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Banoffee Pies Originals continue with the 26th release in the series. D. Tiffany returns to the imprint with another collab outing, this time partnering with Ciel as the duo combine under their Psychedelic Budz moniker. Two of Canadas finest deliver two dynamic, off kilter club hitters with a special appearance from Adam Pits under his Lil Mushroom alias. Heavy and versatile productions for dance floor rotation from artists who have carefully honed their craft.

Berlin based, D. Tiffany of Vancouver, is a DJ, Producer and label boss at Planet Euphorique. Now returning to the Banoffee imprint following their Plushmanagements inc insert with regularfantasy back in 2016. A welcomed entry from prog trance revivalist who’s essential output continues to blossom.

Toronto based multi disciplinary artist Ciel whose contributions to the music sphere remain committed to diversity, inclusivity & community with a prolific career as a producer, DJ, pianist & composer ++ They’ve found involvement across groundbreaking projects like Discwoman, co founded label Parallel Minds & released notable contributions to labels such as !K7, Peach Discs, Coastal Haze & UU, all while continuing their monthly position as a Rinse FM resident.

Starring Audrey Hepburn and George Peppard, Breakfast at Tiffany's was one of the most popular and iconic films in the history of American cinema. This release presents Henry Mancini's complete album Breakfast at Tiffany's. As a bonus Audrey Hepburn's version of "Moon River" from the film (both singing and accompanying herself on guitar) has been added. The complete album +1 Bonus track - 180 Gram Virgin Vinyl - Limited Edition.

Starring Audrey Hepburn and George Peppard, Breakfast at Tiffany's was one of the most popular and iconic films in the history of American cinema. This release presents Henry Mancini's complete album Breakfast at Tiffany's. As a bonus Audrey Hepburn's version of "Moon River" from the film (both singing and accompanying herself on guitar) has been added. The complete album +1 Bonus track - 180 Gram Virgin Vinyl - Limited Edition.

Though their album was cut in two days over the course of 2 eight hour sessions their arrangements shine through what was a scattered recording session. "We really worked hard in the studio even though we didn't have enough time to do all the things we wanted to do with music," bassist Robb Murphy remembers. "We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience.

We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn't get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice." guitarist Mike Barnes recalls.

Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album's release in '68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn't last and went their separate ways in '69.

Heavenly, crystalline psychedelic sounds, in our favored stereo mix! Jazzy, acoustic guitars and stacked Association-like harmonies showcase Tiffany Shade's gorgeous originals and a rendition of Love's "Softly To Me." Pressed on lavender vinyl! After a chance meeting in a record store, this Cleveland band got their start on Upbeat!, a local teen dance show similar to American Bandstand. Though their album was cut in two days over the course of 2 eight hour sessions, their arrangements shine through what was a scattered recording session. "We really worked hard in the studio even though we didn't have enough time to do all the things we wanted to do with music," bassist Robb Murphy remembers. "We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience. We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn't get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice." guitarist Mike Barnes recalls. Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album's release in '68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn't last and went their separate ways in '69.

The LP includes a bonus track taken from the actual movie soundtrack, but not present on the original LP. The track feature Audrey Hepburn on vocals with orchestral backing. "This effervescent soundtrack for Blake Edwards' adaption of Truman Capote's wistful novella propelled Mancini into the major league of Hollywood composers. Though there were other jazz-oriented arrangers working
in Hollywood at the time, none possessed Mancini's imagination and skill in orchestration." - All Music

Terrestrial Funk presents a piece of Detroit history. Born and raised in Motor City, Karl Fultz knew at the age of twelve that he wanted to be the most talented and successful DJ in the world. In 1999 he released on Juan Atkins’ Metroplex under the alias People Mover and in 2000 he released as Black Electric on Puzzlebox. Inspired by British synth-pop duo Eurythmics, Fultz says Black Electric was a way to get more women involved in the techno movement. Together alongside vocalists Tiffany Elliott, Kim Glover & Talena Fultz, Black Electric brought sex appeal to the scene. Their first and only release stays in demand and has become inaccessible until now. Terrestrial Funk’s reissue provides two fresh cuts on the new 12”. ‘Purple’ a chugging Detroit acid track describing soul modification to enhance intimacy and a proper bassed out club mix of the nasty electro sex song ‘Work That’, which was only featured as an acapella on the original release. Black Electric stands as a testament to turn of the century Detroit and the city’s undying devotion to expand our connection to music.

In the evolving landscape of modern Southern hip-hop, the pairing of Starlito and Bandplay stands out as a unique bridge between street-level authenticity and refined, calculated musicality. Their collaborative project, Not The Country You Know, functions less like a standard release and more as a manifesto—a masterclass in the chemistry between a seasoned, introspective lyricist and a producer who possesses an intuitive grasp of the region's pulse. It is an exploration of legacy and adaptation, capturing the tension between where they came from and where the culture is currently headed.

Bandplay, long recognized for sculpting the sonic identity of Memphis icons, brings his signature, trunk-rattling 808s to the project, yet he manages to pivot here. The production feels remarkably expansive, masterfully blending the raw, stripped-back aesthetics of classic Tennessee rap with forward-thinking textures that refuse to be confined to a single sub-genre. Complementing this, Starlito operates with his trademark mix of cynical observation and genuine vulnerability. He navigates these beats with the weary grace of an artist who has weathered the music industry's relentless cycles, treating every bar like a necessary piece of a larger, ongoing story.

The album’s title serves as a direct commentary on these shifting tides. Across the tracklist, the duo investigates the growing disparity between the romanticized South and the cold realities of the streets, alongside the inevitable evolution of the music business itself. There is no frantic chasing of streaming-era trends or algorithmic bait here; instead, the project remains a stubborn, confident assertion of artistic identity. By weaving together Starlito’s "voice-of-reason" flow and Bandplay’s evolving, genre-bending sound, Not The Country You Know challenges the listener to abandon their preconceived notions of the region, offering instead a complex, urgent vision of a South that is as haunting as it is vibrant.

Celebrate the epic conclusion of Netflix’s Stranger Things with the official Season 5 soundtrack, a nostalgic journey back to 1987. Featuring iconic tracks that underscore the final battle in Hawkins.

2026 Repress

HOLY GRAIL ALERT!!! Following on 2021’s massive reboot of Midnight Magic’s seminal classic Beam Me Up, Razor-N-Tape have now unearthed a bit of NYC indie disco history with 'I Found Love.'

Although recorded over 10 years ago in Midnight Magic’s nascent early period that produced many of their legendary hits, the song never received an official release; until now it has been heard only by select ears and lucky concert-goers. The package comes with a grip of luminous remixes by Dimitri From Paris & DJ Rocca, Sophie Lloyd, Perel, some solicited at the time of recording and some brand new, but all exceptionally fresh!

Here are some words about the song by the band:

“'I Found Love' was recorded in a fever on the heels of releasing 'Beam Me Up' New York dance music wizard Tommie Sunshine approached us about a co-write saying we should go as big as possible. So we did, it is one of our all time favorite vocal performances from our singer, Tiffany Roth. We had big plans, too, for a release but nothing quite felt right until meeting the Razor N Tape crew almost a decade later. Finally the stage is set, the lights are on, and we're ready. This song is very special to us because it is the last unreleased recording of our original lineup. We dedicate its release to our late bandmates Andrew Frawley and Jason Disu.”

The follow up to his 2017 album, Produced With Love II is a collection of brand new songs from one of the UK's most longstanding, respected and fiercely independent artists. In a flash-in-the-pan industry like music, Dave Lee's career is notable for both its longevity and consistency. As a record producer and remixer, DJ and curator, he's now clocked up well over 30 years and, if such things existed, would be nailed on for a carriage clock for long service to add to the numerous hits and landmarks he's enjoyed over a storied career. His latest album, Produced With Love II, continues the work he started with 2017's superb collection. Incorporating aspects of house, soul and disco and crafted with the attention to detail you'd expect from someone of Lee's heritage and calibre, Produced With Love II comprises 12 brand new songs and will arrive in June 2022. The writing process has always remained the same and Dave has always preferred to work face-to-face with artists whenever possible - albeit with a few enforced remote sessions due to the pandemic.

We've got two brand spanking new exclusives for the latest Z Records 7 inch record. First up is 'Reach For It' Afrom The Sunburst Band with it's uplifting Mtume/Lucas feel, glorious vocals from New Jersey singer Tiffany T'zelle (fans will know her from Dave Lee's 'Produced With Love II' album) and all the usual star players of The Sunburst Band. Then making her debut on ZR is Queen B Unlimited with '27 Sided', an ultra smooth dose of modern disco-soul. It's and expertly produced love song about us all being different shapes, trying to find our match, we suggest turning the lights down low for this one.

Ambien Baby is the collaborative project by D Tiffany and NAP, which serves as a borderless zone for both friends to channel a freewheeling experimentation with whatever sounds they happen to be jiving with in the moment. Simply put, Ambien Baby is two BFF's letting loose with no rules, just pure freak and joy. The nature of this joint exploration is clearly evident throughout their raucous and varied releases, which have ranged from downtempo to electro and deep into techno and trance regions.

We're delighted to have Ambien Baby landing on Turbo for their collaborative debut on the label. The Canadian connection bears fruit with the Masa EP, which lifts off from a psychedelic foundation drenched in Latin influence. Across the three original tracks, D Tiffany & NAP shift through percussive breakbeats, dubbed-out techno, and trippy vocal chops a-plenty. Roza Terenzi & DNGDNGDNG provide remixes for the late-night affairs.

The Spinning Plates imprint returns this October with Club Winston’s ‘Guzzle’ EP, comprised of four gritty club workouts from the London artist.

The UK’s Club Winston has been steadily unveiling a series of tripped-out club ready cuts via his own UKGEORGE label over the past few years along with remixes from the likes of D.Tiffany and Tim Reaper. Here though we see him join the roster of Spinning Plates with his latest collection of works, an imprint that’s played host to material from the likes of SHKN, Neksha, Andy Rantzen, DJ Spider and Bruno Schmidt since its inception in 2015.

Title-track ‘Guzzle’ leads, laid out across five minutes with a menacing arpeggio bass lead, howling atmospherics and crunchy analogue drums. ‘Hell’ follows and tips the focus over to heavy doses of sub bass, intricately dynamic, modulating drums and intense swells of processed synths throughout.

Opening the flip-side is ‘Chart’, upping the energy levels with a pacey 4/4 drum groove while twitchy resonant synth lines, low-end pulsations and cavernous reverberations ebb and flow throughout. ‘Partook’ then rounds out the release, a cinematic ambient composition which lays focus on swirling, textural pads, glitched out resonant bleeps and fluttering low end hits.

Mit seinem neuen Studioalbum „Cinematic“ widmet sich der Multi-Platin-Vokalist Josh Groban den großen Momenten der Filmgeschichte.
Die Auswahl reicht von Oscar-prämierten Klassikern wie „Can You Feel the Love Tonight“ (Der König der Löwen) und „Skyfall“ (James Bond) bis hin zu zeitlosen Standards wie „As Time Goes By“ (Casablanca) und „Moon River“ (Frühstück bei Tiffany).
Hochkarätige Kollaborationen: Ein besonderes Augenmerk liegt auf dem Duett „Unchained Melody“ mit Jennifer Hudson sowie einer persönlichen Interpretation von „Moon River“ zusammen mit seinem Bruder Jack Groban.
Orchestrale Inszenierung: Produziert von Greg Wells (u. a. The Greatest Showman), besticht das Album durch opulente orchestrale Arrangements, die in Los Angeles und London aufgenommen wurden.

Munich's machine enthusiasts 9ms return to Squama with their third album 'Lunch'.
More heterogenic than its predecessors, the album incorporates Dub-infused IDM, cinematic slow jams and off-kilter drum workouts giving the daring DJ plenty of material to treat dancefloors and listening rooms alike.
On their previous albums Pleats (2021) and II (2023) Florian König and Simon Popp mapped out the musical symbiosis between man and machine, using motion sensors to translate their bodies' movement while playing drums into sound. On Lunch the conceptual centerpiece is the pendulum. Neither man, nor machine, its steady movement is converted into analog voltage with what's called a gyroscope, allowing it to trigger and control any parameter in the duo's setup.
The album was conceived over the course of a year in weekly morning sessions that had to be wrapped up by lunch due to family obligations. The temporal limits, as paradoxically is often the case, turned out to be quite liberating and resulted in a more playful and fearless process.
"We worked pretty efficiently, but since there was no deadline for the album to be finished, the whole process felt very light". The duo also freed themselves from the limitations of having a recording setup that's reproducible for touring.
"We didn't think about the live aspect at all this time." So for every session they would choose from a wide array of instruments and machines, an abundance that has inspired the record's artwork, overflowing with words from the list of gear used on the record.
Sonically, 9ms keep on forging their own niche with thick, compressed drums set against wide stereo-processed soundscapes and a genuine curiosity that's pleasantly contagious.