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COCANHA - FLAME FOLCLòRE
  • 1: Remenanuèch
  • 2: Fòrabanda
  • 3: Adissiatz Palhassonaira
  • 4: Clam
  • 5: La Majorana
  • 6: Au Nòst' Casalòt
  • 7: Diuré Tremblar
  • 8: Diuré Samsir
  • 9: A L'amistat
  • 10: Flame Folclòre
  • 11: Lo Mes De Mai
  • 12: Jana D'aimé

With Flame Folclòre, Cocanha continues reclaiming Occitan folklore as a living, political and embodied space. For Lila Fraysse and Caroline Dufau, folklore is neither decoration nor nostalgia. It is a site of struggle, where narratives, identities and imaginaries are constantly renegotiated. Drawing from fragments of traditional Occitan music, the duo composes, reshapes and rewrites. Ancient melodies intertwine with original texts in a contemporary language that echoes both subversive Occitan memories and present-day struggles. The voice becomes a chronicle of now, a way of inhabiting the present. Driven by hypnotic polyphony and the deep pulse of stringed tambourines, the album embraces a minimal, physical and grounded aesthetic. Repetition acts as propulsion, dance as function. Cocanha"s practice is collective by nature: to gather, to move, to fuel a joyful struggle around reclaiming the commons. Produced by Raül Refree, Flame Folclòre intensifies the dialogue between memory and transformation. Voices strike, revolve and respond, opening a circular space where folklore is no longer frozen but alive and burning in the present.

pre-ordina ora15.05.2026

dovrebbe essere pubblicato su 15.05.2026

22,65
LUCAS SANTTANA - BRASILIANO LP

LUCAS SANTTANA

BRASILIANO LP

12inchNOF69LP
NO FORMAT
13.03.2026

Lucas Santtana’s tenth album celebrates the vitality and musicality of the Romance languages.
The heir to Brazilian tropicalism, Santtana marks 25 years of his career with Brasiliano, a true collective celebration that brings together prestigious collaborators: Gilberto Gil, Oxmo Puccino, Flavia Coelho, Piers Faccini, Chico César, Paralamas do Sucesso, Cocanha, Dimartino, Karyna Gomes, Tainara Takua, Rachel Reis and Maria Lado.
Sung in eight different languages, Brasiliano is both an ode to linguistic diversity and a testament to its symbolic power. Carried by luminous and layered arrangements where voices intertwine like a polyphonic conversation, the album treats language as a musical instrument in its own right, but also as a political tool. Santtana questions cultural heritage, identity, colonial memory, and the possibility of a shared language. With his singular approach—blending popular rhythms, contemporary soundscapes and vibrant melodies—he celebrates the love and exchange embodied in Romance languages, where music becomes fertile ground for encounters and reinvention.

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