- Bass Tone - Squidgy Black
- Bass Tone - Cem4430
- Bass Tone - Sleepy Sweep
- Bass Tone - Eric’s Wobble
- Bass Tone - Fisherman’s Friend
- Bass Tone - Hollow Cat
- Bass Tone - Shadows From The Moon
- Bass Tone - Ripley’s Insides
- Lead Tone - Mind Ray
- Lead Tone - Horny Solo
- Lead Tone - Mrs Pipes
- Lead Tone - Hand Sync
- Lead Tone - Speak To The Hand
- Lead Tone - Numan’s Car
- Lead Tone - Escape From New York
- Lead Tone - Year 2106Atonal Scratch Sounds
- Evolving Drum Sequence
- 133: 33 Bpm Bass Phrases
- Funk Bass Phrases
- Funk Phrases With Cm To Gm Blues Scale Bass And Lead
- Funk Progressions 1 With Em To Bm Blues Scale Bass And Lead
- Funk Progressions 2
- Soul Phrases And Chords 1 With Cm To Gm Blues Scale Bass And Lead
- Soul Phrases And Chords 2 With Em To Bm Blues Scale Bass And Lead
- Soul Phrases And Chords 3 With Dm To F Major Blues Scale Bass And Lead
- Soul Phrases And Chords 4 With D#M To F# Major Blues Scale Bass And Lead
- Major 7Th Chords - Circle Of 5Ths Sequence
- Major 7Th Chords - Circle Of 5Ths Sequence Variation 2
- Major 7Th Chords - Circle Of 5Ths Sequence Variation 3
- Minor 7 Chords - Circle Of 5Ths Sequence
- Minor 7 Chords - Circle Of 5Ths Sequence Variation 2
- Minor 7 Chords - Circle Of 5Ths Sequence Variation 3
- Experimental Tone - Avant Guard Dog
- Experimental Tone - Contact Made
- Experimental Tone - Tank Zapper
- Experimental Tone - Off Limits
- Experimental Tone - Arp Attack
- Skip Proof - Vocoded Fresh Ahh
- Skip Proof - Atonal Noise Sweeps
- Skip Proof - Atonal Noise Sweeps 2
Tones 1.0 is a record specifically made for the purpose of melodic scratching, although it is not limited to just that; it can be also used as a production tool.
Think of Tones 1.0 as a synthesized toolkit that blurs the lines between live performance and production.
Side A consists of 16 locked modulating tones (8 bass tones and 8 lead tones) that have been recorded from various analog synthesizers. They were recorded live while manipulating cut-off frequencies, resonance and LFOs to a click track at 133.33 BPM. This gives the tones extra rich sonics and more depth while being scratched. Each bass tone is recorded at middle C (C3) while each lead tone has been recorded an octave higher (C4).
Side B consists of musical phrases, chords, drums, experimental tones and skip-proof atonal scratch sounds, all of which have been recorded at 133.3 BPM.
You’ll find a rich tapestry of ideas to choose from ranging from funk basslines/chords and licks, soul chords and licks, drums, atonal scratch sounds and experimental tones that create futuristic atmospheres. Major and minor 7th chords follow the circle of 5ths so that they are all relative to each other, perfect for creating music quickly. Once you’ve created a beat/sketch you can then jump to the skip-proof atonal scratch sounds and solo over the top. Enjoy.
