- A1: The Cruel Angel's Thesis(Zankoku Na Tenshi No Thesis)
- A2: Fly Me To The Moon 2020
- A3: Mugen Houyou
- A4: Shiawase Wa Tsumi No Nioi
- A5: The Cruel Angel's Thesis(Zankoku Na Tenshi No Thesis) 2009Version
- A6: Tensions - Welcome To The Stage
- A7: Akaki Tsuki
KING RECORD News
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- A1: Ohayo! Voice Cast:minami Takayama, Yoko Kawanami, Miki Narahashi
- A2: Renaissance Jounetsu Vocalist:wataru Kuniyasu
- A3: Idainaru Ajio<Bgm>
- A4: Okazu Yunta Vocalist:minami Takayama, Yoko Kawanami, Miki Narahashi
- A5: Konishi No Kokuhaku Voice Cast:hirotaka Suzuoki
- A6: Hisshyoku Ryourinin Vocalist:hirotaka Suzuoki Chorus Singers:minami Takayama, Yoko Kawanami, Miki Narahashi
- A7: Hinode Syokudo<Bgm>
- A8: Syokuseikatsu Vocalist:tomohiro Nishimura
- B1: Eye Catch Voice Cast:minami Takayama, Yoko Kawanami, Miki Narahashi
- B2: Onabe Wo Mitetene Vocalist:mari Yokote
- 3: Aji Syobu<Bgm>
- B4: Ajiou Ryourikai Kaika Vocalist:yuzuru Fujimoto & Ajio Ryouri Kanto Shibu
- 5: Shimonaka No Kokuhaku
- B6: Surume No Iji Vocalist:tomohiro Nishimura
- B7: Yokokuhen Voice Cast:kenyu Horiuchi Narrator:minami Takayama
- B8: Kokoro No Photograph Vocalist:wataru Kuniyasu
The analog LP reissue of the original soundtrack album from the anime Mr. Ajikko, which aired in 1987. The original LP catalog number is K28G-7379, and the original
CD catalog number is K32X-7125, released on June 21, 1988 (the tracklist differs from the CD released in 2004, which included eight newly added tracks).
The original manga, created by Daisuke Terasawa, was serialized in Weekly Shonen Magazine from autumn 1986 to the end of 1989, and was adapted into an anime
series that aired on TV Tokyo from October 1987 to September 1989.
This is the only soundtrack album for the anime series. It features the opening theme “Renaissance Jounetsu” and the ending theme “Kokoro no Photograph”, both
composed and sung by singer songwriter Wataru Kuniyasu, who is also known for composing Akina Nakamori’s “Gypsy Queen”. Lyrics were written by Ikki Matsumoto,
and arrangements were done by Tatsumi Yano.
The album includes image songs, eyecatch music, and preview tracks, with contributions from renowned comedy song artists Masayuki Yamamoto (Side A tracks 4 and 6)
and Tatsuo Kamon (Side B tracks 1 and 7). The album was structured, scripted, and directed by the anime’s director Yasuhiro Imagawa, making it a variety style album.
The main background music (BGM) was composed and arranged by Daito Fujita (Side A tracks 1, 3, 5, 7; Side B tracks 3, 5). The original manga author Daisuke
Terasawa also contributed lyrics for two songs (Side B tracks 3 and 5). Voice actor Tomohiro Nishimura participated both as a singer (Side A track 8; Side B track 7)
and as an arranger (Side B track 7).
Voice actors Minami Takayama, Yoko Kawanami, Miki Narahashi, Hirotaka Suzuoki, and Kenyu Horiuchi also participated in min dramas and chorus segments.
This album, which comically and dramatically portrays cooking battles, is a “Bravo!” anime soundtrack that closes out the Showa era in style. After 37 years, it is finally
being reissued as an analog LP a long-awaited release for anime connoisseurs!
- A1: Four
- A2: Broken Wing
- A3: Seven Steps To Heaven
- B1: Arborway
- B2: I'm A Fool To Want You
Originally released in 1988.
- A1: Stella By Starlight
- A2: For Minors Only
- A3: Almost Blue
- B1: Portrait In Black And White
- B2: My Funny Valentine
This is a miraculous live album capturing Chet Baker's moving performance in Japan on June 14, 1987.
- A1: Yamame
- A2: Memories Through Thick Glasses
- A3: Fly Casting
- A4: Like Someone In Love
- B1: Out Of Nowhere
- B2: Le Crepuscule Embaume
- B3: Like Sonny
'Yamame' (the Japanese name for a kind of freshwater salmon) was recorded in 1962 and was Miyazawa’s first album, but the sharpness and avant-garde modernity of the music creates a completely timeless quality. Miyazawa is one of a group of musicians who laid the foundation of the Japanese jazz scene. He wanted to express his cultural heritage by doing something he felt “only someone Japanese” could do, and so he dedicated himself to a pursuit of “Japanese jazz”. Incidentally, the album was originally simply titled “Akira Miyazawa”, but perhaps due to the impression the cover art and the track titles made, it was reissued in 1977 as “Yamame”, and has gone by that title ever since. This is an historic masterpiece of Japanese jazz.
Tenor Saxophone – Akira Miyazawa
Alto Saxophone, Flute – Sadao Watanabe (tracks: B1 to B3)
Baritone Saxophone, Clarinet – Tadayuki Harada (tracks: B1 to B3)
Trombone – Mitsuhiko Matsumoto (tracks: B1 to B3), Yasuhiro Tomoto (tracks: B1 to B3)
Trumpet – Akira Nakano (tracks: B1 to B3)
Piano – Masahiko Sato
Bass – Masanaga Harada
Bass Trombone – Takeshi Aoki (tracks: B1 to B3)
Drums – Kanji Harada, Takeshi Inomata
Supervised By – Jiro Kubota
- A1: Korekara No I Love You
- A2: Rosa
- A3: Tooi Machi No Dokokade
- A4: Mellow
- A5: Sekaijuu No Dare Yori Kitto
- A6: Shiawase Ni Naru Tame Ni
- A7: Anataninara
- A8: Tada Nakitaku Naru No
- A9: Sea Paradise-Ol No Hanran
- A10: Hero
- A1: Small Talk
- A2: Hey!
- A3: Run
- A4: Spin Wave
- A1: Sweetest Lover
- A2: Too Fast Too Close
- A3: Bad Girl
- A4: Diamond Lights
- A5: Tenshi No Kimochi
- A6: Witches
- A7: Hitomi De Lovin' You
- A8: Please
- A9: Try Or Cry
- A1: Sankaibushi (Sankai-Bushi)
- A2: Yakko-San (Lord)
- A3: Mamurogawa Ondo (Mamurogawa Ondo)
- A4: It Seems To Be My Cousin
- A5: Konpira Fune-Fune
- A6: Otemoya-San (Otemoya-San)
- A7: Joban Tanko-Bushi (Tokiwa Tanko-Bushi)
- A8: Tanko-Bushi (Tankou-Bushi)
- B1: Yagi-Bushi (Yagi-Bushi)
- B2: Okosa-Bushi (Okosa-Bushi)
- B3: Soma Bon-Uta (Sōma Bon Festival Song)
- B4: Yasugi-Bushi (Yasugi-Bushi)
- B5: Hanagasa Dance (Hanagasa Dance)
- B6: Kusatsu-Bushi (Kusatsu-Bushi)
- B7: Shikararete (Being Scolded)
- B8: Densho-Bushi (Dekansho-Bushi)
The origin of Chiemi Eri, who continues to enjoy great popularity across generations and borders.
Seven analog records focusing on "jazz" are released simultaneously!
Chiemi Eri sings traditional Japanese folk songs and nursery rhymes, arranged in jazz or Latin style. The lineup is also impressive.
- A1: Take The A Train
- A2: My Funny Valentine
- A3: Somewhere, Sometime
- A4: Misty
- A5: After You've Gone
- B1: St. Louis Blues
- B2: What We Gonna Do About It
- B3: Sorry
- B4: Again
- B5: Morning
This album marks the beginning of Chiemi Eri's popularity, which transcends generations and borders and remains highly popular to this day.
Seven vinyl records focusing on "jazz" have been released simultaneously! This album commemorates the 30th anniversary of Chiemi Eri's debut, and was supervised by her mentor, Carl Jones. You can enjoy Chiemi's even more mature jazz singing.
- A1: Crazy Rhythm
- A2: My Funny Valentine
- A3: Just Squeeze Me
- A4: Tenderly
- B1: Whirlwind Blues
- B2: Midnight Sun Will Never Set
- B3: Love Is Here To Stay
- B4: I Get A Kick Out Of You
This album marks the beginning of Chiemi Eri's popularity, which continues to transcend generations and borders.
Seven vinyl titles focusing on jazz are released simultaneously! This is her second collaboration album with Carl Jones.
The lineup also includes a stellar lineup, including Sadao Watanabe, Hideo Shiraki, and Sharps & Flats.
- A1: Cheek To Cheek
- A2: Again
- A3: Dream
- A4: Under The Paris Sky
- B1: Nearness Of You
- B2: You You You
- B3: Love Her
- B4: Stompin' At The Savoy
This album marks the beginning of Chiemi Eri's popularity, which continues to transcend generations and borders.
Seven vinyl titles focusing on jazz have been released simultaneously! Featuring jazz master Carl Jones, this is Chiemi Eri's signature jazz album.
It features a balanced mix of solo tracks by Chiemi and Carl, as well as duo numbers.
- A1: Medley: Tennessee Waltz / A Guy Is A Guy / C'est Si Bon / Too Young / Come On, My House
- A2: Sanosa
- A3: Marina
- A4: Soran Bushi
- A5: Paper Moon
- A6: When The Saints Go Marching In
- B1: Dry Bones
- B2: Dagger Mckee
- B3: A Love Story
- B4: O.k. You Win
- B5: No Greater Love
- B6: 16 Tons
- B7: Side By Side
This is the origin of Chiemi Eri, who continues to enjoy immense popularity across generations and borders.
Seven vinyl titles focusing on jazz are released simultaneously! Chiemi Eri, at the height of her powers, performs with the Delta Rhythm Boys, America's
leading male vocal group. This is a happy, swinging, and heated live recording!
- A1: Cachito
- A2: El Cumbanchero
- A3: Kisses Kisses Kisses
- A4: Anna
- B1: A Love Story
- B2: La Cucaracha
- B3: Via Con Dios
- B4: Babalù
The origin of Chiemi Eri, who continues to enjoy immense popularity across generations and borders.
Seven vinyl records focusing on "jazz" have been released simultaneously!
This album is a masterpiece of Chiemi's life, with perfect content, jacket, and sound quality. It includes immortal hits such as "Cachito" and "Kiss Kiss Kiss"
- A1: Besame Mucho
- A2: The Pea Seller
- A3: Malagueña
- A4: Taboo
- B1: Fallen Leaves
- B2: My Boyfriend
- B3: Come Back To Me, My Lover
- B4: Swanny
This is the origin of Chiemi Eri, who continues to enjoy immense popularity across generations and borders. Seven vinyl records focusing on jazz are
released simultaneously! Chiemi's punchy style explodes against the backdrop of two of Japan's biggest big bands!
This album is a collection of soulful standard numbers that marks the end of her single years.
- A1: Abashiri Bangaichi
- A2: Tabisugata Sannin Otoko
- A3: Tabigasa Dochu
- A4: Otoko Nara
- A5: Ruten
- A6: Otoko No Uramachi
- B1: Karajishi Botan
- B2: Tsuma Koi Dochu
- B3: Ootone Tsukiyo
- B4: Meigetsu Akagiyama
- B5: Zatoichi Komoriuta
- B6: Tokyo Nagaremono
【Record Day 2025 Item】
Akira Miyazawa, a master of Japanese jazz who left behind such important works as “Yamamegyo”, “Iwana” and “Kiso” a work that recalls the original
landscape of Japan, has created a unique work based on “ninkyo eiga uta”, “enka” and “gunka”, with all songs arranged by Masao Yagi in jazz rock/rare
groove style!
The theme of “Abashiri Bangaichi” is supported by an inert flute, giving it an Ethiopian funk flavor. The Latin jazz-rock style of “Ryutensha” with its impressive
congas and vibraphone. “Zatoichi Lullaby” which starts with a superb groove from the introductory drum break and features a smooth and lustrous saxophone...
each of these songs is a unique Japanese groove sound spectacle with a mysterious combination of sounds.
Regrettably, the personal credit for “Soul Leon” is unknown, but its tight sound image and strong groove have led some to suggest that it may have been recorded
on the eve of the formation of Sound Limited, given the timing of its release in 1969.
The legendary jazz bassist Isao Suzuki, revered worldwide for his extraordinary talent, recorded this vibrant session in 1981 alongside his longtime collaborator Tsuyoshi Yamamoto. Now, this rare gem returns on analog vinyl!
Infused throughout with the infectious rhythms of Brazilian music, the album captures a festive spirit brought to life by an all-star lineup including Takayuki Kato, Ichiro Doi, and Donald Bailey.
- A1: My Music Starts, My Life Begins
- A2: Vision - Days To Come
- A3: The Gentle Rain
- B1: Loving Lash
- B2: China On My Mind
- B3: Dialogue In Myself
- B4: In A Sentimental Mood
The one-of-a-kind solo album by legendary jazz bassist Isao Suzuki—originally released in 1981—is now reissued on analog vinyl!
Crafted entirely by Suzuki himself through meticulous multi-track recording, the album features an eclectic mix of instruments including upright bass, Hammond organ, vocoder, Taishogoto, and erhu, along with his own vocals. Not only did he compose and perform all the music, but he also designed the jacket artwork and wrote the liner notes, making this truly a singular, self-contained expression of Isao Suzuki in every sense—a bold, genre-defying one-man masterpiece.
- A1: ホワイト・ベース月へ; Music By, Arranged By – 松山祐士
- A2: 想い出はつらく; Music By, Arranged By – 松山祐士
- A3: 白い奴; Music By, Arranged By – 松山祐士
- A4: 再会、父よ; Music By, Arranged By – 渡辺岳夫*
- A5: 迫るジオン; Music By, Arranged By – 渡辺岳夫*
- A6: 戦場の兄妹; Music By, Arranged By – 渡辺岳夫*
- A7: 巨大な戦場; Music By, Arranged By – 松山祐士
- A8: 指輪; Music By, Arranged By – 渡辺岳夫*
- A9: ビグ・ザムの男; Music By, Arranged By – 松山祐士
- B1: 重い時間; Music By, Arranged By – 渡辺岳夫*
- B2: ララァ; Music By, Arranged By – 松山祐士
- B3: 出撃; Music By, Arranged By – 渡辺岳夫*
- B4: ビギニング; Lyrics By – 井荻 麟*; Music By, Arranged By – 井上大輔*
- B5: 憎しみの光; Music By, Arranged By – 渡辺岳夫*
- B6: 宿命の二人; Music By, Arranged By – 渡辺岳夫*
- B7: 仲間たち; Music By, Arranged By – 渡辺岳夫*
- B8: めぐりあい; Arranged By – 鷺巣詩郎*; Lyrics By – 売野雅勇*, 井荻 麟*; Music By – 井上大輔*
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