussaint
- C6: Louisiana 1927 (With Members Of The New York Philharmonic) – Randy Newman And The Louisiana Philharmonic Orchestra
- D1: Do You Know What It Means – Davell Crawford *
- D2: Let's Work Together – Buckwheat Zydeco & Ry Cooder *
- D3: Crescent City Serenade – Dr. Michael White *
- D4: Walking By The River – Dr. John *
- D5: Do You Know What It Means (Feat. Donald Harrison) – The Wardell Quezergue Orchestra *
Nonesuch releases a remastered, special edition of the 2005 record Our New Orleans for the first time on vinyl. The two-LP set, also available digitally, includes five previously unreleased tracks: ‘Do You Know What It Means’, by Davell Crawford; ‘Let's Work Together’, by Buckwheat Zydeco and Ry Cooder; ‘Crescent City Serenade’, by Dr. Michael White; ‘Walking By the River’, by Dr. John; and ‘Do You Know What It Means’, by The Wardell Quezergue Orchestra featuring Donald Harrison.
The $1.5 million raised from the 2005 release went toward providing housing in partnership with low-income musicians and others through the New Orleans Habitat Musicians’ Village, a concept that was developed by New Orleans Area Habitat for Humanity, working with Branford Marsalis and Harry Connick, Jr. Habitat–built homes in the village now provide musicians and others of modest means the opportunity to buy decent, affordable housing. The centerpiece of the village is the Ellis Marsalis Center for Music, dedicated to celebrating the music and musicians of New Orleans and to the education and development of homeowners and others who live nearby.
For Our New Orleans, many of the Crescent City’s best-known musicians recorded songs that are integral to their lives and that express their feelings about the city and the trauma of Katrina. The album was made swiftly and simply, over the course of a month, in one-day sessions across the country. Nick Spitzer, host of public radio’s New Orleans–based American Routes, contributed liner notes to the record, as did Pulitzer Prize–winning author Richard Ford, also a Crescent City resident. Other producers who made enormous contributions include Mark Bingham, Ry Cooder, Joel and Adam Dorn, Steve Epstein, Joe Henry, Doug Petty, Matt Sakakeeny, and Hal Willner.
Nonesuch’s parent company – Warner Records, part of the Warner Music Group – donated all production costs for Our New Orleans as part of the Group’s larger efforts on behalf of hurricane victims on the Gulf Coast. Many others involved in creating the album also generously donated their time and services.
Nonesuch President David Bither recalls, “What was most remarkable to me was the immediate response of the musicians. Many were in New Orleans when Katrina struck. Many lost everything they owned including even the musical instruments that are their livelihood. Yet they responded within days to the question of whether they might participate in this project. The emotion and the power of Our New Orleans come both from their anguish and from their incredible generosity.”
And the label’s Chairman Emeritus Bob Hurwitz said, “When we pick up a CD booklet, we usually skip over the page that says, ‘Special thanks to…’, but in the case of Our New Orleans, it is, after the listing of the musician’s names, the most important part of this package. Everyone wanted to help – studios that insisted on contributing free time, caterers, photographers and videographers, instrument rentals, producers, engineers – every step down the line, people gave, not only their profits, but absorbed all of their costs. It was an incredible outpouring of generosity.”
“Our New Orleans is a testament to the power of music to heal and provide a sense of community,” said Marguerite Oestreicher, Executive Director of New Orleans Area Habitat for Humanity. “Musicians helped the city heal after Hurricane Katrina, and Musicians’ Village helped them come home. We’re grateful to Nonesuch and everyone who worked on this album. This year has brought new challenges to everyone, but especially to our culture-bearers. This re-release could not be more timely.”
- A1: Saint Stephen
- A2: Bertha
- A3: Wharf Rat
- B1: Jack Straw
- B2: Truckin
- C1: Sugar Magnolia
- C2: Morning Dew
- D1: Brown-Eyed Woman
- D2: The Music Never Stopped
- D3: Estimated Prophet
The Grateful Dead forged its legend on the road, traveling countless miles between 1965 and 1995 to perform a world record 2,318 shows for millions of devoted fans. The band's refusal to ever play a song the same way twice has endeared generations of fans, many of whom prefer certain live versions of songs over their studio counterparts, and garnered the popular phrase among Dead Heads: There is nothing like a Grateful Dead concert.'
The live albums the band released during its 30-year career are the primary source for the collection, including tracks like Bertha' from Grateful Dead (Skull & Roses) (1971), Fire On The Mountain' from Dead Set (1981), and The Music Never Stopped' from One From the Vault (1991). A testament to its ongoing popularity, the revered double-album Europe '72 (1972), is represented by no less than five tracks, including Sugar Magnolia,' Jack Straw' and a searing rendition of Morning Dew.'
Other performances on the set were selected from the growing number of live releases that have emerged since the death of founding member Jerry Garcia in 1995. Some of those recordings include Touch Of Grey' from Truckin' Up To Buffalo (2005), a 1990 version of Eyes Of The World' with saxophonist Branford Marsalis featured on Wake Up To Find Out (2014), and Estimated Prophet,' which debuted earlier this year as part of Cornell 5/8/77, a recording of the Grateful Dead's mythic show at Cornell University in 1977, thought by many to be the band's greatest live performance.
Made for die-hard Dead Heads and new fans alike, The Best Of The Grateful Dead Live Vol. 1 1969-1977 will be available as a on 180-gram vinyl as a 2-LP set, covering the first half of the album, on March 23rd. The music will be available through digital and streaming services as well.
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