- A1: No Te Comas Las Blanquísimas Mofetas 02 21
- A2: La Muerte Del Perro
- A3: Sueño Con Culebras
- A4: La Venganza De Las Wawas Panches
- A5: El Vorrh
- B1: Tres Tristes Transeúntes
- B2: El Día Que El Tolima Se Hundió Hasta El Fondo Del Mar 03 37
- B3: ?El Trabajo Yo Para Qué Lo Quiero?
- B4: Semolina
- B5: Los Rolos Angloparlantes
- B6: Arda La Ciudad Cuando Arrecie El Monte
Suche:julian mayorga
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- A1: La Muchacha Y Santiago Navas – No Me Toques Mal
- A2: Gato 'E Monte – Cumbia Fumanchera
- A3: Conjunto Media Luna – Cumbia Providencia
- A4: Felipe Orjuela – Manos Limpias (Cuentas Claras)
- A5: Mau Gatiyo – Telekinea
- A6: Las Hermanas – Laura Palmer
- A7: Karen Nerak Y Cristal Prodigia – Pa La Calle
- B1: Briela Ojeda – Doña Justicia
- B2: Julián Mayorga – La Gente Que Yo Conocía Toda Se Está Muriendo
- B3: Mariscos - Garotinha
- B4: Buha 2030 – Dolor Internacional
- B5: Los Clamores – Insectos De La Asamblea
- B6: Zarigüeya – El Arriendo
- B7: Ana Mariía Vahos – Los Días
In-Correcto 15–25 marks the first vinyl compilation by Bogotá’s independent label InCorrecto, created in collaboration with Austrian imprint discos elgozo. Celebrating ten years of sonic exploration and creative resistance from the Global South, this special edition brings together a vibrant constellation of artists that define the label’s sound: La Muchacha, Ana María Vahos, Felipe Orjuela, Mau Gatiyo, Conjunto Media Luna, Briela Ojeda, Zarigüeya, Buha 2030, and many more. Between mutant cumbia, Latin American folk, introspective electronics, and borderless sonic experiments, 15–25 is both a party and a statement: a manifesto of the in-correct as an artistic and collective force.
Since 2015, In-Correcto has grown from a cultural magazine into one of Latin America’s most vital independent hubs, operating as a record label, publishing house, and creative collective. With more than 160 releases ranging from punk and ambient to trip-hop and experimental cumbia, the label has supported a generation of artists whose work is as socially engaged as it is sonically daring. Through compilations, anniversary concerts, and political projects, In-Correcto has solidified its reputation as a catalyst for collaboration, solidarity, and cultural cross-pollination in Bogotá and beyond. Based in Vienna with roots on Colombia’s Caribbean coast, discos elgozo shares this vision. Founded in 2024, the label works with Colombian artists and their diaspora, releasing music that fuses ancestral knowledge, queer-feminist expression, sonic experimentation, and joy as a political force—as a way to resist cultural erasure, reactivate traditions, and recover collective vitality. Its catalog spans salsa brava, bullerengue, psychedelic cumbia, and experimental jazz, with a strong focus on vinyl as an act of listening, memory, and resistance.
Carefully pressed, In-Correcto 15–25 is more than a record: it is a bridge between Bogotá’s underground and a global network of listeners. A sonic archive and an invitation to dance, it reaffirms that joy, experimentation, and community remain powerful tools to imagine the world otherwise.
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