Absys Records News

We are excited to unveil our debut vinyl release, marking a milestone in our journey. This exclusive record features cutting-edge techno tracks crafted by two Irish artists-Dylan and Luc-who have been regular visitors in our Dublin-based studio.
With six tracks pressed in limited quantities, this release is a must-have for all local and worldwide collectors and enthusiasts alike.

2025 Repress

B2 track ends in a 4 beat locked groove.

Hi girls! Don't tell your boyfriend you need this record. It's so dirty! He can't compete.

With his second release, "Wrong Friends Keep Colouring My Days EP," Easy comes through with an audacious two-tracker on the Doublecross XX imprint. And you thought he would change his style? Think again. Side A is a gritty breakbeat track influenced by Rotterdam gabber and early breakcore. The B-side is a tribute to the raw teknival sound of the '90s, combined with 2020s-style hardcore footwork.

Berlin scene figurehead Gilles Aiken, AKA Edward, coming through with a massive Kalahari debut (and it’s safe to say he understood the assignment).

Booting off on a massive remix tip as the veteran producer reinterprets Mike Parker & Aric Rist’s Trybet project, but trust him to allow for a moment of dancefloor introspection. It’s prime early morning gear in a rousing juxtaposition of beatific string harmony and tough-as-nails deepness. Triumphant ‘window shutters open in the club at 5 AM’-type shit.

The other two are quintessential Edward: impressionistic, widescreen odysseys across lysergic terrain, but groove-forward where it counts. A pair of head-spinning explorations intended for the dancefloor, flush with shadowy flex, insectoid detail and tripped-out flourishes while keeping it funked-out in the tradition of Detroit.

The ‘Deep Sea Villain EP’ plumbs the depths of smudged abstraction, and as we’ve come to expect from Edward, it’s big on hallucinatory detail. It all oozes the multi-layered surrealism that typifies his best work. Proper transcendent biz.

- 2025 repress -

French artist Guillaume Labadie, better known as I Hate Models, started to play "Toro" in his sets at the beginning of 2022, a track that was originally released in 2011 and has been through a variety of different versions, styles and audiences. The Mexican producer Andre VII created the original remix and I Hate Models edited a speeded up version to fit into his playing style that got a huge response from clubs around the globe. The track has exploded on social networks, bringing a new buzz to this classic with its unofficial version, going viral on Tik Tok, generating thousands and thousands of videos and reaching Spotify's Top 50 Viral tunes organically, we are happy to release the edit officially on Mushroom Pillow.

Closing out the year with force, ELEKTRASH takes the helm of The Rose Island's fifth release, delivering a striking EP thatfuses raw industrial energy, broken rhythms, and deep,cinematic atmospheres.

Some light is leaking under a door. Endlec cuts out 4 tracks and 3 loops. Arriving as a warning before it's real.

***
I was born
to hustle roses
down the avenue
of the dead.
***

The Spanish duo returns with a powerful new EP on their label, nheoma. Fusing complex patterns with relentless energy, Coded Fragments captures their signature style and the raw essence of Exiums sound.

Farnak. The inspirational nihilist and perpetual droog is the sound of bedroom rock experimentations and insightful lyricism in this 7" single. Lend your ears a listen and give yourself a break.

Fergus Sweetland returns with a tightly wound collection that pulses with precision and invites focused immersion.

Generic Flipper, the debut album by Flipper, remains the most absorbing full-length LP to emerge from the early San Francisco punk scene. A constant source of imitation for so-called "noise rock" bands, it has yet to be surpassed in its nihilistic glee.

Recorded between October 1980 and August 1981 and released in 1982 on the indispensable Subterranean Records, this album functions as a chaotic, sticky mass of individual personalities: the magma-like bass eruptions and dual vocals of Will Shatter and Bruce Loose, Ted Falconi's icy guitar scraping and the relentless beat of drummer Steve DePace. At times playful and taciturn, paranoid and absurd, Generic charts a deliberate path that willfully chances destruction.

In early '80s punk, when the hardening default was "faster-shorter-louder," Generic subverts the nascent hardcore scene with a strictly applied regimen of turgid-slower-heavier. The lyrics are bleak, yet unnervingly beautiful. "Ever" sets the tone with trademark restraint – "Ever wish the human race didn't exist? And then realize you're one too?" – while closer "Sex Bomb" is a churning, 8-minute epic with looping bass, saxophone accompaniment and electronic effects of dropping bombs.

Tons of indie bands have attempted to recreate Flipper's mix of acidic guitar, metallic bass sludge and sardonically brilliant lyricism, using the seemingly effortless template they pioneered; however, the effect usually drives listeners right back to Generic. While most of their contemporaries wilt under direct comparison, No Trend, the Butthole Surfers, feedtime and Church Police are a few who can stand the frigid heat.

Francis of Delirium is the moniker of 22-year old, Luxembourg-based Jana Bahrich. The young artist’s incredible journey up until this point has seen her release 3 critically acclaimed EPs, ‘All Change’, 'Wading’ and ‘The Funhouse’. With praise so far from the likes of Stereogum, FADER, Pitchfork, Line of Best Fit, 6 Music, Radio 1, KEXP and NPR to name but a few, Francis of Delirium is on the precipice of something extremely exciting with debut album ‘Lighthouse’.

The announcement of ‘Lighthouse’ comes following a busy year of touring with the likes of Soccer Mommy, Briston Maroney, Horsegirl, The Districts and hitting Eurosonic, Iceland Airwaves and Tree Fort Fest, as well as opening for The 1975 & Kings of Leon.

Production duties on ‘Lighthouse’ were shared by Catherine Marks (Boygenius, Wolf Alice) and Jana Bahrich/Chris Hewitt. ‘Lighthouse’ was mixed by Jolyon Thomas (U2, Royal Blood).

MOST SOUGHT AFTER & HARDEST TO FIND IN NYC TECHNO/HOUSE/GHETTO HISTORY.

We proudly welcome Frankie Bones to our label with a compilation of what is in my opinion one of the grails of the music for dancing in dark clubs and warehouse raves.

GHETTO TECHNICS is now compiled in 2 volumes for maximum dancefloor damage, remastered for the greatest impact but preserving all the essence and aesthetic, including & unreleased tunes from the time.

FOR TRUE DISC-JOCKEYS & COLLECTORS.
OFTENPLUSNEVERMINUS+8
H.

Reissued for the first time and fully remastered. Originally released in 1984 on the Baltimore soul label Be More Records.

George Hill was a funk/disco genius. This rare and sought-after record features the acclaimed remix of the title track (from '84) and the classic 'There’s Nobody Like You' jam on the B-side.

Limited edition, 6 track, 180 gram gold vinyl.

Returning for a second release on his own House of Jack imprint: Gunjack serves up another 180 grams of forward thinking techno music with a remix by Oliver Kucera of Djax/R&S acclaim. "Breakfast at the Guillotine" Shows the increasing use of custom modified, vintage synthesizers alongside FM synthesis to achieve a unique sound that is refined, while still maintaining a raw and industrial feel. With nods to 90s electronica like FSOL or AFX, the devil is in the details with each track forming part of a larger narrative while remaining firmly anchored in the Gunjack sound. "This feels to me; more like a concept album than a collection of tracks. I wanted this record to reflect the current, dystopian version of the future we were promised - a place where we are all having 'Breakfast at the Guillotine'."

- Gunjack

7 track LP made with a eurorack modular system, This work is characterized by intricate compositions that transport listeners to otherworldly realms. Halfgeleider’s First LP combines modular synthesis with a touch of nostalgia, creating a captivating sonic experience.

One of my first record releases was on Traum Schallplatten in 2007. I was living in Berlin and Traum was at its peak launching acts like Extrawelt, Dominik Eulberg, Gabriel Anada, Minilogue, Fairmont… The era of melodic minimal…

The release of Luftlust hit the big DJ's like Sven Väth etc. And I was truly overwhelmed by the support. But the version on the 12" was actually pitched up 5 BPM. And in the end the mastering was not in my personal preference. Watering my feel of it, once or twice a year people actually ask me to do a remaster. Over the years it has been a track circulating the web and playlists, haunting me.

Last year I dug in the past and actually wrote a masters exam in philosophy about being a youngster in the techno scene and how to keep up creativity while working with record labels. Somewhere in that process I decided to face the old ghost and make it happen. Time was ready for the re-release of Luftlust, on my terms on my own label Kranglan Broadcast.

Justus Köhncke Remix
For a time frame of a decade I have asked Kompakt veteran and Whirlpool Productions legend Justus Köhncke to do a remix on my Kranglan imprint. Herr Köhncke to me (and to everyone who has followed Kompakt) is one of a kind! A punk soul, dead serious while smiling, always putting hooks and fragments out of music history on Kompakt sound plates with precise grace… The last years he have replied he's been busy in the studio with Can member Irmin Schmidt, working on soundtracks but... suddenly one day when I wrote the man he said "I love Luftlust, send me the stems".

Listening to Justus interpretation I was blown away… like riding a cabrio through the German landscape of fields and deciduous forests a sunny day in late May! And wait for that outro bridge at 5:56! Like being hugged by the warm mother autumn.

Özgur Can Remix
Anjuna Deep cofounder Özgur Can and I have known each other since high school. Özgur was the first DJ I ever booked to one of my early raves in the forests of Nacka. From releasing our first records with our common buddy Petter on Peter Van Halls label 'Deep' we have walked a parallel path in life, Özgur with a wider span of releases and 100's of nights at sweaty dance floors. No one does the deep driven heartfull arpeggios like Özgur. They swell and they swirl. A true Music lover and true talent!

Lust
Time has flewn since 2007, and that winter break in Barcelona 2006 hanging out with James Holden and the Border gang at Razmataz… the weekend when I actually started working on Luftlust…

Working on a re-release of Luftlust I just got hit by lust to work a version of it from the position where I am at, the 2021 me. I went with lust and it just happened a late summer night in Stockholm being by myself for a brief moment doing what I love the most, making music.

Luftlust Original 120BPM Version
And at last the never released original version of the title track. Correct tempo as it was written. Mastered by Andreas Lubich aka Lupo, the very person to master this type of music if you take a brief glimpse at his back folder! Finally!

I love this project, and I love making it happen at Kranglan Broadcast. Bringing together thoughts and people you have thought of bringing together for a long time. Lust KLN014 is here.

In May 2020 Cocoon Recordings released the third album of Harald Björk. With the club scene on Covid-hold , tours canceled and all of our favorite DJ’s locked up at home… not the optimal conditions to release an album on a nr.1 world wide club empire as Cocoon. How ever we decided not to let a virus kill our beloved culture, as Mr. Sven Väth put it „I would like to share with you the album of Harald Björk… which has soothed me and I hope will also give you a soundtrack for these uneasy days“. It felt right to release it.

The release was shrinked from a thought of vinyl box to a digital release with future plans on vinyl. However covid decided to stay and time went. The queue at the vinyl factories didn’t make the process easier… But at one point the dream factory of Kranglan Broadcast decided, enough! , the world has to keep on dreaming. And what is a better way to embrace dreams then to release a vinyl full of of dreamers, groundbreaking in their corners of the electronic umberella. Dreamers doing their thing not even looking at the norm or what’s the recent hype.

Aditional info:
Houndtooth finest Throwing Snow who Harald met in New York 2013 during their term at RBMA brings a bassdriven rollercoaster with the arpeggios from Spektrum bouncing like rubberballs through an impressive broken drum work. The remix came delivered with a text saying „I like my drums slamming“ and so do we.

Ada takes the eteric pads of Waldmeister and place them in a auditive dreamstate, an emotional hybrid of space and vacuum. Large feelings, yet so close. It builds, stretches and builds until we are shown the enlighted truth in the end of the tunnel. Harald is a long time fan and colector of Adas music which he got to know through the lovely label of Areal and has continued to love through the Pampa era. First remix from Ada on Kranglan was the epic remake of Sabor Latino, Sabor de Ada! We are delighted to have her art on the label once again.

The pandemic 2020 took away the most fun of beeing in the club scene, sharing stages with brilliant interesting dreamers showing and exchanging visions performing music. Under these strange conditions Molø and Harald ended up sharing a physical stage at the stream festival United We Stream. One thing led to the other and Harald took a deep dive in to Molø‘s great melodic techno universe. Some times you find gold in your own hometown. Molø’s take on Waldmeister build on the mellow arpeggio from the original track and brings them to a perfect chilled out afterhours. Imagine watching the sunrise to this beauty.

Swedes are a people of high integracy but as loyal citizens we allways attend formal events by the state. Skudge and Harald met at the Swedish National Radio price anouncement, both nominated for „electronic act of the year 2011“. It was an akward event with radio interviews and canapés, not very techno, the signum of Skudge. How ever Skudge won it all leaving both Avicii and Swedish House Mafia empty handed. Landberg, the swing king of Skudge is the kind of person that will tell you why the TR-909 has to be master clock to get the right groove in a techno performance, if you ask… which you do ??! If you’re looking for techno with groove look no further, Skudge is king! In his take on Walking Path he display the power of minimalistic dirty grooves, a 909 and a 303 what else do we need?

The 12“ vinyl comes with a fresh re-master of album single Medan Du Sov and an unreleased bonus track, Drifting, a balearic sundazed love story.

Dutch talent Hidde van Wee is back with his first recent release on HOMEGRXWN - A captivating EP titled ‘Journey’, showcasing his love for house music with influences spanning UK Garage and Electro. On the A Side ‘Channel 4’ has a hypnotic, high-energy beat which amplifies dancefloors. ‘5th Avenue’ has naturally become a club favourite for artists such as ROSSI. And Chris Stussy. On the B Side ‘Early Riser’ uses a finely curated mix of drums to hook the crowd for a captivating drop. Finishing the EP with ‘Far Out’ is a dynamic closer with contrasting synths, keeping the energy flowing on the dancefloor. The EP has wider support from Voigtmann, Enzo Siragusa and many more.

The job of the artist is always to deepen the mystery. Hologram Man present himself as a entity, an entity that work functionally and chirurgically to implement hypnotic minimalism to entirely new depths levels of mind and sonic territories.

Sealand returns with its fourth vinyl release, bringing together Mykoz, Inqoherent and RVOLT for a fierce and emotional journey through cutting-edge hardcore sounds.
The title track Net runners by Mykoz and Inqoherent has already been tearing up festivals across Europe - a high-impact banger built on distorted energy, razor-sharp percussion and a dark futuristic pulse that defines the Sealand spirit.
Inqoherent's Sense of Touch dives deeper, blending haunting melodies with relentless drive, while Mykoz's I'm Losing My Mind captures the tension between emotion and chaos in pure dancefloor form.
To close the record, RVOLT reshapes Mykoz's There Is A Storm Coming into a powerful, crossbreed/industrial remix - heavy, raw and built to destroy big systems.
Net runners marks a new chapter for Sealand: 12'' format vinyl, high quality full coloursleeve in a protective shrinkwrap sleeve

In Mikey’s own words, ““Myths of the MediterrAlien” is a high-octane voyage through a universe where ancient cultures collide with futuristic visions.” For him “the MediterrAlien is a hybrid character who drifts between mythology and outer space, carrying fragments of both history and hyperspace into the club.” Across four explosive tracks, the EP reimagines deconstructed club and experimental bass through a fast, hyper-energetic lens. Each piece feels like a different chapter in the MediterrAlien’s journey, spiralling through cosmic turbulence, touching down on ancient shores, and refracting tradition through the intensity of a distant galaxy.

Designed for the late-night fringes of the dance floor, Myths of the MediterrAlien is both a personal mythology and a sonic wormhole—bridging the universe where Jensen Interceptor’s comes from with where his imagination is heading next.

All tracks written and produced by Jensen Interceptor. Master by Carlos Nascimento at Qualia Audio Lab. Artwork by Conhecido João & Diogo Vasconcelos

Analogue's 15th installment presents label head Jerm, who returns with a solo EP focusing on dancefloor energy. Four pure techno cuts made for impact.

TNYR 005 – HOUSE NATION stays true to the roots of the label. A sound that runs deep, hits raw, and radiates energy. This is house music: rhythms that move your body, music for your body, your mind and your soul.

KR3.018 KR3 proudly welcomes Jin Synth & Marco Maldarella to its roster. To mark the conclusion of the label's fifth anniversary cycle, launched in September 2024, KR3 together with these two talented artists, presents "The Neural Abyss" a split EP that embodies both an ending and a new beginning through the theme of "Death/Rebirth".

This 4-track project, showcases the distinct yet complementary visions of Jin & Marco, each taking one side of the 12" vinyl. Together, their work invites listeners on a profound exploration of hypnotic, deep brainwave states. Let's celebrate the final chapter with this exciting collaboration! KR3 | 5YRS Down-Road

Introducing the debut release from Jonny Wednesday, a Manchester-born DJ and producer who has been honing his skills and passion for music for over 15 years. Influenced by the vibrant dance music culture of Amsterdam and his early clubbing experiences in Manchester, Wednesday has crafted a sound that is uniquely his own. With a focus on groovy rhythms and atmospheric soundscapes, his music is a captivating blend of house and tech house that is sure to move any listener.

Featuring four tracks that showcase his impressive range as a producer, this record is a true testament to Wednesday's dedication and hard work. It's an essential for anyone who appreciates quality dance music, whether you're a seasoned vinyl collector or a lover of electronic beats. So let Jonny Wednesday's debut release on Innerpoint Records transport you to a world of infectious grooves and lush soundscapes, reminding us all of the unifying power of music.

repressed

Pioneering NYC house label Nu Groove Records is proud to unveil a four-track EP of originals from fellow NYC house legend Jovonn.

After nearly three decades without a release, the cult house label relaunched in 2021 spearheaded by none other than Jovonn with ‘Random / Get Over It’. Following his ‘Funn Houze EP’ released earlier in 2023, the Brooklyn native is back with his ‘Blaque Katt EP’, a masterful display of innate musicality combined with an affinity for roaring '90s-inspired club music.

For the lead, ‘The Piano Fix’, Jovonn creates a dichotomy between the delicate nature instrument and the heavy, sweaty feel of the dancefloor. This is followed by a harder pianistic technique in both ‘The Piano Fix Returns’ and ‘Let Me Tell You Somethin’, showcasing the producer’s flair for harmony and melody.

Closing the immersive collection is ‘Drop That Traxx’, a playful track featuring addictive, syncopated hooks over a pounding four-on-the-floor beat. Throughout the EP, Jovonn displays his talent for gritty, hard music made with tender care.

Repress!

Now four releases in, Razor-N-Tape Reserve continues to deliver the deepness with this EP from the Netherlands' Junktion.
Although a relative upstart on the scene, Junktion has been getting some serious heads nodding lately with releases on Sleazy Beats and Outplay, and the Hot & Bothered EP continues to define his dusty and organic sound. From the summery ease of the title track, to the fresh take on the oft-sampled 'I'm Wishin' to the discofied chugger 'Fling Cleaning' followed by the slow-burning 'Visions of You,' this EP is a beautiful listen from beginning to end. And the kids are gonna dig it too.

Original Ravers Dream Frequency reunite with K69 to rebuild 4 90's classics. All 4 tried and tested by the usual suspects and doing serious damage on the dancefloors. Grab one whilst you can as only 150 have been pressed. Hand Stamped White label with stickered sleeve

Neuauflage von Kadavars Live-Album "Live in Copenhagen", das ursprünglich 2017 veröffentlicht wurde (Nuclear Blast). Das Album enthält KADAVARs berüchtigten Auftritt im Pumpehuset in der dänischen Hauptstadt im November 2017 während der Tournee zu ihrem Album ,Rough Times". Hier zeichnen Kadavar am 9. November 2017 das zweite Live-Album ihrer achtjährigen Karriere auf. Die Frage, wieso die Band so viele Konzerte offiziell für die Nachwelt festgehalten hat, erübrigt sich schnell: Erst live entfalten ihre Songs jene Wucht, die selbst die besten ihrer Studioaufnahmen nicht einfangen können . "Live In Copenhagen" ist klar und fokusiert, aber nicht steril gemischt, mit Stücken aus allen bis dato erschienenen Studioalben. "Überragendes Livedokument einer überragenden Band". - Time For Metal 2018 Classic black vinyl, 2LP, gatefold sleeve.

Oxblood Vinyl, limitiert auf 200 Exemplare. Neuauflage von Kadavars Live-Album "Live in Copenhagen", das ursprünglich 2017 veröffentlicht wurde (Nuclear Blast). Das Album enthält KADAVARs berüchtigten Auftritt im Pumpehuset in der dänischen Hauptstadt im November 2017 während der Tournee zu ihrem Album ,Rough Times". Hier zeichnen Kadavar am 9. November 2017 das zweite Live-Album ihrer achtjährigen Karriere auf. Die Frage, wieso die Band so viele Konzerte offiziell für die Nachwelt festgehalten hat, erübrigt sich schnell: Erst live entfalten ihre Songs jene Wucht, die selbst die besten ihrer Studioaufnahmen nicht einfangen können . "Live In Copenhagen" ist klar und fokusiert, aber nicht steril gemischt, mit Stücken aus allen bis dato erschienenen Studioalben. "Überragendes Livedokument einer überragenden Band". - Time For Metal 2018

Weiß/orange/schwarzes A/B Splatter Vinyl. Neuauflage von Kadavars Live-Album "Live in Copenhagen", das ursprünglich 2017 veröffentlicht wurde (Nuclear Blast). Das Album enthält KADAVARs berüchtigten Auftritt im Pumpehuset in der dänischen Hauptstadt im November 2017 während der Tournee zu ihrem Album ,Rough Times". Hier zeichnen Kadavar am 9. November 2017 das zweite Live-Album ihrer achtjährigen Karriere auf. Die Frage, wieso die Band so viele Konzerte offiziell für die Nachwelt festgehalten hat, erübrigt sich schnell: Erst live entfalten ihre Songs jene Wucht, die selbst die besten ihrer Studioaufnahmen nicht einfangen können . "Live In Copenhagen" ist klar und fokusiert, aber nicht steril gemischt, mit Stücken aus allen bis dato erschienenen Studioalben. "Überragendes Livedokument einer überragenden Band". - Time For Metal 2018 Ltd Splattervinyl, 2LP, gatefold sleeve.

2025 Repress

Label owner Gianluca Caiati recognised as Kaiser is back on his own imprint with a new EP called Controcorrente. To the DJs, for the DJs. To the club, for the club. What is written behind this new story?

Bringing raw club energy into your living room, KI/KI continues to merge worlds as she likes. On her latest release via her self-founded label slash, she fuses hard-hitting trance synths with Storm Mollison's silky vocals, classic hard house elements with her forward-thinking take on club music, and everyday life with the adrenaline of a big night ahead. With its infectious melody, driving bassline, and a touch of pop allure, 'Getting Ready For The Party' channels the rush of pre-party anticipation and has quickly become a fan favourite since its first play.

Burnski's Instinct label kicks on with more filthy low-end wobblers, this time with Killjoy the man behind the buttons. He opens up with 'Proud' (feat Kwam) which has a dirty low-end sleaze and blasts of busted bass topped with grimy bars and razor sharp percussion. It's pure filth for lip-curling disgust. Then 'Fever' drops into punchy speed garage energy with hustling drums and more warped bass and 'Allstars' gets lose on a glitchy two-stepper. The flip side shows yet another look with 'Lovestruck ' packed with pitched up vocal hooks and slamming drums and 'Shout' rounds out with icy cool.

Home is a powerful concept with an abstract definition. This solo album takes those subjective ideas and unifies them under one roof. Evolving from Jerve’s #dailypiano posts in 2019, ‘The Soundtrack of My Home’ relays thoughts and improvisations that trace his journey from childhood home to adult and now, father. Nurturing a mood or feeling, each song begets a sonorous story of someone close to him, expressed through the language of piano playing.

Jerve makes use of his hands as a human step sequencer, often programming two or more motifs of varying lengths in a polymetric fashion. These melodic patterns and arpeggios evolve at varying rates but grow around clear progressions with standard 8-bar forms.

The first track - ‘Kjetil’ enters with an earnest, gentle and endearing character - like a young river near its source. As with such a river, it will grow to varied sizes throughout the album but must begin as a humble expression from the source. The following titles sketch his interpretations of the people that have made up his home.

There is a theme across the album that unites the songs, so much so that differentiating tracks can at times be difficult. Though, Jerve punctuates this overarching mood with a few distinct structures, as found in tracks ‘Karoline’ (wife), ‘Espen’ (brother) and ‘Sven’ (father). ‘Turid’ (daughter) and ‘Jon Eirik’ (brother) seem less directive and welcome more intrigue, reminiscent of a curious child wandering through the dappled light of a forest.

‘Iben’ (daughter) and ‘Eivor’ (daughter) have a hypnotic, three-pointed melodic structure that leaves the listener suspended; transfixed - while ‘Sussi’ (cat) carries unique momentum and suitably feline autonomy. ‘Mette’ (mother) has a mood of ascending, like that of a child's upward gaze at their maternal carer. Utterly nuanced in structure, Jerve leaves ample space for subjective interpretation and allows the listener to weave their own life into the tones.

As expected from the founder of Dugnad rec - this album signifies a deeply personal sentiment. Sometimes we are forced to confront the music and other times, we are left to wonder. Here, we find a balance and unity that allows little thoughts and worries to drift away, bringing us warmly to rest in the present. The LP edition's bonus track features producer/performer extraordinaire Stian Balducci, drawing a line to the next chapter of piano-based music from Dugnad rec: TOKYO TAPES: PIANO RECYCLE.

Phil is welcoming us with a repress of three collectors item tracks by Klovn - the studio partners of Trentemoller & one half of the most successful Danish electronic live act 'Lulu Rouge'.

'Cover Up' is a tough club track which drifts to a subtle, 'less is more' principle, where PF blends the organic sounds into the dreamy electronics but yet qualifies as a very functional opening anthem.

Melvins Beats rounds the release off with it's cinematic & shoe-gaze approach. Yet another, meticulously composed repress from this label with an idealist character, a must have.

Kucera & Delayed Sentence Present the Analog Rhythms EP

Scrap & Delete continues its trajectory as a home for uncompromising techno with the Analog Rhythms EP. A collaborative release from Kucera and Delayed Sentence that merges their respective strengths into a tightly honed four-tracker of futuristic machine music.



Opening cut "Analog Rhythms" sets the tone with raw propulsion and hypnotic focus. Anchored by a driving low end and jagged synth pulses, it balances grit with surgical control. A track built for long blends and warehouse immersion.

"Between Networks" dials into a more kinetic space. Its interlaced groove patterns, off-axis drum programming and haunting vocal grooves create a feeling of constant shift, evoking unstable connections and digital interference while maintaining absolute floor impact.

On "Synthax," the duo lean into sci-fi atmospheres. Bleeding-edge textures swirl through a thickly percussive dancefloor orientated framework, creating a dark yet spacious momentum that's equal parts cerebral and physical.

Closing cut "Twisted Ankl3" is the EP's most unhinged moment. A wonky workout full of broken signal bursts and twitchy rhythmic grooves. It's a subtly evolving sequenced post-industrial DJ tool, leaving dancers disoriented and locked in.

With Analog Rhythms EP, Kucera and Delayed Sentence showcase a shared vision rooted in sonic discipline, hardware fluency, and unrelenting energy. This is high-functioning techno at its most distilled. A perfect fit for Scrap & Delete's refined catalogue.

Vancouver-based instrumentalist Kutcorners pays a fine tribute to the legendary jazz-funk king Bob James at the same time as showcasing his fine edit skills on this fresh 7" for The Freshest Recordings. Opener 'Full Circle' swirls with immediately recognisable melodies from James that have been used in all sorts of records over the years. They're carried by a mid-tempo house groove for a breezy late-night sound. On the B-side is a 119bpm funky and broken beat house number, 'DiscoPlanetBob', with more familiar references and playful drums that will get any floor vibing.

Lello Di Franco aka L.D.F. vs The Butcher aka Gari Romalis for
the first match on Waxmania!

2025 Repress
L.F.T. returns to Mechatronica with his unique, signature blend of new wave and breakbeat influenced electro for the mind, body and floor. Boldly shaped by distorted drum machines, gut-wrenching grooves and haunting vocal chops, the KeyGenerator EP comes backed by an explosive IMOGEN remix and an occult collaboration with Cardinal & Nun. A spellbinding record on its own, and another crystal clear testament to L.F.T.s razor sharp sonic vision and ability to generate new styles from the past, present and future.

La BOA presents their fourth album titled “La Bestia”, conceived during the pandemic era. The title references the freight train that travels from Central America to the United States, carrying thousands of migrants in search of the American dream.
This album features six tracks dedicated to exploring and drawing influence from the music of the greater Caribbean region, with the aim of recapturing a sound from before the digital age. Its lyrics address current themes and issues in Latin America, intentionally excluding the digital world and virtual presence.

Spanish label Andermedt delivers a peerless debut with a solid mindf*ck. The lost and found magic chest of Laurine Frost's never-ending protest against the cliche of techno. A more than 5year old archive winks back at Frost's earlier 4/4-based works, but Cabaret Nord represents grotesque and his characteristic dark mysticism in a yet unheard intensity. Tight funk, earth-shaking drums, playful structures on a wide and dark veil.
* mastered and cut by Stefan Betke.
* 180 gr. heavyweight vinyl with premium packaging and hand-drawn illustration.

Futura is back after long time, this time with label boss Leon and two incredible remixes

A collection of earlier and newer works by LFU
combined in one EP.
On November 14, 2025 !K7 Records released DJ-Kicks by Eris Drew. She chose 'Oh Echt' by LFU as the opening track of her mix.
The style of 'Oh Echt' is not easy to categorize. Electronic breakbeats with Detroit hi-hat patterns and a typically pushy four-to-the-floor kick. The funky, staccato bassline and mysterious strings take you back to the eighties and the added funky organs and stabs complete the story. The "Oh Echt" Main Mix is the instrumental mix of the 'Vogel Mix' in which the 'Oh Echtapella' is incorporated.
The first design of 'Boom Boom Tracking' was in 2011 for a DJ/DRUM performance that LFU did. He picked it up again in 2014, but did not finish it until 2024. This big beat floor filler contains chemical beats accompanied by electrostabs and a deep, dark bassline. If you listen intently to this song on a regular audio device, you might notice a thump on every 1 of the 4 beats, but when it's played on a good, big sound system, you can't miss this tension in your stomach. 'Boom Boom Tracking' it is!
Downtempo percussive track 'Tjeetje' is the first track LFU has made in North Coast Studio in 2001. 'Slow Forward' was the third song he completed there in 2003, the same place where he met Ben Baan of Fruitcake, who played the piano part.
Initially, 'Queen Cubana' did not make it as a remix of Eddy Zoey's 'No Soy Cubano' in 2017. In this new version, LFU removed his vocals, except for "Step". LFU took inspiration from Katy Perry's 'Bon Appetit' and turned it into a rhythmic slow jam with carefully programmed beats, resulting in a spectacular funky joint.

The second instalment of SCHNRZ formed by LI & ZOL gathers resources from the thermal baths of Budapest. Exquisite blend of field recordings, floating dub athmospheres and fullfilling bass-adventures balanced out on mid-tempo minimalism. Shapeshifting series of releases by the two local heroes under the flag of Budapest-based SCHNRZ, that refers to Schonherz, the name of the neighbour dormitory of their basement studio - forged by Berlin-like mid-tempo minimalism with a pinch of Balkan, developed to the next level by dub carpets of the north.

A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses' legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) - reinforced by Krishna Goineau's French and Spanish Speech-Attack-Lyrics - created a unique style. The album - anything other than a Berlin or Düsseldorf 'thing' - was propelled to an international favourite. Songs such as 'Peut Être... Pas' and 'Los Niños Del Parque' played a decisive role in the development of Detroit and Chicago's house sound, as well as various forms of European techno

Second vinyl release on our label, this time presenting what we consider a timeless piece. Light Blue File delivers three cuts steeped in jungle flavour, heat and red lights. Intensity and minimalism. intricate elements and details that fuel the tension and trance on the dancefloor.

Long time pals Motem (CA) and Coco Bryce (NL) team up once again as Light Club. Previously released on cassette tape in 2013, Apropos is now finally available on wax, backed with a brand new Skweee roller, O Superman.

Crybaby ist das vierte Mixtape des amerikanischen Rappers Lil Peep - jetzt in Neuauflage wieder erhältlich.
Lil Peep war ein Mitglied des Emo-Rap-Kollektivs GothBoiClique. Als Wegbereiter eines Emo-Revivals von Rap- und Rockmusik gilt Lil Peep als eine der
führenden Figuren der Emo-Rap-Szene Mitte/Ende der 2010er Jahre.

The legendary Linval Thompson joins The DubMill for Run Ghetto Youth, the first 7" on DubMill Records out of Amsterdam.

"KOKO/KIKI EP” is a joint collaboration between No Slack Records’ & UN LABEL CORP’s spearheads Livigesh and UNREALNUMBERS respectively. There are 4 tracks in total, two original tracks:
'KOKO' by Livigesh, 'KIKI' by UNREALNUMBERS and two remixes: 'KOKO' (UNREALNUMBERS) and 'KIKI' (LIVIGESH). The 'KOKO/KIKI EP' is a bold and twisted collaborative foray into techno.

We invite you to take a journey through the music of the Pacific and Caribbean coasts of Colombia, where traditional rhythms blend with contemporary sounds.

Mangle Rojo is a compilation album of 8 songs, released on vinyl of 12 inches, with some of the most popular rhythms of Colombian folklore, like Cumbia, Currulao, Bullerengue and, Puya, played by renowned artists like Nelda Piña, Inés Granja, Sixto Silgado Paíto, Emilsen Pacheco and Francisco Torres.

Side A consists of four songs from the Pacific Coast, and side B has four songs from the Caribbean region. In this record take part bands and also collaborations between independent musicians. Six of the songs were composed for the album.

Independent record label Bánfora Records produced Mangle Rojo, with support from the Ministry of Culture of Colombia

LVCA returns to EYA Records with a full solo release that hits straight to the heart — deep nostalgia, melodic uplift, and pure motion.
Shimmering pads and warm, rolling grooves blend into moments of freedom and reflection. Dreamlike yet grounded. Intimate yet expansive.
EYA032 reaffirms LVCA’s pivotal presence and EYA’s timeless role in shaping the modern underground sound.

By popular demand, Far Out are delighted to present Estatica- remastered edition of the classic 2010 album from the original Rio beach boy Marcos Valle
Evoking his Carioca sound - where expansive orchestral sweep meets beautiful melody and complex harmony - Valle mixes perfect romantic bossa-pop with cinematic brass and strings. This recording explores a six decade career that has swung between pop, bossa nova, delicate psychedelia, jazz, and funk. Responsible for bossa classic 'Summer Samba (So Nice)' Valle has collaborated with Leon Ware, Sarah Vaughan, & Chicago, seen his track 'Ele E Ela' sampled by Jay Z for Blueprint 3, and his songs recorded by the likes of Frank Sinatra and Bebel Gilberto.

Supply Records marks the end of a two-year hiatus With a strong techno EP from the label's own Mechaniker. Pike builds the energy slowly with tight 909 programming and gritty synth work. Tongue puts a twist on big-room techno with its tripping layered vocals and apocalyptic atmosphere..

Nach zwei gemeinsamen Headliner-Tourneen in den letzten zehn Jahren setzen die Melvins ihre langjährige Tradition fort, mit einer anderen Band ein Album aufzunehmen. Als nächstes steht Napalm Death auf dem Programm. Es handelt sich hierbei nicht um eine Split-Veröffentlichung, bei der jede Band eine Seite für sich beansprucht. Savage Imperial Death March ist eine vollständige Zusammenarbeit, bei der Melvins und Napalm Death auf allen Tracks gemeinsam spielen. Diese Veröffentlichung erschien ursprünglich 2025 in streng limitierter Auflage auf CD und Vinyl über AmRep (nur auf Tour und im AmRep-Store). Es handelt sich um eine erweiterte Version mit zwei zusätzlichen Songs, brandneuem Artwork von Mackie Osborne, neuen Vinyl-Varianten und wird zum ersten Mal offiziell in Plattenläden, bei DSPs und anderen Händlern erhältlich sein. Napalm Death gelten als Pioniere des Grindcore-Genres, da sie Elemente des Crust Punk und Death Metal einfließen lassen. Selbst nachdem sie fast 40 Jahre lang einen unauslöschlichen Einfluss auf die gesamte Welt der Heavy-Musik ausgeübt haben, gibt es immer noch keine Band auf der Welt, die so klingt wie Napalm Death. Die Legenden aus Birmingham sind nicht nur Pioniere, sondern auch ein dauerhafter Maßstab für Erfindungsreichtum und Furchtlosigkeit in der Heavy- und Experimentalmusik aller Art und rasen immer noch mit voller Kraft voran. Die Melvins sind eine der einflussreichsten Bands der modernen Musik. Die 1983 gegründete Gruppe - bestehend aus Sänger/Gitarrist Buzz Osborne gegründet wurde und zu der ein Jahr später Schlagzeuger Dale Crover stieß, wird zugeschrieben, die Welten des Punkrock und der Heavy-Musik miteinander verschmolzen und ein ganz eigenes neues Subgenre geschaffen zu haben. Im Laufe ihrer über 40-jährigen Karriere haben sie mehr als 30 Originalalben, zahlreiche Live-Alben und unzählige Singles und Raritäten veröffentlicht.

This EP comes with printed sleeve, printed inners, a poster, Download Codes, stickerz...

The music is a clean speedcore flashcore sound... aethetic. Rolling and orchestral !

a A1 - Spastic Meditation Incantation Of The Subliminal Self
b A2 - Flashjazz [Epiphany Through Dissonance]
[The Path Of Conscious Death]

[a] A1 - Spastic Meditation [Incantation Of The Subliminal Self]
[b] A2 - Flashjazz [Epiphany Through Dissonance]
[The Path Of Conscious Death]

Mindustries is back, ready for a new chapter!

This journey has not been easy, after the loss of his partner in crime Yuri, it is now time to move on forward. With deep respect for everything they built together, this new release looks to the future.

Bringing you a new wave of music fueled by the sounds of all that came before, with the same energy and attitude that Mindustries is known for. Yet, with this release, reaching beyond the limits of what you expect!

Dark, timeless, raw and energetic hardcore in all its diversity.
This is Mindustries.

After many releases on labels like Mord, Soma and Nachtstrom Schallplatten, Mist Gasp duo comes back with four tracks of hypnotic and dark techno capturing the essence of their live sets

Neighbourhood is proud to release MJK's debut EP "Close Encounter".

The whole release visually represents a field of beautiful flowers with a dark swampy twist at the end! Picture that sonically and this is what you get with MJK's majestic "close encounter"!

The sound palette is similar across the EP, deep, lush pads, rhythmic, percussive beats, swirling you into a heady haze - MJ's Groove, Fiesta 132, Close Encounter... Featuring two collaborations with the brilliant Bluetoof on the B side, Indigo, again in line with a similar sound palette. Yet the last track "sweeter than" ironically takes you by a dark surprise!

more eaze is the moniker of Brooklyn-based composer, orchestrator, and multi-instrumentalist, mari maurice. A renowned collaborator both in performance and on recordings, maurice"s own work is a fantasia, a reflection of her curious and explorative musical mind, encompassing entire spectrums of sound from a wide sonic pallet of electro-acoustic textures, folk traditions, and pop forms that pirouette into fully realized ecosystems. sentence structure in the country is a definitive statement of the matchless quality of more eaze"s skill as player and musical thinker. The album relishes the ecstatic in performance and collaboration with an inviting wit and incisive compositions, imbuing tenderness, frustration, and joy into each passage. sentence structure in the country is a collection of compositions, each beautifully realized, self-contained worlds. maurice"s dexterous, tasteful arranging lays bare her influences and obsessive fascinations with remarkable congruency while foregoing any sense of indulgence. Her music holds a density not only in the lush compositions and embellishing flourishes, but also for those moments of spare, minimalist beauty. sentence structure in the country is a textural marvel, a mosaic of ethereal electronics and loamy acoustics sculpted around deeply moving, enduring songs.

Another YUKU classic in the making: More introspective than some of Muskila's earlierwork, but still heavy and rhythmic. One of the highlights is a collab with Aunty Razor,who brings her powerful Yoruba rap energy into the mix; her flow cuts right through thelow-end and adds a whole new dimension.
The release also includes remixes from Toumba and Hassan Abou Alam, who eachtook the tracks somewhere else; warped, clubby, but still in line with the mood of theproject.

Different Exhibition presents its first vinyl release masterfully crafted by talented Italian producer N:CK. My Turn is a blend of powerful and refined tracks fit for the most sophisticated dancefloors. All this is embellished with a brilliant remix by techno legend Dasha Rush.

Na Nich returns to his roots after a series of successful releases on respected labels such as Delsin, Semantica, On Board, and Fur:ther Sessions. The Ukrainian producer's latest EP pays tribute to his foundation in broken beats and bass music - the core of his craft before adopting the Na Nich moniker.

Co-founder of Rhythm Buro and formerly known as Sunchase, Oleksandr Pavlenko shifted from his decades-long bass music career towards house and techno about ten years ago. Yet those early influences never truly disappeared. On Your Curves, Oleksandr skillfully blends his bass-heavy legacy with the sonic palettes characteristic of his later work, merging two worlds into a cohesive sound.


The A-side opens with 'Unfulfilled Expectations', a deep roller rich with bass textures and mellow synths. It's followed by 'Everything', a slow burner infused with '90s vibes, featuring oldschool vocal samples and a drum pattern reminiscent of UK garage. On the flip side, 'Rain Inside' delivers the EP's grooviest moment, with broken beats crafted for the dancefloor and an intimate, close-your-eyes 4 a.m. mood. The title track, 'Your Curves', closes the EP with a deep and melancholic atmosphere.


This release stands out amid contemporary offerings, reminding listeners that essence always triumphs over form.

G.A.M.O. (Gods Against Man's Oppression) recounts events leading to Napoleon Da Legend transformation after being bestowed a metal helmet, which is a weapon against our modern dystopia. The album features a blend of soulful and dystopic grit featuring the likes of Vinnie Paz, Goretex, General Steele, Skyzoo, Passport Rav, Nejma Nefertiti, Innocent?, SKAM2?, Eloh Kush, CF, Dontique and more. It has production from Dub Sonata, Maitre D, Homage Beats, Passport Rav Proffeny and Napoleon Da Legend. The result is 23 tracks that blend retro-sci fi "Noir Wave" and modern Boom Bap. It features an exclusive 2 page comic illustrated by UK's Dan Lish. Limited to 300 copies only.