IDLA News
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This electrifying album captures all of the grit, sweat and devastating guitar playing that has propelled Sue Foley to the top of the Blues world in 2023. Here, Sue reaches back and delivers first-ever live recordings of some of her early hits, deep covers, and some surprises too!
First arriving in Austin in 1991 at the urging of nightclub impresario Clifford Antone, it's in that era of Austin where she cut her teeth amongst infamous Texas guitar slingers like Albert Collins and The Vaughan Brothers. It's all come down to this one hot Friday night in Austin, playing to a packed club. It's real. And it's tough as nails. That's Sue at the top of her game. This past May, Foley was awarded the Blues Music Award for Traditional Blues Female Artist (Koko Taylor Award) in Memphis TN -- an award she also won in 2022 and 2020. She was also recently honored with Guitarist of the Year and
Blues Act of the Year at the 2023 Austin Music Award, and Guitarist of the Year at the 2023 Maple Blues Awards. Her last album, Pinky's Blues took home Best Traditional Blues Album at the 2022 Blues Music Awards.
- A1: Everything Now (Feat Stanton Moore)
- A2: Keeping Me Up
- A3: Papa's In The Pen (Feat Aaron Sterling)
- A4: Take Your Time (Feat Jimmie Vaughan)
- A5: To Tell You The Truth (I Lied) (I Lied)
- B1: My Luck (Feat Rob Mcneeley)
- B2: It's Not Raining In La
- B3: When You Left (Feat The Texas Horns)
- B4: Works Every Time
- B5: I Choose You
- B6: Good To Be True (Feat Gordie Johnson (Big Sugar)
Der kanadische Sänger/Gitarrist JW-Jones, Billboard Top 10 Blues Artist, IBC-Gewinner 2020 und JUNO-Nominierter, ist mit seiner 12. Veröffentlichung zurück. Nachdem er bei der International Blues Challenge 2020 in Memphis als „Bester Gitarrist“ ausgezeichnet wurde, begann Jones mit der Arbeit an „Everything Now“, einem reinen Originalprojekt mit Special Guest Jimmie Vaughan und einer Produktion von Gordie Johnson (Big Sugar). "Lieder! Es dreht sich alles um die Songs!“ sagte der von JUNO nominierte Jones, dessen sengende Kunstfertigkeit in den letzten Jahren von den legendären Blueskünstlern Buddy Guy und Chuck Leavell (The Rolling Stones) gelobt wurde. „Während es viele brennende Leadgitarrensoli gibt, wollte ich mich öffnen und mit den Texten persönlicher denn je werden. Von der wahren Geschichte „Papa’s in the Pen“ bis „When You Left“, die ich mit Tränen über den Tod meiner Mutter gesungen habe, sind dies Geschichten, die ich endlich durch meine Musik teilen
kann.“
- A1: Rooftop Garden
- A2: Love Will Tear Us Apart
- A3: Heaven
- A4: Computer Love
- B1: Particle Man
- B2: Cemetery Polka
- B3: Eyes Without A Face
- B4: Free Fallin
- C1: Forever Young
- C2: Watching You Without Me
- C3: New Horizon/Along Came Ra/We Travel The Spaceways (Medley)
- D1: Dark Eyes
- D2: Maid Of Orleans
- D3: Coming In From The Cold
- A1: Girl In The Crowd
- A2: Old & Ugly
- A3: Warren's Van
- A4: Fool's Errand
- B1: Dodge
- B2: What Can You Do
- B3: Him Or Me (What's It Gonna Be) (What's It Gonna Be)
- B4: Chinook Arch
- C1: Behind The Wheel
- C2: Cool For My Kids (Good Lookin' For My Wife) (Good Lookin' For My Wife)
- C3: The 'She's Gone To California To Find Herself' Blues
- C4: Southern Cross
- D1: Five Million Songs
- D2: Fly At Night
- D3: Barricades
- D4: The Last One
Three locations. Three pianos. Three hours on each. I was told where and when the piano would be ready. I would go, play, and leave. Very little was said. All pieces were improvised. There were no demos, run throughs, re-dos, or edits. At times I was responding to the natural reverb of the spaces, as well as the effects and sound treatments that Mark was adding in tandem with the performances.
What you hear is what happened there and then, at the end of the challenging year that was 2020. Kevin Hearn is best known as a multi-instrumentalist from Barenaked Ladies, the multi-platinum selling band he's played with for almost two decades. One of the most respected Toronto musicians of the past 25 years, Hearn's solo albums take the listener on a journey of boundless creativity often
driven by adventure and experimentation. 'There and Then' is played at 45RPM, and is intended to be enjoyed on the warmth of vinyl, but will also be released digitally.
"It's fun for me to make music that doesn't have to fit a certain criteria, whether it be regarding the style or sound, or who is playing it. When I make my own records, I can follow my heart and curiosity." - Kevin Hearn
The followup to 2019's 'Calm and Cents', which was Juno-nominated for Best instrumental Album of the Year.
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