Clairvoyant Dimensions is the first album by Mei Honeycomb, a new duo of Jordan Czamanski, renowned as a member of the acclaimed Juju & Jordash and the Magic Mountain High project, with solo work released as Jordan GCZ, and legendary saxophonist Jeff Hollie, known mostly for his work with Frank Zappa and Ike Willis. An explorative ambient album, Clairvoyant Dimensions is an exercise in distance and contemplation, and the exhilarating feeling of insight, however fleeting, like staring at the midnight flicker of an old VCR. Czamanski's music has a trademark tenderness and soft-spokenness, an ability to maximize minimalist musical elements and bring them to an open-ended conclusion. Jeff Hollie provides interpretative sax lines on all tracks, slipping into the scene like a shadow, silent and unexpected, touching upon emotional registers almost explicit, yet confounding.
As musical signifiers keep turning around themselves, they set up a mood of euphoria, one that suggests understanding. Never explicitly spaced-out, there is continuous reference to cosmoses both inward and far away. Ambient music in modern form. Jordan Czamanski uses his experience in producing off-the-charts club music to come up with five tracks that at times are standstills, and at times dwell in forward momentum. Jeff Hollie provides both comprehension and beautiful confusion. As grainy images switch into focus, Clairvoyant Dimensions is a beautiful and contemplative trip that suggests its own reality in delicate ways. One of the five tracks, the gorgeous live-recorded Painted Desert Pastel, features composer, performer, and researcher Ilya Ziblat Shay on double bass and electronics.
Screen-printed cover designed by Johan Kauth.
Mastering by Rashad Becker
Поиск:jeff hollie
Все
- 1
- A1: Be Your Husband (Live)
- A2: Lover, You Should've Come Over (Live)
- A3: Mojo Pin (Live)
- A4: Monologue - Duane Eddy, Songs For Lovers (Live)
- B1: Grace (Live)
- B2: Monologue - Reverb, The Doors (Live)
- B3: Strange Fruit (Live)
- B4: Night Flight (Live)
- C1: If You Knew (Live)
- C2: Monologue - Fabulous Time For A Guinness (Live)
- C3: Unforgiven (Last Goodbye) (Live)
- C4: Twelfth Of Never (Live)
- C5: Monologue - Café Days (Live)
- D1: Monologue - Eternal Life (Live)
- D2: Eternal Life (Live)
- D3: Just Like A Woman (Live)
- D4: Monologue - False Start, Apology, Miles Davis (Live)
- D5: Calling You (Live)
- E1: Monologue - Nusrat, He's My Elvis (Live)
- E2: Yeh Jo Halka Saroor Hai (Live)
- E3: Monologue - I'm A Ridiculous Person (Live)
- E4: If You See Her, Say Hello (Live)
- F1: Monologue - Matt Dillon, Hollies, Classic Rock Radio (Live)
- F2: Dink's Song (Live)
- F5: Monologue - The Suckiest Water (Live)
- G1: The Way Young Lovers Do (Live)
- G2: Monologue - Walk Through Walls (Live)
- G3: Je N'en Connais Pas La Fin (Live)
- G4: I Shall Be Released (Live)
- H1: Sweet Thing (Live)
- H2: Monologue - Good Night Bill (Live)
- H3: Hallelujah (Live)
- F3: Monologue - Musical Chairs (Live)
- F4: Drown In My Own Tears (Live)
Pressed on 140g Black Vinyl Including a signed print from Eddie Piller, limited to 750.
Demon are proud to release “Eddie Piller Presents British Mod Sounds Of the 1960s”, the follow up the “The
Mod Revival”. Featuring 100 original tracks across 6LPs, its a deep dive into the Mod scene in '60s Britain.
Including a selection of classic and rare tracks, tracing the scene from its R&B rootsto a soulful finale
Curated by Acid Jazz Records and Modcast founder Eddie Piller, and featuring new sleeve notes from
respected author and broadcaster Paul 'Smiler' Anderson.
As Eddie Piller points out in the forward to the extensive sleeve notes that accompany this collection, he
chose the word 'Sounds' carefully, reflecting the variety of talent contained here, from uncool session
musicians without an ounce of style in them, acts who saw an opportunity to jump on the Mod bandwagon
and bands who whole heartedly embraced Mod way of life.
And so this new collection mixes the Mod mainstays (Small Faces, The High Numbers The Action, The Fleur
De Lys), with a generous selection of future superstars (David Bowie, Rod Stewart, Elton John, Marc Bolan,
Jeff Beck and Graham Gouldman of 10cc are all represented here), and a few artists so obscure, so rare, that
they never got to release a record in the '60s, but Eddie has tracked down the tapes nonetheless.
"Be in with the In Crowd once more."
Every great youth cult deserves a great soundtrack, and when the '60s Mods adopted classic American R&B,
with a side order of hip Jazz, they undoubtedly found the right music for their exuberant and stylish way of
life. And yet, buying expensive imports, hoping for a local release or praying for a rare visit from overseas
talent was never going to be enough to satisfy British youth with a thirst for the latest sounds. Certainly not
those on the dancefloor and definitely not those with their own musical ambitions.
It was a music scene that began with imitation, before skill and imagination lead curious minds to innovation,
a scene that evolved from average (at best) copies of releases on the Chess, Motown and Stax labels, to
become something more sophisticated,something quite unique, something very British.
All formats are stylishly packaged (of course) and include new sleeve notes by Paul 'Smiler' Anderson, author
of the best-selling and highly regarded books'Mods: The New Religion' and 'Mod Art'.
- 1



